Praise the Lord my soul, BWV 69a

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Bach cantata
Praise the Lord my soul
BWV: 69 / 69a
Occasion: 12. Sunday after Trinity / Council election
Year of origin: 1723/1748?
Place of origin: Leipzig
Genus: cantata
Solo : SATB
Choir: SATB
Instruments : 3Tr Ti 3Ob Oc Oa Fl Fg 2Vn Va Bc (69a)
3Tr Ti 3Ob Oa Fg 2Vn Va Bc (69)
text
Unknown, Johann Oswald Knauer, Samuel Rodigast (69a)
Unknown, Martin Luther (69)
List of Bach cantatas

Praise the Lord, my soul , BWV 69a, is a church cantata by Johann Sebastian Bach , written in Leipzig in 1723 for the twelfth Sunday after Trinity , August 15, 1723. In his last years, Bach reworked it into a cantata for council elections, BWV 69.

Story and text

Bach wrote the cantata in his first year in Leipzig, which he began on the first Sunday after Trinity, for the twelfth Sunday after Trinity, August 15, 1723. He performed it again around 1727, changing the scoring of the first aria , and used it in the last years of his life for a cantata for the council election, Praise the Lord, my soul, BWV 69 . The prescribed readings are 2 Cor 3, 4–12  LUT and Mk 7,31–37  LUT , the healing of the deaf and mute. The unknown cantata poet referred to the Gospel and interpreted healing as a symbol of God's constant work on people. The opening choir is therefore Ps 103,2  LUT , "Praise the Lord, my soul, and do not forget what good he has done you". The poetry mentions “tell” several times, the ability of the healed person: “Oh that I had a thousand tongues!” (Sentence 2), “My soul, open, tell” (Sentence 3) and “My mouth is weak, the tongue is dumb your price and glory ”(sentence 4). Some movements are based on a cantata text by Johann Oswald Knauer , published in Gotha in 1720 in God-sanctified singing and playing of the Zion of Peace Stone . The final chorale takes up the theme in the sixth stanza of What God does is well done by Samuel Rodigast (1663).

Cast and structure

The cantata is festively occupied with four soloists, soprano , alto , tenor and bass , a four-part choir, three trumpets , timpani , three oboes , oboe da caccia , oboe d'amore , recorder , bassoon , two violins , viola and basso continuo .

  1. Coro: Praise the Lord, my soul
  2. Recitativo (soprano): Oh, that I had a thousand tongues!
  3. Aria (tenor, oboe da caccia, recorder, bassoon): My soul, open up, tell me
  4. Recitativo (alto): I just think back
  5. Aria (bass, oboe d'amore): My savior and sustainer
  6. Choral: What God does is done well, I want to stay with it.

music

Bach took into account the duality of the psalm verse and designed the opening chorus as a double fugue . Both topics are first dealt with individually and then in combination. In the first aria in the style of a pastoral , the tenor is accompanied by three independently led woodwind instruments, oboe da caccia, recorder and bassoon. In a later version around 1727, Bach changed the line-up to alto, oboe and violin, possibly because he had no suitable players for the colorful first version. In the second aria, the opposition of sorrows and joys is expressed by chromaticism that descends or ascends. Lively coloratura conclude the movement. The final chorale is the same as that in Weeping, Lamenting, Worrying, Zagen (1714), but without the obbligato violin part.

Recordings by BWV 69a

Praise the Lord my soul, BWV 69

In his last time Bach wrote a cantata for council elections, Lobe den Herr, Meine Seele, BWV 69 , which is based on the cantata of the same name BWV 69a for the twelfth Sunday after Trinity 1723. The recitatives and the chorale were newly composed for the occasion. When he chose the chorale, he chose the third stanza of Martin Luther's Es want us God gracious (1524). Bach had previously written a new cantata several times for the council election, like 1731 We thank you, God, we thank you .

  1. Chorus: Praise the Lord my soul
  2. Recitativo (soprano): How great is God's goodness
  3. Aria (alto, oboe, violin): My soul, up, tell,
  4. Recitativo (tenor, strings, BC): The Lord has done a great thing for us
  5. Aria (bass, oboe d'amore): My savior and sustainer
  6. Chorale: Thank you, God, and praise you

Recordings by BWV 69

literature

Web links

for BWV 69a:

for BWV 69:

Individual evidence

  1. ^ A b c Alfred Dürr : The cantatas by Johann Sebastian Bach. Bärenreiter, 1971.
  2. ^ Z. Philip Ambrose: BWV 69a Praise the Lord, My Soul ( English ) University of Vermont , College of Arts and Sciences, Department of Classics. Retrieved August 16, 2010.
  3. a b John Eliot Gardiner : Cantatas for the Twelfth Sunday after Trinity / Jakobskirche, Köthen ( English , PDF; 127 kB) bach-cantatas.com. 2007. Retrieved August 16, 2010.
  4. BWV 69a is on the third CD of Volume 6, published as a triple box.
  5. BWV 69 is on the second CD of Volume 6 published as a triple box.