Gloria in excelsis Deodorant, BWV 191

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Bach cantata
Gloria in excelsis deodorant
BWV: 191
Occasion: 1st Christmas Day
Year of origin: 1742
Place of origin: Leipzig
Genus: cantata
Solo : ST
Choir: SSATB
Instruments : 3 Tr, Ti, 2 Ft, 2 Ob, 2 Vl, Va, Bc
text
Latin
List of Bach cantatas

Gloria in excelsis Deo ("Glory to God in the Height") ( BWV 191) is a festival music by Johann Sebastian Bach . He composed the Christmas cantata in Leipzig in 1742 . He worked on music that he had composed in a Gloria for the Dresden court in 1733 and which he later used as the Gloria of his B minor Mass .

Story and text

Bach composed the music to frame an academic speech at a university celebration that took place on Christmas Day 1742 in the Paulinerkirche . He worked on music that he had composed in 1733 in Kyrie and Gloria for the Dresden court and which he later incorporated into his B minor Mass . It is unique among his cantatas because, for the aforementioned context, it is written in Latin and is set for a five-part choir. In addition, with a performance time of only around 15 minutes, it is considerably shorter than comparable works. The cantata refers to the Bible passage from the Christmas story of the Evangelist Luke ( Lk 2.14  EU ) dealt with in the celebratory speech .

Occupation and structure

The cantata is festively occupied with two vocal soloists ( soprano and tenor ), a five-part choir with two soprano parts, three trumpets , timpani , two flauto traverso , two oboes , two violins , viola and basso continuo . The autograph title page bears the inscription “JJ Festo Nativit: Xsti. Gloria in excelsis deodorant. 5 voci each. 3 Trombe Tymp. 2 trav 2 skin b. 2 violini viola e cont. Di JSB ".

  1. Coro: Gloria in excelsis Deodorant

post orationem (after the sermon)

  1. Duetto (soprano, tenor): Gloria Patri et Filio et Spiritui sancto
  2. Coro: Sicut erat in principio

music

The first movement ( Gloria ) agrees almost completely with the corresponding movement of the mass composition , while the second and third movements are closely based on their model. The doxology begins with the duet Gloria Patri et Filio et Spiritui sancto , which Bach developed from the Domine Deus of the Mass, the final chorus Sicut erat in principio is based on Cum sancto spiritu . Individual voices, for example the fugitive part Sicut erat in principio , are reinforced by instruments in the cantata. However, Bach did not incorporate these changes into the valid copy of the B minor Mass, leaving it to speculation as to whether he viewed them as improvements.

Recordings

literature

Web links

Individual evidence

  1. a b Markus Rathey: On the genesis of Bach's university music Gloria in Excelsis Deo BWV 191 . In: Bach yearbook . 99, 2013, pp. 319-328.
  2. a b c John Butt : Bach, Mass in B minor . Cambridge University Press , Cambridge 1991, ISBN 978-0-521-38716-3 , pp. 12-13, doi : 10.2277 / 0521387167 .
  3. ^ John Butt: Bach's Mass in B minor: Considerations of Its Early Performance and Use . In: The Journal of Musicology . 9, No. 1, 1991, pp. 109-123. JSTOR [ https://www.jstor.org/stable/763836 763836]. doi : 10.1525 / jm.1991.9.1.03a00050 .