List of cultural monuments in Hosterwitz

 Map with all coordinates: OSM | WikiMap

The list of cultural monuments in Hosterwitz includes all cultural monuments in the Dresden district of Hosterwitz . The Hosterwitz district lies entirely in the Elbe slope monument protection area (in force on March 28, 1997). The notes are to be observed.

Legend

• Image: shows a picture of the cultural monument and, if applicable, a link to further photos of the cultural monument in the Wikimedia Commons media archive
• Designation: Name, designation or the type of cultural monument
• Location: If available, street name and house number of the cultural monument; The list is basically sorted according to this address. The map link leads to various map displays and gives the coordinates of the cultural monument.
  

Map view to set coordinates. In this map view, cultural monuments are shown without coordinates with a red marker and can be placed on the map. Cultural monuments without a picture are marked with a blue marker, cultural monuments with a picture are marked with a green marker.

• Dating: indicates the year of completion or the date of the first mention or the period of construction
• Description: structural and historical details of the cultural monument, preferably the monument properties
• ID: is awarded by the State Office for the Preservation of Monuments in Saxony. It clearly identifies the cultural monument. The link leads to a PDF document from the State Office for the Preservation of Monuments in Saxony, which summarizes the information on the monument, contains a map sketch and often a detailed description. For former cultural monuments sometimes no ID is given, if one is given, this is the former ID. The corresponding link leads to an empty document at the state office. The following icon can also be found in the ID column ; this leads to information on this cultural monument at Wikidata .

List of cultural monuments in Hosterwitz

image	designation	location	Dating	description	ID
	Monument protection area Elbe slopes	(Map)		of importance in shaping the townscape and landscape and thus of indications	09305812
	Papal palace	Am Keppschloß 9 (map)	1801 (garden house)	Garden house / pleasure house (former); Belonging to the Keppschloss, originally used as a billiards room and bowling house, today residential building, significant in terms of building history, local history and personal history (see also Dresdner Strasse 89-95, 97 and Herbert-Barthel-Strasse 1, 2).	09211101
More pictures	Keppschloss	Am Keppschloß 27 (map)	1850 (castle)	Castle, property and enclosure (Am Keppschloß 27) and gatehouse (Dresdner Straße 97); Castle as an elongated, two-and-a-half-storey plastered building with three short wings, each asymmetrically arranged with a tower, after renovation 2004-2006 tower structures again with the characteristic crenellated wreaths, structure structurally and artistically as well as characterizing the townscape and local history, overall also of importance for landscape design one of the landmarks of the Dresden Elbe slope (see also Am Keppschloß 9, Herbert-Barthel-Straße 1, 2 and Dresdner Straße 89-95).	09211102
More pictures	Maria on the way	Dresdner Strasse (map)	1876–1877 (wayside chapel), 19th century (triumphal cross group), early 20th century (crucifix)	Chapel with fittings and enclosure / retaining wall; formerly part of the summer residence of Prince and later King George, small, neo-Gothic building typical of the time, significant in terms of architectural and artistic as well as regional history (memorable to Wettiner).	09211126
	Country house in open development with gate system	Dresdner Strasse 13 (map)	1847–1848 (residential building)	Distinctive building in the Swiss style, the gate system directly on the street quite complex, property is significant in terms of building history and site development.	09211099
More pictures	New cemetery	Dresdner Strasse 20 (map)	1870 (cemetery chapel), after 1871 (German-French war memorial)	Hosterwitz graves, chapel, war memorial, avenue and enclosure; Graves of local history, also typical for their time or important in terms of personal history, Gothic chapel architecturally distinctive, significant in terms of building history, local history and personal history.	09211097
	House in a corner and open development with fencing	Dresdner Strasse 36 (map)	1850 (residential building)	distinctive building of its time with a half-hip roof and wooden veranda, significant in terms of architectural history.	09216782
	Residential house with enclosure in open development	Dresdner Strasse 37 (map)	1927 (residential building), 1936–1937 (enclosure)	Log house from the company Christoph & Unmack from Niesky, characteristic wooden house from the 1920s, largely preserved in its original form, significant in terms of building history.	09300846
More pictures	Memorial Carl Maria von Weber	Dresdner Strasse 44 (map)	1661–1663 Dendro (first building)	Residential house with outbuildings, garden, fencing and gate system; Characteristic, rural building of its time, striking roofs, enlivened by folding shutters and lattice windows, largely authentic, Carl Maria von Weber's summer apartment, significant in terms of building history, also of importance in terms of local history, personal history (memorable) and characterizing the local image.	09211107
	Residential house, outbuildings, gate and enclosure	Dresdner Strasse 54 (map)	1851 (residential house)	The first with a wooden extension, a cast-iron balcony, axial structure and a crooked hip roof, probably from the Biedermeier period, adorned the street-side facade in historicism, significant building history.	09216785
	Villa, pavilion, enclosure, plastic and garden	Dresdner Strasse 66 (map)	2nd half of the 19th century (villa); 1905 (garden pavilion)	Former residence of the Meißner bishop, in front of it the Brockhaus family estate, remarkable property, the residential building with a sophisticated historicizing design, the garden front accentuated by the central balcony, the garden house by Schumacher an elegant example of reform architecture after 1900, garden enlivened with sculptures and vase, staged pathways Garden house, entire complex structurally and artistically significant and singular.	09211537
	Residential house with outbuildings and gazebo in open development	Dresdner Strasse 71 (map)	around 1873 (residential building)	Facade of the house with a vine trellis, significant in terms of architectural history. Opposite the New Hosterwitz Cemetery, which was laid out until 1870, Friedrich August Hauke ​​had the detached, single-storey house built with a jamb and beaver-tail-roofed gable roof around 1873. The plastered building, the façades of which are decorated with vine trellises typical of the area, is important in terms of the history of the building due to its largely preserved condition, including the outbuildings. The shape of the wall openings, which are set off with brackets, the double-leaf windows with skylights and shutters, as well as the decorated purlin ends.	09211098
	Boundary walls, together with Herbert-Barthel-Straße 1, 2	Dresdner Strasse 89; 91; 93; 95 (card)	18th century (wall)	Boundary walls; Formerly part of the Keppschloß property, defining the townscape (see also Am Keppschloß 9, Herbert-Barthel-Straße 1, 2 and Dresdner Straße 97).	09211100
More pictures	Keppschloss	Dresdner Strasse 97 (map)	1850 (castle)	Castle, property and enclosure (Am Keppschloß 27) and gatehouse (Dresdner Straße 97); Castle as an elongated, two-and-a-half-storey plastered building with three short wings, each asymmetrically arranged with a tower, after renovation 2004-2006 tower structures again with the characteristic crenellated wreaths, structure structurally and artistically as well as characterizing the townscape and local history, overall also of importance for landscape design one of the landmarks of the Dresden Elbe slope (see also Am Keppschloß 9, Herbert-Barthel-Straße 1, 2 and Dresdner Straße 89-95).	09211102
More pictures	Residential house in open development	Dresdner Strasse 101 (map)	2nd V. 19th century (residential building)	The home and workplace of the glass artists Leopold and Rudolf Blaschka, the building, which is covered with a crooked hip roof, is a characteristic building from the Biedermeier period of the early 19th century, significant in terms of both personal and architectural history.	09210264
	Residential house in corner location and open development	Dresdner Strasse 117 (map)	1st third of the 18th century (residential building)	Facade of the house with a vine trellis, a characteristic rural building from the first third of the 18th century, significant in terms of building history.	09211112
	Villa with outbuildings (garages), garden and fencing	Dresdner Strasse 133 (map)	2nd half of the 19th century (villa)	characteristic building from the middle of the 19th century, rebuilt in 1922/1923 and enriched with expressionist architectural decoration, significant in terms of building history.	09211114
	Villa and villa garden with garden terrace	Dresdner Strasse 135 (map)	1910–1911 (villa), 1910s (villa garden / country house garden)	extremely representative ensemble of villa and villa garden from the first half of the 20th century, the high, widely visible roof is striking, accentuated by the building of the tower on the street side, significant in terms of building history and art.	09211110
More pictures	Royal Summer Villa (former)	Dresdner Strasse 145; 147; 149 (card)	1836 (villa), 1865 (outbuilding), 1893 (farm building)	Villa with farm building, outbuilding, garden (on parcel 52/1) and fence; the former is a characteristic classicist building, the other houses are younger, home of Prince Georg, Duke of Saxony, 1902–1904 king of the state, the complex is important in terms of building history and regional history, and it also shapes the townscape.	09211109
	Residential house in open development	Eichbuschweg 2 (map)	1927 (residential building)	Residential house in open development; traditional building from the 1920s, significant in terms of building history.	09211127
	villa	Eichbuschweg 7 (map)	1875/1880 (villa)	Today children's home, impressive building of the Dresden school with a symmetrical elevation to the street side, based on the Italian Renaissance, loggia open to the south, facades with rich, accentuating ornamentation, visible from afar because it towers over the surrounding buildings, one of the formerly few solitary buildings in the area, which, as a summer resort, shaped the townscape alongside the Pillnitz palace complex and the village centers, significant in terms of building history, artistry and urban planning.	09211111
	Boundary walls, together with Dresdner Straße 89–95	Herbert-Barthel-Strasse 1; 2 (card)	18th century, wall (enclosure)	Formerly part of the Keppschloß property, characterizing the townscape (see also Am Keppschloß 9, and Dresdner Straße 89-95, 97)	09210263
	villa	Hohe Leite 5 (map)	around 1900 (villa)	Impressive and creatively demanding building around 1900 with a picturesque and at the same time objectified facade design, conspicuous the attached corner tower with hood, historically and artistically significant.	09211104
	villa	Hohe Leite 7 (map)	around 1910 (villa)	Typical building of the reform architecture with an objectified but balanced facade design, of structural historical importance, as part of the Elbe slopes between Loschwitz and Pillnitz also important for landscape design.	09211105
	Keppgrundschlösschen	Keppgrund 1 (map)	1812 according to the chronicle (guest house), in 1812 to 1960	Gasthaus (former); Distinctive building with half-timbered upper floor and roof bay, historically significant and defining the townscape, also of importance in terms of architectural history (testimony to folk architecture).	09211103
	Old school	Kirchgasse 4 (map)	1865 (church school)	Schoolhouse, outbuildings and enclosure; Characteristic and largely original school building of its time, also forms a unique ensemble with the Hosterwitz village church and the rectory, which is also nearby, of importance in terms of building history, local history and landscape design.	09211122
	Residential house in open development	Kirchgasse 5 (map)	1st half of the 19th century (residential building)	forms a unique ensemble with the Hosterwitzer village church and the nearby buildings of the school and parish, significant in terms of local history and architectural history.	09211121
	Rectory with administration, teaching and living rooms	Kirchgasse 6 (map)	marked 1882 (rectory)	forms a unique ensemble with the Hosterwitz village church and the school building, which is also nearby, and is of local historical importance.	09211120
More pictures	Church and cemetery Hosterwitz (entity)	Kirchgasse 7 (map)	around 1500 (churchyard)	The whole of the church and cemetery in Hosterwitz, with the following individual monuments: Church of Maria am Wasser (see individual monument document 09211118, same address), monumental graves and enclosure wall including two entrances and wooden gates (see individual monument document 09213753, same address) as well as the area of ​​the complex as a whole; Church and churchyard in their grown functional and design unit, oval-shaped, visual connections to the Borsberg and the Elbe, one of the oldest and most characteristic cemeteries in the urban area of ​​Dresden, artistically, landscape-shaping, local history and personal history significant.	09305720
More pictures	Individual monument belonging to the church and cemetery Hosterwitz: Church of Maria am Wasser; Hosterwitz church and churchyard	Kirchgasse 7 (map)	1497–1500 (church), 1664 (predella), 1774 (pulpit altar), marked 1930 (pulpit altar), 1641, for Rosina Rüdinger (epitaph)	Individual monument of the whole of the church and cemetery Hosterwitz (see the whole document 09305720): Church, plus equipment; from the late 15th century, in its current form as a hall building with roof turrets and a polygonal end mostly going back to the renovation of 1774, historically and artistically (evidence of the church architecture of the 15th and 18th centuries) as well as significant in terms of local history, also defining the townscape, also important landscape design Element.	09211118
More pictures	Individual features of the church and cemetery Hosterwitz: monumental graves	Kirchgasse 7 (map)	significant 18./19. Century (tomb)	Individual features of the aggregate church and cemetery Hosterwitz (see aggregate document 09305720, same address): monumental graves and enclosure wall including two entrances and wooden gates; Parts of one of the oldest and most characteristic cemeteries in the urban area of ​​Dresden, artistically, landscaping, local history and personal history.	09213753
	Residential house in open development	Kirchgasse 9 (map)	1846/1855 (residential building)	Characteristic and largely original building of its time, also forms a unique ensemble with the Hosterwitz village church and the buildings of the parish and the school, which are also nearby, of architectural and local significance.	09211119
	Municipal waterworks	Laubegaster Strasse (map)	1904–1905 (fountain house)	Pumping station with borehole; One-and-a-half-storey building over an octagonal floor plan, evidence of the water supply to Hosterwitz at the beginning of the 20th century, significant in terms of local history, technology history and economic history.	09211115
	Memorial to those who fell in World War I	Laubegaster Strasse (map)	1933–1934 (war memorial)	of local importance. In November 1932, the Hosterwitz local council decided, after several attempts that had failed due to inflation and discussions about the location, to erect a memorial for the fallen soldiers of World War I on the communal land on Laubegaster Strasse by the Keppbach.	09211116
	Plantagengut (formerly)	Laubegaster Strasse 2 (map)	inscribed 1689 (good)	Villa, farm building and archway with coat of arms stone (1689); Significant in terms of building history and local history.	09211117
	Marienhof	Laubegaster Strasse 5; 7 (card)	around 1840 (residential building)	Rural property consisting of two free-standing rectangular buildings with pitched roofs; the building to the north with a classicist gable, significant in terms of local history, with the architectural details as an important structural testimony from the first half of the 19th century (documentary value).	09216783
	House with side building (stone with inscription)	Laubegaster Strasse 10 (map)	marked 1780, later rebuilt (residential building)	Residential house with side building (stone with inscription); Significant in terms of local history and building history.	09216784
	Residential house with side extension in open development	Laubegaster Strasse 15 (map)	marked 1863 (residential building)	Typical country house-like building from the middle of the 19th century, inside a large part of the original wall-mounted furnishings, especially significant in terms of building history, as the home of the Hosterwitz master builder Beeger also of personal history.	09306517
	Villa with annexes	Maille-Bahn 2 (map)	from 1854 (villa)	System with a U-shaped floor plan, Elbe-sided core building in the style of Tuscan country houses, built around the middle of the 19th century as a summer residence for Karl Heinrich von Einsiedel, Royal Saxon Major General, in 1913 the north-western wing was rebuilt instead of the previous building that had been demolished, possibly using older ones Components, interior lavish interior with stucco decor, wall mountings, doors, etc., one of the formerly few solitary buildings in the area, which, as a summer resort, shaped the townscape next to the Pillnitz palace and the village centers, significant in terms of building history, personal history, urban planning and artistically.	09211123
	Outbuildings	Maille-Bahn 6 (map)	1870 (outbuilding)	Distinctive late-historical building, one of the most elaborate of its kind in Dresden, remarkable the solidity of the execution with sandstone blocks and excellently worked out details (headbands, purlin ends, cloaks, wall anchors with decoration, etc.), significant in terms of building history.	09301145
	Fabrice villa	Maille-Bahn 8 (map)	around 1870 (villa)	Villa, park-like garden and enclosure as well as retaining wall (substructure with railing on the Elbe side); Residence of two Saxon aristocratic families, von Watzdorf and von Fabrice, a sophisticated property, mansion buildings primarily historicizing, one of the formerly few solitary buildings in the area, which, as a summer retreat, shaped the townscape next to the Pillnitz castle and the village centers, significant in terms of building history, personal history, artistically and landscape design	09211124
	Residential house in open development	Pillnitzer Landstrasse 298 (map)	around 1930 (residential building)	Timber house from the company Christoph & Unmack from Niesky, a remarkable example of a prefabricated house from around 1930, significant in terms of building history, also of artistic importance, as it is artistically demanding and most likely designed by a well-known architect.	09304574
	Tenement house with wooden loggias in open development	Pillnitzer Landstrasse 309 (map)	1905–1906 (tenement house)	of importance in terms of building history and local history. The free-standing, two-story apartment building at Pillnitzer Landstrasse 309 was completed by 1907 at the latest.	09211125
	To the linden tree	Van Gogh Strasse 1 (map)	1863 (inn)	Gasthaus (former); historic restaurant, significant in terms of local history.	09211113
	To the jump	Wasserwerkstrasse 1 (map)	around 1708 according to chronicle (inn)	System on a U-shaped floor plan, consisting of two parallel two-storey buildings with half-hipped roofs, narrow, lower connecting tract and ancillary buildings; historic inn, significant in terms of local history, also important in terms of building history and shaping the townscape.	09211095
More pictures	Hosterwitz waterworks	Wasserwerkstrasse 2 (map)	1907–1908 (waterworks)	System consisting of a drinking water filter hall (originally a boiler house), highlighted by a curved crooked hip roof and ridge turret, attached machine house and head building, elongated river water filter hall (originally a coal storage building), residential building with a designed entrance area, well house, residential gardens, pavilions, pergola, striking drinking fountain, gatehouse and enclosure; In terms of design, an ensemble of extremely high quality and sensitively built into the Elbe landscape, built in the shapes typical of the Erlwein City Planning Council, as buildings of the Dresden City Planning Council and as distinctive utility buildings from the beginning of the 20th century, historically significant, artistically valuable, also defining the townscape, in this context also urban planning significant.	09211108

Remarks

• This list is not suitable for deriving binding statements on the monument status of an object. As far as a legally binding determination of the listed property of an object is desired, the owner can apply to the responsible lower monument protection authority for a notice.
• The official list of cultural monuments is never closed. It is permanently changed through clarifications, new additions or deletions. A transfer of such changes to this list is not guaranteed at the moment.
• The monument quality of an object does not depend on its entry in this or the official list. Objects that are not listed can also be monuments.
• Basically, the property of a monument extends to the substance and appearance as a whole, including the interior. Deviating applies if only parts are expressly protected (e.g. the facade).

Detailed memorial texts

1. ↑ The so-called Papstschlösschen is located west of the Keppgrund exit in the Hosterwitzer Elbe slopes. Due to its hillside location, the building has a natural stone plinth on the valley side, which is almost as high as the floor of the four-axis plastered building above. With a semicircular window and a roof terrace above, the western axis deviates from the design of the eastern axes under the hipped roof. This eastern part of the facade has a strictly symmetrical structure, which is emphasized by an exit in front of the middle of the three tall rectangular windows. At the level of the base, the exit takes up a round arch niche in which a fountain basin stands. The wall surfaces appear to be moderately structured by pilaster strips that end in a cranked, strongly profiled cornice. In 1801, Count Camillo Marcolini, who had risen to the highest offices at the court of Elector Friedrich August IV, had the building built as a pleasure house within a sentimental park around today's Keppschloss. Marcolini had already acquired the previous building in 1774 and had it expanded in a representative manner. On the parapet of the exit, the building owner's gold monogram including the count's crown still adorns the pleasure house, which most likely housed a bowling alley and a billiard room when it was built. Because in 1808 the papal nuncio della Genga, later Pope Leo XII. (1823–1829) stayed here, the small building is popularly known as the Papal Palace. As a structural relic of the landscape park laid out in the late 18th century, the former pleasure house is of architectural and local historical importance. In addition, it keeps the memory of its client, the influential Count Camillo Marcolini alive, on which its personal history is based.
2. ↑ Located at the foot of the Hosterwitzer Elbe slopes, the elongated construction of the so-called Keppschloss with its three towers, asymmetrically distributed over the facade and again crowned with battlements after the renovation in 2004/06, has a defining effect on the townscape. In terms of style, the originally two-storey building, which has been two-and-a-half-storey since the 1960s, can be assigned to the neo-Gothic style due to characteristic elements such as Gothic lancet windows or triple windows with tracery. The building history of the building, which externally dates back to the late 19th century, goes back to the second half of the 17th century. Already in 1586 a vineyard, since 1661 a vineyard house in the same place is guaranteed. After the acquisition in 1774 by Count Camillo Marcolini, who was Elector Friedrich August III at the court. Among other things, he held the office of Lord Chamberlain, the property, which consists of a residential building, a summer house, a winegrower's house and a wine press, was considerably expanded to the east of the existing one with the construction of a new five-axis vineyard house. Marcolini had the buildings surrounded by a sentimental park, of which the former pleasure house (Am Keppschloß 9) still exists. From the heirs of Marcolini, the vineyard plant went to the Baroness von Trautvetter in 1835, whose family expanded the property, now known as Keppschloss, from 1850 onwards and added a stair tower between the vineyard houses. Under the successor owner, the banker Robert Thode, who, like Marcolini, was also the owner of the plantation property, the buildings were redesigned from 1861 to 1863 in the neo-Gothic style and thus standardized in their external perception. After many changes of ownership until 1920, the temporary use as a children's home as well as a labor service and refugee camp during the Second World War, resettlers and bombed-out accommodation were initially found in the Keppschloss after 1945. From 1963 it was used by the Dresden council as a district school for air protection, later a district school for civil defense. In 1997, the building used by the Free State of Saxony for training courses at the Saxon Administrative Academy passed into private hands. The conversion to luxury apartments took place by 2006. The Keppschloss is historically important because of its history going back to the 17th century, especially in terms of local and personal history. As an excellent example of neo-Gothic, which is also inspired by the English Tudor style, it also has an outstanding architectural-historical value and is also of artistic importance with its high design quality.
3. ↑ To the east of the royal summer villa built in the 1860s, Prince Georg of Saxony (1832–1904) had the "Assumption of Mary" chapel, consecrated on August 8, 1878, built as a private prayer room for himself and his family in 1876/77. The model for the neo-Gothic sacred building, which goes back to the designs of the Innsbruck architect Josef Rokita, was the royal chapel in Brennbichl near Imst in Tyrol, also designed by Rokita, the Queen Maria of Saxony in 1855 in memory of her husband, King Friedrich August II, who died in an accident the year before. of Saxony, built at the scene of the accident. With buttresses, pointed-arched tracery windows and the finial crowning the gable, the brick building borrows from the North German brick Gothic. But inside, too, the small hall, built over an almost square floor plan with a slightly drawn-in, polygonal choir, has a rich, historicist interior. The chapel, which is popularly known as “Maria am Wegen” in analogy to the parish church “Maria am Wasser”, is not only a cultural monument because of its architectural and artistic importance. Due to the close connection with the Saxon ruling house of the Wettins, it also has a regional historical value.
4. ↑ The brightly plastered gable of the two-story house on Dresdner Strasse 13, which was built in 1847/48 as a summer house for a Dresden family, rises up from the slopes of the Hosterwitz Elbe from afar. It is proven that the writer and philosopher Dr. phil. Gustav Kühne the summer months. He regularly invited poets, painters, musicians and scholars to the “Kühnes Ruhe” discussion group in the Hosterwitz villa to exchange ideas. The house remained in his family's possession until after 1945. With a flat gable roof, large roof overhang and decorations on the verge and purlin ends, the villa presents itself as a characteristic example of the Swiss house style, which enjoyed great popularity in and around Dresden towards the end of the 19th century, on which the historical significance of Dresdner Straße 13 is based. After several renovations, the gable is no longer adorned by the balcony documented around 1860, but by a glazed winter garden. In order to make a separate apartment possible on each floor, the number of dormers was increased at the end of the 1990s and additional window openings were created in the attic gable. In addition to its architectural history, the property is also of importance in terms of the history of local development as a testimony to the building activity of wealthy citizens that began in the Dresden suburbs at the end of the 19th century. The summer houses built along the banks of the Elbe, based on aristocratic models, permanently changed the formerly rural villages from Loschwitz to Pillnitz.
5. ↑ After the Hosterwitz community had given up the so-called Second Gottesacker, located west of the plantation property, around 1867 due to frequent floods and the increasing need for grave sites, they built the New Cemetery south of Dresdner Strasse by 1870, roughly below the Keppschloss. Ten grave fields (each approximately 20 × 25 m in size) are distributed over an area of ​​60 m wide and 110 m long, six in the upper northern part and four in the lower southern part, separated by a wall. The north-south axis of the elongated cemetery, enclosed by a half-height natural stone wall, is lined by a cut avenue of lime trees. The simple, single-storey plastered building of the Gottesackerhalle is located in the center. To the north in front of this is the memorial erected in 1870/71 as an obelisk for the fallen soldiers of the Franco-German War. The recorded parts of the New Cemetery are cultural monuments for reasons of local and personal history.
6. ↑ On slightly sloping terrain, a free-standing, two-storey plastered building under a crooked hip roof was built in 1850 on Dresdner Strasse at the corner of Van-Gogh-Strasse. Despite minor structural interventions, the house with its shutters and wooden veranda in front of the entrance is recognizable as a typical building from the time it was built, which is what makes Dresdner Straße 36 so important in terms of the history of architecture. In order to gain more living space in the attic, the roof was erected steeper and with hip dormers instead of the bat dormers from the construction period when it had to be replaced by rotting wood in 1933. In 1955, a two-axis, roofed balcony was added to the southern garden facade (today a garage in the basement, added on the ground floor) and the exterior plastering was renewed.
7. ↑ The single-storey log house with a jamb and a protruding saddle roof is a characteristic example of a new residential building built in the 1920s in the Heimat style of architectural significance. The south-facing, two-axis gable, which shows typical rural shapes with double-wing lattice windows, gable balcony and protruding attic, blends in with the hilly landscape of the Hosterwitz Elbe slopes. Timber construction experienced a high point during the Weimar Republic, in terms of its technical innovation and spread. Niesky-based Christoph & Unmack AG, which has developed into one of the leading companies in this sector since the beginning of the 20th century, supplied the design for the wooden house. In the 1920s, the company, which had an increasingly international focus on its sales market, was already the largest timber construction factory in Europe. The industrialized construction of Christoph & Unmack AG was characterized in particular by a high degree of technical and constructive quality while at the same time being of great architectural quality. In September 1927, the Dresden paint manufacturer Heinrich Neumann received the building permit for the residential building at Dresdner Strasse 37. After the final construction test applied for in October, the provisional approval for use was granted in November 1927. In 1936/37, the subsequent owner Richard Buban had a structurally remarkable sandstone enclosure with a bench and figure niche built at the same time as a cellar extension.
8. ↑ Ten years after his death in 1926, a memorial was set up in the winegrower's house at Dresdner Strasse 44, which was built around 1720. He and his family spent the summer months of 1818/19 and 1823/24 here Operas "Euryanthe" and "Oberon", presumably also essential parts of the "Freischütz", had composed. After the State Association of Saxon Homeland Security had already taken care of the building and its history in the 1920s and 1930s and, after reconstructing its condition around 1830, had it entered the list of monuments, the city of Dresden opened the Carl-Maria-von-Weber, which still exists today, in 1948 - Memorial site. By linking the property with the life and work of Webers, broad sections of the population associate a memorable property with the property at Dresdner Strasse 44, on which its personal historical significance is based. In addition, the two-storey, plastered solid building with an approximately T-shaped floor plan and its ancillary facilities as a rural building of baroque character are of architectural significance.
9. ↑ In 1851 the fruit dealer Samuel Gotthelf Haase had the two-storey house built with a beaver-tailed hip roof at Dresdner Strasse 54. Its northern front facing the street is characterized by regularly spaced eaves brackets and elaborate, historicizing window canopies with shell motifs on the ground floor, as well as acroteries, volutes and putti heads on the upper floor as the main viewing side. Through a crowned triple window, under which two portrait medallions are attached between fruit hangings, the central entrance axis of the altogether five-axis front is given additional emphasis. The other plastered facades, on the other hand, are structured more sparingly with corner blocks and a simple cornice. The residential building at Dresdner Straße 54 is of architectural historical value due to its testimony to the middle-class rural architecture around the middle of the 19th century. The structure, which was still influenced by the late Biedermeier period, already shows historicizing tendencies in the decor that was probably added later. A veranda under a pent roof on the ground floor facing the eastern gable and a wrought-iron exit at the rear are later additions. In 1983, the outbuilding on Eichbuschweg, which was originally used as a car shed and garage, was converted into a metalworking shop.
10. ↑ Due to its considerable length of around 150 m, the natural stone wall running along Dresdner and Herbert-Barthel-Straße has a major impact on the Hosterwitz townscape. During the construction period, the wall enclosed a sentimental park that was laid out at the end of the 18th century, with features such as a pleasure house, artificial ruin and fountain grotto. The builder was Count Camillo Marcolini, who was entrusted with high offices at the court of Elector Friedrich August IV, who had already acquired the previous building of today's Keppschloss in 1774 and subsequently had it rebuilt and expanded in a representative manner with the surrounding landscape park. Due to the increasing shortage of housing, the Hosterwitz architect Artur Schniebs designed a partial development plan C for the western part of the Keppschloss property (for today's streets Am Keppschloß, Herbert-Barthel-Straße, Dresdner Straße) in the 1930s. The buildings erected there between 1936 and 1938 not only had to take into account the Keppschloss with regard to the type of house, number of floors and roof type, but the enclosure of the former park also had to be preserved.
11. ↑ Located at the foot of the Hosterwitzer Elbe slopes, the elongated construction of the so-called Keppschloss with its three towers, asymmetrically distributed over the facade and again crowned with battlements after the renovation in 2004/06, has a defining effect on the townscape. In terms of style, the originally two-storey building, which has been two-and-a-half-storey since the 1960s, can be assigned to the neo-Gothic style due to characteristic elements such as Gothic lancet windows or triple windows with tracery. The building history of the building, which externally dates back to the late 19th century, goes back to the second half of the 17th century. Already in 1586 a vineyard, since 1661 a vineyard house in the same place is guaranteed. After the acquisition in 1774 by Count Camillo Marcolini, who was Elector Friedrich August III at the court. Among other things, he held the office of Lord Chamberlain, the property, which consists of a residential building, a summer house, a winegrower's house and a wine press, was considerably expanded to the east of the existing one with the construction of a new five-axis vineyard house. Marcolini had the buildings surrounded by a sentimental park, of which the former pleasure house (Am Keppschloß 9) still exists. From the heirs of Marcolini, the vineyard plant went to the Baroness von Trautvetter in 1835, whose family expanded the property, now known as Keppschloss, from 1850 onwards and added a stair tower between the vineyard houses. Under the successor owner, the banker Robert Thode, who, like Marcolini, was also the owner of the plantation property, the buildings were redesigned from 1861 to 1863 in the neo-Gothic style and thus standardized in their external perception. After many changes of ownership until 1920, the temporary use as a children's home as well as a labor service and refugee camp during the Second World War, resettlers and bombed-out accommodation were initially found in the Keppschloss after 1945. From 1963 it was used by the Dresden council as a district school for air protection, later a district school for civil defense. In 1997, the building used by the Free State of Saxony for training courses at the Saxon Administrative Academy passed into private hands. The conversion to luxury apartments took place by 2006. The Keppschloss is historically important because of its history going back to the 17th century, especially in terms of local and personal history. As an excellent example of neo-Gothic, which is also inspired by the English Tudor style, it also has an outstanding architectural-historical value and is also of artistic importance with its high design quality.
12. ↑ With corner grooves and a simple, console-supported cornice as the essential decorative elements, the otherwise simple, two-storey house with a crooked hip roof at Dresdner Straße 101 is a typical representative of Biedermeier architecture from the first half of the 19th century. Up until the end of this century, the building served high-ranking officials of the Saxon court as summer quarters - from 1845 to 1864 the Royal Saxon Court Marshal Georg Rudolf von Gersdorff owned Dresdner Strasse 101, after which the Royal Saxon Major Bodo von Bodenhausen stayed here House enlarged in 1864/65, the summer months. In 1887, the glass artist Leopold Blaschka (1822–1895), who came from Bohemia and had been living in Dresden with his family since 1863, acquired the property. Together with his son Rudolf (1857–1939) he produced natural science teaching aids made of glass for museums and university collections of international standing. For more than 40 years, the Blaschkas made glass models for the Botanical Museum of Harvard University, the models of which Rudolf Blaschka had sketched out on trips to the United States and the Caribbean. In addition to its architectural historical value as a testimony to the Biedermeier, the object is also of personal historical importance as the long-term residence and work of the famous glass artist Blaschka. Partially destroyed in the Second World War, the house was opened in 1999 by the “Blaschka Haus e. V. ”has been restored.
13. ↑ The core of the house located on the corner of the street Am Zuckerhut goes back to the year 1724. At that time, the Hosterwitz pastor Johann Christoph Rüdinger had the house built as the first on the road leading from Dresden to Pillnitz. In 1750 and 1752, on the opposite side of the street, the later “Zum Kronprinz” inn and the so-called weaver's house were built. It was only after the Königliche Allee was laid through the vineyards in 1794 that the number of houses along today's Dresdner Strasse increased. The simple two-storey plastered building under a half-hip roof was given a U-shaped floor plan through later additions in the rear area of ​​the property. Due to the design-restrained facades framed by a low natural stone plinth and eaves cornice, the two-sashed windows, divided into six, set in sandstone walls, are of particular importance as a formative, architectural element. Around 1910, the then owner Karl Gottlob Peuckert carried out various extensions and conversions, such as the installation of a grocery store in the south-western corner of the building or roof structures. The construction of a half-timbered veranda resting on pillars on the eastern gable dates back to the same time. The simple, baroque house is a testament to the rural architecture of the first third of the 18th century and is of architectural significance.
14. ↑ The origins of the Villa Dresdner Straße 133 go back to the Leipzig bookseller Theodor Oswald Weigel, who around 1860 acquired several adjacent parcels of land in Hosterwitz, on which he had a two-storey villa built on a square floor plan with an adjoining gardener's house in 1864. The villa was bought from Weigel's heirs in 1895 by Oswald Bernhard Junghans, who planted a berry and shaped fruit plantation on the property. The Berlin Dr. med. Kurt Große, who came into possession of the villa in 1910, not only set up a fruit store in its cellar, he also had the neighboring villa at Dresdner Strasse 135 built, where he lived until 1919. In 1919 the fur factory owner Georg Franz Hermann Richter bought the parcels including the two country houses. While he himself lived at number 135, he had Dresdner Straße 133 converted by the architect Johannes Troll into a residence for his son Willy Richter in 1921/22. By adding a single-storey, sculpturally decorated conservatory on the south facade and an extension with an external staircase to the garden on the north facade, Troll adapted the simple, two-story plastered building above the high, grooved and slightly sloped basement or plinth floor to the changed need for representation. The upright rectangular windows stand out against the pink facade with simple, white walls and green shutters. Towards the south, a wide, triaxial hipped dormer dominates the surface of the hipped roof. At the same time as the changes to the villa, Richter also had the outbuilding converted into a car garage. As a typical country house building from the middle of the 19th century, convincing due to its reduction and clear facade structure, Dresdner Straße 133 gains architectural significance.
15. ^ After the Berlin Dr. med. Kurt Große, who had bought eight parcels of property from Bernhard Junghans, submitted an application to build a house on parcel number 83 in September of that year. As a result, a representative, two-storey country house building under a towering saddle roof was built in 1910/11 according to plans by the Berlin architects Heinrich & Kaprowski. A total of four polygonal additions of different sizes and roof shapes distributed asymmetrically around the building as well as a southern side elevation with a steep pointed gable contribute significantly to the stately appearance of the country house. The decorative elements, for example the eaves brackets that partially surround the building or the four half-pillars on the north front, are in Art Nouveau forms. The country house, located on the hillside away from Dresdner Strasse, is of artistic importance in addition to its architectural historical testimony to the upper-class architecture of the early 20th century due to its high architectural quality. To the south-east of the villa there is a representative ornamental garden, which is characterized in particular by a garden terrace that is protected by a sandstone wall and accessed by a wide sandstone staircase. On this there is also a round water basin arranged in the central axis of the ornamental garden. To the east of the villa was probably the former kitchen garden, which can still be seen today through four flat terraces. In the eastern and northern gardens there are numerous old fruit trees, several walnut trees and a sweet chestnut, which testify to the passion of its former owner for fruit growing. There are still old vineyard walls above the orchard. The villa garden is of importance in terms of garden history and landscape design.
16. ↑ In the east of the Hosterwitzer corridor, on the border with Pillnitz, is the property of the former royal summer villa (Dresdner Strasse 145–149), which consists of three buildings and a garden plot at the rear. In 1836 Auguste Concordia, widowed von Pappritz, bought the parcel and had a summer house built on it, flanked by two outbuildings, which she sold in 1844 to Wolf Adolf August von Lüttichau, Privy Councilor and General Director of the Court Chapel and the Court Theater. The country house, which was converted under von Lüttichau, was acquired by Prince Georg, Duke of Saxony, from his descendants in 1864. With its moderately structured facades, the two-storey country house with mezzanine and flat hipped roof (number 149) is a typical example of classicist villa architecture from the first half of the 19th century. In front of the plastered façades, rhythmic typical of the time with corner grooves and pilaster strips, belt and parapet cornices as well as a toothed frieze below the cornice, there is a veranda with a balcony above. Inside there is an atrium with surrounding corridors, from which the rooms are accessible. The elongated building with a gable roof (number 147) adjoining to the west housed the kitchen and living room for servants. After the previous building was demolished in 1893, the two-storey building with a jamb and half-timbered ornamental gable was rebuilt in the Swiss house style. Members of the farm lived in the westernmost building (number 145) on the property, which was built in 1865. The strikingly simple facades of the two-storey house with the extended hipped roof are only structured by corner grooves. The property remained in the possession of the royal family until the death of Princess Mathilde, Duchess of Saxony. After 1933, the interior of the buildings was converted into separate apartments. As an ensemble, the construction time of which dates from the first half to the end of the 19th century, the villa property is historically significant. Furthermore, the site-defining complex built on the hillside also has regional historical significance through its history of use as a former royal summer villa.
17. ↑ In May 1927 the Hosterwitz architect Johannes (Hans) Max Troll (1882–1968) applied for a building permit for the “single-family country house” located on the Eichbuschweg on plot 92a. In September of the same year he announced the completion of his home built in the home style. On a two-storey, lightly plastered substructure with a flat natural stone base and corner rustics in a contrasting color, there is an almost equally high, steeply sloping beaver tail roof. This balanced relationship between the substructure and the roof in conjunction with the cautiously used structure results in the dignified, rural appearance of the building. As a remarkable detail, a recess with a lower conical roof on the northeast corner of the building emerges over a semicircular floor plan from the rectangular building floor plan. The south-facing long side is designed by Troll by means of an exit supported on pillars - under which the entrance is protected from the weather - and an expressionistic-looking, pointed gable arranged axially above it as the main viewing side. The only disturbing thing is the garage built on the north wall of the house at a later date. Due to its objectified design language typical of the time, Landhaus Eichbuschweg 2 is of importance in terms of building history.
18. ↑ In 1862 the Dresden citizen Friedrich Krohn had a two-story building built on former vineyards and fields south of Dresdner Strasse with a coach house to the south. After a fundamental renovation in 1873/74, the building on today's Eichbuschweg presents itself under a flat, slate-covered hip roof as a representative villa based on the Italian Renaissance. A square ground floor with segmented arched windows and a piano nobile with arched arcades or windows crowned by triangular gables rise above the natural stone basement. A surrounding frieze made of wreaths and festoons below the eaves gives the main floor additional height. The building opens to the south-facing garden by means of a three-axis round arch loggia in the upper and an outside staircase with a platform on the ground floor. The Dresden factory owner Friedrich Ernst Böhme acquired the property from the builder's heirs in 1895, and had some additions and changes made to it in 1897. After the death of his widow Frida Böhme in 1940, the villa was sold to the NS-Volkswohlfahrt eV in 1942. Since the end of 1945 the former summer house at Eichbuschweg 7 has been used as a children's home. As a testament to upper-class, representative architecture at the end of the 19th century, the villa, which was previously used as a summer house, is of architectural and artistic importance.
19. ↑ On a drawing dated 1897, the Landhaus Hohe Leite 5, located high on the hillside, is referred to as the "Berg-Villa Schreyer" after its client and contractor, the Düsseldorf architect Wilhelm Reinhard Schreyer. Repeated changes to the plan meant that the late-historic building was probably not completed until 1900. In the ground plan, the villa, which is also popularly known as the “Himmelsburg”, consists of a broad, north-south oriented part of the building with a crooked hip roof and a transverse, narrower wing of the building with a gable roof. On the other hand, the elevation appears so picturesque due to the different heights of the building parts, the jumping back and forth of different components such as corner bay windows, ornamental gables and dormers as well as the choice of different building materials and window shapes that the villa is reminiscent of the grown silhouette of a castle. The mountain villa is not only important as an architectural testimony to late historicism, the structural details are also of such quality that the object must also be given artistic value.
20. ↑ After the builder Oscar Wunderlich had received the approval in July 1909, the Landhaus Hohe Leite 7, built according to plans by the Dresden-Plauen architect Johannes Mutze, was ready for occupancy in November 1909 after just under six months of construction. On the steep hillside property, the Dresden merchant had a country house built in the form of a free-standing plastered building under a mansard hipped roof. On the sparsely structured three-axis or one-axis façades, plaster fields created in a rectangular shape around the window openings using the combing technique (today in fine plaster) contrasted with flat, drawn rough plaster. In front of the south-facing main front is a flat, central entrance project (door leaf from the construction period) with a wave-shaped gable and spherical top. In front of this, in turn, is an arbor with a figuratively decorated, two-flight flight of stairs and a likewise figuratively decorated exit on the upper floor. The Hosterwitzer Landhaus Hohe Leite 7 impresses with its clear, architectural structure, which stands in an attractive area of ​​tension with the accentuating architectural decorations and the changing surface structures. As a typical example of the reform style of the time, the object is of architectural significance.
21. ↑ The residential building in the lower area of ​​the Keppgrund in a valley basin with a massive ground floor and half-timbered upper floor was presumably in operation as an inn from its construction in 1812 until 1960. Initially, hikers seeking relaxation in Keppgrund were only given refreshments in a small room in the house and at tables outside, but at the end of the 19th century the building was expanded to include a lounge, billiards room and guest rooms. In the 1930s, the restoration, which was named "Keppschlößchen" by its owner at the time, Max Rudolf Alt, was expanded to include more guest rooms, a beer cellar and a garage. Due to its historical function as a stop for summer visitors to the hiking trail, the object that characterizes the townscape at the entrance of the Keppgrund is of local historical importance. In addition, the building, with a gable roof on both sides in the middle, is a testimony to popular architecture at the beginning of the 19th century and is therefore of architectural historical value.
22. ↑ In the immediate vicinity of the Hosterwitz parish and the Maria am Wasser church is the former church school, the construction of which became necessary after a fire that broke out at the end of Kirchgasse in August 1847 destroyed two courtyards, the parish and the old church school. Thereupon the Spanish consul Friedrich Wilhelm Finke from Bremen, owner of the plantation property since 1864, bought both the old school property bordering on his property and the 1,162 square meter, formerly Seidenmachersche Gut, of which he used a third for the relocation of Kirchgasse to the community as well another 800 square meters had to be ceded to the Pfarrlehn. The new school building erected in 1865 (1866) on the Pfarrlehn and donated by Consul Finke is a simple, two-storey plastered building under a hipped roof. The central entrance axis of the five-axis, eastern eaves side with a flat risalit, open staircase and console-supported straight beams above the door and window on the upper floor. On the ground floor there were two classrooms on both sides of a corridor dividing the floor plan, and the teacher's apartment on the upper floor. At the rear, the toilet was housed in an annex under a towed roof. Until the unification of the school communities of Pillnitz and Hosterwitz in 1920, Kirchgasse 4 was used as a school building. From 1932 it served the parish of Hosterwitz as a parish hall. The former church school in Hosterwitz, which is now used as a residential building, is of local importance due to its historical function in the community. The building, designed in late classicist forms, is also of importance in terms of architectural history and, as part of the picturesque ensemble of church, parish and church school, also in terms of landscape design.
23. ↑ Located in the center of the old village of Hosterwitz, the residential building at Kirchgasse 5, together with the neighboring church Maria am Wasser, the rectory and the school form a unique, picturesque ensemble. The two-storey plastered building under the steeply sloping hip roof covered with hollow interlocking tiles is probably the oldest building in the village, which is what gives it its historical significance. In addition to the great depth of the rectangular floor plan and the high roof, the groin-vaulted ground floor also suggests that the building, which can be formally assigned to the rural baroque, is very old. Due to the low degree of change, to which the undeveloped roof contributes in particular, the property is an excellent testimony to its construction time and is therefore also of importance in terms of building history.
24. ↑ In the immediate vicinity of the church and the former school, the Hosterwitz rectory is located within the historic village center. The simple, two-storey plastered building with a hipped roof is important in terms of local history due to its special public function. The five or three-axis façades are structured by a strong, ashlar cornice and the six-part windows in the sandstone walls, which are accentuated on the ground floor by roofs in the form of straight beams. The construction of the rectory by the master mason Eduard Beeger in 1882 is documented by an inscription on the street below the cornice.
25. ↑ To the west of the Hosterwitz churchyard, the gable-free residential and ancillary buildings of a former half-hoofed estate, first mentioned in 1579, meet on Kirchgasse. Between them, the two parallel buildings form a courtyard that is fenced off against the street. The simple plastered façades of the two-storey house built in 1848 with a beaver-tailed gable roof are exemplary of the rural architecture around the middle of the 19th century, which is why the property is of architectural importance. Only the stone-clear stone parts, namely the simple window and door frames made of sandstone as well as the eaves, are structured against the ocher-yellow plaster tone. Also noteworthy is the sandstone relief of a sailing ship, which adorns the gable as a spoil of unknown origin. As part of the historical development within the historic village center of Hosterwitz, the residential building at Kirchgasse 9 also has local historical significance. The single-storey outbuilding with jamb and gable roof is not an individual monument due to the considerable interventions in the building fabric that have not been made in accordance with the requirements of the listed building.
26. ↑ War memorial: The monument, built according to plans by the architect Artur Schniebs, is behind mighty weeping willows and stands on the edge of a small square that is shielded from the street by hornbeam hedges. A boulder weighing 70 quintals with the inscription "1914–1918" rises above a base made of medium-sized field stones. Attached to the base stones are two bronze plaques with the names of the 35 Hosterwitz citizens who died in the war and designed by the Loschwitz sculptor Curt Siegel. The stone sculptor Paul Jäckel, also from Loschwitz, worked on the granite blocks typical of the Hosterwitz area, all from Keppgrund. The gardener Oskar Räde designed the green space framing the monument. One year after the laying of the foundation stone, the ceremonial unveiling took place on July 29, 1934 in the presence of the bereaved. Due to its importance for the local history, the Hosterwitz monument to fallen soldiers is a registered cultural monument.
27. ↑ The so-called Plantagengut (Laubegaster Straße 2) is located on the western edge of the historic Hosterwitz town center. It was founded at the end of the 17th century by the court courier and herald August Zenker and his wife Johanna Elisabetha. In just a few years, the couple acquired four neighboring farms that had fallen devastated as a result of the great plague in 1680. The Zenker's initials in the keystone of the archway, accompanied by the year 1689, still refer to the founding of the estate, to which more than a third of the usable area of ​​the village of Hosterwitz belonged. Beginning with the court sculptor Lorenzo Mattielli, who set up his workshop here around the middle of the 18th century, the history of the plantation property is closely linked to the lives of outstanding Saxon personalities. In the second half of the century, Prime Minister Reichsgraf von Brühl first experimented with the cultivation of tobacco, a little later a mulberry tree plantation including silkworm breeding, led from 1800 by Count Camillo Marcolini, was operated on the estate. The current development, consisting of a Swiss-style villa and a two-storey, hip-roofed farm building, goes back to the banker Robert Thode, who had the old manor house demolished and replaced after taking over the property in 1859. The plastered building of the villa, painted in broken yellow, is divided into a two-storey, tower-like part of the building with an almost square floor plan and a single-storey wing adjoining it to the south with a jamb. While the tower-like wing has a tent roof with a large overhang and wooden brackets supporting the eaves, the southern wing has a gently sloping gable roof. Due to its extensive lands, which once comprised around half of the Hosterwitz corridor, and the politically and culturally influential owners, the former plantation property is of local and personal historical importance. In addition, the building, as a testimony to the Swiss style popular in villa construction, is also of architectural significance.
28. ↑ The property at Laubegaster Strasse 5/7, consisting of two free-standing buildings arranged at right angles to one another, is the former summer home of the Leipzig lawyer and university professor Dr. Johannes Emil Kuntze, descendant of a respected, bourgeois family in the country, of personal historical importance. From 1872 Kuntze spent the summer months with his wife Marie Elisabeth, the daughter of the Hosterwitz pastor Dr. Eduard Weber, in the so-called Marienhof (number 5). The couple also rented the neighboring Elsenhof (number 7) to summer guests. The two-storey residential buildings under a gable roof are typical of the rural architecture of the first half of the 19th century with their simple plastered facades, which are enlivened solely by the window cuts and the stone-exposed parts of the stone, such as window frames and eaves, on which their architectural significance is based. Structural changes in the second half of the century, such as the addition of a wooden winter garden to the south facade of the Marienhof, were made in connection with its use as a summer house.
29. ↑ The building at Laubegaster Strasse 10, erected in 1857 as a country house, is largely hidden from view of passers-by on the southern property boundary facing the Elbe. The two-storey plastered building, whose facades are only structured by the low sandstone plinth and the axes of the two-sashed windows in the sandstone walls, is in its simplicity a typical example of late classicist, rural architecture around the middle of the 19th century, which is the basis for its architectural significance . On the street and Elbe side, the beaver-tail-covered gable roof shows a roof bay in the middle (the northern hip and the southern saddle-covered). From 1930 to 1982 the painter Leopold Heinrich Klemm (1894–1982), who captured Dresden and especially Hosterwitz motifs in his pictures, lived at 10 Laubegaster Straße.
30. ↑ The characteristic country house Laubegaster Straße 15 in Dresden, OT Hosterwitz was built in 1863, dated in the reveal of the house entrance, by master mason (master builder) Eduard Beeger, to whom some buildings in the area of ​​the Elbe slope go back. Beeger built the house with the outbuilding for himself. It is a simple, typical building for its time. Decisive for the property of a monument is the partially existing equipment from the time of origin, such as the old floorboards, railings, steps and supporting structure (s) in the stairwell, old doors and "illusionistic" ceiling paintings under the white whitewash (in any case in a room, exposed there in parts). Master builder Eduard Beeger (1833–1907) was from 1872 to 1892 parish elder of Hosterwitz. In 1888 he converted the poor house on what is now Van Gogh Street on behalf of the community council. He was the initiator of the local fire extinguishing association, and Beeger resigned as chairman in 1903. In 1892 the builder designed and built a free-standing chimney for the boiler house of the Kuhnert steam sawmill. In addition, he created a large number of buildings that are characterized by a clear structure and simple exterior design. The nearby Kirchgasse 6, the parsonage of Hosterwitz, is worth mentioning as one of his works. He also built in Niederpoyritz and Pillnitz. In the Hosterwitzer chronicle by Sieghart Pietzsch there is a biography of Friedrich Wilhelm Eduard Beeger.
31. ↑ Where there has been a warehouse and room with a residential building since the beginning of the 19th century between the Elbe and the western end of the Maille Railway, from 1854 the Royal Saxon Major General Karl Heinrich von Einsiedel (1783-1860) had a villa for his summer stays in Build host joke. In 1864 his widow sold the property, which at that time consisted of a central building including a western extension, to the real Saxon privy councilor Otto Julius von Tschirschky and Bögendorff (1818–1903). Below this, the building complex was extended to a U-shaped floor plan with an eastern wing with subordinate rooms for the service personnel. In the opposite, two-storey west wing were the stately living rooms, while the central part, which opens generously to the Elbe terrace with arched windows and exits that are now blocked, still dominates the hall today. After the death of the father in October 1903, the son Heinrich Leonard von Tschirschky and Bögendorff, chamberlain and extraordinary and authorized imperial ambassador in Vienna (1858-1916), inherited the property. In 1913, this prompted the demolition and reconstruction of the western wing. After decades of use as an apartment building from the 1920s, a retirement home has been housed in the rooms of the former aristocratic summer residence since 1962. From 1999 to 2001 the park, which was once in the eastern part of the property, was built on with a new care home complex. The western part of the extensive villa property was shaped by an orchard since 1868 at the latest. Due to its connection with the lives of important Saxon personalities, the Villa Maille-Bahn 2 is not only of interest in terms of personal history. Due to the extremely sophisticated neo-renaissance architecture of the Elbe front and the many preserved equipment details, it is also artistically significant. The hall in particular is a successful reference to Italian Renaissance villas.
32. ↑ After the Berlin businessman Adolf Meyer acquired a field plot of land in Hosterwitz located between the Elbe and Maille-Bahn in 1868, he had a villa built on it in 1869/70, analogous to the neighboring plots. A short time later, in 1870, a gardener's house with a laundry room was built along the Maille Railway. As a gift from Adolf Meyer's daughter, Countess Babette von Kalckreuth, the property was given to the Berlin-based association “Viktoriahaus für Krankenpflege”, which in the following year had the main and ancillary buildings converted according to plans by the Dresden architect Prof. Fritz Schumacher. Due to the increased space requirements due to the change in use, the hipped roof from the time of construction was replaced by an expanded mansard roof. On the ground floor of the adjoining building, a wash house with tiling chamber was set up instead of a horse stable and carriage shed. While the villa was heavily remodeled in the post-war period and is therefore not a monument, the outbuilding is of architectural historical value because of its high-quality, historicist architecture and the low degree of change. The middle section of the rectangular, single-storey building with a jamb, which is located under a gable roof, is framed by slightly raised side projections under transverse roofs. With a large roof overhang and decorated headbands and purlin ends, the building made of sandstone blocks is a typical example of the Swiss house style, which is particularly popular in and around Dresden.
33. ↑ Pillnitzer Landstrasse 298 in Dresden-Hosterwitz was built in the 1920s. The building, known as the “Blockhaus Dresden-Hosterwitz”, is one of the flagship objects of the Christoph & Unmack AG company from Niesky. It can be found on the front page of a sales catalog of the company with the title "Nordic Log Houses" and with floor plans on p. 31 of the same publication. The striking building has largely been preserved with numerous interiors. As a work of the company from Niesky and as a typical wooden house of the time, it is significant in terms of architectural history. The design-demanding house also has artistic value, especially since a well-known architect may be behind the design.
34. ↑ After two designs by the master builder Hermann Winkler, son of the builder Bertha Winkler, had been rejected by the Dresden-Neustadt administration due to various deficiencies in 1905/06, the latter intended to entrust the master builder Frauenlob from Laubegast with the design, so that the simple plastered building with the two wooden verandas in front of the south and east facade, the polygonal corner tower and the rural-looking half-hip roof probably goes back to this. By means of the verandas, which can later also be accessed from the upper floor, an exit integrated into the second floor of the tower and a balcony, presumably added at a later date, on the eastern gable, an architectural connection between inside and outside is achieved that was characteristic of the summer houses of the aristocracy, which were already used as models for the bourgeois summer quarters . The property at Pillnitzer Landstrasse 309 bears witness to the construction activity that began in Hosterwitz towards the end of the 19th century as a result of the increased number of summer guests, on which its importance in terms of location and building history is based (LfD / 2015).
35. ↑ At the southern end of Van-Gogh-Strasse (formerly Bergstrasse), at the corner of Laubegaster Strasse, is the former inn "Zum Lindengarten", which was built by Aloysius Eduard Krömer in 1863 as a residence and inn until 1955 without interruption was conducted. In 1878 the landlord and house owner Max Gottlieb Troll added an auxiliary building to the main house, which he had structurally connected to the main building in 1884. Another phase of reconstruction is documented for the years after 1892. The street-side views of the two-storey corner building with broken corner and slate-covered hipped roof essentially correspond to the condition photographically documented around 1930. The plastered facades, framed by a narrow plinth zone and simple eaves cornice, are largely unadorned and feature five or seven axes with a single-axis building protrusion at the northeast corner. Compared to the simple sandstone walls on the ground floor, the window frames on the upper floor with profiled walls, simple roofs and console-supported sills are more elaborate. The roof space of the north-south facing wing is illuminated by two gable dormers framed by volutes. A tower-like hipped roof lying over the broken corner around 1930 did not come up to us, however. On the garden side, an elongated wing connects at an oblique angle to the northern corner of the building. This extension is probably the outbuilding from 1878. Van-Gogh-Straße 1 is of local historical importance in its original function as an inn in the village of Hosterwitz. The “Lindengarten” was not only a popular meeting place for the Hosterwitzers at the turn of the 19th and 20th centuries. Due to its convenient location on Laubegaster Straße, the former main street of the lower village, many day trippers and summer visitors from Dresden took the ferry across the Elbe to fortify themselves here.
36. ↑ At the intersection of Wasserwerkstrasse and Laubegaster Strasse (formerly Schanzweg) is the former inn "Zur Schanze". The Schanzweg, which runs westward from the village of Hosterwitz along the Elbe, reached the ferry connection to Laubegast, which has been verifiable since 1548, at the level of the inn built around 1708. On the west facade of the building, a sgraffito created in 1959 by students of the Dresden University of Fine Arts under the direction of Professor Werner Hoffmann reminds of the no longer existing “flying” ferry. Until 1949, the building complex, built on a U-shaped floor plan, was in operation as an inn with brief interruptions. During the 1920s, the city of Dresden built apartments in the inn for employees of the nearby municipal waterworks, built in 1906/08. After the inn was closed, a kindergarten moved into the building from 1952 to 1992, and after several years of vacancy, it was converted into apartments around 2000. The rural-looking building complex, consisting of two parallel, two-storey plastered buildings under a crooked hip roof, which are connected to the east by a slightly lower, two-storey wing with a gable roof, is significant in terms of architectural history as a testimony to Baroque construction at the beginning of the 18th century. In the rear, eastern area, the facility has been gradually expanded to include side lanes over an angular floor plan. Located in the wide meadows of the Elbe, the voluminous structures of the former inn, which, due to its long tradition and importance for tourism in the late 19th century, are also significant in terms of local history, have a defining effect on the townscape.

Web links

Commons : Kulturdenkmale in Hosterwitz  - Collection of pictures, videos and audio files

• List of monuments of the state of Saxony
• Cultural monuments on the Dresden themed city map
• Hosterwitz on dresdner-stadtteile.de

Individual evidence

1. ↑ Monument protection areas on the Dresden themed city map