Take what is yours and go

from Wikipedia, the free encyclopedia
Bach cantata
Take what is yours and go
BWV: 144
Occasion: Septuagesimae
Year of origin: 1724
Place of origin: Leipzig
Genus: cantata
Solo : SAT
Choir: SATB
Instruments : Whether Oa 2Vn Va Bc
text
Unknown poet,

Samuel Rodigast , Albrecht of Prussia

List of Bach cantatas
The workers in the vineyard of Jan Luyken

Take what is yours and go there ( BWV 144) is a church cantata by Johann Sebastian Bach . He composed it in Leipzig for the Sunday Septuagesimae and performed it for the first time on February 6, 1724.

Story and words

In his first year in Leipzig, Bach wrote the cantata for the Sunday Septuagesimae , the third Sunday before Ash Wednesday , and performed it for the first time on February 6, 1724. The prescribed readings were 1 Cor 9.24  LUT - 1 Cor 10.5  LUT , “race for victory”, and Mt 20.1-16  LUT , the parable of the workers in the vineyard . The unknown lyricist takes only one thought from the Gospel: frugality is a key word in his text. The opening chorus is based on verse 14 of the Gospel. Movement 3 is the first stanza of Samuel Rodigast's chorale. What God does is well done . The final chorale is the first stanza of the song by Albrecht von Preußen What my God wants, that g'scheh all time (1547).

Occupation and structure

The cantata is made up of three soloists, soprano , alto and tenor , four-part choir, two oboes , oboe d'amore , two violins , viola and basso continuo .

  1. Coro: Take what's yours and go
  2. Aria (old): Don't murmur, dear Christian
  3. Chorale: What God does is done well
  4. Recitativo (tenor): Where frugality reigns
  5. Aria (soprano, oboe d'amore): Frugality is a treasure in this life
  6. Choral: What my God wants, that always happens

music

Friedrich Wilhelm Marpurg , after Friedrich Kauke (1758)

Bach composes the extremely short Bible text of the opening choir as a motet-like fugue , which is played by the instruments colla parte . In this way he attains increased awareness of the words. The text part “go there” is first introduced in the slow theme, but then repeated twice as a counter-subject at four times the speed. This treatment of the text was already admired in 1760 by the Berlin music theorist Friedrich Wilhelm Marpurg : "the excellent declamation" which "the composer had made in the main sentence and in a little special game with the 'go there'". Bach repeats the lively “go there” motif sixty times in 68 bars. The first aria has the character of a minuet . In “Don't murmur, dear Christ”, the murmuring is made audible through repetition in the accompaniment. Movement 3 is the first stanza of a chorale that Bach used in its entirety a year later for his choral cantata BWV 99 , and again in the 1730s for BWV 100 . His beginning “What God does is done well” is taken up again in the following recitative as a free arioso . An obbligato oboe d'amore accompanies the following soprano aria. Instead of a da capo, the entire text is repeated in free variation. The final chorale is simply four-part.

Recordings

LP / CD

DVD

literature

Web links

Individual evidence

  1. a b John Eliot Gardiner : Cantatas for Septuagesima / Grote Kerk, Naarden ( English , PDF) solideogloria.co.uk. 2009. Archived from the original on September 16, 2011. Info: The archive link was automatically inserted and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. Retrieved January 30, 2011. @1@ 2Template: Webachiv / IABot / www.solideogloria.co.uk