Oh! I see now that I am going to the wedding

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Bach cantata
Oh! I see now that I am going to the wedding
BWV: 162
Occasion: 20th Sunday after Trinity
Year of origin: 1715 or 1716
Place of origin: Weimar
Genus: cantata
Solo : S, A, T, B
Choir: (S, A, T, B)
Instruments : (Ct;) Str; BC
text
Salomon Franck
List of Bach cantatas

Oh! I see now that I'm going to the wedding ( BWV 162) is a church cantata by Johann Sebastian Bach . He composed it in Weimar for the 20th Sunday after Trinity .

Story and words

Bach wrote the cantata for the 20th Sunday after Trinity as concertmaster at the court of Johann Ernst von Sachsen-Weimar in Weimar, where it was performed for the first time in the castle church, on November 3, 1715 (after Alfred Dürr ) or on October 25, 1716 (after Christoph Wolff and others).

The prescribed readings were Eph 5.15–21  LUT and Mt 22.1–14  LUT , the parable of the royal wedding . The text of the cantata comes from the court poet Salomon Franck and was published in 1715 in Evangelisches Andachts-Opffer . He relates to the gospel and emphasizes the importance of accepting God's loving invitation. Franck's language is rich in contrasts, such as soul poison and heavenly bread , and biblical images such as heaven is his throne according to Isa 66.1  LUT . The final chorale is the seventh stanza of All People Must Die by Johann Rosenmüller (1652).

Bach performed the cantata again in Leipzig , on October 10, 1723 in a revised version, this time with a corno da tirarsi , a slide trumpet. Bach's score has not survived, and individual parts also seem to be missing.

Occupation and structure

Like other cantatas from the Weimar period, the work is set for a small ensemble, for soprano , alto , tenor and bass (soloists who can also perform the final chorale), two violins , viola and basso continuo , and in Leipzig also corno di tirarsi and bassoon .

1. Aria (bass): Oh! I see now that I am going to the wedding
2. Recitativo (tenor): O great wedding feast
3. Aria (soprano): Jesus, fountain of all graces
4. Recitativo (old): My Jesus, do not leave me
5. Aria Duetto (alto, tenor): I am delighted in my God
6. Chorale: Oh, I have already seen

music

The cantata begins with a bass aria , accompanied by three instruments in a polyphonic setting, two violins and a viola, which was later reinforced by the slide trumpet in Leipzig. The characteristic motif on the opening words pervades the sentence. According to Dürr, the soprano aria seems to be lacking an obligatory accompaniment. Robert Levin reconstructed a version for flute and oboe d'amore for the Monteverdi Choir's Bach Cantata Pilgrimage project . The duet is also accompanied only by the continuo, but appears complete in this form. The melody of the final chorale is rare elsewhere, but appears in Weimar not only in this work, but also in a chorale arrangement by Johann Gottfried Walther .

Recordings

literature

Individual evidence

  1. Thomas Braatz: Bach's Weimar Cantatas ( English ) bach-cantatas. 2005. Retrieved October 4, 2010.
  2. Chorale Melodies used in Bach's Vocal Works Jesu, der du meine Seele Bach Cantatas website, accessed on July 11, 2018.
  3. ^ John Eliot Gardiner : Cantatas for the Twentieth Sunday after Trinity San Lorenzo, Genoa ( English ) solideogloria.co.uk. 2000. Archived from the original on October 5, 2011. Info: The archive link was automatically inserted and not yet checked. Please check the original and archive link according to the instructions and then remove this notice. Retrieved October 4, 2010. @1@ 2Template: Webachiv / IABot / www.solideogloria.co.uk

Web links