Crime scene: Humm, Humm, Humm

from Wikipedia, the free encyclopedia
Episode of the series Tatort
Original title Hum hum hum
Country of production Germany
original language German
Production
company		 Colonia Media Filmproduktion GmbH on behalf of the WDR
length 90 minutes
Age rating FSK 12
classification Episode 867 ( list )
First broadcast March 24, 2013 on Das Erste
Rod
Director Kaspar Heidelbach
script Stefan Cantz ,
Jan Hinter
production Sonja Goslicki for Filmpool
music Arno Steffen
camera Achim Poulheim
cut Hedy Altschiller
occupation

Summ, Summ, Summ is a television film from the crime series Tatort . The film was produced by WDR and broadcast almost simultaneously on March 24, 2013 by the stations Das Erste , ORF 2 and SRF 1 . It is the 867th episode in the crime scene series, the 23rd case with the investigator duo Thiel and Boerne portrayed by Axel Prahl and Jan Josef Liefers . Directed by Kaspar Heidelbach , the screenplay was written for the tenth time by the two scriptwriters Stefan Cantz and Jan Hinter .

action

Inspector Thiel is investigating the murder of the Bremen journalist Claudia Schäffer, who was found dead in a dumpster in the parking lot of a wholesale market. In her jacket pocket an honor card is found for a concert by Roman König, a pop star who is known for his cuddly songs and turns the heads of the ladies in rows. However, both the singer and his manager Ina Armbaum deny having known the woman. His female fans give him credit for lovingly caring for his comatose wife. However, some overdo it with their affection; so Roman König z. B. pursued by the young stalker Christiane Stagge, who is following him across the country with her mobile home. She even gave up her job for her idol and gives intimate insights into her emotions in an online diary.

Forensic doctor Karl-Friedrich Boerne has to leave his apartment at short notice after introducing two highly poisonous banana spiders during a bulk purchase . Thiel also has to leave the apartment because of the spiders and temporarily moves into his father's house. Boerne meanwhile moves into the hotel and stays there in the honeymoon suite, right next to the hit star. Boerne cannot understand the hype surrounding the pop singer's inferior lyrics and is initially annoyed, but shortly afterwards more than pleased when they discover their mutual love for classical music.

But when Manni Pleuger, a band colleague of König from earlier rock times, who is friends with Herbert Thiel, shows up at the hotel, it quickly becomes clear that he still has an account with the pop singer. Because the latest hit from König is demonstrably from Pleuger and he is now demanding his rights under threats. In April 1987 Manni Pleuger played a demo tape for his band colleague König, which Koenig believed had little potential, so that it disappeared in the tape archive in his Berlin house and was not published. By breaking into King's house, Pleuger took possession of the demo tape in order to extort royalties from König, who provided Pleuger's composition with a German-language text and was able to successfully place it in the charts. However, König is unwilling to comply with the demands. Meanwhile, Christiane Stagge breaks into Herbert Thiel's house at night, where Pleuger lives during his stay in Münster, in order to get the demo tape into her possession and use it for her own purposes against König.

Shortly afterwards, König lies dead in his hotel room. Someone who was aware of his bee venom allergy most likely incapacitated him by a honey bee sting and then suffocated him with a pillow. As it turns out, König had innumerable love affairs. Claudia Schäffer knew about it and wanted to make this fact public. She even threatened King with a rape complaint against him. But König himself would never have been capable of murder, his manager did that to protect him. But when he presented her with the resignation because he had had enough of her possessive nature, she seized the opportunity: After Christiane Stagge had made König helpless with the sting of a bee, Ina Armbaum smothered the man lying on his bed with a pillow.

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ButtonBlue.svg  Filming   and performance locations other filming locations

The film was shot in Münster , on the Petersberg near Königswinter , in Cologne and the respective surroundings. Filming began on September 25, 2012 and ended on October 26, 2012. Roland Kaiser , who lives in Münster, made his actor debut with the role of Roman König. Originally only a short cameo appearance was planned for Kaiser , but this appearance was ultimately expanded to a full role. Nevertheless, Kaiser describes his involvement in the film as a "contributor" and not as an "actor" because he takes the professional acting profession very seriously. The performance with his band was shot on October 1st, 2012 in Münster in the Jovel , and Roland Kaiser recommended this location to the film team. Between 120 and 230 extras were present as an audience for the recordings there, drawn by WDR 4 from 130,000 callers from all over Germany . Further recordings were made on the evening of the same day at the Prinzipalmarkt , where the scenes were filmed on the Stadthausturm that took place after the King's concert appearance. The corpse find shown at the beginning of the film was filmed at a wholesale market on Rolshover Strasse in Cologne-Poll . The hotel in which König and Boerne and later also Thiel live is the Federal Guest House and Steigenberger Grandhotel Petersberg near Königswinter .

The film premiered on March 19, 2013, five days before its first television broadcast, in the Cineplex Münster with four sold out screenings, which were presented by Filmservice Münster.Land, WDR and the Münster film theater companies. The actors Roland Kaiser, Mechthild Großmann and Ulrike Krumbiegel , the director Kaspar Heidelbach , the ARD crime scene coordinator and WDR TV film director Gebhard Henke , the Colonia Media producer Sonja Goslicki and the mayor of Münster, Markus Lewe, were present at the screening. The film was first seen on television on March 24, 2013.

In the opening credits, this crime scene is titled “Summ summ summ” without additional commas. The name follows the title of one of the most popular German children's songs Summ, summ, summ by August Heinrich Hoffmann von Fallersleben from 1835.

For the film, Roland Kaiser composed the music track "Egoist", which can be heard in the film.

For her role Fritzi Haberlandt was able to fall back on experiences from her youth. According to her own statement, she had a crush on Sinéad O'Connor in the 1990s and even shaved her head during her crushes.

As a result, animals were used in front of the camera several times. It was filmed with the eponymous bees, which can be found in Herbert Thiel's garden. Since filming took place in the autumn and bees usually only leave their hive when the weather is dry and not too cold, the behavior of the insects was difficult to assess.

Spiders were also used to shoot. After Boerne's bulk purchase, two poisonous banana spiders crawl out of a banana box . For the shooting of the episode Summ, Summ, Summ , instead of highly poisonous banana spiders, two tarantulas were used in front of the camera, because these spiders are not poisonous when they are young. However, since tarantulas can also be dangerous for their fellow species, the two animals were never used on set at the same time. All the scenes in which both spiders can be seen together were therefore added later. One scene reads from an article about the banana spider from the fictional Internet dictionary Toxipedia . In fact, several of the sentences to be heard come verbatim from the Wikipedia article .

Before the broadcast, the online media service Meedia asked to what extent the episode Summ, Summ, Summ would be based on details from the life of Jörg Kachelmann . The online portal led the journalist Claudia Schäffer, who was found murdered in the film, to the radio presenter Claudia D. from the Kachelmann trial , the silk scarf as a fictitious murder weapon versus the silk scarf worn as a trademark by Claudia D. during the trial, and the rape allegation in both cases as parallels between the crime scene plot and the Kachelmann trial. The screenwriters Stefan Cantz and Jan Hinter denied the Focus that the crime scene episode contained allusions and that the matches were of a coincidental nature. Christian Buß interpreted them as intended allusions to Kachelmann in his film review published by Spiegel Online , as did Carsten Heidböhmer from Stern .

After the broadcast of the episode Summ, Summ, Summ , the media reported in late March 2013 about a possible exit of Axel Prahl from the Münster crime scene. The reason was that the contract between Prahl and WDR ended in 2014. Compared to Bild am Sonntag , Prahl commented accordingly: “The contracts will run until 2014, then we'll see how things go from here.” The clue factor of the Münster crime scene is decisive for Prahl: “If I have the feeling that nothing good is coming, I think I think of a worthy exit. ” The press speculated that Prahl and Liefers would want to get out of the TV series in view of the criticism of the episode Das Wunder von Wolbeck, despite ratings that continue to rank among the top ranks of the TV series.

However, these assumptions did not materialize. On the other hand, there is the plan to bring the Münster crime scene to the big screen.

The audio description of the film was nominated for the German Audio Film Award in the television category in 2014 .

reception

Audience ratings

With 12.99 million viewers in Germany and an average market share of 34.1 percent, Summ, Summ, Summ was the most successful Tatort episode since the episode Stoever's Fall in 1992. The broadcast also reached the younger audience between 14 and 49 years of age first place with 28.8 percent market share and a reach of 4.23 million viewers. She trumped Til Schweiger 's debut episode Willkommen in Hamburg on March 10, 2013, which had recently been broadcast . Before the first broadcast, WDR director Gebhard Henke admitted at the premiere in the Münster Cineplex that Schweiger's audience of 12.57 million viewers " but like a little thorn sits in the flesh ” . In order to enable the episode Summ, Summ, Summ to regain the quota record for the Münster crime scene, Daniel Ringhoff organized a quota flash mob on Facebook . The first broadcast ran parallel to the broadcast of a film adaptation by Rosamunde Pilcher and reruns of Ice Age 3 - The Dinosaurs Are Going and The Return of the Jedi Knights .

In Austria, the first broadcast reached 719,000 viewers and thus achieved an average reach of 10% and a market share of 23%.

When repeated on the first on Easter Sunday, April 12, 2020, the film had a reach of 7.36 million viewers.

Reviews

The film received mixed ratings from the critics, but was viewed positively by the majority of the critics. The acting performance of Roland Kaiser and the actresses was mostly highlighted as positive. The critics were just as divided on whether the episode could create tension, as were the main investigators' acting performance. The episode's humor polarized again. The work of the scriptwriters was also viewed as mixed, and - on which most critics agreed - would as far as possible stick to the tried and tested concepts of the Münster crime scene. With regard to the exclusively negative judgments, there was hardly any common ground among the critics.

Mostly positive reviews

"Inspector Zufall plays the main role" in the "TV crime thriller" , judges the TV Spielfilm editorial team . Roland Kaiser “surprises with composure” in his film debut. The viewer goes "On tour with spiders, bees, stupid cows" .

Rainer Tittelbach attests to the episode that it “consistently follows the tried and tested direction” of the Münster crime scene episodes. Here come "wit, satire and pop-cultural significance" not too short. The dialogues are “wild and funny” , the narrative is “fluid” and comes with “all sorts of film-immanent references” . “Clear, recurring, attractive locations” make the film what it is. “Visually, the concert appearance was also good” , because “in many films something like that often seems rather embarrassing” . “It was worth engaging a real pop singer.” But “Ulrike Krumbiegel, Fritzi Haberlandt, Petra Kleinert and Guntbert Warns are also in a class of their own” . Kaspar Heidelbach's work was a success, "the (hotel) ambience is noble, the camera elegant, the assembly fluid" . Tittelbach's conclusion is: “Everything is one number better: more coherent, faster, more insidious - which is also due to the ensemble!” Overall, Tittelbach awarded four and a half stars out of six.

Sabine Heinrich from 1 Live is of the opinion that the investigators "are in a very good mood again" . Local time reporter Anna-Lotta Liss of the WDR considers the film Summ, Summ, Summ to be “better” than the episode Das Wunder von Wolbeck, which was previously broadcast as the ten-year television anniversary of the investigator duo, due to the greater local color .

According to the judgment of Kathrin Hartz from the editorial office of the Münsterschen Zeitung , the episode was "exciting, entertaining" and contained "the usual pithy dialogues between the investigator duo Frank Thiel and forensic doctor Karl-Friedrich Boerne, without a good story falling by the wayside" . "The fact that in» Summ, Summ, Summ «the producers are stingy with the Münster backdrop doesn't really bother the dense and entertaining story."

Roland Kaiser “does not do badly” , judges the German press agency and is at the same time praised by Axel Prahl that he is “used to playing with the camera” . Fritzi Haberlandt's portrayal of the stalker is "brilliant" and provides "goose bumps" . The “old, tried and tested exchange of blows between Boerne and Thiel also turns this Münster“ crime scene ”into a well-rounded affair” , so that the episode is “worth seeing” .

SpotOn judges that the main investigators “present themselves in top form again” . "The verbal exchange of blows between the colleagues who are connected in love-hate relationships is a pleasure and the eight-legged triggers, two highly dangerous banana spiders, an unusual idea" , therefore "it is worth tune in on Sunday" , since "the other sidelines" are well chosen. The cast was also successful, with Roland Kaiser playing a “less likeable” character, but interpreting it “in a very pleasant way” . In addition, the portrayal of Fritzi Haberlandt was particularly praised.

The episode Summ, Summ, Summ is “delicious nonsense” and contains everything that makes the Münster-based “episodes so lovable: funny verbal battles, situation comedy, bizarre scenes and a wonderfully over-the-top crime story,” says Carsten Heidböhmer from the Stern editorial team . "Right from the start bears the typical Münster signature - and sets the team in the greatest possible contrast to the tough city thriller à la Hamburg" . Heidböhmer is full of praise for the acting skills shown by Roland Kaiser: “It's great how Roland Kaiser embodies this artist, who certainly has parallels to his own career and yet goes far beyond that: King is a little bit Kaiser, a little bit tile man, a little bit fictional figure . " The Münster-Tatort drive with the episode " its recipe for success to extremes " by making " the big world very small " so that " in this artificial small universe [...] the snob Boerne and the pop singer König are the best. " Become friends ” . Although the case itself is "once again wonderfully meaningless, just as the title" Summ, Summ, Summ "suggests," but "nobody in Germany can manage this nonsense better than Thiel and Boerne" , which is why the "points win für Münster ” rightly brings the title “ Tatort King ” back to the Westphalian metropolis with this episode.

The editors of quotenmeter.de like that the Münster crime scene with the episode Summ, Summ, Summ remains true to its concept of success in that "the criminal case is once again more of a decorative accessory than the dramaturgical focal point of the episode," even if it is in doing so, I put it “ close to the edge” of the “ Willing Suspense of Disbelief ” . The script “ puts the priorities crystal clear on the usual comedic - and goes well with it as usual, even if the new episode may seem a little unspectacular compared to the previous one” . The verbal "punch exchanges" between the protagonists and the "very affectionate with nice but not überkandidelten quirks" equipped secondary characters as well as the "top form" Kempter, Grossmann and Urspruch lead to the result "funny instead of supporting the state, comedic take bloody" therefore come and thus "a pleasant contrast after the Hamburg corpse-busting and the Leipzig terrorism plot of the last few weeks" .

Mostly negative reviews

Jakob Biazza from the online editorial team of Focus says, “No one has been interested in cases in Münster for a long time. They only take up time for Boerne and Thiel's self-pampering talk. The new episode drives the aunty duo to new heights - to the soundtrack by Roland Kaiser. ” However, since the Münster crime scene is “ booked for the strange genre »Schmunzel-Krimi«, something can be gained from the episode, although “the story is missing " . Since "the scriptwriters really only rely on the aunty, mutual groaning of the two antipodes, the talk becomes unbearable," says Biazza. He shares the opinion of many film critics that Fritzi Haberlandt's portrayal is “so grandiose monosyllabic” , “that it is a gruesome joy” , but advises against switching on.

Christian Buß from Spiegel Online is of the opinion that in the episode Summ, Summ, Summ will be fired - according to the stipulation “come on, let's swing our way to the ratings hit” - “the usual gag cannonade” , so that the Münster crime scene “unfortunately meanwhile even like a stale hit . Buß admits that “actually a very clever plot from the world of the music business” was written for the script, but that it was “staged in a predictable way” . The episode cannot stand out from the previous Münster episodes and, in Buß's assessment, plays "always the same lyre at the Münster" Tatort "" , whose filmmakers have "gotten a lot old with their art" and only raise their hopes for success in ratings would set the "funny sidekicks" . The comedic potential of the episode was "once funny ten years ago" , speculates Buß, "always mixed according to the same formula" , but this concept is "now just like a stale hit" . Buß closes his criticism with the words: "If the Münster-based» Tatort «is to exist for another ten years, a little rock'n'roll wouldn't be bad."

Detlef Hartlap judged for the Prisma , "especially women have nice moments" among the actors of the episode. Among them, Mechthild Großmann , Ulrike Krumbiegel as a “troubled manager” , Fritzi Haberlandt , who embodies “half stalker, half premium groupie” , and Petra Kleinert for their performance were praised, with Hartlap recognizing the latter as a “pound row house plant” . According to Hartlap, “at such a women's gala” , Messrs. Prahl and Liefers find it difficult to put themselves in the limelight, even though they are “the best actors in the wide field of crime scenes” . For a successful performance, they usually only need “peppered dialogues” in order to be able to score with “situation comedy that does not need to run five meters every time” . “They are denied both this time” and also for the role of Claus Dieter Clausnitzer “the script cannot think of anything original” , regrets Hartlap, which leads to the episode being “a crime scene that unfortunately is very dulled in the“ buzz, buzz, buzz ” “ Come along. In conclusion, the episode was "not exciting enough to be a thriller, not crazy enough to be Münster" .

“In spite of the director's assurances, one had to be disappointed” , since, apart from “a few seconds on the Prinzipalmarkt”, the viewers could hardly “identify other locations as Münster” , summed up Johannes Loy from the Westfälische Nachrichten . In addition, Loy was impressed by the acting performance of Kaiser, which was "really good" . "He played naturally and casually, the difference to his professional colleagues was not visible," said Loy. This opinion was shared by his colleague Karin Völker, whose verdict “Roland Kaiser [...] as a suspect and corpse [...] played a memorable dual role” . According to Loys, the plot contained “brisk sayings” and “a somewhat crude mixture of jealousy drama, insect allergy, stalking and disappointed love” . Loy's conclusion is: “There have been better crime scenes in Münster. Above all: there has to be more Münster again. Otherwise it's no longer a Münster crime scene. "

Audience reactions

The episode polarized the audience far less than the previously broadcast Munster crime scene episode Das Wunder von Wolbeck . Reprinted letters to the editor in local newspapers reported again a negative trend and accused the team of the WDR to have learned nothing from the criticism to the previous scene sequence from Münster, although at the time of airing of the episode The Miracle of Wolbeck shooting the episode Summ, Summ, Summ were already over. The fact that, in direct comparison to the previous Münster crime scene, fewer non-city scenes could be identified, was benevolently noted, although the scenes with Münster facades could be reduced to a single scene on the tower of the city hall. Roland Kaiser received almost consistently positive feedback on his acting performance.

According to a non-representative survey by the Münsterschen Zeitung , in which 506 votes were cast for the question “How did you find the Münster crime scene?” , 51.38% answered I really liked the crime scene , 27.87% said I am disappointed by the Thiel / Boerne team , 12.65% thought Til Schweiger was better last week and 8.10% said they had not seen the episode.

Web links

Individual evidence

  1. ↑ a b c wdr.de: New crime scene from Münster: Shooting started on September 25, 2012 - Inspector Thiel, Prof. Boerne and the Schlagerkönig , September 25, 2012
  2. ↑ a b c d e WDR / Das Erste : press release (PDF; 2.22 MB), p. 2
  3. ↑ Release certificate for crime scene: Summ, Summ, Summ . Voluntary self-regulation of the film industry (PDF). Template: FSK / maintenance / type not set and Par. 1 longer than 4 characters
  4. ↑ a b Summ, Summ, Summ at crew united
  5. ↑ Westfälische Nachrichten : Shooting of the new Münster crime scene begins today: Inspector Thiel, Prof. Boerne and the Schlagerkönig , Cologne, ots, 25 September 2012
  6. ^ Münstersche Zeitung : Start of shooting: A journalist dies in the new Münster crime scene , September 25, 2012
  7. ^ Dülmener Zeitung : Münster- "Tatort": Fans on the trail of the perpetrator , Lüdinghausen, October 16, 2012
  8. ↑ a b c WDR / Das Erste : press booklet (PDF; 2.22 MB), p. 12
  9. ^ Westfälische Nachrichten : Premiere as an actor: Roland Kaiser plays in the new Münster crime scene , Münster, September 18, 2012
  10. ^ A b c d Westfälische Nachrichten : Pop singer makes his acting debut: Roland Kaiser enjoys the shooting of the Münster crime scene , Münster, Günter Benning, October 1, 2012
  11. ^ A b c Westfälische Nachrichten : Cinema premiere with Roland Kaiser , Münster, March 1, 2013
  12. ↑ a b c d e f Focus : Media: Tatort: ​​Summ, Summ, Summ , dpa , March 22, 2013
  13. ↑ a b c d e f Focus : Tatort: ​​This is how the Münster crime scene will be on Sunday , March 22, 2013
  14. ↑ a b Münstersche Zeitung : Shooting with the Schlagerkönig: Roland Kaiser lets the tatters fly in the Münster crime scene , Münster, Helmut Etzkorn, October 1, 2012
  15. ↑ a b c d e f g h i WDR / Das Erste : press release (PDF; 2.22 MB), p. 14
  16. ↑ Westfälische Nachrichten : Late in the evening on the Prinzipalmarkt , Münsterischer Anzeiger, October 3, 2012
  17. ^ Sächsische Zeitung : Tatort stage! Here Roland Kaiser sings himself in the TV crime thriller , KK, October 4, 2012
  18. ↑ a b c Westfälische Nachrichten : With Kaiser again the king of the odds: Over twelve million viewers saw the Münster crime scene / Bonn “Petersberg” simply incorporated , Münsterscher Anzeiger, Münster, Karin Völker, March 26, 2013
  19. ^ A b Westfälische Nachrichten : Münster: Tatort "Summ, Summ, Summ", Tuesday (March 19), Cineplex: Roland Kaiser celebrates the premiere of the new Münster Tatort with cinema viewers , Münster, March 5, 2013
  20. ↑ Cineplex : Tatort weekly program March 14, 2013 - Tatort: ​​Summ, Summ, Summ , accessed on March 19, 2013
  21. ^ A b Westfälische Nachrichten : Premiere in the Cineplex: New crime scene: Emperor becomes king , Münster, Martin Kalitschke, March 20, 2013
    Westfälische Nachrichten : New crime scene: Emperor becomes king - pop singer plays a singer , Münsterischer Anzeiger, Münster, Martin Kalitschke , March 20, 2013
  22. ^ A b Westfälische Nachrichten : Today in the local section: Roland Kaiser sings in "Tatort" , front page, March 20, 2013
  23. ↑ Internet Movie Database : Start Dates
  24. ↑ a b c Focus : Authors deny allusions in the Münster “Tatort”: “Parallels to Kachelmann are pure coincidence” , biz / kiru, March 20, 2013
  25. ↑ a b c d e f Spiegel Online : Münster “Tatort” with Roland Kaiser: Mord und tote Schlager , Christian Buß , March 22, 2013
  26. ↑ a b c d e Stern : "Tatort" review: hit parade with bee sting , Carsten Heidböhmer, March 24, 2013
  27. ↑ a b c d Westfälische Nachrichten : Münster crime scene: Is Prahl thinking of getting out? - Contract ends in 2014 , March 24, 2013
  28. ↑ a b Westfälische Nachrichten : The screen is getting too small for them: the success of the Münster “Tatort” lets screen plans mature / Jan Josef Liefers confirms thoughts ( online ), Medien, Ralf Repöhler, May 7, 2013
  29. ↑ Münstersche Zeitung : Rumors after interview: Axel Prahl is not thinking of leaving the crime scene ( memento of October 27, 2013 in the Internet Archive ), Münster, Stefan Bergmann, October 16, 2013
  30. ↑ Investigator future: Boerne & Thiel is only available in a double pack at www.wn.de, accessed on February 25, 2016.
  31. ↑ 12th German Audio Film Award 2014 , accessed on May 14, 2016
  32. ↑ Crime scene: Summ, Summ, Summ in the audio film database of Hörfilm e. V.
  33. ↑ Focus: Film : “Tatort” record: Münster residents climb to sixth place. , March 28, 2013
  34. ↑ quotenmeter.de: Primetime check: Sunday, March 24, 2013 , Manuel Weis, March 25, 2013
  35. ↑ Spiegel Online : Crime Quotenduell: Münster- "Tatort" beats Schweiger's debut , Hamburg, feb / dpa, March 25, 2013
  36. ↑ a b c Münstersche Zeitung : Preview in the Cineplex: Roland Kaiser creates local color in the Tatort ( memento from March 25, 2013 in the Internet Archive ), Münster, Kathrin Hartz, March 20, 2013
  37. ^ A b Westfälische Nachrichten : Quota flash mob for the Münster crime scene - Facebook campaign: Daniel Ringhoff wants to bring back the record , Münster, Martin Kalitschke, March 16, 2013
  38. ↑ Westfälische Nachrichten : Sunday is about the quota , Münsterischer Anzeiger, Münster, kv, March 23, 2013
  39. ↑ Medienforschung ORF , data from Sunday, March 24, 2013
  40. ↑ Laura Friedrich: Sunday, April 12, 2020 , in :quotemeter.de from April 13, 2020, accessed on April 13, 2020
  41. ↑ a b c TV feature film : TV crime thriller: Does Roland Kaiser play badly with the fighters Jan Josef Liefers and Axel Prahl? , accessed March 19, 2013
  42. ↑ a b c d e f g h i j tittelbach.tv: "Tatort - Summ, Summ, Summ" series , accessed on March 19, 2013
  43. ↑ 1 Live : 1LIVE with Mrs. Heinrich , Sabine Heinrich , March 19, 2013, 10 a.m. - 2 p.m.
  44. ^ WDR : Lokalzeit , Anna-Lotta Liss, March 19, 2013, 7.30 p.m.
  45. ↑ a b c quotenmeter.de: The Critics: «Tatort: ​​Summ, Summ, Summ» , March 23, 2013
  46. ↑ a b c d Focus : “Short trial” with the Münster “crime scene”: The Münster duo gossip their way through the case , Jakob Biazza, March 22, 2013
  47. ↑ a b c d e f Prisma : Sunday at the “crime scene”: The women's gala in Münster , Detlef Hartlap , No. 12/2013, March 23, 2013 - March 29, 2013, p. 17.
  48. ↑ a b c d e Westfälische Nachrichten : Again little Münster: Summ, hum, hum - and mediocre , Johannes Loy, March 24, 2013
    Westfälische Nachrichten : Seen: crime scene: Summ, hum, hum (ARD) - again little Münster , media , Johannes Loy, March 25, 2013
  49. ^ Westfälische Nachrichten : Letter to the editor: Münster-Tatort - Nothing learned from criticism , Münster, April 17, 2013
  50. ↑ a b Westfälische Nachrichten : Jan Josef-Liefers was happy about the success of the Münster crime scene: With Kaiser again quotas king , Münster, Karin Völker, March 25, 2013
  51. ^ Münstersche Zeitung : Tell us what you think: How did you find the new Münster crime scene?
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