O holy spirit and water bath

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Bach cantata
O holy spirit and water bath
BWV: 165
Occasion: Trinity
Year of origin: 1715
Place of origin: Weimar
Genus: Church cantata
Solo : SATB
Choir: SATB
Instruments : Fg 2Vn Va Bc
text
Salomon Franck , Ludwig Heimbold
List of Bach cantatas
Jesus and Nicodemus , by Crijn Hendricksz. Volmarijn (1616-1645)

O holy spirit and water bath ( BWV 165) is a church cantata by Johann Sebastian Bach . He wrote it in Weimar for Trinity and performed it for the first time on June 16, 1715.

Story and words

Bach was the court organist of Johann Ernst von Sachsen-Weimar in Weimar and was appointed concertmaster on March 2, 1714. This was accompanied by the task of performing a church cantata in the castle church every month. He composed the cantata for Trinity. The prescribed readings for the Sunday after Pentecost were Rom 11,33-36  LUT , “What a depth of the riches of the wisdom and knowledge of God”, and Jn 3,1-15  LUT , the meeting of Jesus and Nicodemus .

The cantata text was written by the court poet Salomon Franck and published in 1715 in the Evangelisches Andachts-Opffer collection . The poet adheres closely to the Gospel and derives the beginning from Jesus' remark: "Unless a person is born of the water and the Spirit, he cannot enter the kingdom of God". In sentence 2, a recitative , the text explains that the birth mentioned takes place in baptism, an act of God's grace: “In the spirit and water bath he becomes a child of bliss and grace”. Movement 3, an aria , considers that the covenant has to be renewed again and again in the course of life, since man breaks it (movement 4). The last aria is a prayer for the insight that the death of Jesus brought salvation: "the death of my death". The final chorale is the fifth stanza of Ludwig Heimbold's Now let's God the Lord , who addresses God's word, baptism and the Lord's Supper.

Bach probably first performed the cantata on June 16, 1715. Another performance, with small changes, took place in his first year in office in Leipzig, presumably to close the first cycle of cantatas on Trinity Sunday. The score of this performance has been preserved.

Occupation and structure

The cantata is made up of chamber music with four soloists, soprano , alto , tenor and bass , four-part choir only in the final chorale, bassoon , two violins, viola and basso continuo . The bassoon is required, but has no independent part.

  1. Aria (soprano): O holy spirit and water bath
  2. Recitativo (bass): The sinful birth of damned Adam's heirs
  3. Aria (old): Jesus, who out of great love
  4. Recitativo (bass): Yes, I have, my bridegroom
  5. Aria (tenor): Jesus, the death of my death
  6. Chorale: His word, his baptism, his supper

music

In the first aria the ritornello is a fugue , while in the five vocal parts soprano and violin I treat the thematic material in imitation . These five parts are laid out symmetrically: ABCB 'A'. The theme of B is the inversion of A, that of C is derived from bar 2 of the ritornello. Alfred Dürr sees the form in connection with the theme of the Gospel, the birth of water and the Spirit. The first recitative is secco, but highlighted text sections approach the arioso . The second aria, accompanied by continuo is of an expressive design dominates that some Sextsprünge having upward. It is presented instrumentally and taken over by the singing voice in four sections. The second recitative is accompanied by the strings and intensifies the text with a number of melisms , the designation adagio on the words “Hochheiliges Gotteslamm” and melodies in the accompaniment. The last aria, in which the snake is mentioned, musically represents its windings. The cantata ends with a simple four-part choral movement.

Recordings

literature

Web links

Individual evidence

  1. a b c Klaus Hofmann: RWV 165: O Holy Spiritual and Water Bath / (O Holy Spiritual and Water Bath) (PDF; 3.4 MB) bach-cantatas.com. S. 11. 1996. Retrieved May 30, 2012.
  2. Now let's God the Lord / Text and Translation of Chorale ( English ) bach-cantatas.com. 2005. Retrieved May 30, 2012.
  3. Julian Mincham: Chapter 62: BWV 165, O holy spirit and water bath ( English ) jsbachcantatas.com. 2010. Retrieved May 31, 2012.
  4. John Eliot Gardiner : Cantatas for Trinity Sunday / St Magnus Cathedral, Kirkwall ( English , PDF; 103 kB) bach-cantatas.com. 2008. Retrieved May 30, 2012.
  5. Chorale Melodies used in Bach's Vocal Works / Now let's God the Lord ( English ) bach-cantatas.com. 2005. Retrieved May 30, 2012.