Adriano in Siria

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Work data
Title: Adriano in Siria
Third act, scene XI. "E a te, degno di te, rendeo me stesso"

Third act, scene XI.
"E a te, degno di te, rendeo me stesso"

Shape: Opera seria
Original language: Italian
Music: First setting by Antonio Caldara
Libretto : Pietro Metastasio
Premiere: November 9, 1732
Place of premiere: Court Theater Vienna
Place and time of the action: Antioch on the Orontes , around 117  AD
people
  • Adriano ( Emperor Hadrian ), Roman Emperor, engaged to Sabina, in love with Emirena
  • Osroa ( Osroes I. ), King of the Parthian Empire, father of the Emirena
  • Emirena , Osroa's daughter, engaged to Farnaspe
  • Sabina ( Vibia Sabina ), engaged to Adriano
  • Farnaspe , Prince of the Parthians, engaged to Emirena
  • Aquilio , Roman tribune and Adriano's confidante, secretly in love with Sabina
  • Romans, Parthians, Syrians, guards, warriors, priests, servants, slaves, people

Adriano in Siria (Hadrian in Syria) is an opera - libretto , a dramma per musica in three acts by Pietro Metastasio , an Italian poet and librettist, who at the imperial Viennese Charles VI. worked. It has been set to music by numerous composers. The first setting by Antonio Caldara was premiered on November 9, 1732 at the Vienna Court Theater on the emperor's name day.

A German translation of the libretto by Johann Anton Koch appeared in 1769 under the name Hadrianus in Syria in the first volume of his unfinished complete edition Des Herr Abbot Peter Metastasio Kayserl. Royal Court Poet's Dramatic Poems. He published the translation of another libretto version in 1776 under the name Hadrianus in Syria, modified in the eighth volume.

action

The action takes place around 117 AD in the city of Antioch . Emperor Adriano ( Hadrian ) is engaged to Sabina , the great niece of his predecessor in office, the Roman Emperor Trajan . However, Sabina is desired by Adriano's confidante Aquilio. Emperor Adriano had defeated the Parthians and occupied their capital. Among the numerous prisoners is Princess Emirena, daughter of the Parthian king Osroa ( Osroes I ). Her fiancé Farnaspe has come to negotiations. King Osroa himself is in his retinue, unrecognized. Emperor Adriano falls in love with the beautiful princess Emirena. Osroa undertakes several unsuccessful assassinations against Adriano.

The emperor has to choose between loyalty to his fiancée or marriage to the Parthian princess, who promises lasting peace for both peoples. The intrigues culminate. Virtue wins over passion. Moved by the generosity of Emirena, who is willing to renounce Farnaspe for the sake of peace, the good ruler releases all prisoners and renounces the beloved Emirena, whose happiness with Farnaspe is now no longer in the way.

“Adrianus was in Antioch, and had already defeated the Parthians when he was raised to the imperial throne. There was also among other prisoners the princess Emirena, a daughter of the vanquished king, from whose beauty the new Kayser badly protected his heart, although he had long been engaged to Sabina, a niece of his benevolent ancestor. He used the imperial power for the first time, to grant the conquered peoples a generous peace, and to invite all Asiatic princes to Antioch, but especially Osroas, father of the beautiful Emirena. He fervently wanted to marry her, and would have wished that each one would have considered such a necessary bond to be established, a lasting friendship between Rome and Asia. Perhaps he himself would also consider it to be, since it was an all too common mistake, by changing the name of things, to imagine that one as a praiseworthy goal, which is only a means to satisfy one's own desire. The barbarian king, however, an implacable enemy of the Roman name, although fleeting and defeated, despised the friendly invitation and went to Antioch, unknown to Antioch, among the entourage of Farnaspes, a prince who could be eaten by him, whom he constantly urged, the captive daughter, so I have already promised to marry, to make free through requests and shame; so that afterwards, when such a dear pledge was snatched from the enemy's hands, he could seek that vengeance in accordance with his desperate rage all the more freely. Meanwhile, Sabina, having heard the election of her Adriani to the imperial throne, and not yet knowing anything about his new love, ran from Rome in Syria, eager to find him there, and to perform the desired marriage with him. The doubting mind of the emperor, between the love that wears against the Parthian princess, and the violence of the obligation that calls her back to Sabina: the virtue-full transference of this: Osroa's secret stalking, whose guilt falls on the innocent Farnaspes And the frenzy of Emirena, now because of her father, now because of her lover, and now because of her own danger, are the instincts under which Adriani's lulled virtue gradually revives itself; who at last a victor over his love, the enemy the kingdom; the wife of the fellow rival; his heart is Sabina, but gives himself his first glory again. "

- Foreword from the libretto of the setting by Andrea Bernasconi, Munich 1755

The following table of contents is based on the libretto of the setting performed in Naples in 1734 by Giovanni Battista Pergolesi .

first act

Adriano and his confidante Aquilio arrive in his triumphal chariot on the large square of Antioch. The defeated Parthians Farnaspe and Osroa present gifts. Farnaspe swears allegiance to Adriano and asks him to be allowed to leave with his fiancée, Osroa's daughter Emirena. Adriano allows it on condition that Emirena agrees.

Adriano's confidante Aquilio loves his fiancée Sabina. It is therefore an advantage for him if Adriano marries Emirena. He advises Emirena to hide her feelings for Farnaspe from Adriano so as not to arouse his jealousy. Farnaspe feels rejected by her. However, Adriano's hopes for Emirena are strengthened.

When Sabina unexpectedly arrives from Rome, Adriano is confused and does not know how to behave towards her. Aquilio reveals to her that Adriano has fallen in love with Emirena.

Osroa set the palace on fire. Farnaspe tries to save Emirena and is mistaken for the arsonist. He and Emirena ensure their love.

Second act

Sabina accuses Emirena of her relationship with Adriano. She rejects this and convinces her that her real love is Farnaspe. Sabina promises to help her escape with Aquilio. She wants to expect them the next morning at a spring in the royal garden.

Adriano confesses to Sabina his relationship with Emirena. She is outraged and reproaches him. He promises to return to her. Aquilio arrives and asks for Emirena.

At the spring in the garden, Emirena awaits Farnaspe and Sabina. Sabina explains the escape route to them and leaves them. Farnaspe and Emirena ensure their love. Before they can go, however, they hear the noise of guns. Emirena is hiding. Osroa arrives with a bloody sword in hand. He tells Farnaspe how he killed Adriano and goes into hiding too. He is observed by Emirena, who has not recognized her father. Then comes Adriano, who was unharmed, and now accuses Farnaspe of attempted regicide. Emirena reveals the hiding place of the real culprit. Since he shows no remorse, the angry Adriano has Osroa, Farnaspe and Emirena arrested. Emirena asks her father for forgiveness, which he grants her. The three are led away individually.

Third act

Aquilio tells Sabina that Adriano knows about her help in the escape of Emirenas and Farnaspes. He had banished her as a punishment and she should leave immediately by ship. Aquilio asks her to obey the order and trust him, as he wants to speak to Adriano again.

When Aquilio speaks to Adriano, he looks for a suitable reason to hold Sabina back, but cannot find one. Aquilio advises him to ask Osroa for Emirena's hand, to release him in return and to give him his kingdom back. Osroa seems to agree. Adriano has his chains removed and Emirena fetched. Osroa is now implacable and orders his daughter to turn away the emperor. Adriano feels mocked and leaves. Osroa is now asking his daughter for proof of her loyalty. She should kill the emperor. However, she firmly rejects this.

The desperate Farnaspe asks Emirena to give in to the emperor. This is the only way she can save her father and her homeland.

At the port, Sabina is stopped by Adriano. He asks her why she suddenly wants to leave without saying goodbye. She points out to him that it was he who had banished her. This is how Aquilio's intrigue is exposed. Emirena and Farnaspe join in and ask Adriano for mercy for Osroa. Emirena now agrees to marry him if he still wants to. Impressed by so much willingness to make sacrifices, Adriano releases Osroa, forgives Aquilio, accepts Sabina again and unites Farnaspe and Emirena.

history

Adriano in Siria was the third libretto of the Metastasio for Imperial Vienna, who moved to Vienna in early summer 1730, performed for the traditional opening of the winter season and on the occasion of Charles VI's name day. The first print was by Johann Peter van Ghelen in Vienna in 1732. The first performance as an opera by the court conductor Antonio Caldara took place on November 9, 1732 at the Vienna Court Theater under the direction of the composer. The set was created by Antonio Galli da Bibiena .

The historians Dione Cassio and Hadrian's Vita of Spartanius are named as sources for the libretto: Dion. Cass. lib. 19. Save. in vit. Hadr. Cesar. :

  • Cassius Dio , Roman History , Book 19;
  • an edition of the Historia Augusta , in which Aelius Spartanius is named as a co-author, which was published by Casaubonus from 1603 as Historiae Avgvstae Scriptores Sex. Aelius Spartianus, Iulius Capitolinus, Aelius Lampridius, Vulcatius Gallicanus, Trebellius Pollio, & Flauius Vopiscus. Isaacvs Casavbonvs ex vett. libris recensuit: idemque librum adiecit emendationvm ac notarvm, Paris, Drouart, 1603 .

In 1754 a German translation of this libretto by Johann Georg Heubel was performed in Syria under the name Adrianus .

Settings

The following composers used this libretto for an opera:

year composer premiere Performance location Remarks
1732 Antonio Caldara November 9, 1732, Court Theater Vienna 1737 performance of a German version of Georg Caspar Schürmann as The generous Hadrianus in Syria in the court theater in Braunschweig Antonio Caldara - Adriano in Siria - titlepage of the libretto - Vienna 1732.png
1733 Geminiano Giacomelli January 30th 1733, Teatro San Giovanni Crisostomo Venice
1733 anonymous 26.? December 1733, Teatro della Pergola Florence further performances of anonymous settings or pasticci in 1737 in the ducal theater in Stuttgart; Carnival 1740 in the Teatro Grande in Siena; on January 20, 1741 at the Teatro Bonacossi in Ferrara; 1743 at the Teatro Privilegiato in Vienna; on January 20, 1745 in Gorizia; Carnival 1746 in the Teatro San Sebastiano in Livorno; Carnival 1746 in the Teatro de 'Nobili in Perugia; Carnival 1752 in the Teatro in Cremona; Spring 1769 in the Teatro Falcone in Genoa; around December 25, 1780 in the Teatro di Santa Cecilia in Palermo Anonymous - Adriano in Siria - german titlepage of the libretto - Stuttgart 1737.png
1734 Pier Giuseppe Sandoni Carnival 1734, Teatro Sant'Agostino Genoa
1734 Giovanni Battista Pergolesi
→ Adriano in Siria (Pergolesi) 		October 25, 1734, Teatro San Bartolomeo Naples with the intermezzi La contadina astuta and Livietta e Tracollo (Libretto: Tommaso Mariani) Pergolesi - Adriano in Siria - frontespizio.jpg
1735 Francesco Maria Veracini November 26th 1735, King's Theater on Haymarket London Libretto edited by Angelo Maria Cori
1735 Riccardo Broschi December 26th 1735, Teatro Regio Ducale Milan
1735 Egidio Duni December 27th 1735, Teatro Tordinona Rome
1737 Giovanni Battista Ferrandini Carnival 1737, Salvatortheater Munich
1737 Giovanni Porta Carnival 1737, Teatro Regio Ducale Nuovo Mantua in the same year at the Teatro Dolfin in Treviso
1737 Johann Adolph Hasse October 31, 1737 Vyškov first version.
Manuscript in the Museum Carolino Augusteum Salzburg
1737 José de Nebra 1737 Madrid as Mas gloria es triunfar de si. Adriano en Syria
1739 Giovanni Alberto Ristori December 19, 1739 Naples
1740 Baldassare Galuppi Carnival 1740 Turin first version Baldassare Galuppi - Adriano in Siria - titlepage of the libretto - Turin 1740.png
1740 Giovanni Antonio Giay February 6, 1740, Teatro San Giovanni Crisostomo Venice
1740 Giovanni Battista Lampugnani May 1740, Teatro delle Grazie Vicenza
1741 Pietro Giaino Carnival 1741, Teatro Brescia
1742 Nicola Bonifacio Logroscino (?) 1742
1745 Giovanni Verocai (symphony, arias and choirs) Candlemas 1745 Braunschweig as The Faithful Emirena Parthian Princess , the German-language libretto and probably also the recitatives are from Georg Caspar Schürmann
1745 Girolamo subscriptions December 26th 1745, Teatro della Pergola Florence also in 1750 in the Teatro Argentina , Rome
1746 Carl Heinrich Graun January 7, 1746, Royal Theater Berlin
1747 Gaetano Latilla December 18, 1747, Teatro San Carlo Naples
1748 Vincenzo Llimitedio Ciampi around January 16, 1748, Teatro San Cassiano Venice also 1750 at the King's Theater on Haymarket in London Vincenzo Lenzenio Ciampi - Adriano in Siria - titlepage of the libretto - Venice 1748.png
1749 Paolo Scalabrini 1749, Det Kongelige Teater Copenhagen
1750 Ignazio Fiorillo 1750 Braunschweig
1750 Antonio Gaetano Pampani December 26th 1750, Teatro Regio Ducale Milan also in 1754 in the Teatro Omodeo in Pavia
1751 Andrea Adolfati Carnival 1751, Teatro Falcone Genoa
1750 Giovanni Battista Pescetti 1750, Accademia degli Intronati Siena as Il Farnaspe
1752 Johann Adolph Hasse January 17, 1752, court theater Dresden second version;
also in 1777 in the theater in Kassel
1752 Giuseppe Scarlatti around January 26th 1752, Teatro San Cassiano Venice also on August 27, 1752 at the Teatro in Lucca; on January 19, 1754 at the Teatro San Sebastiano in Livorno; 1760 in the Nuovo Teatro in Prague Giuseppe Scarlatti - Adriano in Siria - titlepage of the libretto - Venice 1752.png
1753 Michelangelo Valentini Spring 1753, Teatro Formagliari Bologna
1754 Davide Perez Carnival 1754, Teatro de Salvaterra Lisbon
1754 Giuseppe Scolari February 2, 1754, Teatro San Samuele Venice
1754 Nicola Conforto November 4, 1754, Teatro San Carlo Naples also on September 23, 1757 in the Real Teatro del Buen Retiro in Madrid
1755 Andrea Bernasconi January 5, 1755, court theater Munich Andrea Bernasconi - Adriano in Siria - german titlepage of the libretto - Munich 1755.png
1757 Francesco Brusa January 29th 1757, Teatro San Benedetto Venice
1757 Francesco Antonio Uttini August 25, 1757, Castle Theater Drottningholm Palace
1758 Rinaldo di Capua January 2, 1758, Teatro Argentina Rome
1758 Baldassare Galuppi Spring 1758 Livorno second version;
also on July 10, 1759 at the Teatro San Carlo in Naples; on May 14, 1760 at the Teatro San Salvatore in Venice; in autumn 1761 in the Teatro di Santa Cecilia in Palermo; Carnival 1763 at the Teatro della Racchetta in Udine
1758 Giovanni Gualberto Brunetti December 31st 1758, Teatro Pubblico Pisa
1759 Giovanni Battista Borghi Carnival 1759, Teatro Regio Turin
1760 Antonio Maria Mazzoni May 14, 1760, Teatro San Samuele Venice Antonio Maria Mazzoni - Adriano in Siria - titlepage of the libretto - Venice 1760.png
1762 Johann Gottfried Schwanberger August 1762, court theater Braunschweig
1762 Giuseppe Colla December 31st 1762, Teatro Regio Ducale Milan
1763 Gregorio Sciroli May 6, 1763, Teatro de la Santa Cruz Barcelona
1764 Marian Wimmer 1764 Salzburg
1765 Johann Christian Bach January 26th 1765, King's Theater on Haymarket London Ornaments and cadences by Wolfgang Amadeus Mozart KV 293e;
the 1765 performance in London was considered a failure.
Voices: Hadrian ( alto ), Sabina (soprano), Barsene (soprano), Aquilio ( tenor ), Osroa (tenor), Emirena (soprano), Farnaspes (alto)
1765 Pietro Alessandro Guglielmi December 26th 1765, Teatro San Benedetto Venice
1768 Hieronymus Mango January 1768, court of Raymund Anton von Strasoldo Eichstatt Hieronymus Mango - Adriano in Siria - titlepage of the libretto - Eichstätt 1768.png
1768 Ignaz Holzbauer November 5, 1768, court theater Mannheim
1769 Gian Francesco de Majo Carnival 1769, Teatro delle Dame Rome
1769 Carlo Monza November 4, 1769, Teatro San Carlo Naples
1770 Antonio Tozzi 17th January 1770, Teatro Ducale Modena
1771 Antonio Sacchini Ascension Mass 1771, Teatro San Benedetto Venice also in autumn 1771 in the Royal Theater in Prague Antonio Sacchini - Adriano in Siria - titlepage of the libretto - Venice 1771.png
1773 Giacomo Insanguine November 4, 1773, Teatro San Carlo Naples
1775 Gaetano Monti January 31, 1775, Teatro di Corte Modena
1776 Josef Mysliveček September 8, 1776, autumn, Teatro del Cocomero Florence also Carnival 1777 in the Teatro de 'Nobili in Perugia; Spring 1777 in the Teatro dei Quattro Cavalieri Associati in Pavia
1777 Pasquale Anfossi June 1777, Teatro Nuovo Padua according to Corago as early as June 1771 (not proven by primary sources); also in autumn 1780 at the Teatro Onigo in Treviso
1778 Giuseppe Sarti December 26th or 28th 1778, Teatro Argentina Rome
1779 Felice Alessandri December 26th 1779, Teatro San Benedetto Venice
1781 Giacomo Rust December 26th 1781, Teatro Regio Turin
1782 Luigi Cherubini April 16, 1782, Teatro degli Armeni Livorno Luigi Cherubini - Adriano in Siria - titlepage of the libretto - Livorno 1782.png
1789 Sebastiano Nasolini December 26th 1789, Teatro alla Scala Milan
1798 Johann Simon Mayr April 23, 1798, Teatro San Benedetto Venice
1799 Étienne-Nicolas Méhul June 4, 1799, Opéra , revised version: December 26, 1801, Paris Paris Libretto edited in French as Adrien by François-Benoît Hoffman ; revised on December 26, 1801 in Paris; original version: Adrien, empereur de Rome , 1790–1791, performance ban; only performance in Germany in 1801 in Rheinsberg
1807 Joseph Weigl 1807, Theater am Kärntnertor Vienna Libretto edited by Joseph Sonnleithner as Emperor Hadrian
1811 Vincento Migliorucci (?) 1811 Naples
1813 Marcos António Portugal 1813, Teatro Nuovo Padua possibly not until Carnival 1815 in the Teatro Re in Milan
1821 Pietro Airoldi 1821, Teatro Carolino Palermo
1826 Franciszek Mirecki probably 1826
1828 Saverio Mercadante February 24, 1828, Teatro de Sao Carlos Lisbon Libretto arranged in two acts by Antonio Profumo

Recordings and performances in recent times

Web links

Commons : Adriano in Siria  - collection of images, videos and audio files

Digital copies

  1. ^ Johann Anton Koch: The abbot Peter Metastasio Kayserl. Royal Court Poet's Dramatic Poems, translated from Italian. First volume. Krauss, Frankfurt and Leipzig 1769. Digitization of the Munich digitization center .
  2. ^ Johann Anton Koch: The abbot Peter Metastasio Kayserl. Royal Court Poet's Dramatic Poems, translated from Italian. Eighth volume. Krauss, Frankfurt and Leipzig 1776. Digitization of the Munich digitization center .
  3. ↑ a b Libretto (Italian / German) of the opera by Andrea Bernasconi, Munich 1755. Digitized version of the Munich digitization center .
  4. ^ Adrianus in Syria. A tragedy. Play by Johann Georg Heubel, Vienna 1756. Digitized at Google Books .
  5. ^ Libretto (German by Antonio Prokoff) of the opera by Antonio Caldara, Vienna 1732. Digitized at Google Books .
  6. ^ Libretto (Italian) of the opera by Geminiano Giacomelli, Venice 1733. Digitized version of the Munich digitization center .
  7. ^ Libretto (Italian / German) of the opera by anonym, Stuttgart 1737. Digitized in the Corago information system of the University of Bologna .
  8. ^ Libretto (Italian) of the opera by anonymous, Ferrara 1741. Digitized in the Corago information system of the University of Bologna .
  9. ^ Libretto (Italian) of the opera by anonym, Vienna 1743. Digitized in the Corago information system of the University of Bologna .
  10. ^ Libretto (Italian) of the opera by anonymous, Görz 1745. Digitized in the Corago information system of the University of Bologna .
  11. ^ Libretto (Italian) of the opera by anonymous, Cremona 1751. Digitized in the Corago information system of the University of Bologna .
  12. ^ Libretto (Italian) of the opera by Pier Giuseppe Sandoni, Genoa 1734. Digitized in the Corago information system of the University of Bologna .
  13. ^ Score from the opera by Giovanni Battista Pergolesi, Naples 1734. Digitized in the International Music Score Library Project .
  14. ^ Libretto (Italian) of the opera by Riccardo Broschi, Milan 1735. Digitized in the Corago information system of the University of Bologna .
  15. ^ Libretto (Italian) of the opera by Egidio Duni, Rome 1736. Digitized in the Corago information system of the University of Bologna .
  16. ↑ Score of the opera by Giovanni Battista Ferrandini. Digitized version of the Dresden State and University Library .
  17. ^ Libretto (Italian) of the opera by Giovanni Porta, Mantua 1737. Digitized in the Corago information system of the University of Bologna .
  18. ^ Libretto (Italian) of the opera by Giovanni Porta, Treviso 1737. Digitized in the Corago information system of the University of Bologna .
  19. ↑ Score of the opera by Giovanni Alberto Ristori, around 1739. Digital copy from the Dresden State and University Library .
  20. ^ Libretto (Italian) of the opera by Baldassare Galuppi, Turin 1740. Digitized version of the Munich digitization center .
  21. ^ Libretto (Italian) of the opera by Giovanni Antonio Giay, Venice 1740. Digitized version of the Museo internazionale e biblioteca della musica di Bologna .
  22. ^ Libretto (Italian) of the opera by Giovanni Battista Lampugnani, Vicenza 1740. Digitized in the Corago information system of the University of Bologna .
  23. ^ Libretto (Italian) of the opera by Pietro Giaino, Brescia 1741. Digitized in the Corago information system of the University of Bologna .
  24. ↑ Score of the opera by Carl Heinrich Graun, 1746. Digitized in the International Music Score Library Project .
  25. ^ Libretto (Italian) of the opera by Gaetano Latilla, Naples 1747. Digitized in the Corago information system of the University of Bologna .
  26. ^ Libretto (Italian) of the opera by Vincenzo L Limitio Ciampi, Venice 1748. Digital copy from the Museo internazionale e biblioteca della musica di Bologna .
  27. ^ Libretto (Italian) of the opera by Antonio Gaetano Pampani, Milan 1750. Digitized at Google Books .
  28. ^ Libretto (Italian) of the opera by Andrea Adolfati, Genua 1751. Digitized in the Internet Archive .
  29. ^ Libretto (Italian) of the opera by Giovanni Battista Pescetti, Siena 1750. Digitized in the Internet Archive .
  30. ^ Libretto (Italian) of the opera by Giuseppe Scarlatti, Venice 1752. Digitized in the Corago information system of the University of Bologna .
  31. ^ Libretto (Italian) of the opera by Michelangelo Valentini, Bologna 1753. Digitized version of the Museo internazionale e biblioteca della musica di Bologna .
  32. ^ Libretto (Italian) of the opera by Giuseppe Scolari, Venice 1754. Digitized version of the Museo internazionale e biblioteca della musica di Bologna .
  33. ^ Libretto (Italian / Spanish) of the opera by Nicola Conforto, Madrid 1757. Digitized at Google Books .
  34. ↑ Score of the opera by Andrea Bernasconi, around 1755  in the German Digital Library . Digitization of the Munich digitization center .
  35. ^ Libretto (Italian) of the opera by Francesco Brusa, Venice 1757. Digitized in the Corago information system of the University of Bologna .
  36. ^ Libretto (Italian) of the opera by Baldassare Galuppi, Livorno 1758. Digitized at cineca.it .
  37. ^ Libretto (Italian) of the opera by Giovanni Gualberto Brunetti, Pisa 1759. Digitized in the Internet Archive .
  38. ^ Libretto (Italian) of the opera by Antonio Maria Mazzoni, Venice 1760. Digitized in the Corago information system of the University of Bologna .
  39. ^ Libretto (Italian) of the opera by Giuseppe Colla, Milan 1763. Digitized in the Internet Archive .
  40. ^ Libretto (Italian / Spanish) of the opera by Gregorio Sciroli, Barcelona 1763. Digitized at Google Books .
  41. ^ Libretto (Italian / German) of the opera by Hieronymus Mango, Eichstätt 1768. Digitized version of the Munich digitization center .
  42. ^ Libretto (Italian) of the opera by Gian Francesco de Majo, Rome 1769. Digitized version of the Museo internazionale e biblioteca della musica di Bologna .
  43. ^ Libretto (Italian) of the opera by Carlo Monza, Naples 1769. Digitized at Google Books .
  44. ^ Libretto (Italian) of the opera by Antonio Tozzi, Modena 1770. Digitized in the Corago information system of the University of Bologna .
  45. ^ Libretto (Italian) of the opera by Antonio Sacchini, Venice 1771. Digitized version of the Museo internazionale e biblioteca della musica di Bologna .
  46. ^ Libretto (Italian) of the opera by Gaetano Monti, Modena 1775. Digitized in the Corago information system of the University of Bologna .
  47. ^ Libretto (Italian) of the opera by Josef Mysliveček, Florence 1776. Digitized version of the Museo internazionale e biblioteca della musica di Bologna .
  48. ^ Libretto (Italian) of the opera by Pasquale Anfossi, Treviso 1780. Digitized in the Internet Archive .
  49. ^ Libretto (Italian) of the opera by Giacomo Rust, Turin 1782. Digitized version of the Munich digitization center .
  50. ^ Libretto (Italian) of the opera by Luigi Cherubini, Livorno 1782. Digitized version of the Museo internazionale e biblioteca della musica di Bologna .
  51. ^ Libretto (Italian) of the opera by Sebastiano Nasolini, Milan 1790. Digitized in the Internet Archive .
  52. ^ Libretto (Italian) of the opera by Giovanni Simone Mayr, Venice 1798. Digitized in the Corago information system of the University of Bologna .
  53. ^ Libretto (German) of the opera by Joseph Weigl, Vienna 1807. Digitized version of the Munich digitization center .
  54. ^ Libretto (Italian) of the opera by Marcos António Portugal, Milan 1815. Digitized in the Internet Archive .
  55. ^ Libretto (Italian) of the opera by Pietro Airoldi, Palermo 1821. Digitized version of the Museo internazionale e biblioteca della musica di Bologna .
  56. ↑ Score of the opera by Saverio Mercadante, Lisbon 1828. Digitized in the International Music Score Library Project .

Individual evidence

  1. ^ A b Don Neville:  Adriano in Siria. In: Grove Music Online (English; subscription required).
  2. ↑ Metastasio, Pietro in Die Musik in Geschichte und Gegenwart , p. 50861 ff (cf. MGG vol. 9, p. 229 ff.) Bärenreiter-Verlag 1986 ( digital library volume 60).
  3. ↑ Libretto of the opera by Giovanni Battista Pergolesi, Naples 1734 as full text (Italian) at librettidopera.it , accessed on October 10, 2014.
  4. ^ Bach, Johann Christian - "Hadrian in Syrien" , in: Heinz Wagner: The great manual of the opera , 2nd edition, Florian Noetzel Verlag Wilhelmshaven 1995, ISBN 3-930656-14-0 , p. 32.
  5. ↑ Pergolesi, Giovanni Battista - "Hadrian in Syrien" , in: Heinz Wagner: Das große Handbuch der Oper , 2nd edition, Florian Noetzel Verlag Wilhelmshaven 1995, ISBN 3-930656-14-0 , p. 545.
  6. ^ Adriano in Siria (Antonio Caldara) in the Corago information system of the University of Bologna , accessed on October 10, 2014.
  7. ^ A b Adriano in Siria (Antonio Caldara) at operabaroque.fr , accessed on January 18, 2015.
  8. ^ Adriano in Siria (Geminiano Giacomelli) in the Corago information system of the University of Bologna , accessed on October 10, 2014.
  9. ^ Adriano in Siria (Geminiano Giacomelli) at operabaroque.fr , accessed on January 18, 2015.
  10. ^ Adriano in Siria [FI 1733] (anonymous) in the Corago information system of the University of Bologna , accessed on January 16, 2015.
  11. ^ Adriano in Siria [Stoccarda 1737] (anonymous) in the Corago information system of the University of Bologna , accessed on January 16, 2015.
  12. ^ Adriano in Siria [SI 1740] (anonymous) in the Corago information system of the University of Bologna , accessed on January 16, 2015.
  13. ^ Adriano in Siria (anonymous) in the Corago information system of the University of Bologna , accessed on January 16, 2015.
  14. ^ Adriano in Siria [Vienna 1743] (anonymous) in the Corago information system of the University of Bologna , accessed on January 16, 2015.
  15. ^ Adriano in Siria [GO 1745] (anonymous) in the Corago information system of the University of Bologna , accessed on January 16, 2015.
  16. ^ Adriano in Siria [LI 1746] (anonymous) in the Corago information system of the University of Bologna , accessed on January 16, 2015.
  17. ^ Adriano in Siria [PG 1746] (anonymous) in the Corago information system of the University of Bologna , accessed on January 16, 2015.
  18. ^ Adriano in Siria [CR 1751] (anonymous) in the Corago information system of the University of Bologna , accessed on January 16, 2015.
  19. ^ Adriano in Siria (Pier Giuseppe Sandoni) in the Corago information system of the University of Bologna , accessed on January 16, 2015.
  20. ^ Adriano in Siria (Giovanni Battista Pergolesi) in the Corago information system of the University of Bologna , accessed on January 16, 2015.
  21. ^ List of the stage works by Giovanni Battista Pergolesi based on the MGG in Operone.
  22. ^ Adriano in Siria (Giovanni Battista Pergolesi) at operabaroque.fr , accessed on January 18, 2015.
  23. ^ Adriano in Siria (Francesco Maria Veracini) in the Corago information system of the University of Bologna , accessed on January 16, 2015.
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  26. ^ Adriano in Siria (Egidio Duni) in the Corago information system of the University of Bologna , accessed on January 16, 2015.
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  28. ^ Adriano in Siria (Giovanni Porta) in the Corago information system of the University of Bologna , accessed on October 10, 2014.
  29. ↑ a b c d e f g Don Neville:  Metastasio [Trapassi], Pietro (Antonio Domenico Bonaventura). In: Grove Music Online (English; subscription required).
  30. ^ A b Adriano in Siria (Johann Adolf Hasse) in the Corago information system of the University of Bologna , accessed on October 10, 2014.
  31. ↑ acta.musicologica.cz (Czech), accessed on September 24, 2014.
  32. ^ Rainer Kleinertz: Basics of Spanish Music Theater in the 18th Century, Volume 2, Reichenberger 2003, ISBN 3-935004-74-5 , p. 102 ( online at Google Books).
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  34. ^ A b Adriano in Siria (Baldassare Galuppi) in the Corago information system of the University of Bologna , accessed on January 16, 2015.
  35. ^ Adriano in Siria (Giovanni Antonio Giaì) in the Corago information system of the University of Bologna , accessed on January 16, 2015.
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  39. ^ The faithful Emirena (Giovanni Verocai) in the Corago information system of the University of Bologna , accessed on January 16, 2015.
  40. ↑ The Faithful Emirena Parthian Princess (Giovanni Verocai). Record of the libretto at the Herzog August Bibliothek Wolfenbüttel, accessed on January 16, 2015.
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  44. ^ Adriano in Siria (Gaetano Latilla) in the Corago information system of the University of Bologna , accessed on October 10, 2014.
  45. ^ L'Adriano (Vincenzo L Limitio Ciampi) in the Corago information system of the University of Bologna , accessed on January 16, 2015.
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  51. ^ Il Farnaspe (Giovanni Battista Pescetti) in the Corago information system of the University of Bologna , accessed on January 16, 2015.
  52. ↑ cf. the images of the costumes of the Dresden performance in 1752 in the Albertina collections = this link and turn 8 pages forward.
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  71. ↑ SWR2 music lesson with Silke Leopold. Wunderkinder on the way. The Mozarts on a European tour 1763–1766, part 4: London. Manuscript of the broadcast of July 4, 2013 on SWR2 (PDF), accessed on January 17, 2015.
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