The crime museum / episode list
The list of episodes of Das Kriminalmuseum contains all episodes of the German television crime series Das Kriminalmuseum sorted by the German first broadcast. The series includes 41 episodes, two of which were out of sequence. The series produced by Intertel Television GmbH was first broadcast in Germany between April 4, 1963 and August 7, 1970 on ZDF .
episode | title | Actor (main investigator) | Authors | Director | First broadcast | particularities |
---|---|---|---|---|---|---|
1 | Five photos | Horst Niendorf , Reinhard Glemnitz | Helmuth Ashley , Hans Maeter | Helmuth Ashley | April 4th 1963 | |
2 | The woman in the mink | Hanns Ernst Jäger , Hans Elwenspoek | Hans Maeter | Wolfgang Becker | April 25, 1963 | Azurène - mink fur ; hologram |
3 | Just a shoe | René Deltgen , Thomas Reiner | Fritz Böttger , Stefan Gommermann | Helmuth Ashley | June 20, 1963 | |
4th | The photocopy | Jürgen Goslar , Klaus Dahlen | Maria Matray , Answald Kruger | Wolfgang Becker | 4th July 1963 | |
5 | The needle | Gerd Brothers , Horst Naumann | Andreas Weber | Helmuth Ashley | August 1, 1963 | |
6th | Number code N | Wolfgang Völz , Jochen Brockmann , Thomas Braut | Rolf and Alexandra Becker | Jürgen Goslar | October 10, 1963 | |
7th | The mute key witness | Horst Niendorf , Wolfgang Weiser , Erik Ode | Stefan Gommermann | Wolfgang Becker | 2nd January 1964 | Mention of Willy Brandt and Willy Millowitsch |
8th | The fountain pen | Jürgen Goslar | Ilse Lotz-Dupont | Wolfgang Becker | April 2, 1964 | |
9 | Wanted: travel companion | Paul Dahlke , Thomas Alder | Maria Matray, Answald Kruger | Helmuth Ashley | 4th June 1964 | |
10 | Dr. W. | Heinz Engelmann , Horst Rüschmeier | Hans Maeter, Helmuth Ashley | Helmuth Ashley | 2nd July 1964 | |
11 | The timetable | Hans W. Hamacher , Albert Hehn , Fritz Straßner | Stefan Gommermann | Theodor Graedler | September 10, 1964 | The closing date for broadcasting is mentioned or plays a role; the date of September 16, 1958 mentioned at the beginning cannot be correct, since the attempted murder took place on Sunday, September 7, 1958, and the murder on Wednesday, September 10, 1958. The Opel Rekord A shown came onto the market in 1963. |
12 | The key | René Deltgen | Georg Stuck | Helmuth Ashley | 5th November 1964 | |
13 | Deadly chess | Harry Riebauer , Heinz Weiss | Rolf & Alexandra Becker, Stefan Gommermann | Helmuth Ashley | 3rd December 1964 | |
14th | The letter | Erik Ode , Wolfgang Völz | Bruno Hampel , Igor Sentjurc | Jürgen Goslar | February 23, 1965 | |
15th | The cap | Heinz Engelmann , Reinhard Glemnitz | Walter Forster | Wolfgang Becker | June 8, 1965 | |
16 | The ring | Werner Peters , Hans Zander , Klaus Krüger | Walter Forster | Theodor Graedler | July 27, 1965 | Paternoster lift ; Telex |
17th | The lighter | Klaus Höhne , Alexander Allerson | Udo Wolter | Joachim Hess | October 15, 1965 | |
18th | The postcard | Paul Dahlke , Dieter Kirchlechner , Erik Schumann | Answald Kruger, Maria Matray | Gedeon Kovacz | November 23, 1965 | |
19th | The glasses | Alfred Schieske , Heinz Schubert , Eduard Linkers | Bruno Hampel | Dieter Lemmel | December 14, 1965 | The victim's vehicle is a Borgward Isabella |
20th | The license plate | Hermann Lenschau , Ernst Dietz , Alfons Höckmann | Günter Rudorf | Helmuth Ashley | December 21, 1965 | Platform barrier ; no seat belt in the vehicles |
21st | The suitcase | Kurt Meisel , Willy Semmelrogge | Walter Forster | Theodor Graedler | January 28, 1966 | Maternal recovery work |
22nd | The label | Heinz Weiss , Willy Anders , Harry Kalenberg , Hanns Stein | Walter Forster | Theodor Graedler | March 18, 1966 | |
23 | The baroque angel | Günther Neutze | Hans Wiese | Dieter Lemmel | June 24, 1966 | |
24 | The amulet | Günther Ungeheuer | Alexander May | Dieter Lemmel | 3rd February 1967 | Plays in Oberhausen (industrial backdrop); Radio call name of the Oberhausen police: "Olga"; Magic trick: chain trick |
25th | The telephone number | Hans Jürgen Diedrich , Helmut Fischer , Peter Dornseif | Alexander May | Otto Meyer | 17th February 1967 | |
26th | The box | Heinz Engelmann , Ralf Gregan | Bruno Hampel | Wolfgang Becker | March 3, 1967 | Clemens Wilmenrod |
27 | The red mask | Hans W. Hamacher , Karl Walter Diess , Rolf Moebius | Bruno Hampel | Helmuth Ashley | March 12, 1967 | The date is September 16, 1964. |
28 | The travel bag | Erik Ode , Sigurd Fitzek | Gerd Oelschlegel , Franz Neubert | Erich Neureuther | April 7, 1967 | Coin collection: electron stater with the head of Persephone ; Tempelhof Airport ; Munich-Riem Airport ; Article 10 Law not yet in force |
29 | Tea roses | Horst Niendorf , Sigurd Fitzek , Günter Becker | Inge Dorsky , Hans Maeter | Georg Tressler | May 12, 1967 | car wash |
30th | The stamp | Günther Ungeheuer , Klaus Schwarzkopf | Bruno Hampel | Georg Tressler | May 26, 1967 | |
31 | The camera | Alexander Kerst , Werner Kreindl | Bruno Hampel | Helmuth Ashley | July 7, 1967 | Helicopter of the Bundeswehr rescue squadron: Sikorsky H-34G "Choctaw" (flight from 9:30 "to 13:20") |
32 | The fuse | Paul Dahlke , Joost Siedhoff | Bruno Hampel | Erich Neureuther | 4th August 1967 | |
33 | Caliber 9 | Horst Michael Neutze , Gerhart Lippert | Stefan Gommermann | Jürgen Goslar | September 1, 1967 | |
34 | The cable | Werner Bruhns , Otto Stern , Peter Neusser | Walter Forster | Helmuth Ashley | September 8, 1967 | |
35 | The gold piece | Günther Neutze , Klaus Höhne | Bruno Hampel | Dietrich Haugk | January 12, 1968 | |
36 | The tire track | Christian Rode , Krikor Melikyan | Inge Dorsky, Hans Maeter | Rudolf Jugert | 2nd February 1968 | |
37 | The postal order | Günter Pfitzmann , Karl-Heinz Hess | Anne Rose Katz , Fritz Böttger | Helmuth Ashley | 5th April 1968 | |
38 | The drill | Hans Daniel , Bruno Dietrich , Rainer Basedow , Til Erwig | Inge Dorsky | Erich Neureuther | July 12, 1968 | |
39 | The check | Hans Cossy | Answald Kruger, Maria Matray | Helmuth Ashley | August 30, 1968 | Inn Bridge Königswart |
40 | Accomplices | Reinhard Glemnitz , Martin Lüttge , Dietrich Thoms | Rolf and Alexandra Becker | Wolfgang Becker | 5th September 1969 | The episode was completed under the title The track leads to Amsterdam and was scheduled for December 1, 1967. It was first broadcast in 1969 under the title Accomplices Out of Order. |
41 | Who rings the doorbell during TV time | Konrad Georg , Karl-Heinz von Hassel , Nino Korda | Bruno Hampel | Georg Tressler | 7th August 1970 | The film was produced under the working title The Clothesline and was planned as a result of Das Kriminalmuseum . The first broadcast then took place without a reference to the series. |
Opening texts
- The result: "We are in one of the many German police headquarters. Police officers work behind each of these doors to protect the population from criminal elements. In modern forensics, they are supported by a staff of scientists whose highest headquarters is the Federal Criminal Police Office. How This help is also great, the clearing up of a crime ultimately depends on the painstaking detailed work of the individual detectives, on their experience, their instinct, their knowledge of human nature and, last but not least, on their persistence. Some have the training and further education of the police and judiciary larger police authorities have a crime museum. Of course, these museums are closed to the public. And that is why the place and people must be changed in such a way that they are no longer able to draw any conclusions about the actual events. Everything that can be seen here is in medium- or immediate connection mi t a crime: broken safes, devices for the production of counterfeit money, various weapons, burglary tools and murderous instruments. Today you will see the story of these five photos. "
- Result: ditto; at the end: "And here a piece of mink. Our story tells about it today."
- Result: ditto; at the end: "(...) burglary tools, murderous instruments and evidence. Today you can see the story of this shoe."
- The result: "Not everyone is allowed to go through the door into one of the crime museums that are located in the police headquarters of some major German cities - as we are now doing. They serve to show young police officers and lawyers how the modern science of forensics is silent Bringing witnesses to speak. Because every item here - like these broken safes - has at some point played its part in the relentless battle the police have to wage against criminality. Solving a difficult case depends on experience, instinct and The persistence of the police is combined with the methodical diligence of the criminologists; that is, that staff of scientists whose highest headquarters is the Federal Criminal Police Office. The burglary tools, weapons, crook's props, murder instruments, smuggling devices, the police photos of crimes, crime scene sketches and clues in this teaching material collection are all unique questioned, just like this Fo tocopy. Our story today tells you about that. "
- The result: "Not everyone is allowed - as we are doing now - to enter one of the crime museums that are located in some major German cities. They were set up to show young judiciary and police officers how modern forensics are used to witness these silent witnesses to crimes Because despite all the help from science, its clarification depends to a large extent on the painstaking detail work of the detective, on his experience, his instinct, his knowledge of human nature and, last but not least, his persistence. Each of these objects has played a role in that incessant fight waged by the police against the crime. All the burglary tools, crook's props, weapons and murderous instruments exhibited here were once the focus of a crime and contributed to the conviction of the perpetrators. We want to tell you about one of these cases. Of course we have all of them - and place names changed so that no conclusions se on the actual processes are possible. Today you will see the story of this needle. "
- The result: "Not everyone - as we are doing now - is allowed to go into the door of one of the crime museums that are located in the police headquarters of some major German cities. They serve to show young judicial and police officers how the modern science of forensics is dumb Bringing witnesses to speak. Each of the items here - like these broken safes - has at some point played its part in the relentless battle the police must wage against criminality. Solving a difficult case depends on experience, instinct and The persistence of the police is combined with the methodical diligence of the criminologists; that is, that staff of scientists whose highest headquarters is the Federal Criminal Police Office. The burglary tools, weapons, crook's props, murder instruments, smuggling devices, the police photos of crimes, crime scene sketches and clues in this teaching material collection are all unique been interviewed by one of these cases We want to report to you. Of course we have changed all person and place names in such a way that no conclusions can be drawn about the actual processes. Today we're going to tell you the story of this receipt with a code for 'N' and this twenty-mark note. "
- Result: (ditto); At the end: "(...) all of this teaching material collection have been questioned once. And here is a teddy bear. It also helped the police solve a crime. Our story tells about that today."
- Result: (ditto); At the end: "(...) of this collection of teaching materials have all been questioned once. We want to tell you about one of these cases. Of course, we have changed all the names of people and places so that no conclusions can be drawn about the actual processes Fountain pen once depended on the fate of a man serving a 10-year prison sentence behind these walls. Detective Inspector Beyer was on duty here. He happened to be in the director's room when prisoner Nova was told that his motion to retrial was final The face of this man can no longer be out of his mind. On the way back to the police headquarters he decides to ask his superior. "
- Sequence: like sequence 5; at the end: "(...) that no conclusions can be drawn about the actual events. Today we will tell you the story of this newspaper advertisement."
- Result: (ditto); at the end: "(...) that no conclusions about the actual processes are possible. Today we tell you the story of this spectral analysis, which was an important piece of evidence in the Dr. W. files."
Web links
- The Crime Museum / Episode list in the Internet Movie Database (English)
- The crime museum / episode list at filmportal.de
- List of episodes and further information on fernsehserien.de
- List of episodes and further information on the crime thriller homepage
- Episodes and further information on das-waren-noch-zeiten.de