Dallas Symphony Orchestra
The Dallas Symphony Orchestra (DSO) is a symphony orchestra founded in 1900 in Dallas , Texas . It is one of the oldest orchestras in the United States and sees itself as the largest performing arts organization in the southwestern United States . Since 1989, it has been located at the Morton H. Meyerson Symphony Center in the Arts District .
The former orchestra conductors included u. a. Antal Doráti , Walter Hendl and Georg Solti . After Jaap van Zweden took his leave in 2018, Fabio Luisi became music director designate from the 2019/20 season and music director from 2020/21.
classification
The Dallas Symphony Orchestra is the eighth oldest orchestra in the USA: after New York (1842), Saint Louis (1880), Boston (1881), Chicago (1891), Cincinnati (1895), Pittsburgh (1895) and Portland (1896). It was the first orchestra from the southern United States to achieve the status of a "major orchestra". Although it is not counted among the traditional Big Five , it belongs to “Group 1” of the League of American Orchestras and thus to the 24 orchestras with the highest budget . The main venue for the symphony orchestra, the McDermott Concert Hall in the Meyerson Center in Dallas, is one of the best concert halls in the world. In terms of acoustics, the concert hall in the USA ranks behind the Symphony Hall in Boston and Carnegie Hall in New York.
The former chief conductor Jaap van Zweden was for several years, most recently for the 2015/16 season, the best-paid orchestra conductor in the USA.
history
McFarlin Memorial Auditorium (from the 1930s; 1951–1956; 1961–1972)
Music Hall at Fair Park (from the 1930s; 1945–1951; 1956–1961; 1972–1989)
Morton H. Meyerson Symphony Center (since 1989)
German-American beginnings
The founding of the city's first permanent symphony orchestra in 1900 goes back to the efforts of the German-American Hans Kreissig . Kreissig, who settled down in the Texan metropolis at the end of the 19th century, was already involved in the establishment of the Dallas Symphony Club consisting of 21 violinists in 1890 . In May 1900 this orchestra, which had grown to 40 musicians, gave its inauguration concert in the Turner Hall . Kreissig conducted the ensemble, which was predominantly not made up of professional musicians, and was a piano soloist. In addition to the music of Hans Kreissig, the orchestra played works by Joseph Haydn , Pietro Mascagni , Gioachino Rossini and Richard Wagner . The first few years there were one or two concerts per season.
Kreissig's concertmaster Walter J. Fried , who was also of German descent , was to inherit him in 1905. The orchestra adopted The Beethoven Symphony Orchestra as a new name.
When Carl Venth took office in 1911 , who had made a name for himself as a violinist at the Metropolitan Opera , a number of New York musicians came to Dallas, which was tantamount to a revival. Due to the German influence of the early years, the orchestra increasingly included music by Wolfgang Amadeus Mozart , Ludwig van Beethoven, Johannes Brahms , Richard Wagner and Richard Strauss in its repertoire. With the outbreak of the First World War and the associated anti-German resentment as well as the occurrence of influenza and meningitis , the orchestra stopped its work in 1914.
After the First World War, Walter J. Fried reorganized the orchestra and led it until his death in 1925. During his second term in office, the orchestra gave up to four concerts a year.
Rosenfield era: from Katwijk to Kletzki
To liven up the orchestra, John Rosenfield of the Dallas Morning News persuaded entrepreneurs to donate to the orchestra in the 1920s. From then on he had a major influence on the selection of conductors (van Katwijk to Kletzki).
Under Paul van Katwijk from Southern Methodist University , the season and the programming of the majority amateur orchestra were initially extended. Due to a lack of demand, the orchestra did not give a concert in 1937.
In 1938 Jacques Singer , a protégé of Leopold Stokowski , became the new chief conductor in Dallas. After the United States entered World War II , Singer and several musicians were drafted into military service, so that the orchestra interrupted its work again during the war.
After the Second World War, Rosenfield campaigned for a realignment and professionalization of the orchestra. The Hungarian Antal Doráti was appointed as the new chief conductor. He and his orchestra offered 15 subscription concerts as well as special concerts, children's concerts, tours and recordings. He had unusual works by Robert Schumann and Felix Mendelssohn Bartholdy performed . In addition, he relied on modern pieces, not always to the applause of his conservative guests. The violin virtuoso Yehudi Menuhin accepted an invitation to Dallas and played Bartók's second violin concerto . Other guest artists were u. a. José Iturbi , Leopold Stokowski and Artur Rubinstein . On January 9, 1949, the Dallas Symphony Orchestra realized the American premiere of Bartók's opera Duke Bluebeard's Castle for the NBC series Orchestras of the Nation . The orchestra also commissioned several compositions during this period, such as Paul Hindemith's Sinfonia Serena and Walter Pistons Symphonic Suite .
After Doráti switched to the Minneapolis Symphony Orchestra in 1949 , Walter Hendl , whose last position was a permanent conductor with the New York Philharmonic , took over the direction of the orchestra. With the exception of 1955, where he toured the Middle East with the American Symphony Orchestra , he was to preside over the orchestra for eight seasons. In 1952 the pianist Van Cliburn performed with the orchestra.
Under Paul Kletzki , the orchestra moved from the Music Hall at Fair Park back to the McFarlin Memorial Auditorium .
Superlatives and opposites
In 1961/62 Sir Georg Solti took over the orchestra as senior conductor; at the same time he became music director of the Royal Opera House in London. Solti, who later headed the Chicago Symphony Orchestra , led the orchestra into new musical spheres. At the same time the problems began.
Donald Johanos , who was already known to the orchestra as a permanent conductor and resident conductor, followed Solti. He was responsible for a 2.5 million US Dallar donation from the Ford Foundation and remained in office until 1970. In the 1960s, the orchestra also received its first recording contract. He was also responsible for the engagement of Paul Freeman , one of the few African-American people in the office of (assistant) conductor in the southwestern United States. During his tenure, dissatisfied older musicians left the orchestra conducting, who Johanos replaced with young colleagues. In 1968 the Dallas Symphony Orchestra became a member of the International Conference of Symphony and Opera Musicians .
In the early 1970s, Anshel Brusilow tried to open the orchestra with the series "Dallasound" of rock and pop music . As a result, however, the costs rose and a younger audience could not be reached. Brusilow eventually left the orchestra: he became a professor at the University of North Texas and wrote for the commercial market.
Max Rudolf , who headed the orchestra at an advanced age from 1973, raised the quality of the orchestra, but resigned from his post in January 1974 due to a disastrous financial situation.
A new management solved the financial problems and Louis Lane led the orchestra to its old size. From 1976 (until Mata's term in office), the Leipzig Gewandhaus Kapellmeister Kurt Masur was appointed first guest conductor.
Gain in importance
The orchestra continued to develop under Eduardo Mata , who took office in 1977. In 1977 the orchestra's vocal ensemble , the Dallas Symphony Chorus , was founded. Mata placed a focus on Latin American composers such as Alberto Ginastera and Carlos Chávez Ramírez as well as Robert Xavier Rodriguez , who was composer in residence from 1982. In 1981/82 the orchestra went on tour abroad to Mexico. The symphony orchestra was present on the east coast of the United States in 1981. It has made guest appearances at Carnegie Hall in New York and the Kennedy Center in Washington, DC, as well as in Europe and Singapore. The orchestra also came under contract with RCA and Dorian. From 1982 to 1989 the new concert building ( Morton H. Meyerson Symphony Center ) was organized.
Andrew Litton first introduced the orchestra on television; Amazing Music was broadcast in 1995 on the A&E Network . Litton considered various musical styles such as jazz , romantic music and a collaboration with the folk group Peter, Paul and Mary . He has also recorded works by Richard Strauss , Dmitri Shostakovich and George Gershwin .
Jaap van Zweden was appointed music director in the 2007/08 season and officially head of the orchestra in 2008; In 2012 Musical America magazine named him Conductor of the Year. He led u. a. Tickets for low-income citizens and some free concerts. In 2007 Julio Iglesias and the Beach Boys were guests in Dallas. In the pop series, u. a. Wayne Newton and Michael McDonald as well as finalists from the television show American Idol . In 2013 the orchestra performed a. a. in Amsterdam, Vienna and Frankfurt am Main.
Pulitzer Prize winner Julia Wolfe became the first woman in this role to become Composer in Residence in 2018 as part of a new program . From the 2019/20 season, Fabio Luisi was appointed music director and from 2020/21 officially he was van Zweden's successor.
management
The Dallas Symphony Orchestra is directed by the Dallas Symphony Association, Inc. (founded 1967; President & CEO : Kim Noltemy) and the Dallas Symphony Foundation (founded 1977; Principal Officer: Scott Hancock). The business is carried out by an administrative staff.
image | Name (life data) | Country of origin | Term of office | |
---|---|---|---|---|
1 |
Hans Kreissig
(1856–1929) |
German Empire / United States |
1900-1905 | |
2 |
Walter J. Fried
(1877-1925) |
United States | 1905-1911 | |
3 |
Carl Venth
(1860–1938) |
German Empire / United States |
1911-1914 | |
Walter J. Fried
(1877-1925) |
United States | 1918-1924 | ||
4th |
Paul van Katwijk
(1885–1974) |
Netherlands / United States |
1925-1938 | |
5 |
Jacques Singer
(1910–1980) |
Poland / United States |
1938-1942 | |
6th |
Antal Doráti
(1906–1988) |
Hungary / United States |
1945-1949 | |
7th |
Walter Hendl
(1917-2007) |
United States | 1949-1958 | |
8th |
Paul Kletzki
(1900–1973) |
Poland / Switzerland |
1958-1961 | |
9 |
Sir Georg Solti
(1912–1997) |
Hungary / United Kingdom |
1961–1962 | |
10 |
Donald Johanos
(1928-2007) |
United States | 1962-1970 | |
11 |
Anshel Brusilow
(1928-2018) |
United States | 1970-1973 | |
12 |
Max Rudolf
(1902-1995) |
German Empire / United States |
1973-1974 | |
13 |
Louis Lane
(1923-2016) |
United States | 1975-1977 | |
14th |
Eduardo Mata
(1942–1995) |
Mexico | 1977-1993 | |
15th |
Andrew Litton
(* 1959) |
United States | 1994-2006 | |
16 |
Jaap van Zweden
(* 1960) |
Netherlands | 2008-2018 | |
17th |
Fabio Luisi
(* 1959) |
Italy | from 2019 |
From 1914 to 1918 and 1937/38 or from 1942 to 1945 operations were stopped due to the war.
Current venues
The orchestra's venues are:
- Morton H. Meyerson Symphony Center , Dallas (Headquarters)
- Moody Performance Hall, Dallas
- Dallas Contemporary, Dallas
- Stonebriar Community Church, Frisco
- White's Chapel Methodist Church, Southlake
- Allen ISD Performing Arts Center, Allen
- Cliff Temple Baptist Church, Dallas
- Duncanville High School, Duncanville
community
The orchestra has a diverse educational program and is committed to the community:
- Parks Concerts - free outdoor concerts
- HeartStrings - Free tickets for the community, nonprofits, and charities
- Non-Profit Ticket Donation - Fundraising tool for non-profit organizations ( 501 (c) (3) organization )
- Symphony of Toys - annual holiday concerts
World premieres (selection)
The orchestra received several commissioned compositions and was responsible for numerous world premieres :
- Paul Hindemith : Symphonia Serena (February 1, 1947)
- George Antheil : Violin Concerto (February 9, 1947)
- Morton Gould : Symphony No. 3 (February 16, 1947)
- Walter Piston : 2nd Suite (February 8, 1948)
- William Schuman : Symphony No. 6 (February 27, 1949)
- Bohuslav Martinů : 3rd Piano Concerto (November 20, 1949)
- Peter Mennin : 5th Symphony (April 2, 1950)
- Samuel Adler : Symphony No. 1 (December 7, 1953)
- Miklós Rózsa : Violin Concerto (January 15, 1956)
- Samuel Adler: Symphony No. 2 (February 12, 1958)
- Darius Milhaud : 11th Symphony (December 12, 1960)
- Pierre Wissmer : L'Enfant et la rose (November 22, 1961)
- Gunther Schuller : Symphony (February 19, 1965)
- Donald Erb : The Seventh Trumpet (April 5, 1969)
- Samuel Adler: 4th Symphony (March 15, 1970)
- Morton Feldman : On Time and the Instrumental Factor (April 24, 1971)
- Benjamin Lees : Variations (March 31, 1976)
- Ross Lee Finney : 2nd Violin Concerto (March 31, 1976)
- Włodzimierz Kotoński : Sirocco (April 3, 1981)
- Benjamin Lees: Symphony No. 4 (November 2, 1985)
- Luciano Berio : Festum (September 14, 1989)
- Ezra Laderman : 7th Symphony (December 7, 1989)
- Henry Brant : Prisons of the Mind (April 12, 1990)
- Lowell Liebermann : Dorian Gray: A Symphonic Portrait (November 16, 2000)
- Lowell Liebermann: Pegasus (February 9, 2001)
- Joseph Schwantner : September Canticle (February 21, 2002)
- Cindy McTee : Einstein's Dream (March 31, 2005)
- George Tsontakis : Piano Concerto (September 15, 2005)
- Roberto Sierra : The Bacchae (November 30, 2006)
- Steven Stucky : August 4, 1964 (September 18, 2008)
- Alexander Raskatow : Violin Concerto (April 30, 2009)
- George Fenton : Planet Earth Live (February 25, 2010)
- Poul Ruders : Organ Symphony (January 20, 2011)
- Stewart Copeland : Gamelan D'Drum (February 5, 2011)
- Robert Rodriguez : The Dot and the Line (March 25, 2012)
- Christopher Rouse : 5th Symphony (February 9, 2017)
Awards
In 2005, the Hyperion recording of the Rhapsody on a Theme by Paganini by Sergei Rachmaninoff by Stephen Hough (piano) and the Dallas Symphony Orchestra under Andrew Litton received the Gramophone Classical Music Award (Editor's Choice). At the Grammy Awards 2013 the recording August 4, 1964 by Steven Stucky (conductor: Jaap van Zweden ) was nominated in the category "Best Contemporary Classical Composition".
literature
- Theodore Albrecht : Dallas Symphony Orchestra . In: Handbook of Texas Online , uploaded June 12, 2010; changed on November 1, 2015.
- Alain Pâris: Classical music in the 20th century: instrumentalists, singers, conductors, orchestras, choirs . 2nd expanded, completely revised edition, dtv, Munich 1997, ISBN 3-423-32501-1 , p. 947 f.
- John William Woldt: Dallas Symphony Orchestra . In: Robert R. Craven (ed.): Symphony Orchestras of the United States . Greenwood Press, New York et al. a. 1986, ISBN 0-313-24072-8 , pp. 386-390.
Web links
- Dallas Symphony Orchestra website (English, Spanish)
- Dallas Symphony Orchestra at Discogs (English)
Label
- Dallas Symphony Orchestra near Naxos (English)
- Dallas Symphony Orchestra at Hyperion Records (English)
Individual evidence
- ↑ Mission Statement , mydso.com, accessed on September 14 2018th
- ↑ Laurie Shulman: The Meyerson Symphony Center: building a dream . University of North Texas Press, Denton 2000, ISBN 1-57441-082-2 , p. 2; see. Robert Finklea: What Sank the Dallas Symphony Orchestra - After 74 years? In: The New York Times , June 9, 1974, p. 1.
- ^ A b c d Ronald L. Davis: Classical Music and Opera . Bill C. Malone (Ed.): The New Encyclopedia of Southern Culture . Volume 12: Music . University of North Caroline Press, ISBN 978-0-8078-3239-4 , pp. 43-48, here: p. 45.
- ^ Search Master Agreements , americanorchestras.org, accessed September 14, 2018.
- ↑ See Leo L. Beranek : Concert hall acoustics: Recent findings . In: The Journal of the Acoustical Society of America 139 (2016) 4, pp. 1548–1556, doi : 10.1121 / 1.4944787 .
- ^ Zachary Woolfe: Rising in Crescendo: Conductors' Pay . In: The New York Times , July 29, 2018, p. AR6.
- ↑ a b c d e f g h i j k l Theodore Albrecht : Dallas Symphony Orchestra . In: Handbook of Texas Online , uploaded June 12, 2010; changed on November 1, 2015.
- ^ A b c d e John William Woldt: Dallas Symphony Orchestra . In: Robert R. Craven (ed.): Symphony Orchestras of the United States . Greenwood Press, New York et al. a. 1986, ISBN 0-313-24072-8 , pp. 386-390, here: p. 387.
- ↑ The entry in the Handbook of Texas Online speaks of 32 musicians.
- ↑ The Turner Hall in Dallas was a building of the Dallas Gymnastics Club Association and was located on the corner of Harwood Street , Young Street and Canton Steet , directly opposite the Dallas Scottish Rite Temple .
- ^ Natalie Ornish: Pioneer Jewish Texans . Texas A&M University Press, Dallas 2011, ISBN 978-1-60344-423-1 , p. 237.
- ↑ John Rosenfield Collection , legacy.lib.utexas.edu, accessed on 26 September 2018th
- ^ John William Woldt: Dallas Symphony Orchestra . In: Robert R. Craven (ed.): Symphony Orchestras of the United States . Greenwood Press, New York et al. a. 1986, ISBN 0-313-24072-8 , pp. 386-390, here: pp. 387f.
- ^ A b c d e John William Woldt: Dallas Symphony Orchestra . In: Robert R. Craven (ed.): Symphony Orchestras of the United States . Greenwood Press, New York et al. a. 1986, ISBN 0-313-24072-8 , pp. 386-390, here: p. 388.
- ↑ a b c d e f g Robert Finklea: What Sank the Dallas Symphony Orchestra - After 74 years? In: The New York Times , June 9, 1974, p. 1.
- ↑ OPERA BY BARTOK HAS DEBUT ON AIR. Dorati Leads Dallas Orchestra in US Bow of 'Bluebeard's Castle' on NBC Network . In: The New York Times , Jan. 9, 1949, p. 65.
- ^ John William Woldt: Dallas Symphony Orchestra . In: Robert R. Craven (ed.): Symphony Orchestras of the United States . Greenwood Press, New York et al. a. 1986, ISBN 0-313-24072-8 , pp. 386-390, here: pp. 388f.
- ^ A b c d e John William Woldt: Dallas Symphony Orchestra . In: Robert R. Craven (ed.): Symphony Orchestras of the United States . Greenwood Press, New York et al. a. 1986, ISBN 0-313-24072-8 , pp. 386-390, here: p. 389.
- ^ Daniel J. Wakin: Donald Johanos, 79, a Conductor of Symphony Orchestras . In: The New York Times , June 6, 2007, p. A21.
- ↑ Dallas Symphony Orchestra , icsom.org, accessed September 14, 2018.
- ^ John William Woldt: Dallas Symphony Orchestra . In: Robert R. Craven (ed.): Symphony Orchestras of the United States . Greenwood Press, New York et al. a. 1986, ISBN 0-313-24072-8 , pp. 386-390, here: p. 386.
- ^ Scott Cantrell: Dallas Symphony names Julia Wolfe first composer-residence in new program . dallasnews.com , September 11, 2018.
- ↑ Board Leadership , September 14, 2018.
- ↑ Administrative Staff , mydso.com, accessed on September 14 2018th
- ^ Alain Pâris: Classical music in the 20th century: instrumentalists, singers, conductors, orchestras, choirs . 2nd expanded, completely revised edition, dtv, Munich 1997, ISBN 3-423-32501-1 , p. 947.
- ^ John William Woldt: Dallas Symphony Orchestra . In: Robert R. Craven (ed.): Symphony Orchestras of the United States . Greenwood Press, New York et al. a. 1986, ISBN 0-313-24072-8 , pp. 386-390, here: p. 390.
- ↑ Venues , mydso.com, accessed on September 14 2018th
- ^ Emily Freeman Brown: A Dictionary for the Modern Conductor . Rowman & Littlefield, Lanham 2015, ISBN 978-0-8108-8400-7 , p. 87.
- ↑ Community , mydso.com, accessed on September 14 2018th
- ↑ Cf. Alain Pâris: Classical music in the 20th century: instrumentalists, singers, conductors, orchestras, choirs . 2nd expanded, completely revised edition, dtv, Munich 1997, ISBN 3-423-32501-1 , p. 948.
- ^ Gramophone Classical Music Awards 2005 , gramophone.co.uk, accessed September 14, 2018.