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Red Hot Chili Peppers

Red Hot Chili Peppers is an American alternative rock band formed in Los Angeles, California in 1983. For most of its career, the group has consisted of vocalist Anthony Kiedis, guitarist John Frusciante, bassist Michael "Flea" Balzary, and drummer Chad Smith. The band's varied musical style has fused traditional rock with various elements of funk, punk rock, alternative rock, rap, heavy metal, and psychedelic rock.

In addition to Kiedis and Flea, the group originally featured guitarist Hillel Slovak and drummer Jack Irons. After Slovak died of a heroin overdose in 1988, Irons resigned and was briefly replaced with Dead Kennedys drummer D. H. Peligro. He soon introduced Flea to Frusciante, at the time only an aspiring guitarist. Drummer Chad Smith was recruited only a few weeks before the recording of Mother's Milk, the band's fourth album, began.

The Chili Peppers' fifth album, 1991's Blood Sugar Sex Magik, was a critical success and sold over twelve million copies. Around this time, Frusciante grew increasingly uncomfortable with the band's success and abruptly left in 1992. Kiedis, Flea, and Smith employed Dave Navarro (of Jane's Addiction) for their subsequent album, 1995's One Hot Minute. It failed, however, to match the critical acclaim of Blood Sugar Sex Magik and was a commercial disappointment, selling less than half the copies of its predecessor. Shortly afterwards, Navarro was fired from the band due to creative differences with the original members.

Frusciante, while absent from the band, developed a severe drug addiction and nearly died. In 1998, he completed rehabilitation and, at Flea's request, rejoined the band. The reunited foursome returned to the studio to record 1999's Californication, which went on to sell fifteen million units worldwide, becoming their most successful album to date. It was followed three years later with By the Way, which continued their success. In 2006, the group released the double album Stadium Arcadium. Stadium Arcadium was voted the second best album of 2006 by Rolling Stone magazine and nominated for the Album of the Year Grammy in 2007.

History

Formation and first album (1983–1984)

File:RHCP1986.jpg
A promotional flyer featuring the band from 1986.

Red Hot Chili Peppers (originally Tony Flow and the Miraculous Masters of Mayhem)[2] were formed by Fairfax High School alumni Anthony Kiedis, Hillel Slovak, Jack Irons, and Michael "Flea" Balzary following what was supposed to be a one time performance in 1983.[3] As Slovak was already committed to another group, What Is This?, the foursome never intended to become part of the ubiquitous Los Angeles punk scene. Their first performance was at the Rhythm Lounge, to a crowd of roughly 30 people.[4] One song had been created for the occasion, which involved the band improvising music while Kiedis rapped a poem he had written called "Out in L.A.".[5] The performance was so lively that those in charge of promoting the show asked the band to return the following week.[4] Due to this unexpected success, the members changed their band's name to the Red Hot Chili Peppers, and played several more shows at various LA clubs and musical venues. Six songs were derived from these initial shows, which the newly-minted Red Hot Chili Peppers recorded onto their first demo tape.[6]

Several months after their first performance, the band was signed to the record label EMI. However, two weeks prior, What Is This? had obtained a record deal with MCA, and as Slovak and Irons considered the Red Hot Chili Peppers a side project, they quit to pursue their first project. This disappointment could well have been the end of the fledgling Chili Peppers, but Kiedis and Flea decided to recruit new members to keep the band alive.[7] Cliff Martinez, an acquaintance of Flea's, was asked to join the Chili Peppers shortly thereafter. Auditions for a new guitarist produced Jack Sherman, whose musical style was the exact opposite of the style on which the band was founded.[8] Aside from mere musical differences, Sherman also failed to mesh with the band members' lifestyles, causing friction and arguments.[9]

Gang of Four guitarist Andy Gill was hired to produce their first album. Despite their misigivings, he pushed the band to play with a cleaner, crisper and more radio-friendly sound, contravening Anthony and Flea's wishes. They felt pressured to conform to Gill's unwelcome external influence, and tried their best to retain their unique sound.[10] The Red Hot Chili Peppers was released on August 10, 1984, and was a commercial flop.[11] It initially sold approximately 25,000 units, and garnered little marketable recognition.[12] The ensuing tour did not fare any better, as continuing tension between Kiedis and Sherman began to complicate the transition between concert and daily band life, and Sherman was fired soon after. In the meantime, Hillel Slovak had grown tired of What Is This? and returned to the Chili Peppers.

Freaky Styley and The Uplift Mofo Party Plan (1985–1988)

George Clinton was selected to produce the next Red Hot Chili Peppers album, Freaky Styley. The album was recorded in Detroit's famed R&B and funky United Sound Systems studios on the edge of Wayne State University's campus. Clinton combined various elements of punk and funk into the band's repertoire,[13] allowing the Chili Peppers' music to incorporate a variety of distinct styles, finally bringing to fruition the promise latent in the group's very first performance. Clinton believed in the band from the moment production began, and turned out to be much easier to work with than Gill.[14] Despite the improvement in the recording process, however, Freaky Styley, released on August 16, 1985, was hardly more successful than the band's first release. It failed to make an impression on any chart whatsoever, and the following tour was unproductive and financially futile.[15]

Cliff Martinez departed from the group in the summer of 1986, and the band temporarily hired Chuck Biscuits to finish the tour. Jack Irons, out of work and finally separated from other commitments, rejoined the group, to Anthony, Flea, and Hillel's great surprise. The band chose Michael Beinhorn to produce their next album.[16] Songs began to form quickly, and the album's shape came into view; it would blend the same funk feel and rhythms as Freaky Styley, but would also take a harder, more immediate approach to punk rock and funk metal.[17] Reuniting all four original members renewed their creativity, enlivening the recording process.[18]

File:EarlyRHCP.jpg
The Red Hot Chili Peppers' original lineup c. 1988. Left to right: Jack Irons, Flea, Anthony Kiedis, Hillel Slovak.

On September 29, 1987 The Uplift Mofo Party Plan was released. It was the first Red Hot Chili Peppers' album to appear on the charts; although it peaked at only #148 on the Billboard Hot 200,[19] this was a significant success compared to the Chili Peppers' first two albums.

During this period, however, Kiedis and Slovak had both developed serious drug addictions,[20] often abandoning the band, each other, and their significant others for days on end. Slovak's addiction led to his death on June 25, 1988, not long after the conclusion of the Uplift tour.[21] Kiedis fled the city and did not attend Slovak's funeral, considering the situation to be surreal and dreamlike.[22] Jack Irons called a band meeting, where he announced he was leaving the band, saying: "This isn't where I want to be. I don't want to be part of something where my fucking friends are dying".[23]

Mother's Milk (1989–1990)

In an attempt to cope with the death of their life-long friend Slovak and the departure of Irons, Anthony and Flea temporarily employed Dead Kennedys drummer D. H. Peligro and former P-Funk guitarist DeWayne "Blackbyrd" McKnight. Neither sparked any notable chemistry and they were each replaced rapidly. Peligro's brief tenure did have one vital, long-term consequence for the Red Hot Chili Peppers--his association with the band led an acquaintance of his, John Frusciante, to audition for the band's empty guitarist role. He was fascinated with the Red Hot Chili Peppers and particularly interested in trying out, as he had been an avid enthusiast for years. Following a constructive jam (which would later appear on Mother's Milk as Pretty Little Ditty), there was a unanimous decision to accept John into the band.[24]

Three weeks prior to the beginning of record production, the band was still in dire need of a drummer. Numerous disastrous auditions worried the three Chili Peppers, but, eventually, a close friend called to tell them about a drummer she knew, Chad Smith, who was so proficient on the drums he "ate [them] for breakfast".[25] Kiedis had qualms about allowing Smith to try out; however, it was agreed to give the drummer a chance. At his tryout, Smith overwhelmed the band by not only matching Flea's intricate and complex rhythm, but even beginning to lead him. After this wildly successful jam session, Kiedis, Frusciante and Flea admitted Smith into the band.

When it came time to record, though, the foursome began butting heads with producer Michael Beinhorn, whose primary agenda was to give Frusciante's guitar playing a loud, overpowering sound, similar to the abrasive tones utilized in heavy metal.[26] This modification caused Frusciante great discomfort, as it didn't fit with his preferred style of guitar playing.[27]

The Chili Peppers' fourth album, Mother's Milk was released in August of 1989, and gave the Chili Peppers their first top modern rock hits: their tribute ballad to Slovak, "Knock Me Down",[3] and their cover of Stevie Wonder's "Higher Ground". The album reached #52 on the American album charts and became the band's first gold record.[28]

Blood Sugar Sex Magik (1990–1992)

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Under the Bridge
Sample of "Under the Bridge" from Blood Sugar Sex Magik (1991). The second single from the album, the song became a breakthrough hit, reaching number two on the Billboard charts.
Problems playing this file? See media help.

Template:Sample box end In 1990, the group switched labels to Warner Bros. Records. Rick Rubin was hired to produce their fifth album, which was, at the time, still untitled. The writing process was far more productive than it had been during the creation of Mother's Milk. Kiedis said that: "[every day] now, there was new music for me to lyricize".[29]

The band embarked on the grueling six-month process of recording a new album--the long periods of rehearsal, songwriting, and the incubating of ideas--but Rubin wasn't satisfied with a regular recording studio, thinking the Chili Peppers would work better in a less orthodox setting. He came across an "amazing, huge, empty historically landmarked Mediterranean haunted mansion a stone's throw from where we all lived."[30] For the next month or so, Frusciante, Kiedis and Flea remained in seclusion, never once leaving the house during the entire recording process. Smith, however, decided not to stay, as, according to many, the mansion was haunted; he had no intention of remaining, and would leave on his Harley Davidson each night.[31]

File:9F19.gif
Red Hot Chili Peppers guest starring on the Simpsons

The title of the album was still uncertain to the band, but to Rubin one particular song title stuck out: "Blood Sugar Sex Magik". Although it was not a featured song, Rick believed it to be "Clearly the best title we have."[32]

On September 24, 1991, Blood Sugar Sex Magik was released. "Give It Away" was released as the first single; it would eventually go on to win a Grammy award in 1992 for "Best Hard Rock Performance With Vocal"[33] and became the band's first number one single on the Modern Rock chart. The ballad "Under the Bridge" was released as the follow up single, and went on to reach #2 on the Billboard Hot 100 chart,[34] the highest the band has reached on that chart,[34] and became one of the band's most recognizable songs. Other singles such as "Breaking the Girl" and "Suck My Kiss" also fared well on the charts. The album itself was an international sensation, selling over 12 million copies[35] and greatly broadening the Chili Peppers' audience. Blood Sugar Sex Magik was listed at number 310 on the Rolling Stone magazine list of The 500 Greatest Albums of All Time, and in 1992 it rose to #3 on the U.S. album charts, almost a year after its release.[11]

Both success and drug addiction were taking their toll on Frusciante, who abruptly quit the band during the Blood Sugar Japanese tour in May 1992.[3] The band headlined the Lollapalooza festival in 1992 with replacement guitarist Arik Marshall (who appeared with them in The Simpsons fourth season finale, "Krusty Gets Kancelled", and the videos for "Breaking the Girl" and "If You Have to Ask"), and briefly with Jesse Tobias of the Los Angeles-based band Mother Tongue. Neither lasted very long, for, as the rest of the band said, "The chemistry wasn't right."[36] They eventually settled on former Jane's Addiction guitarist Dave Navarro.

One Hot Minute (1993–1998)

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"Aeroplane"
Sample of ""Aeroplane" from One Hot Minute (1995), the only Chili Peppers album with Dave Navarro
Problems playing this file? See media help.

Template:Sample box end Dave Navarro first appeared with the group at Woodstock '94, where they wore enormous light-bulb costumes attached precariously to chrome metallic suits, making it near-impossible for them to play their instruments. To outsiders all seemed to be settling with the band internally, however, an inelastic relationship began to form between the three established members and Navarro; he was having a difficult time creating bonds with his new band mates.[37] His differing musical background made performing difficult as they began playing together,[38] and further continued to be an issue over the next year as his first and only effort with the Red Hot Chili Peppers, One Hot Minute, was recorded and released on September 12, 1995. The band described One Hot Minute as a darker, sadder record compared to their previous material.[38] Despite mixed reviews, the album was a commercial success. It sold five million copies worldwide,[39] spawned the band's third #1 single, the ballad "My Friends," and enjoyed chart success with the songs "Warped" and "Aeroplane".

This iteration of the band was also featured on several soundtracks. "I Found Out", a John Lennon cover, was featured on Working Class Hero: A Tribute to John Lennon. The Ohio Players cover, "Love Rollercoaster", was featured on the Beavis and Butthead Do America soundtrack, and was released as a single.

By this point Kiedis had resumed his heroin dependence. In April 1998 it was announced that Navarro had left the band due to creative differences; Kiedis stated that the decision was "mutual."[40] Reports at the time however indicated Navarro's firing came after he attended a band practice under the influence of drugs, which at one point involved him falling backwards over his own amp.[41] Kiedis himself has since said that although the event should have been comical, it was instead pitiful and was the impetus for Navarro's departure.[42]

Californication (1998–2001)

In the years following his departure from the band, it became public that John Frusciante had developed an addiction to heroin, which left him in poverty and near death.[43] He was talked into admitting himself to Las Encinas Drug Rehabilitation Center in January of 1998.[44][45] He concluded the process in February of that year and began renting a small apartment in Silver Lake.[46] He acquired many injuries/problems in the years of his addiction, some requiring surgeries, including permanent scarring on his arms, a restructured nose, and new teeth to prevent fatal infection.[47]

File:Rhcpcalifornication1.jpg
The newly reunited band in a Californication promotional shot. Circa 1999.

In April 1998, Flea visited his former band-mate and openly invited Frusciante to re-join the band, an invitation an emotional Frusciante readily accepted.[46] Within the week and, for the first time in six years, the reunited foursome gathered to play, and jump-started the newly reunited Red Hot Chili Peppers.[48] Anthony Kiedis said of the situation:[49]

For me, that was the defining moment of what would become the next six years of our lives together. That was when I knew that this was the real deal, that the magic was about to happen again. Suddenly we could all hear, we could all listen, and instead of being caught up in our finite little balls of bullshit, we could all become players in that great universal orchestra again.

Despite the band's elation by Frusciante's return, he was both mentally and physically torn. Frusciante had not played in several years, having previously sold every guitar he owned for drug money,[43] and experienced a difficult time resuming life prior to his drug usage. His former talent did, however, resurface and new songs began to roll out. On June 8, 1999, after over a year of production and meticulous practice, Californication was released as the band's seventh studio album. An almost instant achievement,[11] the album ultimately sold over 15 million copies worldwide[50] and became the band's most successful recording to date. Compared to their previous albums, Californication contained few rap-driven songs, instead integrating textured, consistent, and melodic guitar riffs, vocals and bass-lines. Template:Sound sample box align right Template:Sample box end

Californication peaked at #3[11] in the US and produced three more number one modern rock hits: "Scar Tissue", "Otherside" and "Californication". "Scar Tissue" won the 2000 Grammy Award for Best Rock Song, the song was also performed at the ceremony and included a brief jam with rapper Snoop Dogg at its culmination. Other singles included "Around the World", "Road Trippin'" (UK only), and "Parallel Universe", which broke the Top 40 modern rock charts despite not having been commercially released as a single.

In July 1999, as part of the two-year long international world tour that the band carried out in support of their new album, the Red Hot Chili Peppers played at Woodstock 1999. About two thirds of the way into the band's set, the closing set of the three day concert, a small fire escalated into full-fledged vandalism and resulted in the intervention of riot control squads.[51]

In 2001 they released their first concert DVD, Off the Map, which was directed by longtime friend Dick Rude, who also produced the music videos for "Catholic School Girls Rule" and "Universally Speaking". The footage was derived of numerous different concerts, amalgamated with transition and indistinguishable song conversions.

By the Way (2002–2005)

The band began writing their next album in early 2001 and released By the Way over a year later, on July 9, 2002. The album, at the time, was their most noteworthy chart debut (with over 700,000 copies sold in first week), emerging at #2,[11] and producing hit singles such as: "By the Way", "The Zephyr Song" , "Can't Stop", "Dosed", and "Universally Speaking" which was only released in Europe as a single and video. It is the most subdued album they had generated to date, focusing primarily on melodic ballads as opposed to their classic style of rap-driven funk. The album was followed by an eighteen month-long world tour from the group.

The Chili Peppers recorded two new songs, "Fortune Faded" and "Save the Population" for their Greatest Hits album released in November 2003,[52] peaking at #18 on the Billboard Hot 200.[11] Though, to the surprise of countless fans, only two songs from By the Way were included in the compilation: "Universally Speaking" and "By the Way".

The European leg of the By the Way tour produced the band's second full-length concert DVD, Live at Slane Castle; recorded during a show at Slane Castle in Ireland on August 23, 2003. The band also went on to release their first full-length live album, from the 2004 European Tour, Live in Hyde Park; recorded during their performances in Hyde Park, London, due to immensely high attendance rate. It featured two previously unheard songs, "Rolling Sly Stone" and "Leverage of Space", which are believed to have been unreleased tracks from the By the Way sessions. In the three evenings the band performed in Hyde Park, they generated an estimated 17 million dollars, making it the highest grossing concert at a single venue in history (moving The Beatles to 2).[53]

Stadium Arcadium (2006–2007)

In 2006 the band released the Grammy Award-winning Stadium Arcadium, produced by Rick Rubin. Although 38 songs were created with the intention to be released as three mini-albums spaced six months apart[54] it was released in May 2006 as a 28-track double album, with the remaining ten tracks released later as B-sides. It was their first album to debut at #1 on the US charts, where it stayed for two weeks, and debuted at number one in the UK Albums Chart and 25 other countries too. In the album's first week, it sold 442,000 units in the United States alone, and over 1,100,000 worldwide, setting a personal record for one week sales.[11] By the end of 2006, Stadium Arcadium was named the best-selling album of the year with over seven million units sold and also recorded the highest one week in total sales of the year.

The record's first single "Dani California", was the band's fastest-selling single, debuting on top of the Modern Rock chart in the US, peaking at #6 on the Billboard Hot 100, and reaching #2 in the UK.[34] "Tell Me Baby", released next, would also go on to top the charts in 2006. "Snow ((Hey Oh))" was released in late 2006, and by 2007 would be a multiple record breaking single. The song became their eleventh number one single making a cumulative total of 81 weeks at number one (all singles combined), and it was also the first time three consecutive singles by the band made it to number one.[34] "Desecration Smile" was released internationally in February 2007 and has reached number twenty seven on the UK charts. "Hump de Bump" was planned to be the next single for the US, Canada, and Australia only, but thanks to positive feedback of the music video, it was released as a worldwide single in May.

The band began yet another international world tour in support of Stadium Arcadium, beginning with promotional concerts in Europe in mid-April 2006, and eventually culminating in a two-month long European tour from late May to mid-July. The group then toured North America from early August to early November and returned to Europe later in November for a second leg that ran until mid-December. The Chili Peppers began the year of 2007 with a second North American leg, this time including Mexico, in addition to the United States, from mid-January to mid-March. This was followed by the band's first Oceanic shows in seven years, making stops at various cities in Australia and New Zealand from early-to-mid April and two months later, and a few stops in Japan in early June. The Chili Peppers recently finished touring Europe for yet another leg from late June to late August. They appeared at the Live Earth concert at London's Wembley Stadium on July 7, 2007. Throughout the course of their tour, the band appeared at several festivials, including a slot at Lollapalooza in August 2006 in Grant Park, Chicago, in addition to a subsequent set at the Coachella Valley Music and Arts Festival in Indio, California in late April 2007. In July 2007, the Chili Peppers performed 3 shows, in 3 different cities (Paris, London, Copenhagen), in a span of just 24 hours. One of these shows was their London appearance at Live Earth. During the final legs of their Stadium Arcadium tour, the Chili Peppers have been joined by Josh Klinghoffer playing in the background on stage. The Chili Peppers played their final concert of the 18 month Stadium Arcadium tour on August 26th at the Leeds Festival. Their last stadium concert was at Glasgow's Hampden Park.

On March 6, 2007 the Chili Peppers announced a contest for someone to direct a video for the song "Charlie" through their Youtube service.[55] The winner of the contest was flown to Paris to see a live performance of the band.

In early 2007, the Chili Peppers won 5 Grammys:Best Rock Album (Stadium Arcadium), Best Rock Song ("Dani California"), Best Rock Performance By A Duo Or Group With Vocal ("Dani California"), Best Boxed Or Special Limited Edition Package (Stadium Arcadium)Best Producer (Rick Rubin).[56]Best Short Form Music Video ("Dani California") The ceremony included a live performance of "Snow ((Hey Oh))", their current single at the time, complete with confetti snow.

Musical style

Techniques

Kiedis provides a range of vocal styles while singing. His approach of spoken verse and "rapping" (the primary characteristic of his vocals up to Blood Sugar Sex Magik) complemented with more traditional vocals have helped the band maintain a relatively consistent style.[57] Nevertheless, as the group became more sophisticated and mature, the vocal sequences present in albums ensuing Californication have drastically reduced the number of rapidly sung verses. By the Way only contained one song which remained true to the rap-driven-verses and subsequent melodic choruses.[58] He has obtained this through various singing coaches throughout all nine of Red Hot Chili Peppers' albums.[59]

Hillel Slovak's style was heavily blues and funk based. Replacement players appear to have attempted to remain as confined as possible to his style. John Frusciante has brought a more melodic and textured sound to albums such as By the Way and Californication.[60] During his first effort with the band, 1989's Mother's Milk, Frusciante played with a more abrasive and overpowering approach, rather than his current and most noteworthy guitar style.[61] It was followed up with nearly the exact opposite; dry, funky and far more docile arrangements, which contrasts his intricate and multifaceted guitar techniques. During the time he spent with the band, Dave Navarro focused on a style rooted in heavy metal and progressive.[62]

Flea's bass style is an amalgamation of funk, psychedelic, punk, and hard rock.[63] The groove-heavy, low-tuned melodies, composed through either normal finger style or slapping (popping and slapping), have contributed to the Red Hot Chili Peppers' signature style. While Flea's slap bass style was prominent in earlier albums, later albums (post "Blood Sugar Sex Magik")[63] have more melodic bass lines. He has also used double stops on "Don't Forget Me", "Blood Sugar Sex Magik" "Hump de Bump" and "Snow ((Hey Oh))".

Chad Smith's in-the-pocket style of drumming adds space and allows John Frusciante and Flea to add interesting things to the beats and grooves more effectively. He actively employs rapid successions of the bass drum often following Flea's fast bass lines, with only one bass drum pedal. This is shown in the song "The Greeting Song", where in the main riff Smith's bass drum is mimicking Flea's bass accents. In addition, a song like "Give It Away" is an example of his in-the-pocket drumming that places the importance of the groove over flashiness, even though he is entirely capable of playing flashy fills, as he does during the band's live performances.

While Kiedis is the lead vocalist for the band, Frusciante often contibutes backing vocals, as well as two part harmonies to various songs. He sang lead on the chorus of such Blood Sugar Sex Magik songs as "The Power of Equality", "Funky Monks", "Breaking The Girl" and "The Righteous and the Wicked". His falsetto singing is used frequently, especially on By the Way and Stadium Arcadium though it was used as early as Blood Sugar Sex Magik on songs such as "If You Have to Ask" and "Under the Bridge". Frusciante shared lead vocal duties with Kiedis on "Knock Me Down" from Mother's Milk, and has solo spots on songs such as "Dosed" and "Desecration Smile". It has become a tradition that at some point during a Chili Peppers concert John performs an unaccompanied cover song, usually a hit from the 1960s or 1970s, or one of his own solo songs. Songs include (but are certainly not limited to) "Tiny Dancer" by Elton John, "How Deep Is Your Love" by The Bee Gees, "Maybe" by The Chantels,"I Feel Love" by Donna Summer, "For Emily, Wherever I May Find Her" by Simon and Garfunkel, "Runaway" by Del Shannon, "Will You Love Me Tomorrow?" by Carole King, "See Emily Play" by Pink Floyd, "SOS" by ABBA, "The Metro" by Berlin and various songs from his solo efforts.

Improvisation

Improvisation has always been a major part of the signature style of the band. Early shows were composed almost entirely of improvisations. In addition, many solos recorded on the current albums and played live by guitarist John Frusciante are improvised, as well as Flea's bass solos. The band has, for the better part of the last decade, opened the show with a short improvisation, always on the same key as the initial song. Sometimes the beginnings, middle sections and/or endings of the songs are extended by long improvisations, such as "Give It Away", "My Lovely Man", "If You Have to Ask", "Californication", "Parallel Universe", "Can't Stop", "Throw Away Your Television", "By the Way" and "Dani California". This was the result of when after returning to the band for "Californication," John asked Anthony if he could open the shows with him soloing or jamming along with Flea and/or Chad just for the fun of it, as well as the continual musical improvement that the jams would provide for the band.

Lyrics and songwriting

Through the years, Kiedis' lyrics have dealt with a variety of topics, which have shifted as time has progressed. Themes within his expansive repertoire include love and friendship,[64][65] teenage angst and good-time aggression,[66] various sexual topics and the link between sex and music, political and social commentary (Native American issues in particular),[67] romance,[68] drugs,[64][69] loneliness,[70] globalization and the cons of fame and Hollywood,[71] poverty, alcohol, and dealing with death.[72]

Band members

Main article: Red Hot Chili Peppers band members

Works

Discography

Main article: Red Hot Chili Peppers discography

Videography

Main article: Red Hot Chili Peppers videography

Awards

Year Award Title
1992 MTV VMA Breakthrough Video (Give It Away)
1992 MTV VMA Best Art Direction (Give It Away)
1992 MTV VMA Viewer's Choice (Under the Bridge)
1993 Grammy Awards Best Hard Rock Performance (Give It Away)
2000 MTV VMA Video Vanguard (career award)
2000 MTV VMA Best Art Direction (Californication)
2000 MTV VMA Best Direction (Californication)
2000 MTV VMA Best Artist Website
2000 MTV EMA Best Rock
2000 Billboard Awards Best Alternative Group
2000 American Music Awards Favorite Alternative Artist
2000 Grammy Awards Best Rock Song (Scar Tissue)
2002 MTV EMA Best Live Act
2002 MTV EMA Best Rock
2002 MTV VMA Latin America Best International Rock Artist
2002 Meteor Ireland Music Awards Best Performance By a Visiting Act
2003 Meteor Ireland Music Awards Best Visiting Live Performance (Lansdowne Road)
2003 Meteor Ireland Music Awards Best International Album (By The Way)
2003 MTV VMA Japan Best Rock Video
2003 Brit Awards Best International Group
2003 ECHO Awards Best International Group
2003 Q Awards Best Act In The World Today
2003 Rolling Stone 18th Greatest Guitarist of All Time (John Frusciante)
2004 Meteor Ireland Music Awards Best Live Performance (Live at Slane Castle)
2006 MTV VMA Best Art Direction (Dani California)
2006 MTV EMA Best Album (Stadium Arcadium)
2006 Chainsaw Awards Killer Video (Dani California)
2006 American Music Awards Favorite Pop/Rock Band/Duo/Group
2006 American Music Awards Favorite Alternative Artist
2006 U Choose 40 (NZ) Best 90's ANTHEMS (NZ) Song (Under the Bridge)
2007 U Choose 40 (NZ) Best Big Day Out (NZ) Artist (Give it Away)
2007 Grammy Awards Best Rock Performance by a Duo or Group with Vocal (Dani California)
2007 Grammy Awards Best Rock Song (Dani California)
2007 Grammy Awards Best Boxed or Special Limited Edition Package (Stadium Arcadium)
2007 Grammy Awards Best Rock Album (Stadium Arcadium)
2007 Grammy Awards Best Producer (Rick Rubin - Stadium Arcadium)
2007 ECHO Awards Best International Group
2007 MTV VMA Australia Best Group
2007 MTV VMA Japan Best Direction (Dani California)
2007 U Choose 40 (NZ) Take Me Back To The 90's (NZ) Song (Under The Bridge)

See also

Notes

  1. ^ p.51. Q August 2006 ("...are funk-metal kingpins").
  2. ^ Kiedis, Anthony; Sloman, Larry. Scar Tissue. Hyperion, 2004, ISBN 1-4013-0101-0 p. 105
  3. ^ a b c Prato, Greg. "Red Hot Chili Peppers > Biography". All Music Guide. Retrieved 2007-06-05. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  4. ^ a b Kiedis, Sloman, 2004. p. 106
  5. ^ Kiedis, Sloman, 2004. p. 105
  6. ^ Kiedis, Sloman, 2004. p. 115
  7. ^ Kiedis, Sloman, 2004. p. 127
  8. ^ Kiedis, Sloman, 2004. p. 133
  9. ^ Kiedis, Sloman, 2004. p. 134
  10. ^ Kiedis, Sloman, 2004. p. 144
  11. ^ a b c d e f g "Red Hot Chili Peppers > Charts and Awards > Billboard Albums". All Music Guide. Retrieved 2007-06-06. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  12. ^ Erlewine, Stephen Thomas. "The Red Hot Chili Peppers > Overview". All Music Guide. Retrieved 2007-06-06. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  13. ^ Birchmeier, Jason. "Freaky Styley > Review". All Music Guide. Retrieved 2007-06-06. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  14. ^ Kiedis, Sloman, 2004. p. 175
  15. ^ Kiedis, Sloman, 2004. pp. 178-9
  16. ^ Kiedis, Sloman, 2004. pp. 210-20
  17. ^ Meredith, Bill. "Uplift Mofo Party Plan > Review". All Music Guide. Retrieved 2007-06-06. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  18. ^ Kiedis, Sloman, 2004. p. 205
  19. ^ "The Uplift Mofo Party Plan". Billboard Magazine. Retrieved 2007-06-07. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  20. ^ Kiedis, Sloman, 2004. pp. 219-25
  21. ^ Kiedis, Sloman, 2004. p. 222
  22. ^ Kiedis, Sloman, 2004. pp. 210-223
  23. ^ Kiedis, Sloman, 2004. p. 224
  24. ^ Kiedis, Sloman, 2004. p. 229
  25. ^ Kiedis, Sloman, 2004. p. 233
  26. ^ Kiedis, Sloman, 2004. pp. 240-4
  27. ^ Kiedis, Sloman, 2004. p. 240-250
  28. ^ "Mother's Milk". Billboard Magazine. Retrieved 2007-06-07. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  29. ^ Kiedis, Sloman, 2004. p. 264
  30. ^ Kiedis, Sloman, 2004. p. 274
  31. ^ Kiedis, Sloman, 2004. pp. 274-275
  32. ^ Kiedis, Sloman, 2004. p. 279
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  35. ^ Lamb, Bill. "Red Hot Chili Peppers Discography". About.com. Retrieved 2007-06-10.
  36. ^ Foege, Alec (1995-10-19). "The Red Hot Chili Peppers (Page 1)". RollingStone.com. Retrieved 2007-03-31. {{cite web}}: Check date values in: |date= (help)
  37. ^ Kiedis, Sloman, 2004. p. 350
  38. ^ a b Foege, Alec (1995-10-19). "The Red Hot Chili Peppers (Page 2)". RollingStone.com. Retrieved 2007-03-31. {{cite web}}: Check date values in: |date= (help)
  39. ^ Kiedis, Sloman, 2004. p. 401
  40. ^ Rosenthal, Joe (1998-04-06). "Pepper Guitar Mill Grinds On". RollingStone.com. Retrieved 2007-03-31. {{cite web}}: Check date values in: |date= (help)
  41. ^ Kiedis, Sloman, 2004. p. 393
  42. ^ Kiedis, Sloman, 2004. p. 377
  43. ^ a b Skanse, Richard (1998-04-30). "Red Hot Redux". RollingStone.com. Retrieved 2007-03-31. {{cite web}}: Check date values in: |date= (help)
  44. ^ Kiedis, Sloman, 2004. p. 397
  45. ^ Prato, Greg. "John Frusciante Biography". All Music Guide. Retrieved 2007-08-08. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help); Unknown parameter |FRUSCIANTE&sql= ignored (help)
  46. ^ a b Kiedis, Sloman, 2004. p. 398
  47. ^ It's Great to Go Straight by Dave Simpson, The Guardian.[1]
  48. ^ Kiedis, Sloman, 2004. p. 389-400
  49. ^ Kiedis, Sloman, 2004. p. 399
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  51. ^ Eliscu, Jenny (1999-07-26). "Woodstock '99 Burns Its Own Mythology". RollingStone.com. Retrieved 2007-03-31. {{cite web}}: Check date values in: |date= (help)
  52. ^ "Artist Chart History - Red Hot Chili Peppers - Greatest Hits [[Warner Bros. Records]]". Billboard. {{cite web}}: URL–wikilink conflict (help)
  53. ^ "News Uncut". MTVe.com. 2004-07-14. Retrieved 2007-01-30.
  54. ^ Catucci, Nick. "Red Hot Chili Peppers: Stadium Arcadium" (review). Blender magazine, June 2006 (Issue 48), p. 146
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  56. ^ 49th Annual Grammy Awards Nominee List, Grammy.com, http://www.grammy.com/GRAMMY_Awards/49th_Show/list.aspx
  57. ^ Sutton, Michael. "Anthony Kiedis Biography". All Music Guide. Retrieved 2007-08-08. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  58. ^ AMG By the Way Album Review. [2]
  59. ^ Kiedis, Sloman, 2004. p. 420
  60. ^ "Total Guitar Magazine interview with John Frusciante". Total Guitar. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  61. ^ Hanson, Amy. "All Music Guide; Mother's Milk". All Music Guide. Retrieved 2007-08-08. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  62. ^ Stephen Thomas Erlewine. "One Hot Minute review". All Music Guide. Retrieved 2007-08-01. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  63. ^ a b Prato, Greg. "Flea Biography". All Music Guide. Retrieved 2007-08-08. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  64. ^ a b "Under the Bridge"; Kiedis, Sloman, 2004. pp. 264-5
  65. ^ "Breaking the Girl"; Kiedis, Sloman, 2004. p. 271
  66. ^ "Police Helicopter"; Kiedis, Sloman, 2004. p. 108
  67. ^ "Green Heaven"; Kiedis, Sloman, 2004. p. 112
  68. ^ "I Could Have Lied"; Kiedis, Sloman, 2004. pp. 269-70
  69. ^ "Knock Me Down"; Kiedis, Sloman, 2004. p. 242
  70. ^ "Scar Tissue"; Kiedis, Sloman, 2004. pp. 404-5
  71. ^ "Californication"; Kiedis, Sloman, 2004. p. 418-9
  72. ^ "Venice Queen";Kiedis, Sloman, 2004. p. 456

References

  • Kiedis, Anthony; Sloman, Larry. Scar Tissue. Hyperion, 2004, ISBN 0-7515-3566-4, Rock Weekly.

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