Giulio Alvise Caselli

Giulio Alvise Caselli (2014)

Giulio Alvise Caselli (* 1979 in Ferrara ) is a German-Italian opera singer ( baritone ).

Life

Giulio Alvise Caselli grew up as the son of an architect and a soprano in Ferrara. He has lived in Germany since he was 20 years old.

He first completed a degree in German and Linguistics at the University of Ferrara and the University of Regensburg .

He received his first singing lessons from his mother, Maria Gabriella Munari. He also studied at the Munich University of Music and Theater , where he received his opera diploma in 2005.

From 2006 to 2008 he was a permanent member of the Dortmund Theater . There he made his debut as Figaro in Rossini's The Barber of Seville under the direction of Arthur Fagen .

At the Linz State Theater he was engaged on several guest appearances.

From 2011 to 2017 the lyrical baritone was a member of the ensemble of the Augsburg Theater , where he made his debut as Conte d'Almaviva in Mozart's Le nozze di Figaro , the title role in Mozart's Don Giovanni in 2012 , the male title role in Claude Debussy's opera Pelléas et Mélisande in 2014 and in 2016 interpreted by Hans Scholl in Udo Zimmermann's opera White Rose .

In February 2018 he performed Pasquale in Joseph Haydn's Orlando Paladino at the Hagen Theater . He is currently guesting in several productions at the Meiningen State Theater .

Caselli is a passionate barefooter. He is married and has one child.

Roles (selection)

• Don Giovanni (as Don Giovanni)
• Pelléas et Mélisande (as Pelléas)
• Le nozze di Figaro (as Conte d'Almaviva)
• The Bat (as Dr. Falke)
• Intolleranza 1960 (as Algerian)
• La finta giardiniera (as Nardo)
• Dido and Aeneas (as Aeneas)
• White Rose (as Hans Scholl)
• Orlando Paladino (as Pasquale)

Recordings

• Johann Simon Mayr , Amore non soffre opposizioni (Argante), Naxos 2016

Web links

• Giulio Alvise Caselli at Operabase (engagements and dates)
• Giulio Alvise Caselli personal website

• Giulio Alvise Caselli - agency profile

Individual evidence

1. ↑ Stefan Dosch: "Pelléas et Mélisande": She kept the blue dress until the end (review of Pelléas et Mélisande in Augsburg). Augsburger Allgemeine, March 17, 2014, accessed on February 18, 2018 . 
2. ^ Robert Jungwirth: White Rose Augsburg: The unimaginable as opera. In: Klassikinfo.de. October 8, 2016, accessed February 16, 2018 . 
3. ↑ Monika Willer: Knight Roland does not rust in Hagen. Westfalenpost, February 4, 2018, accessed on February 8, 2018 . 
4. ↑ Beautiful snow - annoying snow . Article in Augsburger Allgemeine from December 10, 2017, accessed on January 23, 2018