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After CBS picked up the series for its 1965 season, the [[format]] was changed slightly to add the [[characters]] of Dr. Smith and the Robot, neither of whom appeared in the [[original]] pilot. The ship was redesigned to [[feature]] a second [[deck]], and renamed the Jupiter II. The spaceship had been named the Gemini 12 in the pilot. ''[[No Place to Hide]]'' was cut into pieces, and [[new]] [[scenes]] [[written]] and [[filmed]] around them, thus making economical use of the expensive pilot footage to flesh out the [[early]] episodes of the series.
After CBS picked up the series for its 1965 season, the [[format]] was changed slightly to add the [[characters]] of Dr. Smith and the Robot, neither of whom appeared in the [[original]] pilot. The ship was redesigned to [[feature]] a second [[deck]], and renamed the Jupiter II. The spaceship had been named the Gemini 12 in the pilot. ''[[No Place to Hide]]'' was cut into pieces, and [[new]] [[scenes]] [[written]] and [[filmed]] around them, thus making economical use of the expensive pilot footage to flesh out the [[early]] episodes of the series.


The first season was filmed in [[black-&-white]] and was more serious in tone than subsequent seasons. It chronicled the [[adventures]] of the Robinson family starting in the year 1997, a group of Earth [[pioneers]] whose mission to [[colonize]] Alpha Centauri almost ends in [[disaster]] after [[saboteur]] Dr. Smith attempts to [[destroy]] their [[spaceship]].
The first season was filmed in [[black-&-white]] and was more serious in tone than subsequent seasons. It chronicled the adventures of a family marooned on a hostile alien world. The show used serious science fiction concepts in order to do this. They included dangerous plants and animals native to the planet that they were on and equally dangerous visitors. However the space pirates started to show up even then.


The second and third seasons were produced in [[color]], and were more [[whimsical]] and [[fantastic]] in tone. These two seasons seemed skewed more towards children than for other [[demographic]] [[groups]], with stories about space [[cowboy]]s, space [[hippie]]s, space [[pirate]]s, and space [[beauty pageant]]s. The show was aired opposite the ''[[Batman (TV series)|Batman]]'' series, and it's been suggested the lighter, [[camp (style)|campier]] tone was adopted in order to compete. In the [[third]] season there was some attempt to go back to more adventure-based stories, but episodes like the [[penultimate]] "[[The Great Vegetable Rebellion]]"—featuring one of the few [[intelligent]] space] [[carrot]]s in cinematic [[history]]—proved that the [[camp]] was still with the show right to the end.
The second and third seasons were produced in color, and were more [[whimsical]] and [[fantastic]] in tone. These two seasons seemed skewed more towards children than for other [[demographic]] [[groups]], with stories about space [[cowboy]]s, space [[hippie]]s, space [[pirate]]s, and space [[beauty pageant]]s. The show was aired opposite the ''[[Batman (TV series)|Batman]]'' series, and it's been suggested the lighter, [[camp (style)|campier]] tone was adopted in order to compete. In the [[third]] season there was some attempt to go back to more adventure-based stories, but episodes like the [[penultimate]] "[[The Great Vegetable Rebellion]]"—featuring one of the few [[intelligent]] space] [[carrot]]s in cinematic [[history]]—proved that the [[camp]] was still with the show right to the end.


In the first two seasons, each show ended with a [[cliff-hanger]] "To be continued next week!" which was not integral to the [[main]] [[plot]] of the current week's show and could be tacked onto the end of any episode. In the [[third]] [[year]], the [[end]] of each episode merely showed [[clips]] from the [[next]] episode.
In the first two seasons, each show ended with a [[cliff-hanger]] "To be continued next week!" which was not integral to the [[main]] [[plot]] of the current week's show and could be tacked onto the end of any episode. In the [[third]] [[year]], the [[end]] of each episode merely showed [[clips]] from the [[next]] episode.

Revision as of 05:53, 21 September 2007

Lost in Space
File:Lost In Space.jpg
Publicity photo (1967) for Lost in Space: shows cast members: Angela Cartwright, Mark Goddard, Marta Kristen, Jonathan Harris, June Lockhart, Guy Williams & Bill Mumy.
GenreScience fiction
No. of seasons3
No. of episodes83
Production
ProducerIrwin Allen
Original release
NetworkCBS
ReleaseSeptember 15, 1965 –
March 6, 1968

Lost in Space is a science fiction TV series created and produced by Irwin Allen. The series was released by Fox Television and broadcast on CBS. The show ran for three seasons, with eighty-three episodes airing between September 15, 1965 and March 6, 1968. Lost in Space was the second of Allen's four science fiction TV series. The show's main theme was space travel adventure. The show's first season was in black and white, but the second and third seasons were in color. The show starred Guy Williams (Zorro), June Lockhart (Lassie), Angela Cartwright (Make Room For Daddy), Mark Goddard and Jonathan Harris. Newcomers Bill Mumy and Marta Kristen also starred.

Conceptually the series is a space-age riff on the classic adventure novel Swiss Family Robinson by Johann David Wyss. During the first two seasons, the series follows the adventures of an astronaut family that is shipwrecked on an alien world after getting lost trying to reach Alpha Centauri. In the third season they travel to other worlds in their never-resolved search for a way back to Earth.

Following the successful format of Allen's first TV series, Voyage to the Bottom of the Sea, the emphasis was on creating exciting fantasy-oriented adventure stories. Each week the show delivered a fast-paced visual assault of dazzling special effects, explosions, monstrous aliens, spaceships, and exotic sets and costumes drenched in bright, primary colors. On the other hand, unlike its space-competitor Star Trek, character development, serious issues, dramatic depth, or even maintaining a coherent story were ignored. ("Don't get logical with me!" was Allen's frequent retort to writers who objected to changes to their scripts. Source: Starlog #219) Critics complained that this was the television equivalent of dangling a shiny object to distract the nondiscriminating viewer. However, in spite of criticism, the show still became a success. [citation needed]

Allen had hit upon a winning formula which he used to create a third fantasy-adventure show, The Time Tunnel (1966-1967), followed by his last and most ambitious series, Land of the Giants (1968-1970), all of which have become cult, if not critical, favorites.

Plot

The year is 1997, and the Earth is suffering from massive overpopulation and depletion of natural resources. Professor John Robinson , his wife, Maureen, their children, Judy, Penny, Will and their friend and pilot, Maj. Don West are chosen to travel on a space vehicle named the Jupiter 2 to the Alpha Centauri star system to find a habitable planet for mankind to colonize. Prior to launch from Alpha Control but after the Robinsons have been placed in suspended animation on the spaceship for the long journey, Dr. Zachary Smith, a foreign agent who was sent to sabotage the family's mission, sneaks aboard the spacecraft. He reprograms the ships robot to destroy the vehicle shortly after it leaves Earth. In the process, he becomes trapped on the spaceship during the launch. His excessive weight throws the Jupiter 2 off course causing it to encounter a meteor storm shortly after launch. The robots rampage,which happens after the storm, does not destroy the vehicle but finishs the job of getting the Robinsons completley lost.

Despite efforts by Alpha Control to locate the ship, eventually the Robinsons are presumed to be hopelessly lost in space. The series chronicles the adventures of the Robinsons as they try to find their way back home.

Cast

The regular characters of the series were the Robinson family, their pilot, their robot and their unintended passenger, Dr. Smith.

  • Judy Robinson (Marta Kristen) is the older Robinson daughter. She was planning on a career in musical theatre on Earth, but agreed to go along with her family on the Alpha Centauri mission.

Series History

Irwin Allen first produced a pilot film for the proposed series, titled No Place to Hide.

After CBS picked up the series for its 1965 season, the format was changed slightly to add the characters of Dr. Smith and the Robot, neither of whom appeared in the original pilot. The ship was redesigned to feature a second deck, and renamed the Jupiter II. The spaceship had been named the Gemini 12 in the pilot. No Place to Hide was cut into pieces, and new scenes written and filmed around them, thus making economical use of the expensive pilot footage to flesh out the early episodes of the series.

The first season was filmed in black-&-white and was more serious in tone than subsequent seasons. It chronicled the adventures of a family marooned on a hostile alien world. The show used serious science fiction concepts in order to do this. They included dangerous plants and animals native to the planet that they were on and equally dangerous visitors. However the space pirates started to show up even then.

The second and third seasons were produced in color, and were more whimsical and fantastic in tone. These two seasons seemed skewed more towards children than for other demographic groups, with stories about space cowboys, space hippies, space pirates, and space beauty pageants. The show was aired opposite the Batman series, and it's been suggested the lighter, campier tone was adopted in order to compete. In the third season there was some attempt to go back to more adventure-based stories, but episodes like the penultimate "The Great Vegetable Rebellion"—featuring one of the few intelligent space] carrots in cinematic history—proved that the camp was still with the show right to the end.

In the first two seasons, each show ended with a cliff-hanger "To be continued next week!" which was not integral to the main plot of the current week's show and could be tacked onto the end of any episode. In the third year, the end of each episode merely showed clips from the next episode.

The show had high enough ratings to ensure a fourth season, but it was abruptly cancelled for budgetary reasons. The series was the most expensive in television broadcast history. Each episode was estimated to cost $400,000, a considerable sum in the mid-sixties. It remained the most expensive series on TV until Space: 1999. The cast members were never told; every member learned that the show had been cancelled by reading about it in the newspapers. Robert Hamner, one of the show's writers, states (in Starlog, #220, November 1995) that Bill Paley, the head of CBS, despised the show so much that this dispute was used as an excuse to terminate the series.

In 1975, Allen returned to the original source material to produce The Swiss Family Robinson, a short-lived TV series based upon the novel.

File:Lis-tos-02.jpg

Like all Allen's productions, stylistically, the series was of high quality, featuring eye-catching silver, tapered space-suits, laser guns and a number of spectacular props and sets, including the control cabin of the Jupiter 2.

Ratings & Popularity

Although it retains a cult following, the science-fiction community often points to Lost In Space as an example of TV's bad record at producing science-fiction (perhaps overlooking the series' deliberate fantasy elements), comparing it to its supposed rival, Star Trek. Ironically, Lost In Space was a ratings success, unlike Star Trek], which received poor ratings during its original network TV run. The show's fans tend to split into two groups: those who enjoy the more serious episodes of the first season, and those who enjoy the wild, campy episodes that came later.

The general public now most recognizes Lost In Space via the memorable, oft-repeated lines of the Robot, "Warning! Warning!", "That does not compute.", and, of course, "Danger, Will Robinson!"; although the last sentence was only said once, different variations of it were used. Doctor Smith's endless put-downs of the Robot are also still popular ("You bubble-headed booby!") as his often-repeated whines: "Oh, the pain... the pain of it all!" and "My back is extremely delicate today." Smith would consistently employ the latter excuse when asked to perform manual labor.

Music

File:TV-Lost-in-Space-Volume-1-music-CD-1997-cover.jpg
Album cover of Lost in Space Original Television Soundtrack, Volume 1 CD, with music by John Williams (ASIN B000001P1R).

The theme music for the opening and closing credits was written by John Williams.

In Season Three, the opening theme was changed (again by Williams) to an exciting faster tempo action theme and featured a pumped-up countdown from seven to one to launch each episode.

Much of the incidental music in the series was written by Williams and other notable film and television composers, including Alexander Courage, who contributed six scores to the series, his most recognizable, "Wild Adventure" included his key theme for "Lorelei", composed for organ, woodwinds, and harp thus cementing this highly recognizable theme with John Williams' own "Chariot" and main theme for the series.

In the unaired pilot episode "No Place to Hide" the opening theme music, and much of the incidental music was borrowed from the 1951 classic The Day the Earth Stood Still.

Legal Questions

In 1962 Gold Key comics (formerly Dell Comics), a division of Western Publishing Company, began publishing a series of comic books under the title, Space Family Robinson. The story was largely inspired by "The Swiss Family Robinson" but with a space-age twist. The movie and television rights to the comic book were then purchased by noted television writer Hilda Bohem ("The Cisco Kid"), who created a treatment under the title, "Space Family 3000."

In July 1964, notable science fiction writer and filmmaker Ib Melchior, began pitching a treatment for a feature film, also under the title, "Space Family Robinson."

There has been some debate as to whether or not Irwin Allen was aware of the Melchior treatment. It is also unknown whether Allen was aware of the comic book or the Hilda Bohem treatment.

As copyright law only protects the actual expression of a work, and not titles, general ideas or concepts, in 1964 Irwin Allen moved forward with his own take on "Space Family Robinson," with characters and situations notably different from either the Bohem or the Melchior treatments. (It is interesting to note that none of these versions contained the characters of Dr. Smith or the Robot.)

Intended as a follow up to his first successful television venture, Voyage to the Bottom of the Sea, Allen quickly sold his concept for a television series to CBS. Concerned about confusion with the Gold Key comic book, CBS requested that Allen come up with a new title. Nevertheless, Hilda Bohem filed a claim against Allen, CBS and Fox Television shortly before the series premiered in 1965.

A compromise was struck as part of a legal settlement. In addition to an undisclosed sum of money, Western Publishing would be allowed to change the name of its comic book to "Lost in Space."

There were no other legal challenges to the title until 1995, when New Line Cinema announced their intention to turn Lost in Space into a big budget motion picture. New Line had purchased the screen rights from Prelude Pictures (which had acquired the screen rights from the Irwin Allen Estate in 1993). At that time, Ib Melchior contacted Prelude Pictures and insisted that Lost in Space was directly based upon his 1964 treatment. Melchior was aided in his efforts by Ed Shifres, a fan who had written a book entitled Space Family Robinson: The True Story. (Later reprinted with the title, "Lost in Space: The True Story"). The book attempts to show how Irwin Allen allegedly plagiarized Melchior's concept, with two outlines presented side by side.

To satisfy Melchior, Prelude Pictures hired the 78 year old filmmaker as a consultant on their feature film adaptation. This accommodation was made without the knowledge or consent of the Irwin Allen Estate or Space Productions, the original copyright holder of Lost in Space. Melchior's contract with Prelude also guaranteed him 2% of the producer's gross receipts, a provision that was later the subject of a suit between Melchior and Mark Koch of Prelude Pictures. Although an Appellate Court ruled partly[1] in Melchior's favor, on November 17th, 2004, the Supreme Court of California[2] denied a petition by Melchior to further review the case.

It is significant that no further claim was made and that Space Productions now strongly contends that Irwin Allen was the sole creator of the tv series called Lost in Space.

References in Popular Culture

The animated television series Freakazoid features a character named Professor Jones. The generic name, and the lines givento the character were obvious riffs on Dr. Smith (such as "Weren't you on a TV show with a robot?"), and the character was in fact voiced by Jonathan Harris.

The song "Blast Off" by the Stray Cats makes reference to both Dr. Smith and the Robot.

In The Simpsons episode Fear of Flying Marge dreams she is Maureen Robinson and left behind on an alien planet when her father blasts off in the Jupiter 2 without her. In a later episode, Mayored to the Mob, Dr. Smith and the Robot appear at the Bi-Mon-Sci-Fi-Con. Bart claims he's seen the movie and the actor signing autographs, a parody of Jonathan Harris, is not Dr. Smith. It is implied that Dr. Smith attempts to lure him away to molest him. The Robot prevents this from happening with his alarm, "DANGER! DANGER! BART SIMPSON!"

The Family Guy episode Fore Father refers to Lost in Space in one of their many-known cutaways. John Robinson is parodied as pairing up the characters in ways that match several season 1 and 2 episodes. He is fully aware of how inappropriate this is saying Major West and Judy are to ride around in the chariot all day. Maureen and Penny are to be left at the ship defenseless. Will is left to the mercy of a boy hungry pedophile.

The Oink! strip "Pete's Pimple" about a boy with a giant zit once had an episode where he was blasted into space and met the Robinsons, but when he mistakenly used the robot to urinate on, it went crazy and wiped out the entire cast.

Lost in Space was parodied during a host segment on the cult TV show Mystery Science Theater 3000 in the episode Time Chasers.

Myths

Gene Roddenberry—the creator of Star Trek—often claimed that CBS executives listened to his Star-Trek pitch only in order to glean ideas for doing sci-fi on a TV budget. But this is unlikely given that by the time Roddenberry pitched Star Trek, Irwin Allen was already a successful, Emmy award winning producer who already had a science fiction television series television in production: (Voyage to the Bottom of the Sea). In addition, CBS already had ordered and picked up the LIS pilot before Roddenberry was pitching "Trek." While some may contend that LIS production values and special effects were of a higher calibre than those of "Trek,"[citation needed] it is hard to suspend disbelief during such sequences as double-exposed shaken mylar "curtains" used as "space storms".

Another myth is that Lost in Space became campy in response to the serious tone of Star Trek. However, Lost in Space had already gone campy by the start of its second season, the same time Star Trek went on the air. If any show directly influenced a turn towards camp, that show would have been the hit show Batman, which began airing on the ABC television network in January 1966.

It has been reported that Lost In Space was the favorite TV series of John F. Kennedy, Jr. while growing up in the 1960s. Others who admired the series were Tim Allen, John Laroquette, Candice Bergen, John Lasseter, "Weird Al" Yankovic and also Jacqueline Kennedy Onassis, who also watched "Dark Shadows!"

Equipment

In addition to the Robot, the primary tools used by the Robinsons in their exploration of strange alien worlds included the twin-decked Jupiter II flying saucer spacecraft, a glass-walled tracked exploration vehicle called the "Chariot", and the space "Pod" (a small spacecraft modeled on the Apollo Lunar Module). On occasion, characters (notably John Robinson) used what was then an exciting new invention: the jet pack.

The Jupiter II spaceship and its equipment also featured several technological breakthroughs that simplified or did away with mundane tasks. The "washing machine" took seconds and packaged cleaned clothes in plastic bags. The ship had no light bulbs or even compact fluorescent lamps-- in one episode, Maureen says the lights are "transistorized". However, on the other hand, sound and voice recording technologies imply arrested technology -- reel-to-reel tape recorders instead of solid-state digital storage media.

One of the key breakthroughs is suspended animation technology that was employed only in the first and third episodes of the series.

A roster of guest stars

During its three year run, many actors guest-starred on the show, among them: Al Lewis, Edy Williams, Arte Johnson, Don Matheson, Kurt Russell, Strother Martin, Francine York, Mercedes McCambridge, Michael J. Pollard, Allan Melvin, Henry Jones, among many others. Future Hill Street Blues stars, Daniel J. Travanti and Michael Conrad also made featured appearances, as well.

Spin-offs

Comics

Bill Mumy scripted an authorized Lost in Space comic book for Innovation Comics.

Prior to the appearance of the TV series, a comic book named Space Family Robinson was published by Gold Key Comics and written by Gaylord DuBois. Due to a deal worked out with Gold Key, the title of the comic later incorporatedthe "Lost in Space" sub-title. The comic book is not a spinoff of the TV series but was in print prior to the conception of the show. Also, there is an unlicensed comic in which Will Robinson meets up with Friday the 13th character Jason Voorhees.

Cartoon

In the 1972-73 television season, ABC produced The ABC Saturday Superstar Movie, a weekly collection of 60-minute animated movies, pilots and specials from various production companies, such as Hanna-Barbera, Filmation, and Rankin-Bass -- Hanna-Barbera Productions contributed animated work based Gidget, Yogi Bear, Tabitha, Oliver Twist, The Banana Splits, and most importantly, Lost in Space. Dr. Smith (voiced by Jonathan Harris) was the only character from the original program to appear in the special, along with the Robot (who was employed in flight control rather than a support activity). The spacecraft was launched vertically by rocket, and Smith was a passenger rather than a saboteur. The pilot for the animated Lost in Space series was not picked up as a series, and only this episode was produced.

Feature film

In 1998, New Line Cinema produced a feature movie adaptation. It included numerous nods, homages and cameos related to the series, including:

The film's Jupiter II was launched into orbit by a vehicle called the Jupiter I, which closely mimics the series' spacecraft, complete with rotating propulsion lights.

Reference is made to the Chariot and Space Pod, both of which are reported wrecked.

Additional cameo appearances from the original series were considered, but did not make it to the film: Jonathan Harris was offered a cameo appearance (as the Global Sedition businessman who hires, then betrays, Dr. Smith). He turned down the role, and is reported to have said "I play Smith or I don't play". Bill Mumy was at one point considered for a key role in the film, that of an aged Will Robinson who appears in the 'Spider Smith' sequences, but another actor was cast instead. Guy Williams, the remaining original cast member, had died some years earlier.

Novel

In 1967, a novel based on the series (with significant changes to the personalities of the characters) was published by Pyramid Books. Written by Dave Van Arnam and Ron Archer (as Ted White), the book was three short stories woven together. In one scene, where a character is randomly speaking English to provide data for translation, the book correctly predicted Richard Nixon winning the presidency after Lyndon Johnson (but also predicted a Kennedy (likely Robert) winning after Nixon).

Second TV series

In late 2003, a new TV series, with a somewhat changed format, was in development in the U.S. It was intended to be originally closer to the original pilot with no Doctor Smith, but included a robot. The pilot (entitled, "The Robinsons: Lost in Space") was commissioned by the The WB Television Network. It was directed by John Woo and produced by Synthesis Entertainment, Irwin Allen Productions, Twentieth Century Fox Television and Regency Television.

The "Jupiter 2" inter-stellar flying-saucer spacecraft of the original series was changed to a non-saucer planet-landing craft, dispensed from a larger inter-stellar mother-ship.

The pilot script featured the characters of John and Maureen, but an elder son, David, was added, as well as Judy, an 'infant' Penny, and ten-year-old]] Will. There was no Doctor Smith character, but the character of Don West was described as a "dangerous, lone wolf type".

The confirmed cast included Brad Johnson as John Robinson, Jayne Brook as Maureen Robinson, Adrianne Palicki as Judy Robinson, Ryan Malgarini as Will Robinson and Mike Erwin as Don West.

It was not among the network's series pick-ups confirmed later that year.

However, the producers of the new Battlestar Galactica show bought the sets. They were redesigned the next year and used for scenes on the Battlestar Pegasus.

DVD Releases

20th Century Fox has released the entire series on DVD in Region 1 for the very first time.

DVD Name Ep # Release Date Additional Information
Season 1 30 January 13 2004
  • Un-Aired Pilot "No Place To Hide" included (see above)
  • CBS Network Presentation (5.5 minutes)
Season 2 Volume 1 16 September 14 2004
Season 2 Volume 2 14 November 30 2004
  • Original 1966 Lost In Space Interviews
  • 17 stills from the Guy Williams and June Lockhart interview
  • 15 stills from the Jonathan Harris interview
Season 3 Volume 1 15 March 1 2005
  • "Lost in Space" memories - 20 nostalgic video clips with cast members offering a fond look back at favorite episodes and highlights of the show!
Season 3 Volume 2 9 July 19 2005
  • Next on Lost in Space: Princess of Space, The Time Merchant, The Promised Planet, Fugitives in Space, Space Beauty, The Flaming Planet, The Great Vegetable Rebellion, Junkyard of Space and The Condemned of Space
  • Target Earth Act Break
  • Interstitial Blooper / Bill Mumy
  • Interview Clips (from 1995): Resolving the show, Bob May and The Robot, Thoughts on the cast / Jonathan Harris, Getting the role, Comedic Villain and Motivation for Dr. Zachary Smith

Title translated

Trivia

File:Dr-Smith-oxygen-mask-1966.JPG
Dr. Smith from the Lost in Space episode "The Forbidden World."
  • Comedy Series Fast Forward sent-up Lost In Space In Series 1 (1989).
  • Although the Robot had no name, in the third-season episode entitled "The Time Merchant," it was shown in its packing crate, and the crate was labelled "ONE General Utility Non-Theorizing Environmental ROBOT" with the G, U, N, T, E, and all letters in "ROBOT" in red capital letters, while all the other letters were black; some have suggested that this was supposed to convey the acronym "GUNTER".[3]
  • A pilot episode without the robot or the Dr. Smith character was filmed but never broadcast. Most of the footage from the first pilot was used in the second as well as early episodes from the first season.
  • Doctor Smith and the Robot did not appear in the first, unaired pilot episode (which has since been made available on VHS tapes,iTunes and on the DVD release of the entire series). Story editor Anthony Wilson came up with the idea of including a "Long John Silver" type villain to act as a constant irritant to compensate for the lack of conflict within the Robinson family. Writer Shimon Wincelberg fleshed out the character, giving him an exotic foreign-sounding name. Irwin Allen wanted a plain all-American name for the doctor so it was changed to the generic "Smith."[4]
  • According to Lost in Space: The Ultimate Unauthorized Trivia Challenge for the Classic TV Series, by James Hatfield and George "Doc" Burt, the role of Doctor Smith was originally written for Carroll O'Connor (who turned it down). Character actor Jack Elam was also considered before Jonathan Harris was chosen for the role.
  • Smith is blamed, in "The Reluctant Stowaway", for the Jupiter II encountering a meteor swarm shortly after leaving Earth -- his weight caused the autopilot to miscalculate so it could not dodge the swarm. However, as learned in the second-season episode "The Time Merchant", the Robinsons owe Smith an enormous debt because, had he not been aboard, the stable, planned flight path would have caused the ship to collide with an uncharted asteroid six months into its flight.
  • Harris was the last to be cast but chafed at the thought of his name appearing at the end of the opening credits. To enhance his billing status he invented a title for himself: "Special Guest Star."
  • In early episodes Dr. Smith is a purely evil, cold-hearted saboteur who makes repeated attempts to murder the Robinsons. He was even given eye-liner to make him look more sinister and cat-like. Harris hated playing the snarling, unappealing villain and knew his character would soon be killed off unless changes were made. To that end he saved his role—and, many say the series itself—by gradually transforming him into a sympathetic comedic-villain. The revamped Smith was really a composite of previous roles. On The Bill Dana Show Harris played the pompous, irritable manager of a snooty hotel—imperious to his employees and obsequious toward his guests. On The Third Man he played a fussy, cowardly, eager-to-please accountant. Combine the two and add some childlike flaws (lazy, selfish, and deceitful) and you have Smith. In fact, Harris played a variety of Smith-like characters, or characters with one or more of those traits, throughout his long career.
  • Two of the show's stars did not appear in the final episode, supposedly as punishment for being unable to keep from laughing during the filming of "The Great Vegetable Rebellion".
  • The Jupiter 2 was evidently modeled somewhat on the spaceship C-57D from the classic '50s sci-fi film Forbidden Planet
  • The Forbidden Planet character Robby the Robot guest starred in two episodes: War of the Robots, and Condemned of Space.
  • The Robot has inspired a dedicated fan base, many striving to build their own Robot.[5] Since the series conclusion, hobbyists around the world have built at least 15 detailed full-size replicas of the Robot, although the original outfit still exists in deteriorated condition.
  • Jonathan Harris and Mark Goddard are the only actors to appear in every episode of the series. Guy Williams, June Lockhart, Marta Kristen, Bill Mumy and Angela Cartwright appeared in the second highest amount of episodes, appearing in 81 of the 83 episodes.
  • Harris was supposed to reprised his role as Dr. Zachary Smith on a TV movie, Lost In Space: The Journey Home, but was taken ill and died late in 2002, hence, production was scrapped.

References