Timm Ulrichs

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Timm Ulrichs, 1997

Timm Ulrichs (born March 31, 1940 in Berlin ) is a German artist and professor emeritus .

biography

Timm Ulrichs spent his early childhood in Bremen. The mother was a typist and the father, who was born in South Africa and had an English mother, was a draftsman. The family was evacuated to Prenzlau in 1943/44 until the Russians came, then fled to the American zone . The mother and four children made it to the Oldenburger Land , near Wildeshausen . They witnessed the end of the war near Dötlingen . In 1954 the family moved to Bremen, where Ulrichs graduated from high school in 1959 . He then began studying architecture at the Technical University of Hanover , which he broke off in 1966 after completing his intermediate diploma. He was initially active as a freelance artist, working as an ice cream seller and dishwasher.

As early as 1961, Ulrichs founded an “advertising center for total art & banalism” with a “room gallery and room theater”. In 1969 an "art practice (consultation hours by appointment)" was added. Since he couldn't get along with gallery owners, he sold posters, postcards, leaflets and printed matter himself. In 1968 he described himself as an “unjustifiably misunderstood genius from Hanover”. "You become an artist through determination, not through talent," Ulrichs confessed to Zeit Magazin on September 6, 1985 .

Ulrichs has been active as a self-proclaimed "total artist" since 1959. In that year Ulrichs founded the “Advertising Center for Total Art, Banalism and Extemporism” in Hanover, which was supposed to serve for the distribution, development and production of total art. Furthermore, in 1961 he declared himself the “first living work of art ” and in 1966 organized a public “self-exhibition” in Frankfurt am Main . Ulrichs was visiting professor at the Braunschweig University of Art from 1969 to 1970 and professor for sculpture and total art at the Münster Art Academy from 1972 to 2005 .

His first total art retrospective took place in Krefeld in 1970, and seven years later he took part in Documenta 6 in Kassel . Large individual shows took place in Lüdenscheid in 1980 , in Madrid and Recklinghausen in 1991 , in Antwerp in 2001 ( sculptures and sculptures ) and in Hanover in 2002 ( prints ).

From November 28, 2010 to February 13, 2011, the Sprengel Museum and the Kunstverein Hannover dedicated a large retrospective entitled Entering the exhibition Forbidden to "the pioneer of conceptual art and self-proclaimed" total artist "Timm Ulrichs .

In January 2020 Ulrichs was honored with the Käthe Kollwitz Prize for his life's work . Under the title “Weiter im Text”, the accompanying exhibition at the Akademie der Künste presented “a far too small excerpt” from his oeuvre. Another exhibition in March in the house on Lützowplatz with the motto “Me, God and the World” was supposed to grow by one work in 100 days and thus give a real overview of his work.

Ulrichs is married, his wife lives in Berlin.

plant

"Timm Ulrichs, property of the state of Lower Saxony"; Notice board on the picture wall in Bertramstrasse

Ulrichs works in an interdisciplinary manner. He is a representative of neodadaism , body art and conceptual art . Ulrichs also deals with printmaking, artist books and performance art. He is also known for his preoccupation with the language . Ulrichs artistically implements tautologies , paradoxes and ambiguities in language - e.g. For example: " In the beginning there was the word on ... " - as well as verbal terms, mostly in the form of sculptures or installations .

Ulrichs has also continuously done art in public spaces. Large sculptures by Ulrichs, often thematic and location-related, are on display. a. in front of Magdeburg main station ( earth axis ), near Munich's Allianz-Arena in Fröttmaning ( sunken village ), in the open-air museum Middelheim in Antwerp ( model houses, Bomarzo type ), in the old town of Recklinghausen ( the whole and the parts ), in Bergkamen ( Pyramid at the center of the earth ), in Mülheim / Ruhr- Styrum ( Between the Lines ), in Sinsheim ( House Birth ), in front of the Nordhorn Gallery ( The Findling ), in Essen about 150 m northeast of the Folkwang Museum ( UMRAUM ) and on the market square Einbeck ( from zero to infinity ).

Ulrich's installations began in 1968 for a photo series entitled “Photography prohibited”, which he continued for several years.

Timm Ulrichs' critical view of the contemporary art business already led to its action I can no longer see art at the first International Art Market in Cologne (IKM) in 1975 . Ulrichs satirized, appearing with a white cane and armband, in his own words, “the museum cemeteries that are spreading ever further”.

In 2012 Timm Ulrichs was accepted into the Ingolstadt Foundation for Concrete Art and Design.

Ulrichs' tattoos

Special exhibition Christian Warlich on St. Pauli in the MHG 2019

In 1974 Ulrichs had a target tattooed over his heart at the Goethe Institute in Barcelona ; he "tattooed himself as a living target". The tattoo was performed by Ramón Draper, a Spanish Foreign Legionnaire ; "More torn than stabbed". Ulrichs wanted to “ support the opponents of Franquism with a political manifesto ”. The idea for this campaign dates back to 1971. Pictures of the target tattoos, which were reworked by Straßenbach, are shown for the first time as part of the special exhibition Tattoo Legends. Christian Warlich on St. Pauli (2019/20), section Straßenbach-Kohrs-Ulrichs, shown in the Museum of Hamburg History .

“Tattoos interpret human skin as a writing and painting surface, as a 'shaped canvas' that is stretched skin-tight and very close to the skeletal frame of the body. Art and literature, written on the body and cut into the flesh, have actually become flesh in an immediate, fleshy 'incarnation': “the word became flesh” (John 1, 14). an 'image carrier' that is drawn and marked once and for all in this way always wears its (artificial) skin more confidently than a normal art collector who can easily part with his images. "

- Timm Ulrichs 1974

As part of the exhibition "Timm Ulrichs: Tattoo Pictures" (January 12th - March 9th 1975) at the Kunstverein Hannover, a tattooing campaign took place on January 26th, 1975, on which Horst Linienbach , along with six other people, was his later Mentee Manfred Kohrs tattooed in front of the NDR camera . A selection of standard tattoo motifs was published in 1975 by the Kestnergesellschaft - Hanover as a screen printing portfolio (limited 1-100 / 100, signed, dated and numbered, 60 × 60 cm). On January 28, 1975, the NDR reported in the program Nordschau-Magazin about the “Happening at the Kunstverein Hannover. "Sammy" from Frankfurt on his art and tattooing ".

"My life will be filmed continuously from birth to death", Ulrichs planned as early as 1961. On his right eyelid, he had the words “The End” tattooed on his right eyelid in 1981 - the final credits for the ultimate film. Timm Ulrichs envisaged the end in 1970 as part of his group of works entitled “Film presentations, presented” (1961–1971), which included literature, action, video and photography: “To demonstrate that everything that falls into my field of vision or me comes under my eyes, the film is over, I label my eyelid curtains (using a tattoo) with the word 'end': close, my eye cinema is also over. (...) ". And in 1984 he wrote (abbreviated): “When the moment has finally come when people close my eyes to eternal sleep, the final punch appears on the right lid: the last idea of ​​a life and performance intended for the stage.” The work 'The End' is one of the artist's better known works. This installation includes a photo of the closed eyelid including the tattoo, on canvas 150 × 150 cm, as well as a video film in the length of 6 minutes and 8 seconds, which shows the sequence of 60 »end« shots and closing shots from various classic films and then the Tattooing process carried out on May 16, 1981 in Samy's Tattoo Studio in Frankfurt am Main.

Most recently, on December 9, 2005, the tattoo artist Manuela Langner -Tattoo-Studio sweet Pain Kassel- tattooed the words “© by Timm Ulrichs” on his lower leg. A five-minute film was also made about this campaign.

Reviews

“Even if he had a target tattooed on his chest or the words“ The End ”on his right eyelid - long before the tattoo frenzy of young artists - he would represent what concerns us all. Our life is fragile and finally like his, even if it is not written on our chests and lids. The following applies: Whatever the artist realizes in terms of self-representation, it concerns us like him. His art actions and ego manifestations always apply to the description of the human condition in general. That means: no artist has ever devoted himself more modestly than Timm Ulrichs to the genre of self-portrait and self-expression. "

- Michael Stoeber about Timm Ulrichs (Artist Art Magazine No. 71)

Trivia

Timm Ulrichs' grave complex in the Kassel artist necropolis

In his will, Timm Ulrichs declared his willingness to be buried in the Kassel artist necropolis after his death . In an interview with Panorama , Ulrichs said, "They were afraid that the corpse poison would cloud the groundwater. That is why we will only be cremated there."

"Ulrichs himself flirts with the fact that other artists of his generation became famous and rich, while unfortunately he did not get beyond the" second division "."

Exhibitions

Solo exhibitions (selection)

Open-air exhibition in the glass house until October 13, 2013 on Wilhelmstein Island
  • 1966 The first living work of art , Patio Gallery, Frankfurt
  • 1970 Gallery Next St. Stephan, Vienna
  • Total art , Museum Haus Lange, Krefeld
  • 1975 Timm Ulrichs: Tattoo pictures , from: Portfolio of international standard motifs from sample and template books of tattoo artists, Kunstverein Hannover
  • 1975 Kunstverein Braunschweig
  • Karl Ernst Osthaus Museum, Hagen
  • Art Association Heidelberg
  • 1984 Total Art , Wilhelm Hack Museum , Ludwigshafen
  • 1991 Kunsthalle Recklinghausen
  • 1994 Museum Ludwig, Budapest
  • 1998 Centrum Reporting Kunsten, Guy Bleus' Email Art Archives, Hasselt, Belgium
  • 2000 Art by nature , The Erlkönig's House , Bad Salzdetfurth Art Association, Bodenburg
  • 2002 Die Druckgrafik , Sprengel Museum, Hanover
  • 2002/03 Art Studio 1, yours
  • 2010 Directing the lightning on yourself , Galerie Wentrup, Berlin
  • 2010 “Timm Ulrichs. Looking back ahead “ Museum Ritter , Waldenbuch
  • 2010/2011 No entry to the exhibition! Timm Ulrichs. Works from 1960 to 2010 , Sprengel Museum Hannover and Kunstverein Hannover
  • 2012 through-views . Motto: Whoever sits in a glass house…; Steinhude , Wilhelmstein Island
  • 2012 Picture Finder - Picture Inventor , Museum for Concrete Art Ingolstadt
  • 2013: In the glass house on Wilhelmstein Island in the Steinhuder Meer
  • 2015: Seen with light , LVM Versicherung Münster / Kulturfläche im Kristall
  • 2017 be careful, glass! Art space Munich
  • 2020: Continue in the text , Akademie der Künste, Berlin
  • 2020: Me, God and the World , Haus am Lützowplatz, Berlin

Group exhibitions (selection)

The artist explains Uranin for the group exhibition WasserKunst: Between dyke and pond in the park of Edelhof Ricklingen
Discussion with Siegfried Neuenhausen for the joint exhibition WasserKunst: Between Dike and Pond
  • 1969 Concept - Conception, Leverkusen City Museum
  • 1970 now. Arts in Germany today, Kunsthalle Köln
  • Concrete poetry. Visual texts, Stedelijk Museum , Amsterdam
  • 1974 Project 74. Aspects of international art in the early 1970s, Kunsthalle Köln
  • 1976 documenta 6 , Kassel
  • 1978 City Art Gallery Düsseldorf
  • Stedelijk Van Abbemuseum , Eindhoven
  • Type: - Museum of Money, Pompidou Center, Paris
  • 1982 snapshot. Artist photography, Kestner Society, Hanover
  • 1985 1945 - 1985. Art in the Federal Republic of Germany, New National Gallery, Berlin
  • 1987 Inside - Outside, Museum van Hedendaagse Kunst, Antwerp
  • Animal Art ("steirischer herbst"), Palais Attems, Graz
  • 1990 Blue - color of the distance, Kunstverein, Heidelberg
  • until now ... plastic in the outer space of the Federal Republic, Georgengarten, Hanover
  • Harvest , Art Association Ganderkesee
  • 1991 Outside area - inner city, Sprengel Museum, Hanover
  • 1992 Coincidence as a Principle, Wilhelm-Hack-Museum, Ludwigshafen a. Rh.
  • 1993 Poésure et Peintrie, Center de la Vieille Charité , Marseille
  • Différentes Natures, Art Défense, Paris
  • 1998 Europe, climb the bull !, Kunstverein Bad Salzdetfurth, Bodenburg
  • 2000 ARCHE, Art Association Bad Salzdetfurth, Bodenburg
  • 1999 T he XX. Century. The readability of art, Berlin Art Library
  • 2002 Iconoclash, ZKM Center for Art and Media Technology
  • 2003 Like a fish in water, Kunstverein Bad Salzdetfurth, Bodenburg
  • 2004 Bocca della verità, Bad Salzdetfurth Art Association, Bodenburg, Karlsruhe
  • 2005 Les Grands Spectacles. 120 years of art and mass culture, Museum der Moderne , Salzburg
  • The top half. The bust since Auguste Rodin, Städtische Museen Heilbronn
  • Superstars. From Warhol to Madonna, Kunsthalle and BA-CA Kunstforum, Vienna
  • 2006 diagnosis art. Medicine as reflected in contemporary art, Kunst-Museum Ahlen, Museum im Kulturspeicher, Würzburg
  • A noir, E blanc, I rouge, U vert, O bleu… colors, Kunstmuseum Kloster Unser Lieben Frauen , Magdeburg
  • 2007 Large art exhibition, Haus der Kunst , Munich
  • 2007 Osnabrück Sculpture Landscape
  • 2008 Babylon. Myth and Truth, Pergamon Museum, Berlin
  • 2010 Hortus Medicus, Kunstverein Bad Salzdetfurth, Bodenburg
  • 2010 The West Glows, Kunstmuseum Bonn
  • Nude visions-150 years of body images in the, photography, Museum of Art and Commerce, Hamburg
  • Bense and the arts, ZKM , Karlsruhe
  • The foundation of art, Heilbronn municipal museums
  • It's a kind of magic, Weserburg Museum of Modern Art
  • 2011… from a warehouse, Christiane Möbus and Timm Ulrichs, Museum DKM, Duisburg
  • 2013: Water Art: Between the dike and the pond , Rittergut Edelhof Ricklingen park
  • 2015: Skin Stories , art gallery fürth ; u. a. with, Wim Delvoye
  • 2017: No Secrets! - Images of surveillance, photography collection in the Munich City Museum, u. a. with Paolo Cirio , Franz Wanner , Luca Pancrazzi, Jenny Rova
  • 2018 PAUSE (prelude) , House of Art , Munich
  • 2019 The Big Sleep , House of Art , Munich

Awards

literature

  • Franz Billmayer: I can no longer see art… . In: Grünewald, D. (Ed.): Art + teaching: (anthology) learning in practice processes. Friedrich Verlag, Velber 1996. P. 73 f.
  • Ludger Fischer : Timm Ulrichs prevails . In: Timm Ulrichs makes you mobile. Furniture sculptures and installations, Freiburg 1999, pp. 147–148. At the same time exhibition cat. Atelierhaus Aachen.
  • Bernhard Holeczek: Timm Ulrichs . Braunschweig 1982.
  • Jürgen Raap: Timm Ulrichs . In: Kunstforum international, Vol. 126, 1994.
  • Rita Schoeneberg: Timm Ulrichs , in this: 13 out of 500,000 people from Hanover , Hamburg: Urban-Verlag, 1999, ISBN 3-924562-04-0 , pp. 101–111.
  • Christine Korte-Beuckers: Communication Concepts in Object Art of the 1960s. Theory of Contemporary Art, Vol. 13 . Lit Verlag, Münster / Hamburg / London 1999.
  • Matthias Reichelt: Total Art in the Green (Timm Ulrichs) . In: Kunstforum international, Vol. 157, 2001
  • Tigo Zeyen, Anne Weber-Ploemacher (eds.), ´ Joachim Giesel (photos): 100 Hanoverian Heads , Hameln: CW Niemeyer Buchverlage, 2006, ISBN 978-3-8271-9251-6 and ISBN 3-8271-9251-X , P. 188f.
  • Ansgar Schnurr: Timm Ulrichs' artistic research with an interest in art didactic knowledge . In: Blohm, Manfred (ed.): Short texts on art education. Flensburg 2008, pp. 71-76.
  • Ansgar Schnurr: About the work of Timm Ulrichs and the artistic joke as a form of knowledge. Analysis of a pointed model of communication and experience in the context of aesthetic education. Norderstedt, 2009.
  • Thomas Deecke: The presumption of Timm Ulrichs . In: Timm Ulrichs: “Looking back to the front”, ed. Museum Ritter / Gerda Ridler, Heidelberg 2010. ISBN 978-3-88423-347-4 .
  • Helmut G. Schütz: On the dubious evidence of the visible. To Timm Ulrichs' landscape epiphany . Mannheim 2012
  • Robert Jelinek: Timm Ulrichs , Ed. Der Konterfei 05, Vienna 2014. 56 pages. ISBN 978-3-9503749-4-0 .
  • Lambert Wiesing: Blue by Timm Ulrichs . In: Lambert Wiesing: Phenomena in the picture . Munich 2000, pp. 139-148.
  • Robert Jelinek: Timm Ulrichs - In the fast lane , Ed. Der Konterfei 016, Vienna 2015. 56 pages. ISBN 978-3-903043-05-3 .

Exhibition catalogs

A look at an exhibition catalog with the curator Dagmar Brand and the artist Susanne Hoffmann
  • Timm Ulrichs: Timm Ulrichs, retrospective . Kunstverein Braunschweig , Braunschweig 1975.
  • Timm Ulrichs: Nordhorn Art Prize . Stadtische Galerie Nordhorn (ed.), 1980.
  • Timm Ulrichs: total art . Municipal Gallery Lüdenscheid, Lüdenscheid 1980.
  • Timm Ulrichs: Wilhelm Hack Museum, Ludwigshafen am Rhein 1984.
  • Timm Ulrichs: Landscape sepiphanies . Kunsthalle Recklinghausen 1991.
  • Timm Ulrichs: On the way . German Cultural Institute Madrid 1991.
  • Timm Ulrichs: Timm Ulrichs makes people mobile . Modo, Galerie blau, Freiburg / Brsg. 1992.
  • Sculpture Museum Glaskasten Marl: inventory catalog 1992/93 , p. 128
  • Timm Ulrichs: Städtische Galerie, Iserlohn 1993.
  • Timm Ulrichs: Parcours . Kunstverein Cuxhaven / Kunsthalle Recklinghausen 1993.
  • Timm Ulrichs: The Detective View . New Society for Fine Arts, Berlin 1997.
  • Timm Ulrichs: Turning your back on the viewer . Siegerland Museum, Siegen 1994.
  • Timm Ulrichs: Housing for monuments and fountains . Modo-Verlag, Freiburg / Brsg. 2000.
  • Timm Ulrichs: The printmaking . Sprengel Museum Hannover , Hannover 2002. ISBN 3-89169-183-1 .
  • Timm Ulrichs / Ferdinand Ullrich: Who was that! . An identification book for Timm Ulrich's class at the Münster Art Academy 1972 to 2005. Kunsthalle Recklinghausen and Kunstverein Ingolstadt 2005.
  • Timm Ulrichs: “Looking back to the front”, ed. Museum Ritter / Gerda Ridler, Heidelberg 2010. ISBN 978-3-88423-347-4 .
  • Timm Ulrichs: Entry to the exhibition is prohibited , published by Kunstverein Hannover and Sprengelmuseum Hannover, 2010, (German / English). ISBN 978-3-7757-2794-5 .
  • Timm Ulrichs: picture finder - picture inventor . Museum for Concrete Art Ingolstadt, Bielefeld 2013. ISBN 978-3-86678-799-5 .
  • Timm Ulrichs: because of the great success . Edited by Dziembowski, Hochfeld, Mayr, Nommensen Berlin 2018. ISBN 978-3-946688-49-5 .

Web links

Commons : Timm Ulrichs  - Collection of images, videos and audio files

Individual evidence

  1. ↑ Franziska Leuthäußer: Interview with Timm Ulrichs on November 22, 2015 cafedeutschland.staedelmuseum.de
  2. ↑ Henning Queren: Timm Ulrichs: Much Art, Hash and Happenings In: NHP from June 6, 2018.
  3. ↑ Timm Ulrichs in the Munzinger archive , accessed on June 30, 2012 ( beginning of article freely accessible)
  4. ↑ DIE ZEIT : Issue No. 20/1968
  5. ↑ Wilhelm Klotzek: [ The master of the apparently banal ] RBB24 from January 20, 2020.
  6. ↑ Ronald Meyer-Arlt: "The total artist" - a film about Timm Ulrichs In: HAZ May 23, 2019
  7. ^ Academy of the Arts: Käthe Kollwitz Prize 2020 of the Academy of the Arts goes to Timm Ulrichs
  8. ↑ Former professorships , Münster Art Academy
  9. ↑ UniSPIEGEL 5/2011: Iiih, my Prof is tattooed! Retrieved June 28, 2012
  10. ↑ augsburger-allgemeine.de
  11. ^ Hannoversche Allgemeine Zeitung of November 26, 2010: Large Timm-Ulrichs retrospective in the Künstlerhaus Hannover
  12. ↑ Irmgard Berner: Academy of the Arts: Timm Ulrichs receives the Käthe-Kollwitz-Preis , Berliner Zeitung, January 23, 2020
  13. ^ Wilhelm Klotzek: Timm Ulrichs in the Academy of Arts: The Master of the Apparently Banal , rbb , January 23, 2020
  14. ↑ Christine Meixner: Artist Timm Ulrichs: I am my work , Tagesspiegel, January 22, 2020
  15. ^ Daniel Alexander Schacht: Out of the frame. In: Hannoversche Allgemeine Zeitung of March 30, 2015. Retrieved October 25, 2016 .
  16. ↑ Timm Ulrichs: A lot of art, hash and happenings neuepresse.de from June 6, 2018.
  17. ↑ Westfälischer Anzeiger: Art moves a city: Ulrichs exhibition ends , accessed on June 29, 2012.
  18. ^ Heinz Holtmann (Red.): Timm Ulrichs. Retrospective 1960–1975 , catalog for the traveling exhibition of the same name at the Kunstverein Braunschweig from September 26 to November 9, 1975, at the Karl Ernst Osthaus Museum Hagen from November 30, 1975 to January 11, 1976 and at the Heidelberger Kunstverein from January 21 to February 15 1976, ed. vom Kunstverein Braunschweig, Braunschweig: Waisenhaus-Buchdruckerei und Verlag, 1975, p. 56
  19. ↑ nrw-museum.de: Timm Ulrichs (accessed on January 28, 2016)
  20. ^ City of Ingolstadt Timm Ulrichs. Image Finder - Image Inventor.Retrieved December 9, 2016
  21. ↑ Marianne Winter in Braunschweiger Zeitung: If you don't think, you are thrown out! An exhibition at the Kunstmuseum Celle brings together the art rebels Joseph Beuys and Timm Ulrichs. Accessed on June 29, 2012
  22. ↑ Katinka Dittrich van Weringh: When does the past pass? Weilerswist-Metternich 2017, p. 42
  23. ↑ Norbert Joa: Timm Ulrichs, total artist. (No longer available online.) In: ardmediathek.de. April 11, 2017, formerly in the original ; Retrieved July 10, 2017 .  ( Page no longer available , search in web archives )  Info: The link was automatically marked as defective. Please check the link according to the instructions and then remove this notice.@1@ 2Template: Toter Link / www.ardmediathek.de  
  24. ↑ Timm Ulrichs as a living human target , 1971/1974
  25. ↑ Two prints: “Night tattoo” by Horst Linienbach / Frankfurt | Loans from the TATTOO-COLLECTION-KOHRS.
  26. ↑ Lt. Targets from Timm Ulrichs to the MHG on November 14, 2019 "... when Samy retouched and redrawn the target that was stabbed in Barcelona (so it does not come entirely from him.)
  27. ^ Foundation Historical Museums Hamburg: Tattoo Legends. Christian Warlich on St. Pauli. In: Ruhr University Bochum word mark. April 11, 2018. Retrieved July 29, 2019 .
  28. ^ Caroline Rosenthal, Dirk Vanderbeke: Probing the Skin: Cultural Representations of Our Contact Zone. Cambridge Scholars Publishing 2015, ISBN 1-443-8751-8X , p. 274.
  29. ^ HAZ , April 23, 1981, Tattooing - a special art
  30. ↑ Hannoversche Allgemeine Zeitung , January 27, 1975, "Samy tattooed seven skins"
  31. ↑ In: Paul-Henri Campbell : Tattoo & Religion. The colorful cathedrals of the self. S. 89. Manfred Kohrs make history, write history .
  32. ↑ Bleibtreu Gallery
  33. ↑ Full information of the NDR - production number 0007750128, NDR HH media accompanying card December 12, 2008 St. (1, 2)
  34. ^ THE END, document of a tattooing campaign by Horst Linienbach, Samy's Tattoo Studio, Frankfurt am Main, May 16, 1981, Timm Ulrichs: Exhibition catalog: Entering the exhibition prohibited , publisher Kunstverein Hannover und Sprengelmuseum, 2011, p. 59
  35. ↑ Cf. Christina Sticht, Timm Ulrichs: Pionier der Konzeptkunst, nw-news.de, March 31, 2010.
  36. ↑ situation-kunst.de Retrieved on: October 31, 2010
  37. ↑ monopol-magazin.de: Timm Ulrichs - Steer the lightning on yourself ( Memento from July 14, 2014 in the Internet Archive ), accessed on June 28, 2012.
  38. ^ Timm Ulrichs: Entering the exhibition forbidden , published by Kunstverein Hannover and Sprengelmuseum Hannover, 2011, p. 59
  39. ^ Sueddeutsche.de: Exhibition: Timm Ulrichs - The Art of Egomania. Accessed on June 28, 2012
  40. ^ Timm Ulrichs: Entering the exhibition forbidden , published by Kunstverein Hannover and Sprengelmuseum Hannover, 2011, p. 170
  41. ^ Kassel.de: Künstler-Necropole Kassel , accessed on June 30, 2012.
  42. ↑ Design to the death necropolis of the artists NTV from November 27, 2007
  43. ↑ Christina Sticht: Pioneer of Conceptual Art: Timm Ulrichs turns 80 - The artist as a total work of art muensterschezeitung.de on March 30, 2020. Accessed on May 22, 2020.
  44. ↑ Pêle-Mêle. Guy Bleus - 42.292, ed.R. Geladé, N. Coninx & F. Bleus, Cultuurcentrum, Hasselt, 2010, p. 128
  45. ^ Art Studio 1, Timm Ulrichs: In the light
  46. ↑ Galerie Wentrup, Timm Ulrichs: Steer the lightning on yourself ( Memento from February 3, 2012 in the Internet Archive )
  47. ↑ Schaumburger Nachrichten: Artistic drama in five acts. Retrieved June 8, 2012 .
  48. ↑ a b Compare the documentation at Commons (see under the section Web Links )
  49. ↑ Munich Art Space. Archive . 2017. Timm Ulrichs: Careful, glass! Retrieved August 9, 2020 .
  50. ↑ Iconoclash
  51. ↑ Center for Art and Media Karlsruhe
  52. ^ Skulpturenlandschaft.com: artist / Timm Ulrichs. Germany - Your Share, 2007 (accessed May 31, 2016)
  53. ^ Kunstmuseum Bonn, The West lights up. A determination of the location of the art landscape of the Rhineland
  54. ^ ZKM, Bense and the arts
  55. ↑ Rainer Hertwig on August 17, 2015: Analog messages under the skin
  56. ↑ PAUSE (prelude) - artist association in the House of Art. Retrieved August 9, 2020 .
  57. ↑ The Big Sleep. Retrieved August 9, 2020 .
  58. ↑ kuenstlerbund.de: Marianne and Hansfried Defet Prize / 1985 Timm Ulrichs, Hanover ( Memento from July 3, 2015 in the Internet Archive ) (accessed on August 10, 2015)
  59. ↑ mfi.eu: The Prize Winner 2009: Timm Ulrichs ( Memento from June 3, 2013 in the Internet Archive ) Retrieved June 28, 2009
  60. ^ Academy of the Arts, Berlin
personal data
SURNAME Ulrichs, Timm
BRIEF DESCRIPTION German artist and university professor
DATE OF BIRTH March 31, 1940
PLACE OF BIRTH Berlin