Bring glory to the Lord by his name

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Bach cantata
Bring glory to the Lord by his name
BWV: 148
Occasion: 17th Sunday after Trinity
Year of origin: 1723?
Place of origin: Leipzig
Genus: cantata
Solo : AT
Choir: S, A, T, B
Instruments : Tr; Ob I / II / III; Str; BC
text
unknown
List of Bach cantatas

Bring the Lord honor his name ( BWV 148) is a church cantata by Johann Sebastian Bach . He composed it in Leipzig for the 17th Sunday after Trinity , probably September 19, 1723.

Origin and Words

Bach probably wrote the cantata in his first year in Leipzig in 1723 for the 17th Sunday after Trinity , September 19, 1723. The prescribed readings are Eph 4.1–6  LUT and Lk 14.1–11  LUT , the healing of a dropsy on the Sabbath . However, the cantata does not refer to healing, but to the honor due to God on the Sabbath. The text of the opening chorus is Ps 29,2  LUT . The cantata poem is based on a poem in six stanzas, Way, you earthly business , which Picander published in his first sacred collection in 1725 in Edible Thoughts . Alfred Dürr nevertheless sees reasons to date the cantata to 1723 and considers it possible that the cantata text preceded the poem.

Occupation and structure

In keeping with the festive theme, the cantata is richly orchestrated; two soloists, alto and tenor , a four-part choir, trumpet , three oboes , two violins , viola and basso continuo make music .

  1. Coro: Bring honor to the Lord by his name
  2. Aria (tenor, violin): I rush to hear the lessons of life
  3. Recitativo (alto, strings): Like the stag screams for fresh water
  4. Aria (alto, oboe): Your mouth and heart are open to you
  5. Recitativo (tenor): Remain in me too, my God
  6. Chorale: Amen at all hours

music

The opening choir begins with an instrumental symphonia . The choir sings two fugues on different themes, both of which are derived from the beginning of the sinfonia. The trumpet plays a fifth voice in the fugues. The movement ends with a choir built into the sinfonia.

In the first aria , the solo violin illustrates both the joy in God and the urgency mentioned in the text. The alto recitative is accompanied by strings. In the following aria, the almost mystical unity of the soul with God is expressed by an unusual instrumentation with two oboe d'amore and oboe da caccia . The final chorale is four-part.

Recordings

literature

Web links