My God, how long, oh long?

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Bach cantata
My God, how long, oh long?
BWV: 155
Occasion: 2nd Sunday after Epiphany
Year of origin: 1716
Place of origin: Weimar
Genus: cantata
Solo : SATB
Choir: SATB
Instruments : Fg; Str; BC
text
Salomon Franck
List of Bach cantatas

My God, how long, oh long? ( BWV 155) is a church cantata by Johann Sebastian Bach . He composed it in Weimar in 1716 for the 2nd Sunday after Epiphany and performed it for the first time on January 19, 1716.

Story and words

Bach wrote the cantata as concertmaster at the court of Johann Ernst von Sachsen-Weimar for the 2nd Sunday after Epiphany and performed it for the first time on January 19, 1716 in the castle church. The prescribed readings were Rom 12,6–16  LUT and Joh 2,1–11  LUT , the wedding in Cana . The cantata text was written by the court poet Salomon Franck and published in 1715 in Evangelisches Andachts-Opffer . He deepened a thought from the gospel: Jesus is still hidden, but the soul can trust that he will appear at the right time. Franck mentions the word wine and thus alludes to the miracle in Cana, for example “The tears are always poured full, the joys are broken with wine”. The final chorale is the twelfth stanza of Paul Speratus ' It is salvation and we come here .

Bach performed the revised version of the cantata in Leipzig on January 16, 1724.

Occupation and structure

Like other cantatas from the Weimar period, the work is made up of chamber music with four soloists, soprano , alto , tenor and bass , four-part choir in chorale, bassoon , two violins , viola and basso continuo .

  1. Recitativo (soprano, strings): My God, how long, oh long?
  2. Aria (alto, tenor, bassoon): You have to believe, you have to hope
  3. Recitativo (bass): So be, oh soul, be content
  4. Aria (soprano): Throw, my heart, throw yourself still
  5. Choral: Whether it worked, as if he didn't want to

music

The recitative speaks of longing expectation over a trembling organ point of more than eleven bars. Only with the words “the joy of wine breaks” does the bass start to move, even if the lack of joy is mentioned, only to sink back to “almost all confidence sinks in me”. In the following duet , a virtuoso bassoon in wide-span figurations accompanies the mostly parallel voices. Movement 3 brings comforting words that Bach entrusts to the bass as the Vox Christi . An arioso develops on the words "So that his light of grace appears to you the more lovely" . In the last aria , lively dotted rhythms in the strings and later the singing voice illustrate "Throw, my heart, throw yourself into the arms of the Most High". The chorale to the melody of an Easter choir from the 15th century concludes the cantata in a four-part setting.

Recordings

literature

Web links

Individual evidence

  1. ^ John Eliot Gardiner : Cantatas for the Second Sunday after Epiphany / Old Royal Naval College Chapel, Greenwich ( en , PDF) solideogloria.co.uk. 2006. Archived from the original on October 5, 2011. Info: The archive link was automatically inserted and not yet checked. Please check the original and archive link according to the instructions and then remove this notice. Retrieved January 10, 2011. @1@ 2Template: Webachiv / IABot / www.solideogloria.co.uk