St. Josef (St. Ingbert)

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The parish church of St. Josef in St. Ingbert
View from the northeast towards St. Josef

The Church of St. Josef in St. Ingbert is a Catholic parish church in the neo-Gothic style. It lies on the slope above Kaiserstraße and, together with the Beckerturm, forms one of the city's most important landmarks . The rectory further south belongs to the church . St. Josef is the largest church in the Speyer diocese in the Saarland. In the list of monuments of the Saarland the church building is a single monument listed.

history

prehistory

Due to the population growth in St. Ingbert in the 19th century, it was decided to build a new church for the then only parish in St. Ingbert and in 1878 a church building association was founded . There were two opposing views: one side wanted another, new church in addition to the Engelbertskirche , the other wanted to rebuild the Engelbertskirche or even tear it down to make space for a new church building. The then pastor Dengel was always a strict opponent of a second church and the church building association could initially only meet secretly in order to be active.

First of all, a decision had to be made between three construction sites: one behind the Engelbertskirche, one “on the planer” and a third on the front planing site on Kaiserstraße. For financing, the church administration turned in a petition to the royal government of the Palatinate in 1880 to approve a prize lottery with two drawings in favor of the church building association.

It was not until January 16, 1882, that a government resolution first called for the construction costs to be determined and for the detailed plans and the surcharge for the new church to be submitted. Before the question of the building site was decided, on April 13, 1882 the committee of the church building association, with the help of the church administration, commissioned the architect Franz Schöberl from Speyer to draft a plan. The new church should offer space for around 3,500 people.

A commission, which also included Pastor Dengel, initially advocated a building site behind the Engelbertskirche, which the royal government refused. Because of the free, high and from three sides accessible location, in the immediate vicinity of the Kaiserstraße, after long deliberations, the decision was finally made in favor of the building site on the front planing area, so that the acquisition of the site was decided.

The plan submitted by the architect Schöberl on June 21, 1883 was rejected by the government for reasons of cost. The sum for the church building should be 350,000 marks .

Pastor Dengel died on October 1st, 1888. His successor, Pastor Jakob Zimmer, worked with all his might for the new church. In 1889 the building site was bought and the church administration contacted architect Ludwig Becker from Mainz, who was supposed to draft a new plan.

Becker's plan was simpler and therefore more cost-effective than that of the architect Schöberl, so the decision was made in favor of Becker's plan. However, the building site cost 42,000 marks because a number of residential buildings had to be bought and demolished beforehand.

Laying of the foundation stone and inauguration

On September 28, 1890, the foundation stone was laid in the southwest corner pillar of the choir . This was done by Dean Eugen Huth from Zweibrücken on behalf of the Bishop of Speyer . A document about the history of church building in a tin-plated tin box was placed in the foundation stone, along with the foundation stone certificate, a replica of the nail from the cross of Christ and consecrated earth from Jerusalem from the catacombs of Rome. A number of viable coins as well as a number of the “ Saarbrücker Zeitung ” and the “Pfälzer Zeitung” were also attached .

At the end of the second year of construction, in 1891, the tower and the entire nave were completed up to the upper edge of the roof cornice. In the third year of construction, 1892, the shell of the church was completed. The interior work had also already begun and was largely completed by the day of the inauguration.

In the meantime, however, there have been a few incidents. The first nave timber was crooked and the second burned down.

On May 13, 1893, the new St. Josef Church was finally inaugurated by the Speyer bishop Joseph Georg von Ehrler .

The total cost was 250,000 marks.

Church fire and reconstruction

The building was badly damaged in a major fire on July 17, 2007. The roof of the nave was completely burned and the spire collapsed. At first glance, the entire interior including the altars , organ , pulpit and confessionals remained largely intact, but all five old bells of the former Otto bell foundry (which no longer exists today) had cracked in the great heat. Welding was impossible because the crack of the big bell (A °) was about 1 meter long. The cause of the fire was possibly an overloaded cable during construction work.

After the population showed great sympathy and willingness to donate, the sacred building was rebuilt after the static feasibility had been clarified. The new bells were consecrated on August 28, 2011, the renovated organ on November 1 of the same year. On November 20, 2011, the church was put back into service in a solemn pontifical ministry.

Building description

View inside St. Josef
The high altar of St. Joseph
The pulpit of St. Joseph
Entrance portal of the church
The new bells of St. Joseph in August 2011

Dimensions

The Josefskirche has the following dimensions:

  • Tower: 73 m
  • Clearance in the nave: 21 m wide
  • Clearance in the transept: 28.30 m wide
  • Width of the central nave: 12.40 m
  • Height of the ribbed vault: 15.50 m
  • Height of the star vault in the crossing: 17 m
  • Height of the choir vault (orientation of the choir to the southeast): 12.80 m
  • Total inside length of the church with choir: 50.50 m

After the Protestant St. Johann Johannes Church with a tower height of 74 m and after the war destruction of the tower of the Saarbrücken Josefskirche with originally 75 m height, the tower of the St. Ingberter Josefskirche is the second highest church tower in Saarland.

The inside of the church

The high altar , a winged altar, is the work of the sculptor Stuchtei from Münster , who is also responsible for the organ front and the pulpit . The cafeteria of the high altar, made of white Baumberger sand-lime brick , is built on a substructure of five steps. In the middle of the cafeteria you can see a representation of the Lamb of God. To the left and right of this are glass mosaic pictures with depictions of animals. The structure of the high altar shows the tabernacle , above it a closable exposition behind which the high central canopy of the altar rises. In this canopy you can see a figurative representation of Christ as the judge of the world , above God the Father and above him the Holy Spirit in the representation of the dove. The middle canopy is flanked by two further canopies. In the left we see the Mother of God , in the right John the Baptist . The reliefs below the side canopies show the flagellation and the crowning of thorns of Jesus. Like the altar wing pictures, they refer to the holy mass offering . Painted wings are attached to the reliefs, which can either be opened or closed. The open wings show Christ on the Mount of Olives and Christ carrying the cross, while on the reverse the miracle of the multiplication of the bread and the manna rain in the desert can be seen.

Stylistically, the two side altars adapt to the main altar. The left side altar is the Marian altar with a statue of the Mother of God under a canopy. On the right side altar, the Joseph Altar, a statue of St. Joseph is placed, also under a canopy. In front of it is the font .

On the walls in the transepts and side aisles there are 14 stations of the Cross with free-standing carved wooden figures.

Compared to the rest of the church, the choir , on the right-hand side of which is the entrance to the sacristy, is reduced in width and height. The choir is separated from the church interior by a pointed arch .

The gallery , which was enlarged in 1930, shows figures in light limewood on its wooden parapet . The organ prospect on the gallery adapts to the style of the church's furnishings.

The wooden pulpit , which is directly connected to one of the crossing pillars , is located on a sandstone substructure that rests on small gray marble pillars . The parapet of the pulpit shows painted reliefs of the four evangelists and their symbols : Matthew with the winged man, Mark with the lion, Luke with the bull and John with the eagle. In the middle of the pulpit's sound cover is a representation of the dove, the symbol of the Holy Spirit.

The communion bench shows alternating niches with seated figures and tracery fields and originally had two central doors. These doors were removed when the choir was redesigned in 1971 and converted into a new celebration altar in 1980.

The church exterior

The church is built in the neo-early Gothic style. It is designed as a three-aisled hall church with a transept . The main staircase with two platforms , which were supposed to carry the symbols of the evangelists, leads from Kaiserstrasse in 33 steps (the traditional number of the years of Jesus' life) up to the platform that surrounds the tower. From this point another 11 steps lead into the interior of the church. Above the entrance portal there is a relief with the scene in which Jesus is found again by his parents in the temple. A quotation from the Bible is carved into the stone under this relief ( Luke 2.49  EU ).

Tower and bells

The church tower is at the front and has a height of 73 meters from Kaiserstraße to the top. In a niche in the portal gable at the front of the tower is the statue of the church patron, St. Joseph, which depicts him as a carpenter . The side niches that were supposed to accommodate the figures of the princes of the apostles initially remained empty. Finally, on August 19, 2012, figures of St. Barbara and St. Ingobertus were placed in the niches.

The outer arch above the portal of the open vestibule in the lowest tower section shows the hand of God in its keystone . In the vestibule, in the keystone of the vault, an angel is depicted who protects the coats of arms of the Speyer diocese and the city of St. Ingbert.

After the Second World War, the Saarlouis bell foundry in Saarlouis-Fraulautern, which had been founded by Karl (III) Otto from the Otto bell foundry in Bremen-Hemelingen and Aloys Riewer from Saarland, cast in 1954 for five St. Ingbert churches, including the St. Joseph Church, bronze bells. The St. Joseph Church received five bells with the following series of strikes: a 0 - c sharp ′ - e ′ - f sharp ′ - a ′. The diameters of the bells were: 1840 mm, 1470 mm, 1228 mm, 1098 mm, 940 mm. They weighed: 3850 kg, 1946 kg, 1126 kg, 792 kg, 550 kg. They had the same tones as the five big bells of the new peal that was bought after the fire. Since 2011 there have been seven new bells in the rebuilt tower, which were cast by the Bachert bell foundry in 2007 after the fire . Master Albert Bachert cast the big bell on March 11, 2011 and the remaining six bells on July 8, 2011 in heavy ribs. The full bells sound before church services at high feasts and every Saturday at 6 p.m. to ring in Sunday together with all city center bells.

No.
 
Surname
 
Chime
 
Mass
(kg)
Diameter
(mm)
inscription
 
1 St. Theodore A 0 4,413 1.910 Deum laudo Sancte Theodore - ora pro nobis
2 St. Carolus cis 1 2,189 1,515 Deo gratias ago Sancte Carole - ora pro nobis.
3 St. Mary e 1 1,252 1,252 Vivos voco Sancta Maria - ora pro nobis.
4th St. Joseph f sharp 1 908 1,127 Fac nos innocuam, Josef, ducerrere vitam sitque tuo semper tute patrocinio.
5 Guardian Angel a 1 672 976 Sinite partulos, et nolite eos prohibere ad me venire: talim est enim regnum caelorum.
6th St. Florian h 1 460 872 This should prove your faith, and it will show that it is more valuable than gold that has been tested in the fire.
7th St. Ingobert d 2 305 739 St. Ingobert sent by God; you came to us from a far country You brought the good news of salvation and power to our fathers.

organ

View towards the organ gallery
Organ prospectus

St. Josef received its first organ in 1894. The two-manual, pneumatically controlled instrument with 36 registers was built by the organ factory of H. Voit & Sons in Durlach (Opus 600). Because of the many basic voices, it was a typical instrument of the romantic era. This instrument was probably a decisive magnet for Ludwig Boslet to take up the position as organist here. He came from Ludwigshafen , succeeded Franz Woll and stayed for ten years.

The instrument cost 14,220 marks in 1894 plus 3740 marks for the case. It had an organ that was no longer preserved in this form today, with a pneumatic and mechanical cone shutter action. The manuals were operated pneumatically, the pedal mechanically. The approval of the organ expert Julius Orth from Speyer took place on June 15, 1894 and originally had the following disposition:

1. Manual C – g 3

1. Principal 16 ′
2. Principal 8th'
3. Gemshorn 8th'
4th Quintads 8th'
5. Gamba 8th'
6th flute 8th'
7th Dolce 8th'
8th. Bourdon 8th'
9. Trumpet 8th'
10. Fifth flute 5 13
11. octave 4 ′
12. Fugara 4 ′
13. Clairon 4 ′
14th Hollow flute 4 ′
15th octave 2 ′
16. Mixture 4-fold 2 23
2. Manual C-g 3
17th Bourdon 16 ′
18th Principal 8th'
19th Covered 8th'
20th Aeoline 8th'
21st Vox coelestis 8th'
22nd Clarinet 8th'
23. Solo flute 4 ′
24. Gemshorn 4 ′
25th Piccolo 2 ′
26th Present (octave) 4 ′
27. Salicional 8th'
28. Corneth 3-5 times 8th'
Pedal C – f 1
29 Principal bass 16 ′
30th Violonbass 16 ′
31. Sub-bass 16 ′
32. Bombardon 16 ′
33. Fifth bass 10 23
34. Octave bass 8th'
35. Cello bass 8th'
36. Flute bass 8th'
  • Pairing :
    • Normal coupling: II / I, I / P, II / P, 4 fixed combinations (Piano, Forte, Fortissimo, Tutti), 4 releases (I, II, Ped. Zu)

The Voit instrument was renovated for the first time in 1902. At the request of Boslets, the second manual was given a swell box with swell step. Boslet's fifth organ sonata (Opus 30), which was composed in St. Ingbert in 1908, may have been influenced by the sound of this organ.

However, around 40 years after the organ was built, dissatisfaction with the instrument grew. Faults often occurred and the sound no longer corresponded to the taste of the time, so that in 1933 the Späth company ( Mengen-Ennetach ) was rebuilt and expanded . The result was an expansion and conversion to an electric action , but many parts of the “Voit organ” (entire registers, windchest , prospectus) were taken over.

In addition to late romantic features, the disposition of the three-manual electropneumatic organ also shows features of the so-called organ movement , which was modeled on the baroque organ. In order to lighten the sound, some registers were subsequently replaced or rebuilt (for example, higher-lying mixtures ). The Hugo Mayer company ( Heusweiler ) made new low-lying mixtures in 1988 in order to do justice to the late romantic sound of the instrument. In 1994 Hugo Mayer made further changes.

The electrical system was also revised by H. Mayer in 2006, as was the gaming table by installing a setting system . During the fire in 2007 the organ remained largely undamaged, but was dismantled by the H. Mayer company in order to keep it safe from a possible ceiling collapse.

I Hauptwerk C – g 3

1. Principal 16 ′
2. Far principal 8th'
3. Violin principal 8th'
4th flute 8th'
5. Gemshorn 8th'
6th Octave 4 ′
7th Hollow flute 4 ′
8th. Octave 2 ′
9. Intoxicating fifth II
10. Mixture IV
11. Cymbel IV
12. Cornett IV
13. horn 8th'
14th Clarine 4 ′
II Swell C – g 3
15th Drone 16 ′
16. Dumped 8th'
17th Willow pipe 8th'
18th Beat 8th'
19th Principal 4 ′
20th Pointed flute 4 ′
21st Piccolo 2 ′
22nd Chamois fifth 1 13
23. Sesquialter II
24. Small mix IV
25th Darling Trumpet 16 ′
26th Trumpet 8th'
27. oboe 8th'
28. Head trumpet 4 ′
Tremulant
III Oberwerk C – g 3
29 Horn principal 8th'
30th Tube bare 8th'
31. Quintatön 8th'
32. Copper principal 4 ′
33. Night horn 4 ′
34. recorder 2 ′
35. Chamois fifth 2 23
36. third 1 35
37. Sif flute 1'
38. None 89
39. Scharff IV
40. Dulcian 16 ′
41. Krummhorn 8th'
42. Schalmey 4 ′
Tremulant
Pedal C – f 1
43. Principal bass 16 ′
44. Violon 16 ′
45. Sub-bass 16 ′
Soft bass 16 ′
46. Fifth bass 10 23
47. Octave bass 8th'
48. Flute bass 8th'
49. Chorale bass 4 ′
50. Portal 2 ′
51. Pedal mix VI
Bombard 32 ′
52. trombone 16 ′
Dulzian bass 16 ′
Trumpet 8th'
Krummhorn 8th'
Clairon 4 ′
Singing Cornett 2 ′
  • Pairing :
    • Normal coupling: II / I, III / I, III / II, I / P, II / P, III / P
    • Sub-octave coupling: II / I, III / I
    • Super octave coupling: II / I, III / I
  • Playing aids : electronic typesetting system, two free combinations, tutti, crescendo, crescendo starting
Remarks
  1. Wind attenuation of the sub-bass 16 ′
  2. a b c d octave excerpt from trombone 16 ′
  3. a b Transmission from the positive

Organists

Because of its special position as the main church, important organists were employed at St. Josef:

Web links

Commons : St. Josef (St. Ingbert)  - Collection of images, videos and audio files

Individual evidence

  1. List of monuments of the Saarland, sub-monuments list Saarpfalz-Kreis (PDF; 1.2 MB), accessed on July 31, 2012
  2. a b c d e f g The history of the building on: www.pfarrei-st-josef-igb.de, accessed on June 3, 2012
  3. a b c From the laying of the foundation stone to the inauguration On: www.pfarrei-st-josef-igb.de, accessed on June 3, 2012
  4. Fire of the St. Josef Church in St. Ingbert  ( page no longer available , search in web archivesInfo: The link was automatically marked as defective. Please check the link according to the instructions and then remove this notice.@1@ 2Template: Toter Link / www.dengmert.de  
  5. Damage and clean-up work at: www.pfarrei-st-josef-igb.de, accessed on June 4, 2012
  6. Beate Braun-Niehr: St. Josef, St. Ingbert, Regensburg 2008, pp. 12-15.
  7. a b c d e f g The interior of the church at: www.pfarrei-st-josef-igb.de, accessed on June 3, 2012
  8. a b The exterior of the church at: www.pfarrei-st-josef-igb.de, accessed on June 3, 2012
  9. Around the church tower - St. Barbara and St. Ingobertus complete the main portal On: www.pfarrei-st-josef-igb.de, accessed on October 5, 2012
  10. ^ Gerhard Reinhold: Otto bells - family and company history of the bell foundry dynasty Otto . Self-published, Essen 2019, ISBN 978-3-00-063109-2 , p. 588, here in particular pp. 87 to 95, 566 .
  11. Gerhard Reinhold: Church bells - Christian world cultural heritage, illustrated using the example of the bell founder Otto, Hemelingen / Bremen . Nijmegen / NL 2019, p. 566, here in particular pp. 105 to 112, 517 , urn : nbn: nl: ui: 22-2066 / 204770 (dissertation at Radboud Universiteit Nijmegen).
  12. Almost as many bells as in the Speyer Cathedral. In: Der Pilger , September 1, 2011. Retrieved on June 4, 2012
  13. should read: parvulos
  14. a b c The organ on: www.pfarrei-st-josef-igb.de, accessed on June 3, 2012
  15. ^ Christoph Jakobi: Saarpfälzisches Präludienbuch , Volume 1 : St. Ingberter Spätromantik, Musikverlag Robert Car, Mandelbachtal 2006
  16. Organ of the Church of St. Josef (Catholic) ( Memento of the original from March 5, 2016 in the Internet Archive ) Info: The archive link was automatically inserted and not yet checked. Please check the original and archive link according to the instructions and then remove this notice. Info page of the Orgeln im Saarland website , accessed on June 3, 2012 @1@ 2Template: Webachiv / IABot / www.saar-orgelland.de

Coordinates: 49 ° 16 '50.1 "  N , 7 ° 7' 8.4"  E