Heinrich Stuhlmann

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Heinrich Stuhlmann, May 6, 1843
Bergeshöh , copy after a painting by Johan Christian Clausen Dahl , 1827, Hamburger Kunsthalle
Landscape with a view of Dresden , 1830, Hamburger Kunsthalle
On the Alster near Winterhude , 1834, Hamburger Kunsthalle
Hunters in Winter Landscape , 1834
Shepherd with a dog , 1841
Romantic forest path with figures and a view of the little church , 1850
Winter day
The last supper of 1843 in the altar of the Nienstedten church

Heinrich Stuhlmann (born December 28, 1803 in Hamburg ; † October 23, 1886 ibid) was a German painter and graphic artist from the Hamburg School as well as a photographer .

Life

Heinrich Stuhlmann was born as the son of the insurance and coffee broker Johann Daniel Stuhlmann in Hamburg, who lived in Fuhlentwiete 193 in Hamburg-Neustadt when he was born. After his untimely death around 1814, his uncle Matthias Heinrich Stuhlmann (1774–1822), who was pastor at the main church of Sankt Katharinen , took over his further education. After the desire to become a painter matured more and more, he took lessons from Gerdt Hardorff after completing his commercial apprenticeship . He then studied at the Royal Danish Academy of Fine Arts in Copenhagen , where he some years in the studio of Christian David Gebauer worked.

In 1825 he returned to Hamburg and worked for the newspaper for horse lovers , which Major H. von Wachenhusen published. He traveled to Mecklenburg for horse studies and also carried out commissions for the nobility. For a year he was in the service of the Grand Duke of Mecklenburg Friedrich Franz I and drew horses for the Redefin State Stud , but also painted various interiors . In Pomerania he did landscape studies and then traveled to Berlin with a nobleman to help build his private gallery. In 1830 he traveled to Dresden to study landscape painting with Johan Christian Clausen Dahl .

On September 17, 1832, he and 14 other artists founded the Club of Hamburg Young Artists , which was soon renamed the Hamburg Artists' Association . By 1833 at the latest, he lived at Borgeschstrasse 314 (only partially exists as Soester Strasse ) in Hamburg-St. George . For the lieutenant of the Hamburg garrison HC Hyllestedt he drew horses that he needed for his lithographed work, published in 1833 , on the uniforms of the Danish army.

In 1834 the Dresden painter Carl Heinrich Kiehlmann (1801–1866) made a portrait drawing of Heinrich Stuhlmann in Hamburg with a graphite pencil . Soon afterwards, it was in the portrait collection of Carl Christian Vogel von Vogelstein , who left the collection to Johann von Sachsen , so that the drawing came to the Dresden Kupferstichkabinett in 1858 . The drawing has been missing since the Second World War and is listed by the Lost Art coordination office for the loss of cultural assets.

The art association in Hamburg bought the painting Entenjäger in front of Eppendorf and a winter landscape in 1834 . Later he also bought etchings from him for the association's raffles. In 1836 Heinrich Stuhlmann moved to Schützenpforte 4 at Niedernstraße in Hamburg-Altstadt and in 1838 to Schützenpforte 3. In 1838 and 1839, three booklet editions with etchings by Stuhlmann were published, the first with 8 sheets of landscapes, the second with 6 sheets of wild animals and the third with 4 sheets of interiors.

On April 4, 1842, he joined the Kunstverein in Hamburg. In May 1842, part of his paintings were lost in the great fire in Hamburg, although he lived outside the fire area and was not affected. In 1842, probably after the fire, he moved to Böckmannstraße 24 in the St. Georg district.

At the meeting of the Hamburg Artists' Association on April 29, 1843, the painter and daguerreotypist Carl Ferdinand Stelzner invited the other artists to have them daguerreotyped by him as a group on Saturday, May 6th, 1843 at 5 p.m. Two daguerreotypes were made that day, one with 15 and one with 19 artists. Heinrich Stuhlmann is the third from the right of the seated artists on both daguerreotypes. Both daguerreotypes are owned by the Museum of Art and Industry in Hamburg.

  • 15 artists

  • 19 artists

In 1843, the merchant Joachim Lorenz de la Camp (1781–1864) commissioned Heinrich Stuhlmann to paint the oil painting The Last Supper for the predella of the altar of the Nienstedten church , which he put together on June 30, 1843 for the church's 50th anniversary with two silver altar candles and a silver communion jug. Leonardo da Vinci's mural The Last Supper served as a template for the painting . On the back of the painting, a text commemorates de la Camp's jubilee and his 40th anniversary with his wife Maria Cornelia, nee. Pehmöller.

In 1846 Heinrich Stuhlmann moved to Fuhlentwiete 70 in Hamburg-Neustadt, 1849 to Neue Gröningerstraße 8 in Hamburg-Altstadt, 1851 to Alstertwiete 14 in the St. Georg district and in 1854 to Böckmannstraße 47. He ran a business from 1863 to 1868 Photo studio in the street Lange Reihe 43, but also painted. In 1868 he gave up the photo studio and moved to Böckmannstrasse for the third time , this time at No. 41, where he lived with his wife until his death in 1886. In the area of ​​the Althamburg Memorial Cemetery , near the main entrance of the Ohlsdorf cemetery , the graphic artist and painter is reminded of Heinrich Stuhlmann on the double collective grave, whose name is on the right painter's grave plate.

Heinrich Stuhlmann was a representative of the Hamburg school . He was a founding member of the Hamburger Künstlerverein, a member of the Kunstverein in Hamburg and a member of the Allgemeine Deutsche Kunstgenossenschaft . Heinrich Stuhlmann's work includes oil paintings, watercolors , drawings, etchings, lithographs and photographs. He was represented with works in the former collection of Ernst Rump . Today he is represented with works in the Hamburger Kunsthalle , the Museum for Hamburg History , the Altona Museum , the Nienstedten Church and the Philadelphia Museum of Art .

In the spring of 1979, the Griffelkunst-Vereinigung Hamburg-Langenhorn (since 2002 Griffelkunst-Vereinigung Hamburg ) published an edition of the etching lion from Heinrich Stuhlmann's estate. The same motif originally appeared as an etching in 1839. A similar etching, Lion and Lioness , also appeared in 1839.

Exhibitions (selection)

Holdings

  • 1830: Academic art exhibition in Dresden - painting horse stable and game at Lake Plön in Holstein , evening lighting after a thunderstorm
  • 1830: Painting exhibition in Halberstadt
  • 1837: Exhibition in Hamburg - painting Hannoversches Dorf im Winter and Partie an der Bille in Holstein
  • 1837: Exhibition in Leipzig - painting Hannoversches Dorf im Winter and Partie an der Bille in Holstein
  • 1838: Exhibition in Halle - paintings by Blankeneser Fischer on the beach , winter landscape and autumn landscape
  • 1839: Karlsruhe art exhibition - painting village party in winter and summer landscape
  • 1840: Exhibition by the Hamburg Artists' Association on the occasion of the visit of the Danish King Christian VIII and his wife Caroline Amalie in the hall of the Hammer Hof by Karl Sieveking in Hammer Park
  • 1858: Fifteenth major art exhibition , Kunstverein in Hamburg
  • 1862: Exhibition in Hamburg - painting of a village landscape on the Trave
  • 1866: Exhibition in Hamburg - painting Burning mill after a thunderstorm

Posthumously

  • 1906: Exhibition of the century of German art , Berlin - oil painting view of Dresden (rainy mood)
  • 1912: Exhibition of works of art from Altona private property and the Altona artists' association , Donner Castle in Donners Park , Altona - watercolor Neumühlen , oil painting country house of the de Bos family
  • 1913: Hamburg portraits from private collection , Kunstverein in Hamburg - portrait of Therese Kauffmann (1812–1885), later wife of Adolf Repsold
  • 1932: Hundred year exhibition of the Hamburger Künstlerverein in the Hamburger Kunsthalle - oil painting landscape with a view of Dresden (1906: view of Dresden (rainy mood) )
  • 2019: Hamburger Schule - The 19th century rediscovered (April 12th to July 14th), Hamburger Kunsthalle - Oil paintings An der Alster near Winterhude and the upper reaches of the Alster

Works (selection)

(Dimensions: height × width)

  • 1827: Bergeshöh , copy after a painting by Johan Christian Clausen Dahl , oil on canvas, 27.5 × 37.5 cm - Hamburger Kunsthalle
  • 1830: Landscape with a view of Dresden , oil on canvas, 23.8 × 28.8 cm, exhibited in Berlin in 1906 and in Hamburg in 1932 - Hamburger Kunsthalle
  • 1834: On the Alster near Winterhude , oil on wood, 20 × 30 cm - Hamburger Kunsthalle (Inv.-No. HK-3210)
  • 1834: Hunter in a winter landscape , oil on canvas, 52 × 63 cm
  • 1834 or 1835: The upper reaches of the Alster , oil on paper underlaid with cardboard, 9.2 × 26.8 cm - Hamburger Kunsthalle (Inv.-No. HK-2164)
  • 1841: Shepherd with dog , oil on canvas, 29 × 31.5 cm
  • July 1842: Ruins of St. Petri Church after the Hamburg fire of 1842 , graphite and colored pencil on paper, 28.3 × 39.8 cm - Museum of Hamburg History
  • 1843: The Last Supper , oil painting - Nienstedten Church in Hamburg-Nienstedten
  • 1850: Romantic forest path with figures and a view of the little church , oil on panel, 28.5 × 35 cm
  • 18 ??: Landscape in Holstein , oil on canvas - Hamburger Kunsthalle
  • 18 ??: winter day , oil on canvas, approx. 69 × 100 cm

literature

Web links

Commons : Heinrich Stuhlmann  - Collection of images, videos and audio files

Individual evidence

  1. ↑ Joh. Dan. Stuhlmann in the Hamburg address book from 1804. Further details on addresses are taken from the respective directory of persons in the Hamburg address book for the specified year. (If someone moved, the new address was not in the address book until the following year.)
  2. ↑ It is still listed in the Hamburg address book from 1813, in 1814 no address book was published due to the turmoil of the war , and from 1815 it is no longer listed.
  3. ↑ 884. Hyllestedt, HC , in Eduard Alberti : Lexicon of Schleswig-Holstein-Lauenburg and Eutinian writers from 1829 to mid-1866 , A – L, Akademische Buchhandlung, Kiel 1867, p. 380, digitizedhttp: //vorlage_digitalisat.test/1%3D~GB%3DckMBAAAAQAAJ~IA%3D~MDZ%3D%0A~SZ%3DPA380~ double-sided%3D~LT%3D~PUR%3D
  4. ↑ The portrait drawing at Lost Art
  5. ↑ In the list of members of the protocol books from 1822–1842 (PDF-p. 54). PDF file from kunstverein.de
  6. ^ Wilhelm Weimar : The Daguerreotype in Hamburg 1839-1860 , Verlag Otto Meissner, Hamburg, 1915, p. 29, digitizedhttp: //vorlage_digitalisat.test/1%3D~GB%3D~IA%3Djahrbuchderhambu3211914hamb~MDZ%3D%0A~SZ%3D29~ double-sided%3D~LT%3D~PUR%3D
  7. ↑ Illustration with the names of the 15 artists, in: Wilhelm Weimar: The Daguerreotype in Hamburg 1839–1860 , plate 4, digitizedhttp: //vorlage_digitalisat.test/1%3D~GB%3D~IA%3Djahrbuchderhambu3211914hamb~MDZ%3D%0A~SZ%3Dn103~doppelseiten%3D~LT%3D~PUR%3D
  8. ^ Illustration with the names of the 19 artists, in: Wilhelm Weimar: Die Daguerreotype in Hamburg 1839–1860 , plate 3, digitizedhttp: //vorlage_digitalisat.test/1%3D~GB%3D~IA%3Djahrbuchderhambu3211914hamb~MDZ%3D%0A~SZ%3Dn101~ double-sided%3D~LT%3D~PUR%3D
  9. ↑ Der Heimatbote , January 2010, pp. 6–7 (PDF file)
  10. ↑ In the following year only widow H. Stuhlmann is listed in the Hamburg address book under the address.
  11. ^ List of members of the Allgemeine Deutsche Kunstgenossenschaft 1861. Name listed under X. Hamburg and Kiel:
  12. ↑ Main source 1 of the article: Andreas Andresen : Die Deutschen Maler-Radirer (Peintres-Graveurs) of the nineteenth century , Volume 3, Verlag von Rudolph Weigel, Leipzig 1869, pp. 60-69
  13. ↑ Main source 2 of the article: Hamburgisches Künstler-Lexikon , edited by the Association for Hamburg History , Hoffmann and Campe 1854, p. 256
  14. ↑ Main source 3 of the article: Ernst Rump : Lexicon of the visual artists of Hamburg, Altona and the surrounding area , Otto Bröcker & Co., Hamburg 1912, pp. 136 and 137
  15. ^ Lion from 1839
  16. ↑ Lion and Lioness from 1839
  17. ↑ Mention of Stuhlmann in the exhibition report 1830
  18. ↑ Carlsruher art exhibition. May 1839 in: Morgenblatt für educated readers , February 13, 1840, p. 50 digitizedhttp: //vorlage_digitalisat.test/1%3D~GB%3Dz4xEAAAAcAAJ~IA%3D~MDZ%3D%0A~SZ%3DPA50~ double-sided%3D~LT%3D~PUR%3D
  19. ↑ Exhibitions ( Memento from October 29, 2014 in the Internet Archive ), Kunstverein in Hamburg, 1858–2010 (PDF file)
  20. ↑ Illustration in: Hamburg , in: Board of Directors of the German Century Exhibition (Hrsg.): Exhibition of German art from the time from 1775-1875 in the Royal National Gallery , Hugo von Tschudi (texts); Bruckmann, Berlin 1906, p. 55, digitized versionhttp: //vorlage_digitalisat.test/1%3D~GB%3D~IA%3Dausstellungdeuts01deut~MDZ%3D%0A~SZ%3D55~doppelseiten%3D~LT%3D~PUR%3D , information on size, directory: S. LI digitized versionhttp: //vorlage_digitalisat.test/1%3D~GB%3D~IA%3Dausstellungdeuts01deut~MDZ%3D%0A~SZ%3Dn56~doppelseiten%3D~LT%3D~PUR%3D
  21. ↑ Exhibition catalog , Altona 1912 (watercolor)
  22. ↑ Exhibition catalog , Altona 1912 (oil painting)
  23. ↑ Illustration in: Kunstverein in Hamburg (ed.): Hamburger Bildnisse , Otto Meissner, Hamburg 1913, p. 54, digitizedhttp: //vorlage_digitalisat.test/1%3D~GB%3D~IA%3Dhamburgerbildnis00kuns~MDZ%3D%0A~SZ%3Dn125~doppelseiten%3D~LT%3D~PUR%3D
  24. ↑ Exhibition catalog 1932
  25. ↑ Data on the drawing at Museums Nord
  26. ^ Proof , Heinrich Stuhlmann, Bénézit
  27. ^ Proof , international artist database
personal data
SURNAME Stuhlmann, Heinrich
BRIEF DESCRIPTION German painter and graphic artist
DATE OF BIRTH December 28, 1803
PLACE OF BIRTH Hamburg
DATE OF DEATH October 23, 1886
Place of death Hamburg