Ulrike Hofbauer

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Ulrike Hofbauer (* in Altötting ) is a German singer ( soprano ).

biography

Ulrike Hofbauer studied singing and singing education at the University of Music Würzburg , the Mozarteum University Salzburg and the Schola Cantorum Basiliensis . Her main teachers include Sabine Schütz, Evelyn Tubb and Anthony Rooley .

Hofbauer has played as a soloist with ensembles such as Singer Pur , Collegium Vocale Gent , L'Arpeggiata , La Chapelle Rhénane , L'Orfeo Barockorchester and Cantus Cölln . She has worked with, among others, Hans-Christoph Rademann , Christina Pluhar , Andrea Marcon , Gustav Leonhardt , Konrad Junghänel , Philippe Herreweghe , Michi Gaigg , Manfred Cordes and Jörg-Andreas Bötticher . Since 2008 she has been involved in performances and recordings by the J. S. Bach Foundation under the direction of Rudolf Lutz .

She sang at the Basel Theater and the Bern City Theater , among others . She was heard as Calisto in Francesco Cavalli's opera La Calisto , as Galathea in Georg Friedrich Handel's Acis and Galatea , as Euridike in Georg Philipp Telemann's Orpheus and in all female roles in Henry Purcell's Dido and Aeneas . In addition to radio recordings and live radio appearances, numerous CD and film productions document her artistic work.

She realizes her own projects with her ensemble savādi (lat .: in a different way ) (Ulrike Hofbauer and Kristīne Jaunalksne, soprano, with Marie Borunisien, Arpa doppia ). In addition to the exploration of forgotten music, commissioned compositions highlight the ensemble's commitment to new music . She realizes large-scale projects with her ensemble & cetera . Hofbauer is also a member of The Modena Consort (soprano, four Renaissance transverse flutes , lute ).

Her educational commitment led Hofbauer to the universities of Bogota (Colombia), Minsk (Belarus), to the Bavarian Theater Academy August Everding in Munich and to the Schola Cantorum Basiliensis in Basel. From 2009 to 2011 she taught baroque singing at the Mozarteum University in Innsbruck. From October 2014 to June 2019 she taught baroque singing at the Mozarteum University in Salzburg. Since the beginning of the academic year 2017/2018, she has also been teaching baroque singing at the Strasbourg Conservatory and at the Académie Supérieure de Musique there . From September 2019 she will be a professor at the Schola Cantorum Basiliensis.

Ulrike Hofbauer's repertoire includes all epochs and styles, music of the Middle Ages and Renaissance music , baroque cantatas , oratorios and operas as well as unconventional musical theater . Her artistic work focuses on musical rhetoric , ornamentation and the “recitar cantando” style.

Awards

  • 2003: 1st Prize York Early Music International Young Artists Competition in York (England), with savādi .
  • 2004: 1st prize and audience prize at the Van Wassenaer Concours in The Hague (Netherlands), with savādi .
  • 2009: Preis der deutschen Schallplattenkritik 2/2009, section choral works and early music , for CD Vergilio Mazocchi: Vespro della beata Vergine. With Cantus Cölln.

Discography (selection)

CD

  • Dialoghi a voce sola: point of view / perspectives. Italian music of the 17th century. With ensemble & cetera. Marie Bournisien (Arpa doppia), Julian Behr (Chitarrone), Brigitte Gasser (Lirone, Viola da gamba soprano). Conception Ulrike Hofbauer. Raumklang, 2014.
  • Johann Sebastian Bach : In the evening of the same Sabbath . Cantata BWV 42. In: Bach Cantatas No. 5. BWV 42, 180 and 191. Soloists, choir and orchestra of the J. S. Bach Foundation , directed by Rudolf Lutz . Gallus Media, 2012.
  • Johann Sebastian Bach: Praise be to the Lord, my God. Cantata BWV 129. In: Bach Cantatas No. 1. BWV 81, 129 and 182. Soloists, choir and orchestra of the J. S. Bach Foundation, conducted by Rudolf Lutz. Gallus Media, 2011.
  • Giovanni Battista Bononcini , Antonio Maria Bononcini : Sono amante. Cantatas and chamber music. Ulrike Hofbauer, Ensemble La Ninfea. Thorofon, 2011.
  • Dieterich Buxtehude : The last judgment. Monika Mauch and Ulrike Hofbauer (soprano), Henning Voss (alto), Hans Jörg Mammel (tenor), Harry van der Kamp and Olaf Tetampel (bass), Weser-Renaissance , Manfred Cordes . CPO , 2007.
  • Giacomo Carissimi : Historia Divitis. / Antonio Bertali : La strage de gl'innocenti. New Court Chapel Munich , Christoph Hammer . ORF , 2010.
  • Fabellae sacrae. Stories and legends of saints in Italian motets of the 17th century. Works by Giacomo Carissimi, Sigismondo d'India , Tarquinio Merula , Giovanni Rovetta , Barbara Strozzi and others. Ensemble savādi (Ulrike Hofbauer and Kristīne Jaunalksne, soprano, with Marie Bournisien, triple harp). Pan Classics, 2008.
  • Terrycloth . Court songs of the Italian Renaissance. Works by Antoine Brumel , Loyset Compère , Jacob Obrecht , Bartolomeo Tromboncino and others. Ulrike Hofbauer, The Modena Consort. Pan Classics, 2011.
  • Joseph Haydn : The desert island. L'Orfeo Barockorchester , Michi Gaigg . German Harmonia Mundi , 2010.
  • Joseph Haydn: Philemon & Baucis or Jupiter's Journey to Earth. Manuel Warwitz (as Philemon), Nathalie-Marie Vincent (as Baucis), Ulrike Hofbauer (as Narcissa) and Bernhard Berchthold (as Aret). Salzburg court music , Wolfgang Brunner . Hänssler, 2009.
  • William Hayes : The Passions. La Cetra , Anthony Rooley . Glossa, 2010.
  • William Hayes: Six Cantatas (1748), Orpheus & Euridice (1735). With Evelyn Tubb and Mirjam Berli (soprano), Daniel Cabena (alto), David Munderloh and Paul Bentley (tenor), The SCB Hayes Players, Anthony Rooley (lead). Glossa, 2013.
  • Orlando di Lasso : Prophetiae Sibyllarum. Christmas motets. Nele Gramß and Ulrike Hofbauer (soprano), Franz Vitzthum (alto), Bernd O. Fröhlich and Jan van Elsacker (tenor), Kees Jan De Koning (bass), Weser Renaissance, Manfred Cordes. CPO, 2009.
  • Leopold I .: Paradisi Gloria. Stabat Mater , W 47; Motetto de Septem Doloribus Beate Mariae Virginis , W 40; Missa pro defunctis , W 11, Tres Lectiones I. Nocturni pro Defunctis Piae Claudiae Felici lugens maestusque Leopoldus posuit et musicis legibus distinxit , W 33.Ulrike Hofbauer, Monika Mauch (soprano), Alex Potter (alto), Hans Jörg Mammel (tenor) , Lisandro Abadie (bass), Cappella Murensis, Les Cornets Noirs, Johannes Strobl (lead). Recorded in the Muri monastery church . Audite, 2016.
  • Virgilio Mazzocchi : Vespro della beata Vergine. Cantus Cölln , Konrad Junghänel . Harmonia Mundi, 2009 (German Record Critics' Prize 2/2009).
  • Wolfgang Amadeus Mozart : La Betulia liberata . KV 118 (74c). Ulrike Hofbauer as a convertible. With Margot Oitzinger, Christian Zenker, Markus Volpert, Marelize Gerber, Barbara Kraus. L'Orfeo Barockorchester, conducted by Michi Gaigg. 2 SACD. Challenge Classics, 2013.
  • Heinrich Schütz : Small sacred concerts. Vol. 1. With Dorothee Mields (soprano), David Erler, Alexander Schneider (alto), Georg Poplutz , Tobias Mäthger (tenor), Andreas Wolf, Cornelius Uhle, Felix Schwandtke (bass), Stefan Maass (theorbo), Matthias Müller ( Viola da gamba / violone), Ludger Rémy (organ and conductor). Carus , 2013 (= Vol. 7 of the complete Schütz recording).
  • Heinrich Schütz: St. Luke Passion and The Seven Words (Solo in SWV 447 and SWV 478). With Stefan Kunath (alto), Jan Kobow , Tobias Mäthger (tenor), Felix Schwandtke (bass), The Sirius Viols , Dresdner Kammerchor , Hans-Christoph Rademann and others Carus, 2013 (= Vol. 6 of the complete Schütz recording).
  • Heinrich Schütz: Symphony Sacrae III. Ulrike Hofbauer, Dorothee Mields, Isabel Jantschek, Maria Stosiek (soprano), Stefan Kunath, David Erler (alto), Tobias Mäthger, Georg Poplutz (tenor), Martin Schicketanz (baritone), Felix Schwandtke (bass), Dresdner Kammerchor, Dresdner Barockorchester , Hans-Christoph Rademann. Carus 2015 (= Vol. 12 of the complete Schütz recording).
  • Swiss lute music of the Renaissance. Lute music from Swiss manuscripts of the 16th century. Ulrike Hofbauer (soprano), Christoph Greuter and Julian Behr (lutes). Swiss Music Scene Series. MGB.
  • Jan Pieterszoon Sweelinck : Eerste Boek der Psalmen Davids (1604) / Twede Boek der Psalmen Davids (1613) / Derde Boek der Psalmen Davids (1614) / Vierde Boek der Psalmen Davids (1621). Gesualdo Consort, Harry van der Kamp . 3 CDs each with a book. Glossa, 2010 (= Het Sweelinck Monument , Deel II; Complete Psalms).
  • Georg Philipp Telemann : Captain's Music, 1744. Dorothee Mields, Monika Mauch , Ulrike Hofbauer (soprano), Immo Schröder (tenor), Dominik Wörner (bass), Weser Renaissance, Manfred Cordes. CPO, 2009.
  • Georg Philipp Telemann: Orpheus (role of Eurydice). L'Orfeo Barockorchester, Michi Gaigg. German Harmonia Mundi, 2011.
  • Tous les regrets. Music from the court of Margaret of Austria . Works by Heinrich Isaac , Johannes Ockeghem , Josquin des Prez and others. The Modena Consort. Cornetto, 2007.
  • Vox dilecti mei. Love songs of the Renaissance (by Orlando di Lasso, Josquin Desprez , Ludwig Senfl and others) / Wingert in the morning ( Hans-Jürg Meier ). Ulrike Hofbauer, Keren Matseri, The Modena Consort. Pan Classics, 2013.

DVD

  • Johann Sebastian Bach: In the evening of the same Sabbath . Cantata BWV 42. Ulrike Hofbauer (soprano), Irène Friedli (alto), Bernhard Berchtold (tenor), Markus Volpert (bass), orchestra of the J. S. Bach Foundation with Norbert Zeilberger (organ), Rudolf Lutz (conductor and harpsichord). Including an introductory workshop and reflection by Barbara Bleisch (philosopher). Gallus Media, 2009.
  • Johann Sebastian Bach: Praise be to the Lord, my God . Cantata BWV 129. Ulrike Hofbauer (soprano), Claude Eichenberger (alto), Klaus Häger (bass), choir and orchestra of the J. S. Bach Foundation, Rudolf Lutz (conductor). Including an introductory workshop and reflection by Felizitas Countess von Schönborn (theologian and publicist). Gallus Media, 2008.
  • Johann Sebastian Bach: "We have to go through a lot of tribulation". Cantata BWV 146. Ulrike Hofbauer (soprano), Markus Forster (alto), Hans Jörg Mammel (tenor), Wolf Matthias Friedrich (bass), choir and orchestra of the J. S. Bach Foundation with Norbert Zeilberger (organ), Rudolf Lutz. Including an introductory workshop and reflection by Miriam Meckel . Gallus Media, 2013.
  • Johann Sebastian Bach: Desired joy light . Cantata BWV 184. Ulrike Hofbauer (soprano), Margot Oitzinger (alto), Daniel Johannsen (tenor), Fabrice Hayoz (bass), orchestra of the J. S. Bach Foundation, Rudolf Lutz (conductor and organ). Including an introductory workshop and reflection by Alois Maria Haas . Gallus Media, 2010.
  • Creek in the river. Thematic collage with excerpts from cantatas and instrumental works by J. S. Bach. Ulrike Hofbauer (soprano), Alex Potter (alto), Makoto Sakurada (tenor), Wolf Matthias Friedrich (bass), choir and orchestra of the J. S. Bach Foundation with Norbert Zeilberger (organ), Rudolf Lutz (conductor and harpsichord). Gallus Media, 2011.

Individual evidence

  1. ↑ Ulrike Hofbauer Univ.Prof. On the Mozarteum University website.
  2. ↑ Chant baroque: une nouvelle direction - Ulrike Hofbauer, artist & pédagogue. In the info blog of Consevatoire / ASM Strasbourg , accessed on September 28, 2017.
  3. ↑ Ulrike Hofbauer new professor for singing from September 2019. SCB website, accessed on June 22, 2019.
  4. ↑ References on the ensemble's website, accessed on May 7, 2015.
  5. ↑ Best List 2-2009 from May 15, 2009, accessed on May 7, 2015.
  6. ↑ [1] on the website of Ulrike Hofbauer, accessed on May 7, 2015.
  7. ↑ Dirk Kruse: Early music played by the younger generation. ( Memento of February 10, 2013 in the web archive archive.today ) Review of May 11, 2012 at BR-Klassik , accessed on November 12, 2012.
  8. ↑ Detmar Hutching: Review ( memento from January 27, 2013 in the web archive archive.today ) from March 21, 2012 at klassik-heute.com , accessed on May 7, 2015.
  9. ^ Franz Gratl: A problematic work with excellent rendering. Review of December 24, 2007 at klassik.com , accessed on May 7, 2015.
  10. ↑ Detmar Hutching: Urgency and intimacy (...) are more present in this recording than they have been for a long time. In: Meeting ( memento from January 27, 2013 in the web archive archive.today ) from August 10, 2007 at klassik-heute.com , accessed on May 7, 2015.
  11. ^ Matthias Lange: Italian oratorios. Review of July 2, 2010 at klassik.com , accessed on May 7, 2015.
  12. ^ Description on the ensemble's website, accessed on May 7, 2015.
  13. ↑ Table of contents and sound samples on the ensemble's website, accessed on May 7, 2015.
  14. ↑ Tobias Roth: Very old, very new emotional states. Review of October 24, 2011 at klassik.com , accessed on May 7, 2015.
  15. ↑ Review by Peter Sühring in Concerto - the magazine for Early Music. No. 241/2011, pp. 30-31.
  16. ↑ Benjamin Künzel: Desert stories from the island. Review of March 21, 2010 at klassik.com , accessed on May 7, 2015.
  17. ↑ Christoph Braun: Review at Rondo - Das Klassik und Jazz-Magazin , accessed on May 7, 2015.
  18. ↑ Description ( memento of December 17, 2012 in the web archive archive.today ) on the ensemble's website, accessed on May 7, 2015.
  19. ↑ Michael Pitz-Grewenig: Back to Papa Haydn: Boring and dusty. Review of January 21, 2010 at klassik.com , accessed on May 7, 2015.
  20. ↑ Description (English) from the Glossa label , accessed on May 7, 2015.
  21. ↑ Description ( memento of February 1, 2014 in the Internet Archive ) on the website of the La Cetra Barockorchester Basel, accessed on May 7, 2015.
  22. ↑ Christiane Bayer: Music of a Handel epigone. Review of September 18, 2010 at klassik.com , accessed on May 7, 2015.
  23. ↑ Detmar Hutching: This CD is one of the most rewarding early music discoveries of recent times. In: Meeting ( memento from February 19, 2014 in the Internet Archive ) from July 2, 2010 at klassik-heute.com , accessed on May 7, 2015.
  24. ↑ Wolfgang Böhler: The production is an event. In: Meeting ( memento from January 15, 2013 in the web archive archive.today ) from June 25, 2010 at Codexflores , accessed on November 12, 2012.
  25. ↑ Description on the label's website, accessed on May 7, 2015 (English).
  26. ↑ Matthias Lange: Specials. Review of February 18, 2010 at klassik.com , accessed on May 7, 2015.
  27. ^ Description on the ensemble's website, accessed on May 7, 2015.
  28. ↑ Matthias Lange: Great sound. Review of March 3, 2009 at klassik.com , accessed on May 7, 2015.
  29. ↑ J. Gahre: Review. In: The opera glasses. No. 07-08 / 2013.
  30. ↑ Description on the website of Carus Verlag, accessed on May 7, 2015.
  31. ↑ Description on the website of Carus Verlag, accessed on May 7, 2015.
  32. ↑ Michael Wersin: "Ulrike Hofbauer's lecture [...] is completely convincing, a masterpiece with a role model potential." In: Review of June 15, 2013 at Rondo - Das Klassik & Jazz-Magazin , accessed on May 7, 2015.
  33. ↑ Matthias Lange: Simple size. Review of March 13, 2013 at klassik.com , accessed on May 7, 2015.
  34. ↑ Dorotea Bossert: “First-class soloists.” In: Review , SWR2 , November 24, 2015.
  35. ↑ Swiss Renaissance Lute Music Lute music from Swiss manuscripts of the 16th century ( memento from September 28, 2010 in the Internet Archive ) at Musiques suisses of the Migros Culture Percentage , accessed on November 12, 2012.
  36. ↑ Andreas Paar: Hofbauer, whose soprano seems almost predestined for early music. In: Lute music from Swiss manuscripts of the 16th century ( memento from January 27, 2013 in the web archive archive.today ) from January 28, 2003 at klassik-heute.com , accessed on May 7, 2015.
  37. ↑ Description (Dutch) on jpsweelinck.nl , accessed on May 7, 2015.
  38. ↑ Description (English) from the Glossa label , accessed on May 7, 2015.
  39. ↑ Michael Wersin: The reviewer congratulates with the greatest respect. In: Review of March 17th, 2012 at Rondo - Das Klassik & Jazz-Magazin . accessed on May 7, 2015.
  40. ↑ Christiane Bayer: Magnificent celebration for the bourgeoisie. Review of July 23, 2009 at klassik.com , accessed on May 7, 2015.
  41. ↑ Detmar Hutching: Otherwise well graduated singer ensemble. In: Meeting ( memento from January 27, 2013 in the web archive archive.today ) from July 27, 2009 at klassik-heute.com , accessed on May 7, 2015.
  42. ↑ Description on the L'Orfeo Barockorchester website, accessed on May 7, 2015.
  43. ^ Benjamin Künzel: Very entertaining. Review of August 11, 2011 at klassik.com , accessed on May 7, 2015.
  44. ↑ Table of contents and sound samples on the ensemble's website, accessed on May 7, 2015.

Web links

personal data
SURNAME Hofbauer, Ulrike
ALTERNATIVE NAMES Hofbauer, Ulrike J.
BRIEF DESCRIPTION German singer
DATE OF BIRTH 20th century
PLACE OF BIRTH Altötting