Landstraßer Hauptstrasse
| Landstraßer Hauptstrasse Country road (popular)
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| Landstraßer Hauptstraße at Rochusmarkt | |
| Basic data | |
| place | Wien-Landstrasse (3rd district) |
| District | Country road |
| Cross streets | Am Stadtpark / Vordere Zollamtsstraße, Invalidenstraße , Untere Viaduktgasse, Beatrixgasse / Gärtnergasse, Seidlgasse, Weyrgasse, Salmgasse, Rasumofskygasse, Sechskrügelgasse, Erdbergstraße, Rochusgasse, Kundmanngasse, Hintzerstraße , Apostelgasse , Jguchgasse , Steergasse , Baumergasse / Wassergasse, Messenhaus , Oberzellergasse / Rabengasse, Schrottgasse, Petrusgasse, Schimmelgasse, Schlachthausgasse, Rennweg, Otto-Preminger-Straße / Leberstraße, Hofmannsthalgasse |
| Places | Rochusplatz, Emmerich-Teuber-Platz, Wildgansplatz |
| use | |
| User groups | Car traffic , underground traffic, bicycle traffic , foot traffic |
The country Hauptstrasse is a major shopping street in Vienna , the 3rd district highway passes. It was named to preserve the name of the Landstrasse district . The name "Landstraßer Hauptstraße" is not common in everyday language, normally only "Landstraße" is used.
Location and characteristics
Historically, the country road is the arterial road from the Stubentor , and a road to the Roman camp Vindobona ran at this point in ancient times .
The street begins at the Stubenbrücke over the Vienna . Since 1975 the Hotel Hilton am Stadtpark has been a clear accent at the entrance to the street. Then she passes the Wien-Mitte train station . This point has been an important traffic junction since the early 19th century; from 1803 to 1847 it was the end basin of the Wiener Neustädter Canal . The main customs office was built in 1859 (after the nearby customs office building by Paul Sprenger ), this station was rebuilt in 1962 and from 2007 to 2013. In 1899 an underground station was added for the Stadtbahn , which (after some renovations in the late 1970s) serves as a station for the U4 . Opposite is now an office and cinema center, where there were extensive market halls until the 1960s.
A little below that, the further course is characterized by the elongated baroque facade of the St. Elisabeth monastery hospital with the characteristic church tower. Below this, on the even side, there are some historicist buildings from the late 19th century, while the odd side is predominantly late-historic-secessionist. After Seidlgasse and beyond Weyrgasse, the houses belong to the ensemble of Esteplatz , which was built shortly after 1910. House No. 25 was demolished for the Weyrgasse ( Estegasse until 1919 ), which is why this house number no longer exists.
The only larger bulge in the street is opposite the Rochuskirche and the post office, which was demolished in 2015. The area has been called Rochusplatz since 2016 , and there is a small food market there, the Rochusmarkt . There, in the Salmgasse / Rasumofskygasse area, was the St. Nikolai monastery , which was destroyed by the Ottomans in 1529 , and the parish church of St. Nikolai , which originally gave the suburb its name: in the 13th century, the later Landstraße is mentioned as Nikolai-Vorstadt . Around the Rochuskirche, the suburban character of the street (with buildings from the late 18th century) has most likely been preserved, which extends to the Kundmanngasse that flows into it . In particular, there are examples of the Josephinian plate style in this area . Typical of parcels from this time is their narrow front and great depth, usually they are divided into several courtyards, which reveals their origin as farmyards.
Below the upper part of the road that runs underground , the stations road (station belonging) and Rochusgasse lie on the country Hauptstrasse. After this station the street has a slightly curved course, while the underground tunnel continues straight, which brings it under Hainburger Straße.
At about half of the street the Neulinggasse goes away, above this junction is the through wing of a community building. This roughly corresponds to the position of the Palais Arenberg , which stood here until around 1900, and the gardens behind it were only parceled out in the early 20th century. The resulting quarter around Dannebergplatz is therefore a closed late historical ensemble. The breakthrough in Neulinggasse did not take place until the 1950s.
On the straight side there is an ensemble of Biedermeier houses below Barichgasse. The opposite Emmerich-Teuber-Platz, which forms the gusset to Baumgasse and where the Apostelgasse branches off, is once again a prominent urban point, which is confirmed not least by an old crossroads and a striking street clock.
Then the street runs to Schlachthausgasse, where it takes on an increasingly suburban character, from around Baumgasse its function as a shopping street also ceases. This last third is dominated by the 68 meter high tower of the neo-Romanesque Church of the Sacred Heart of Jesus .
The Paulusplatz quarter , which was laid out according to plan around 1820, extends on both sides of Schimmelgasse . On a plan by Carl Graf Vasquez around 1830, the local section of the street is called Paulusgrund Hauptstraße . The small Biedermeier houses that originally made up the quarter have been replaced almost everywhere by new buildings over the decades, although the last ones on Landstraßer Hauptstrasse were not until after the turn of the millennium.
At Schlachthausgasse the street makes a sharp bend to the right, continues as its continuation and flows into the Landstraßer Gürtel in front of the Arsenal .
traffic
The subway goes below Landstraßer Hauptstraße to Rochusplatz. Tram operation existed until 1984 before it was discontinued as part of the underground construction. The only public surface seller is now operated by the 74A bus, which crosses Landstraßer Hauptstrasse almost the entire route and has its terminus near the intersection with Rennweg (at the St. Marx S-Bahn station ). This does not apply to the section between Schlachthausgasse and the end of the street on Landstraßer Gürtel - tram line 18 (or historically 118) runs there.
Places and Buildings
Stylistically, the street is extremely uneven, without forming larger ensembles. Most likely the area around the Rochuskirche is to be mentioned, in the vicinity of which some of the building stock of the later 18th century has been preserved. The buildings in later styles (romantic, strict and later historicism, secessionism, objectivity) are each scattered and form only very small ensembles. Monument protection exists for the sacred buildings and some residential buildings, especially for many of those that date from the late 18th century. There are a total of seventeen listed objects on Landstraßer Hauptstraße, see also the list of listed objects in Vienna / Landstraße .
No. 1: Wiener Bürgerhof
This secessionist house with flat plait and bust decor stands on the site of an older inn and was built in 1905/1906 by Franz Krauss and Josef Tölk .
# 2: Hotel Hilton
The hotel was built in 1972-1975 and replaced a large market hall that was built in 1865. An office, shopping and cinema center is connected to the hotel. The building also houses part of the Raiffeisen Bank International offices.
No. 4
The five-storey building with nine window axes was built in 1912 by the architect Alexander Osterberger . It has a neoclassical facade with stylistic elements from the Wiener Werkstätte . On the facade there is also a relief of a mercy seat from the first half of the 18th century.
No. 4a: St. Elisabeth Hospital
The St. Elisabeth Hospital is one of the oldest hospitals in Vienna and was opened in 1715. The wing of the monastery with the church visible from the street dates from the middle of the 18th century, the current hospital building from the years 1834–1836. Attached to it is the oldest still existing pharmacy in Vienna, whose baroque furnishings have been preserved.
The elongated facade dates from the years after 1743 and is summarized by a banded plinth and an end beam. The convent wing is divided by giant pilasters at the sides and has a portal crowned by a niche with the figure of St. Elisabeth and flanked by two other niches with statues of saints ( Anthony of Padua , Francis of Assisi ). A three-axis risalit with aedicule portal and arched windows with putti reliefs in the lintels acts as a joint between the church and the monastery. It is crowned by a roof gable and a tower with pilasters and a richly decorated onion helmet from 1746. The adjoining church wing has large arched windows in drilled frames. The magnificent wrought iron window baskets date from the middle of the 18th century.
No. 6
The two-yard apartment building complex has four floors with five window axes. The facade is early historical . While the middle windows form a double window axis, the rest of the facade is designed in a grid shape and decorated with slightly geometrical plant decorations.
No. 7
The corner house was built in 1910 by architect Ludwig Baumann . The client was Antonie von Laminet. The five-story building has six window axes on the Landstraßer Hauptstrasse side and eight window axes on the front facing Untere Viaduktgasse . The three main floors, which are pulled together to form a unit, are characterized by vertical wall panels and ornamental frames in the style of the Wiener Werkstätte. In the side axes of the third and fourth floors there are flat bay windows, on the floor above there are consoles with lion heads. At the corner of the house is a tower-like roof structure. The building is also at the address Untere Viaduktgasse 59.
No. 8
The five-storey building with ten window axes on Beatrixgasse and five on Landstraßer Hauptstrasse was built in 1844 by master builder Josef Prantner . The large apartment building has a simple, cubic-looking facade that is strictly structured. The delicate stucco decor was partially removed. Inside there is a staircase raised around two pillars with an iron railing from the construction period. The building is also at Beatrixgasse 2.
No. 9
The five-storey apartment building, built by Friedrich Nietschmann in 1907 , has Secessionist décor, which includes, in particular, colossal ironwork, cartouches and lavish tendril décor.
No. 11: Figure of St. Nicholas
On the municipal building ( Franz-Pfeiffer-Hof ) erected in 1991 as part of the construction of the subway , a figure of St. Nikolaus from the previous building was integrated into the facade of the new building. The figure should make it clear that the "Landstrasse" was formerly called "Nikolaivorstadt".
No. 13
This rental house, which was built in 1853, is an early historical building with flat decorative elements. The door leaves of the arched portal in Gärtnergasse are original. In the driveway there are two groups of figures from the 18th century that show the coronation of Mary and the Trinity .
No. 15
The house was built in 1899 by Franz Kupka and Gustav Orglmeister . The facade is structured vertically by secessionist decor, the corner solution with a roof gable and female figures is designed for a representative effect.
No. 21
The house was built by Karl Haybäck in 1911/12 . It is held in secessionist forms and has semicircular side bay windows, a vertical pilaster structure and rich tendril decoration on the upper floor. The vestibule is clad in marble, the colored glass windows and the elevator are original.
No. 23
The corner house on Weyrgasse (there no. 6-8) dominating the surrounding area was built in 1912 by Leopold Fuchs . The fronts are structured vertically in neoclassical shapes in a rhythmic manner. The portal axes are gabled and have colossal iron structures and expressive atlases.
No. 28: Sünnhof
The Sünnhof is a Biedermeier - By house , which connects the Ungargasse with the country Hauptstrasse. From a building core from the 18th century, this passage was created in 1837 on behalf of Rudolf (municipal clerk; † 1854) and Joseph Carl Sünn (lawyer; † 1864), the architects were Joseph Dallberg the Younger (1799–1876) and Peter Gerl ( 1795-1884). In 1845 the through-house was expanded. From February 24, 1973, there was a risk of collapse for the component on Landstraßer Hauptstrasse, as its facade had developed severe cracks as a result of foundation work on the neighboring property. The condition of the house led to the discontinuation of the tram line T (replacement bus service) between Rochuskirche and Viehmarktgasse by March 7, 1973 . Since the restoration of the building complex in 1983 there has been a hotel and an inn here, among other things.
No. 29
The house was built in 1902 by Karl Haybäck . The facade is accentuated by a two-axis central bay, which rests on consoles and is crowned by a balcony with Art Nouveau lattice. On the first floor and in the gable, the facade is decorated with flowers. In the entrance area there is an Immaculata figure from the 18th century.
No. 31
The current house was built in 1934 by Carl Wilhelm Schmidt and is a large city house that emerged from the spirit of New Objectivity . In the 19th century, this was the location of the Zur Goldenen Pear Inn , whose dance hall was famous. When he lived in the house Zur Schönen Sklavin ( Ungargasse 5 ), Beethoven stayed here, Adalbert Stifter lived in a back wing. Two plaques on the house commemorate Alexander Ypsilanti , who died here in 1828, and Honoré de Balzac . Its plaque contains the text: Honoré de Balzac, the demonic poet of love and money, lived here in 1835 .
No. 32
The house was built 1804–1806 by Joseph Meissl , the facade was changed in 1838 by Josef Dalberg . It visually connects to houses 28 and 30. The plinth floors are grooved, the windows on the second floor are suspected and have console parapet, below the first and third floors there is a continuous parapet cornice.
No. 34
The house at the golden apple was built in the course of the 18th century, the front wing was renewed in 1799 and the facade was redesigned in 1880.
No. 35
The protruding Flecksiederhaus or Baderische Haus was built in 1774, the facade was redesigned in 1865. It is laid out in a U-shape with a narrow courtyard.
No. 36
The house was built in 1785 and has a round-arched driveway with curbstones that leads into an elongated courtyard wing. It has a plate decor typical of the time.
No. 37
This house also jumps out into the street together with No. 35. The building core of the house dates back to the 17th century, the courtyard wing was renewed in the 18th century, the strictly historical facade dates from 1877 by Heinrich Wagner . After the turn of the millennium, it was largely rebuilt, but the street facade was retained.
No. 38
This house and core dates from the 17th century, but was rebuilt and given a new facade in the 18th century. The base storey is grooved, the upper storey is decorated on the edges with local stone and structured by plaster pads, a noticeable element are the oval plastered fields with modern depictions of saints in cartouches.
No. 40
The Hotel Roter Hahn was built in 1801 on the site of an old inn, the current facade dates from around 1900. At the beginning and in the third quarter of the 19th century it was a popular meeting place for painters such as Leopold Kupelwieser and later Emil Jakob Schindler .
No. 42
The house at the golden wine grape was redesigned by Peter Mollner in 1769 . In the middle of the facade there is a black Madonna figure in a round arch niche. It has an elongated courtyard wing in which there is an open stairway wing with wrought iron grating from 1770.
No. 46
The house was built around 1800, modified by Peter Gerl in 1852 and redesigned in the form of the New Vienna Renaissance by Fellner and Helmer in 1875 .
No. 47-49
On the corner house on Rasumofskygasse (there No. 34), which was built in the 1950s, there is a Marian relief with the motto Raise the Hearts by Edmund Moiret from 1956.
Rochusplatz and Rochusmarkt
The small square in front of the Rochuskirche was named in 2016 after the colloquial name that refers to the church (an alternative colloquial name was Platzl ). It was officially named Kirchenplatz until 1862 (also on a plan from 1830 by Carl Graf Vasquez ) and has since been included in Landstraßer Hauptstraße. The Rochusmarkt is located there . The area was vacant after the Nikolai cemetery was razed in 1784 and a market soon developed at this point. In 1988 it had to be demolished due to the construction of the U3 , after the opening of the subway it was rebuilt with uniform market stalls on the original square. With 3,500 square meters, it is one of the smaller markets in Vienna and has forty market stalls. Since the Rochusgasse underground station was completed , its station building has formed the center of the market, where a small forecourt with a columned fountain was created. The official name was Augustinermarkt until 1991 , this name was written on the exit signs in 1991 after the opening of the subway station, which was changed to Rochusmarkt after a few weeks , as this name was no longer popular in the vernacular.
No. 51: Post office building on Rochusmarkt
In this building (main address Rochusplatz 1), which was added to the former telephone switchboard in Rasumofskygasse after the Second World War, the post office 1030 was housed until it was demolished. An office and shopping center was built in its place by 2017, which now also houses a post office and the company's headquarters. The new post office was settled from autumn 2017 and officially opened on April 4, 2018. During the construction work, artefacts from the late Celtic and early Roman times were found in the floor of the adjacent Grete Jost Park - the oldest Roman finds in Vienna to date.
No. 54: Rochus Church
The church with the facade facing the market was built together with the Augustinian monastery from 1642 and repaired again from 1687 after damage during the Ottoman siege in 1683. The current facade dates from the years 1718–1721 and was designed by an architect Kollmann as well as Kaspar Offel and Christian Oettel . Some things are ascribed to Anton Ospel , but this could also be due to a mix-up. After the Nikolaikirche was torn down in 1784 it became a parish church, in 1812 the monastery was closed and the church was occupied by secular clergy.
The main facade facing the street is three-axis with two towers and divided by giant pilasters, which end in the attic zone in a triangular gable crossed by basket arches. Above the gable is a statue of St. Augustine between two saints of the order, above the portal and in the side axes there are figures of saints in niches, all these statues are by Georg Anton Eberl . The towers are structured with double pilasters and have bulging helmets with lanterns. Inside, the single-nave wall pillar church is decorated with stucco and stucco marble. The choir is separated from the nave by a triumphal arch and merges into a polygonal apse. The high altar was donated by Emperor Leopold I in 1689 and is a three-storey structure with a high base, staggered and twisted columns that merge into a blown gable with articulated and cranked beams. The high altar picture by Peter Strudel shows Mary with plague saints and is flanked by statues of holy rulers, which were made in Paul Strudel 's school .
No. 56: rectory and rest of the monastery
Adjacent to the church is the rectory wing, which has only a narrow facade on Landstraßer Hauptstrasse, but extends to Pfarrhofgasse, where it takes up the entire facade that does not belong to the church. The Discalced Augustinian Hermits were appointed by Emperor Ferdinand II from Prague in 1630 ; today's construction began in 1642. The monastery was closed in 1812 after the monastery garden, which originally stretched to Ungargasse, had already been sold in 1785, and the building became the rectory of the church and was later reduced in size. Two wings of the former cloister are still preserved from this monastery.
No. 59
The Zum Mondschein house dates from the end of the 18th century and has panels that are typical of the time.
No. 63
The house dates from the end of the 19th century and has a panel decor typical of the time. There are pawlats in the courtyard .
No. 64
The House of the Immaculate Virgin Mary was built by Josef Klee in 1821 and expanded in 1843. It has a basket arch portal and a niche with an Immaculata figure from the mid-18th century.
Nos. 65 and 67
These are two strictly historical houses, No. 65 was built in 1870 in the form of the New Vienna Renaissance , No. 67 in 1863.
No. 66
The Haus Zum Weinstock was built in 1800 by Franz Wipplinger , the facade with the cornice structure between the second and third upper floors dates from 1821 by Alois Ignaz Göll .
No. 70
The house at the red apple dates back to 1787 and has panel decor typical of the time. An upper secondary high school is housed in this building .
No. 72
The house dates from 1788. The facade is structured with pilaster strips, and there are reliefs in the parapet fields below the windows. The flat-roofed driveway has stucco frame fields and leads into a long, narrow courtyard with pawlatschen.
No. 74: Fernolendt House
The house was built at the end of the 18th century and renovated by Franz Wipplinger in 1804 . The palais-like, early historic facade dates from 1849 and was designed by master builder Franz Schebek for the manufacturer Franz Fernolendt . The three central axes are staggered and form a central projection. In the middle axes the piano nobile has large arched windows and is structured by pilasters with medallion heads. Acroteria are located above the straight window roofs . The windows on the second floor have simpler window frames and tendril decoration in the parapet fields. Between the two upper floors there is a profiled entablature with small heads in the frieze, the roof rests on consoles with lion heads. There is a wall fountain with a dolphin head in the courtyard.
No. 81
The large early historical apartment building was built in 1845 and redesigned in 1855. The middle axis is emphasized by tendril fields.
No. 88
The large post-secessionist apartment building was built by Siegfried Kramer in 1911 . It is structured by round bay windows, which are crowned by balconies, and there is a studio level on the top floor.
No. 90
The house of St. The core of Peregrin dates from the 18th century and was rebuilt in 1805, although it was changed in 1828 by Josef Klee and in 1854 by Josef Dalberg, and in 1860 Peter Gerl added a new yard wing. The portal has fluted pilasters and a triglyph frieze and is crowned by the coat of arms of the Karátsony family.
No. 97-101: Schwechater Hof
The building complex was built by Anton Grünn in 1858 by combining older parts and served as a restaurant with a beer warehouse for Anton Dreher . In 1887–1890 the building was extended while the street facade was doubled. Nowadays the Galleria shopping center is located here .
No. 98
The house in the style of the New Vienna Renaissance was built in 1877 by Heinrich Förster .
No. 100-104
These houses with identical late-historical facades were built in 1905 by Gustav Adolf Richter .
No. 106: "To the green head"
The Biedermeier suburban house was built in 1822 by Josef Klee . It has a central projectile with reliefs in the bel étage and a floor above, which bears the main artistic accent. In this again the central axis is particularly marked, the windows there are flanked by pilasters. On the first floor, the window lunettes are filled with reliefs, on the sides with fan-shaped leaf ornaments, in the middle with a reclining deity with putti. On the right and left above there are architecturally unbound reliefs: on the left a female deity with putti, on the right Cupid and Psyche. On the second floor, the lunette above the central window is framed by flower garlands and shows a woman's head in front of fan-shaped ornaments, above the two side windows there are pigtail garlands. The third upper floor is separated by a sill cornice, the only decorations are two frame-shaped side parts on the central window.
No. 109
The house was built in 1837 by Peter Gerl . The three central axes protrude somewhat, the upper floors rise above an ornamented stucco band.
No. 110: "To Lake Constance"
The building actually consists of two houses that share a common courtyard, with the part on Landstraßer Hauptstrasse dating from the first quarter of the 19th century and the wing on Barichgasse from 1846. the facade is simple, above the portal there is a stucco relief with a picture of Lake Constance with mountains, houses and three boats. In the parapet fields on the second floor there are reliefs with mermaid figures.
No. 112: "To the comet star"
The building was constructed in 1810 by master builder Josef Reymund and rebuilt in 1840. The building has a mighty street section with short courtyard sections. These form a U-shaped inner courtyard. The original entrance to the courtyard was destroyed by the installation of a garage. The facade facing Landstraßer Hauptstrasse is three-story and has nine window axes. There are parapets under the windows on the first floor. These are carried by consoles . There are triangular gables above the three middle windows on the first floor, otherwise the window canopies are straight. The windows on the second floor are not framed. In the facade zone between the entrance and the central window is a parapet field with a bas-relief. The relief depicts clouds and a comet, underneath is an inscription “Zum Kometstern, 1811.” The composer Ludwig van Beethoven lived in this building from 1817 to 1819. The building is a listed building.
No. 113
The apartment building, which is plastically structured in large shapes and with sparing geometric decor, was built in 1912 by Hans Dworak . A noticeable detail is the rounded, raised corner.
No. 114 "To the Black Head"
The classicist house with four-sided courtyard was built in 1802. The lintel portal has spandrel reliefs and a Keilstein mask (the eponymous "black head"). Above a palmette frieze is the bel étage, the windows of which have figural reliefs in the lunettes.
Emmerich-Teuber-Platz
In 2008, the small square created by the branching off of Baumgasse was named after Emmerich Teuber . There is a striking clock protruding diagonally into the street and a crossroads from the first quarter of the 18th century. It is a pillar with a tabernacle-like top, which has reliefs of the Passion of Christ and is crowned by a cross with a sun motif. It is the only crossroads within the belt that is still in its original location.
# 116
The five-storey apartment building was built by Peter Gerl in 1856 . The corner is emphasized and the house has sparse geometric decor.
No. 123
The secessionist apartment building with a central bay, rod decoration and colored mosaic medallions was built by Wilhelm Wieden in 1912.
No. 136
The house has a core from 1774, in its current form it dates from 1891 by Joseph von Wieser . The building with two side elevations has a late historical facade in neo-baroque forms.
No. 137: Sacred Heart Hospital
The late historical building was built together with the church. It has a brick facade with a round corner tower and gothic window frames. In a niche there is a figure of the Madonna and Child.
Sacred Heart Church
The mighty neo-Romanesque basilica was built by Gustav von Neumann in 1903–1906 . The street front, designed in the manner of a westwork , is crowned by a towering façade tower with a high pointed helmet and round turrets on the edges. The central portal is located in an aedicula and is flanked by columns with bud capitals. In the portal bezel is a figure of Christ in a mandorla held by angels, a representation of the crucified, flanked by Mary and John, is in front of the rose window, on the side of the porch there are two niches with figures of saints. The interior of the church was not completed until 1922–1925, the lavishly painted furnishings were made by Franz Zimmermann with the assistance of Hans Jakubetz and A. Müllner. The high altar is a shrine-like stone structure, which is dominated by a large Sacred Heart figure with smaller figures of saints on the side.
No. 137a
The former nurses' home of the Sacred Heart Hospital housed the Eos cinema for decades from the 1950s onwards . It was built in 1930/31 by Felix Angelo Pollak . It is a structure in factual, expressive forms, which is staggered around the cornered, tower-like staircase.
No. 138-140
The building is an irregular structure that is grouped around a courtyard. The core dates from the 18th century, the building was expanded in 1810 and 1831. The facade on the street side is divided into two by an indentation, the left part has a frame structure and panel decoration over a banded base. A memorial plaque reminds that Koloman Moser had his apartment here. In the driveway there are four baroque seasons putti in niches, baroque figures and a baroque fountain are also in the garden. A garden wing from the early 20th century is two-story and has a giant pilaster structure and a central gable.
No. 142
The Villa Mautner-Jäger in baroque-classical forms with a mansard roof was built in 1902 by Franz von Neumann . A side porter's house is separated from this. The villa character of the building is totally atypical for the street. In the garden there is a bowling alley, which was built in 1907 by Paul Hoppe .
No. 144
The house in the style of neoclassicism was built in 1900 by Friedrich Kleibl and Christoph Jahn. The base storeys are banded, the upper storeys structured as pilasters.
No. 147
The corner house on Petrusgasse is one of an ensemble of four houses with Neo-Empire decor that was built around 1910. A plaque reminds us that Teddy Kollek lived here from 1918 to 1934.
No. 148b: Rennweg barracks
The former Rennweg barracks (also orphanage barracks ) was built in its current form in 1880 and forms the end of the orphanage on Rennweg, which was already used as barracks at that time . It consists of two block-like, monumental, strictly historical buildings with risals and corner blocks, one facing Landstraßer Hauptstraße, the other facing Rennweg. Part of the barracks area was built in 1994 with the Rennweg residential park (Landstraßer Hauptstrasse 146–148). Behind this is the orphanage park , in which the former riding arena, built by Siccardsburg and van der Nüll in 1854 , is located.
No. 149: Marianne-Hainisch-Hof
This community building was built by Rudolf Perthen in 1927/28 . With its striking pointed balconies, this building can be assigned to the expressionistically inspired community housing of the early phase. Other striking elements are the pointed arch loggias on the ground floor and the polygonal corner tower, which is a reinterpretation of late-historical corner solutions. It was named after Marianne Hainisch .
No. 173–175: "Maderspergerhof"
This communal residential complex was built between 1953 and 1956. The Sankt Marxer supply house, in which Josef Madersperger died, stood on the area of today's building - a plaque commemorates this (by Victor Theodor Slama ), which gave the building the unofficial name "Maderspergerhof". In the courtyard of the building there is a natural stone sculpture Woman with a rabbit by Fred Gillesberger, on the grounds of the kindergarten is a play sculpture Robbe by Walter Auer.
No. 177-187: Wildganshof
This communal residential complex was built by Viktor Mittag and Karl Hauschka in 1931–1933 , and is the last major residential project in “ Red Vienna ”. It was named after Anton Wildgans . The four to six-storey blocks form a closed front on the outside and a grid of square and rectangular courtyards on the inside, which are cut diagonally, which was the result of a railway plan that was not implemented. The facade is given a rhythm by the tower-like staircases with cornices. A monumental bust of wild goose by Alfons Riedel inserted into a staircase is in one of the courtyards, on the facade facing Landstraßer Hauptstrasse there is a terracotta relief picture of a plowing farmer, also by Riedel .
Aspang grounds
Opposite the Wildganshof there is an urban development area where the area of the former Aspang train station is being built. The area forms an approximate triangle between Aspangstraße, Adolf-Blamauer-Gasse, Landstraßer Gürtel and Landstraßer Hauptstraße. Approx. 2,000 apartments and 8,000 jobs are planned.
Wild goose place
As the Landstraßer Hauptstraße joins the Landstraßer Gürtel, the Wildgansplatz is formed right behind the Wildganshof , but its visual recognizability as a space is severely restricted by a motorway entrance . On top of it, cut off from the street by a noise barrier, is the Ilja Jovanović Park (named after a co-founder of the Romano Centro for the Roma ethnic group ). Marie Strasser's artificial stone sculpture Flamme is in the park .
gallery
No. 1 ("Wiener Bürgerhof")
Hotel Hilton
No. 4
Inner courtyard of the Elisabeth Hospital
No. 6
No. 7
No. 9
No. 13
No. 15
No. 21
Gable with atlases on No. 23
Passage to No. 28 ("Sünnhof")
Memorial plaque for Balzac at No. 31
No. 34
No. 36
No. 38
No. 40 (Hotel zum Roten Hahn)
No. 42
No. 46
Marian relief on the corner of Rasumofskygasse
The "Post am Rochus" in the construction phase (March 2017)
Rochusmarkt
Rochus Church
No. 59
No. 63
No. 64
No. 70 (high school)
No. 72
No. 74 ("Fernolendt House")
No. 81
No. 88
No. 106 ("To the green head")
No. 110 ("To Lake Constance")
No. 112 ("To the comet star")
No. 113
No. 114 ("Zum Schwarzen Kopf")
Clock on Emmerich-Teuber-Platz
Crossroads at the junction to Baumgasse
No. 123
Herz-Jesu-Hospital and Herz-Jesu-Kirche
No. 137a
No. 138
No. 140
No. 147
No. 148b (orphanage barracks)
No. 149 (Marianne-Hainisch-Hof)
Memorial plaque for Josef Madersperger at the "Maderspergerhof"
No. 177–187 (Wildganshof)
Web links
Individual evidence
- ↑ cf. Dehio II-IX & XX, Vienna 1993, Anton Schroll & Co., p. 105
- ↑ Reproduction of Vasquez's plan on Wikimedia Commons
- ^ Vienna - immovable and archaeological monuments under monument protection. ( Memento of October 13, 2017 in the Internet Archive ) (PDF), ( CSV ( Memento of October 13, 2017 in the Internet Archive )). Federal Monuments Office , as of June 23, 2017.
- ↑ This and all of the following information, unless otherwise stated, comes from: Dehio II-IX & XX, Vienna 1993, Anton Schroll & Co., pp. 115–117
- ↑ Géza Hajós , Eckart Vansca: Austrian Art topography. Volume XLIV. The art monuments of Vienna. The secular buildings of the III., IV. And V district . Verlag Anton Schroll, Vienna 1980, ISBN 3-7031-0470-8 , p. 67 f .
- ^ Dehio II-IX & XX, Vienna 1993, Anton Schroll & Co., p. 47ff
- ↑ a b c Géza Hajós, Eckart Vansca: Austrian art topography . Volume XLIV. The art monuments of Vienna. The secular buildings of the III., IV. And V district . Verlag Anton Schroll, Vienna 1980, ISBN 3-7031-0470-8 , p. 68 .
- ↑ Géza Hajós, Eckart Vansca: Austrian Art topography. Volume XLIV. The art monuments of Vienna. The secular buildings of the III., IV. And V district . Verlag Anton Schroll, Vienna 1980, ISBN 3-7031-0470-8 , p. 68-69 .
- ↑ "Collapse House" still threatened. The house is a listed building - examination results expected . In: Arbeiter-Zeitung . Vienna February 27, 1973, p. 7 ( berufer-zeitung.at - the open online archive - digitized).
- ↑ Géza Hajós, Eckart Vansca: Austrian Art topography. Volume XLIV. The art monuments of Vienna. The secular buildings of the III., IV. And V district . Verlag Anton Schroll, Vienna 1980, ISBN 3-7031-0470-8 , p. 69 .
- ↑ a b Friedrich Achleitner : Austrian Architecture in the 20th Century, Volume III / 1, Residenz Verlag, Salzburg and Vienna, 1990, p. 126
- ↑ a b c d e Géza Hajós, Eckart Vansca: Austrian art topography . Volume XLIV. The art monuments of Vienna. The secular buildings of the III., IV. And V district . Verlag Anton Schroll, Vienna 1980, ISBN 3-7031-0470-8 , p. 72 .
- ^ Platzl (3) in the Vienna History Wiki of the City of Vienna
- ↑ Page about the Rochusmarkt on wien.gv.at
- ↑ Demolition as the starting signal for the new post office. In: wien.orf.at. February 6, 2015, accessed November 18, 2018 .
- ^ Ceremonial opening of "Post am Rochus". In: post.at. April 5, 2018, accessed January 16, 2019 .
- ↑ The oldest Roman finds discovered in Vienna. In: wien.orf.at. March 19, 2015, accessed November 18, 2018 .
- ↑ Dehio II-IX & XX, Vienna 1993, Anton Schroll & Co., pp. 60ff
- ↑ Dehio II-IX & XX, Vienna 1993, Anton Schroll & Co., pp. 60-63
- ↑ Géza Hajós, Eckart Vansca: Austrian Art topography. Volume XLIV. The art monuments of Vienna. The secular buildings of the III., IV. And V district . Verlag Anton Schroll, Vienna 1980, ISBN 3-7031-0470-8 , p. 75 .
- ↑ Géza Hajós, Eckart Vansca: Austrian Art topography. Volume XLIV. The art monuments of Vienna. The secular buildings of the III., IV. And V district . Verlag Anton Schroll, Vienna 1980, ISBN 3-7031-0470-8 , p. 76 .
- ↑ a b Géza Hajós, Eckart Vansca: Austrian art topography . Volume XLIV. The art monuments of Vienna. The secular buildings of the III., IV. And V district . Verlag Anton Schroll, Vienna 1980, ISBN 3-7031-0470-8 , p. 77 .
- ↑ a b c d e Géza Hajós, Eckart Vansca: Austrian art topography . Volume XLIV. The art monuments of Vienna. The secular buildings of the III., IV. And V district . Verlag Anton Schroll, Vienna 1980, ISBN 3-7031-0470-8 , p. 78 .
- ↑ Géza Hajós, Eckart Vansca: Austrian Art topography. Volume XLIV. The art monuments of Vienna. The secular buildings of the III., IV. And V district . Verlag Anton Schroll, Vienna 1980, ISBN 3-7031-0470-8 , p. 79 .
- ↑ a b Géza Hajós, Eckart Vansca: Austrian art topography . Volume XLIV. The art monuments of Vienna. The secular buildings of the III., IV. And V district . Verlag Anton Schroll, Vienna 1980, ISBN 3-7031-0470-8 , p. 80 .
- ↑ a b c Dehio II-IX & XX, Verlag Anton Schroll & Co., Vienna 1993, p. 56/57
- ^ Dehio II-IX & XX, Anton Schroll & Co., Vienna, 1993, p. 122
- ^ Page about the Marianne-Hainisch-Hof near Wiener Wohnen
- ↑ Page about the residential complex at Wiener Wohnen
- ↑ Page about the Wildganshof near Wiener Wohnen
- ↑ Overview on the website of the City of Vienna
