Moritz Coschell
Moritz Coschell , (also known as Max Coschell and Moritz Kocheles ; born September 18, 1872 in Vienna , † July 11, 1943 there ) was an Austrian society painter and illustrator .
Life
Moritz Coschell was born in Vienna as the son of Leo Kocheles and his wife Frumet (also: Frimet, also called: Fanny, née Stolzberg). The family name was changed to Coschell in 1896. The parents' apartment was at Obere Donaustraße 53 in Vienna.
He began his studies at the Vienna State Trade School with the sculptor Anton Brenek and from 1899 at the Academy of Fine Arts Vienna with the genre painter Franz Rumpler and with the history and portrait painter August Eisenmenger and studied with Albert Windisch at the Städelschule in Frankfurt . From 1899 he was based in Berlin , where he quickly established himself as a painter in society.
During the First World War he served as a captain in the Austrian army . On January 11, 1921, he married the banker's daughter of a respected Dortmund family, Lucy Agnes Emma Wiskott. From this marriage comes the son Joachim Friedrich Leopold Coschell (born December 30, 1922 in Berlin-Charlottenburg , † 1944 in France ).
Moritz Coschell, like his wife Lucy, was of Protestant faith. Due to his Jewish descent, however, his professional license was withdrawn in 1933, which permanently worsened his living situation. His works were considered degenerate and ostracized and he was therefore no longer commissioned, which is why the income was not received. The hasty move to Dortmund to the wife's parents' house, Prinz-Friedrich-Karl-Strasse 37, did not improve the situation. Because the house staff of the in-laws included people who were younger than 40 years of age, their brother-in-law should have taken a room nearby, in accordance with the Nuremberg Laws . Coschell could not have lived with his family and would only have been with them during the day.
His in-laws' friends had avoided the Wiskott house. When he was finally no longer allowed to live in the rented room, Coschell fled to Vienna without his family. There he was able to maintain a studio for a while. There he quickly became - according to the lawyer Joachim Weichert - one of the leading artists. After the annexation of Austria in 1938, Coschell was in the same situation as before in Berlin. The World War I mark of merit on his lapel prevented his deportation at the last minute . An SS man led him out of the queue again.
Survival in Vienna became increasingly difficult for him and his family, who always visited him. He was forced to give up the profession of painter again and complained in a letter from 1939 to Joachim Weichert, who emigrated in 1938, that his “dry oil paints did not provide any relief from permanent hunger”. The daily fear and defamation made him and his family consider suicide in mid-1939 . From 1939 he made active efforts to emigrate to the USA . Coschell wrote to Thomas Mann and Karl Nierendorf and tried in a few letters to get him and his family to leave the country, but this did not succeed. Other attempts, such as that of a Swedish pastor who tried through the American Cormittee for Christian German Refugees , the Art Associates, also failed.
Coschell last lived in the 1st district of Vienna . Despite being banned from practicing his profession, Coschell continued to paint and paintings were created that reflected his despair, but also his resistance.
He fell seriously ill and died penniless and impoverished on July 11, 1943 in a provisional Israelite hospital of the former Talmud Tora School (today: Malzgasse Synagogue ) in Vienna. His wife and son, who had been informed about the painter's illness by a neighbor, had managed to travel to Vienna to see him shortly before he died. The treating doctor informed Lucy Coschell that he could have successfully treated her husband in the modern Israeli hospital that had been confiscated by the SS , but that the necessary operation was not possible in the temporary accommodation.
According to the racial ideology of the National Socialists, Moritz Coschell's son Joachim was regarded as a “ half-Jew ” and thus “unworthy of defense”. He was drafted into a labor battalion in 1944 and died while serving in the rebuilding of destroyed bridges in France.
Moritz Coschell was buried in the Vienna Central Cemetery , IV. Gate (group 19k, row 7, grave no. 2).
friends and family
Hans Wolfgang Weichert (later: John Wykert Husserl, born November 7, 1927 in Vienna; † March 16, 2016 in New York ), one of Coschell's last contemporary witnesses, knew the painter personally. Wykert was a co-author of the book The Book of Alfred Kantor , in which Kantor illustrated his everyday life in the concentration camps Auschwitz , Theresienstadt and Schwarzheide . Wykert lived in Manhattan , New York, and was the son of Joachim and Katharina (called: Käthe) Weichert, who were on friendly terms with Coschell. They emigrated to the USA in 1938. There were some correspondence with each other with harrowing and desperate descriptions of life in Vienna from 1938 onwards. According to her son John Wykert, Käthe Weichert tried to bring Coschell out of the dramatic and life-threatening situation to the USA, but this failed. In an interview, John Wykert honored Moritz Coschell as a supposed family member and also because of his artistic work.
Coschell had a particularly friendly relationship with Ilse Weichert (née Gruenberg, born September 16, 1895), whom he often portrayed in Vienna and who wrote and signed her loving dedications on the paintings. So far, seven paintings are known, including the female nude, which was created in the late 1920s. For example, the portrait photograph of a postcard has the text on the back: “Dedicated to the beautiful afternoon of April 10, 1941 Ilse.” She was Hans Weichert's cousin. Ilse Weichert was murdered on September 18, 1942 in the Maly Trostinez extermination camp .
Christa von Germersheim from Dortmund also knew Moritz Coschell personally. He was a friend of her family and portrayed her and her brother. He also drew the string quintet with conductors including her father Werner Othmer, Paul Wiskott, Oberbaur, Schüppel and the well-known composer Leo Blech .
He signed the two etchings The Crucifixion and The Descent from the Cross with “As a dedication to Mr. Werner Othmer, Moritz Coschell 1923”. He was always welcome and also took his son Joachim with him to play with the children in the garden.
Rediscovery
One of the historical discoveries in the summer of 2014 was the lost paintings from the great Berlin art exhibitions from 1903 to 1930. They had remained in a Westphalian private art collection for decades .
The author Lore Junge , who was friends with the Wiskotts, campaigned for the remaining paintings and drawings to be handed over to the Museum for Art and Cultural History Dortmund after the death of Coschell's wife Lucy in 1991 .
Works
Overview
Coschell came out particularly as a chronicler and portrayal of Berlin and Vienna society. Numerous portraits of prominent personalities were created, such as in the Berlin Salon and in the Great Berlin Art Exhibition, the half-pieces of the art dealer Alfred Gold ( portrait of Dr. A. G. , 1904) and his wife Martha ( portrait of Dr. A. G. , 1910), the drawing Arthur Nikisch at the conductor's desk (1906), the composer Leo Blech as conductor with the string quartet (1923), the portrait etching of the pianist Franz Liszt , the portrait of the critic Alfred Kerr , the writers Thomas Mann , Bernhard Kellermann and Isidor Kastan , the Viennese cellist and Composer Heinrich Grünfeld , 1930, the operetta composer and co-owner of the Johann Strauss Theater in Vienna Richard von Goldberger (1903), the composer Ferruccio Busoni , the noble family Baron von Prillwitz, Barons vondecke and the Africa traveler Graf d'Harnoncourt. He also made portraits of his family and the father-in-law and banker of Bank Wiskott & Co, Heinrich Paul Wiskott . He also portrayed people from his close circle of friends in Vienna, for example Ilse Weichert, the niece of the prominent philosopher Edmund Husserl , whose family was very close to him.
Moritz Coschell was very respected by the Prussian nobility . The German imperial couple Wilhelm II and Auguste Viktoria visited him in his studio and bought some paintings. Coschell also made a church interior for the German Emperor.
Further topics were interiors, landscapes, Old Testament themes, as well as the very large painting Abigail in front of David - contributed by Coschell to the “Exhibition of Jewish Artists” that took place in Berlin on November 17, 1907 . Many newspapers reported on it, as well as the art critic Fritz Stahl in the Berliner Tageblatt , Ludwig Pietsch from the Vossische Zeitung , the former Bismarcksche Organ and the Norddeutsche Allgemeine Zeitung as well as the Tel Aviv Museum of Art in Israel with the title Fragmented Mirror ('Broken Mirror') . In 2009, the museum reconstructed the Berlin show of Jewish painters from the beginning of the 20th century. The exhibition curator was Batsheva Goldman Ida. The painting was named and published as the “most interesting historical picture” in the exhibition of Jewish artists. Rudolph Schildkraut gave the opening speech of the exhibition .
Among the artists were Eugen Spiro , Camille Pissarro , Lesser Ury , Mark Antokolski , Jozef Israëls , Max Liebermann , Alfred Nossig , Joseph Oppenheimer , Leonid Pasternak , Léopold Gottlieb and others. v. a., which were mentioned in the text with Coschell and among others the Polish painter Leopold Pilichowski, who was supported by Coschell in this exhibition, according to the Jewish publishing house in Cologne in the Zionist magazine Die Welt .
Other subjects were Jewish folk life, sketches from the Galician ghetto for the volume Galizien des Werks and the descriptions of the theater of war (my company's baptism of fire) in the art exhibition Galerie Arnot in Vienna.
Coschell was a member of the Association of Berlin Artists and the Free Association of Graphic Artists in Berlin .
In addition to painting, Coschell was active as a graphic artist and illustrator. In 1901 he illustrated for Fischer Verlag Anatol und Leutnant Gustl von Arthur Schnitzler , Ullstein Verlag and Berliner Illustrierte Zeitung , for which Lyonel Feininger , Paul Simmel and Walter Trier also drew and Erich Salomon photographed, he created a. a. Cover drafts, as well as he drew the women's rights activists and suffragettes from Great Britain in 1913, Emmeline Pankhurst and her daughter Christabel Pankhurst and La rue à Berlin for the journal Le Figaro Illustré in Paris in 1907. It was a special issue (light and dark sides of Berlin's big city life) and was dedicated to him. He also illustrated the sensational trial against Prince Philipp zu Eulenburg (the Harden-Eulenburg affair ) for the Parisian L'Illustration of 1908. He also produced graphics and pictures for the Crown Prince's work .
In 1999 the newspaper Die Welt reported on an exhibition in the Märkisches Museum in Berlin with items on loan from the Axel Springer Verlag . Court drawings (Stallmann player trial 1913) and caricatures by Coschell were shown.
His works are exhibited in numerous German and international museums, including in Vienna, Brussels , Braunschweig, the Musée d'art et d'histoire du Judaïsme in Paris, the Museum for Art and Cultural History and the Museum Ostwall in Dortmund as well as in the Kupferstichkabinett and in the Märkisches Museum in Berlin.
- Selection of Coschell's works
Etching by Moritz Coschell
Etching by Moritz Coschell
Cora in Hypnose , Vienna 1899
Lieutenant Gustl , first edition, Vienna 1901
Portrait DAG , Berlin 1904
Berlin's Friedrichstrasse (La Rue à Berlin)
Portrait of Heinrich Grünfeld , Paris 1907
Portrait of Alfred Kerr , 1907
In Coschell's studio , Berlin 1911
Portrait of Miss Ilse J. , Berlin 1912
Reclining female nude , (Ilse Weichert) large-format oil painting, around 1920
Portrait of Thomas Mann , around 1922
Mother with child , Lucy and Joachim Coschell, Berlin 1929
Gypsy woman with a stick , 1932
Portrait of Mrs. Ilse Weichert , Vienna 1938
Portrait of Mrs. Ilse Weichert, Vienna 1941
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Selection of works
- Renegade , 1890
- Rabbis in prayer , 1890
- Flower girl , Vienna 1894
- Lady in a gray toilet, with a hat , 1899
- Landscapes from the area around the Eceka estate near Groß-Beeskerek
- Old cemetery from South Tyrol
- Mountain landscapes from Austria
- Portrait of Count d'Harnoncourt
- Jewish family scene , 1900
- Royal Opera in Berlin
- Berlin's Friedrichstrasse (La Rue à Berlin)
- Beer hall with a band
- Couple in the zoological garden
- Scene from the winter garden of the Café National in Berlin
- Kempinski restaurant in Berlin
- Portrait of a lady Miss Sylvia Levisohn , GBK , 1900
- Domestic interior
- Portrait of Dr. AK , Berlin, 1901
- Portrait of Frau MM ( pastel drawing ), Berlin 1902
- The renegade , Berlin 1903
- Portrait of Richard von Goldberger , Berlin 1903
- Portrait of Dr. AG ( Alfred Gold ), Berlin 1904, GBK
- The son of the miracle rabbi , 1904
- Study of Portrait of a Woman , 1904
- Portrait of a woman with black large hat in white dress , 1904
- Portrait of a Young Man , 1904
- In peace she rests, loose from the earth Müh , Berlin 1906, GBK
- "Portrait of a boy made of ivory", Berlin 1906
- Abigail before David , Berlin 1907
- Portrait of Alfred Kerr , 1907
- Abisag von Sunem , Berlin 1908, GBK
- Portrait of Bernhard Kellermann , Berlin 1909, GBK
- Portrait of Dr. AG (Martha Gold), Berlin 1910, GBK
- Portrait of Frau HH ( etching ), Berlin, GBK
- Embroiderer ( chalk drawing ), Berlin
- Self-portrait from Tyrol , Berlin
- Portrait of a woman , 1910
- In the studio , Berlin 1911
- The reading hour , Berlin 1911
- Mr. GL (etching), Berlin 1911, GBK
- Rest on the run (etching), Berlin 1911, GBK
- The Lapwing (etching), Berlin 1911, GBK
- From the Kaiser Friedrich Museum , Berlin 1912, GBK
- Interior , Berlin 1912
- Mrs. Margot U. , Berlin 1912, GBK
- Josef Giampietro , Berlin 1912, GBK
- Miss Ilse J. , Berlin 1912, GBK
- Alfred Kerr , Berlin 1912
- Composer Bogumil Zepler at the piano , Berlin 1912
- Uncle Richard and son Günther (etching), Berlin 1913
- Christ and the sinner , Munich 1913, GPM
- Portrait of Annemarie , Berlin 1913, GBK
- Self-portrait from Tyrol 1913, GBK
- In the studio (etching), Berlin 1913
- Apache Bride , Berlin 1914, GBK
- Portrait of Baron von Betten , Berlin 1914, GBK
- Portrait of Mirit , Berlin 1914, GBK
- Portrait of Baron von Prillwitz , Berlin 1914, GBK
- Sternickel (chalk drawing), Berlin 1914, GBK
- Portrait of a lady (etching), Berlin, GBK
- A good Read (reading girl)
- Femme fatale (Lucy Coschell), Berlin 1914, Oppenau 1916
- Plantation owners in India , 1916
- General Habermann , 1916
- Cavalry General Ignaz Edler von Kordar , 1916
- Dorna Kandreni village , 1917
- Reclining nude , around 1920
- Portrait Paul Wiskott , 1921
- Portrait of Dr. JK (Dr. J. Kastan), Berlin 1921, GBK
- Interior of a Westphalian farmhouse , 1922
- In front of the exit , Berlin 1922, GBK
- Portrait of Thomas Mann , around 1922
- Resurrection of Lazarus (etching), Berlin 1923, GBK
- Mother with child (etching), Berlin 1923, GBK
- Hus i Positano , 1924
- Portrait of the Councilor of Commerce Julius Glückert , 1925
- Girl's Head , 1925
- Portrait of Mrs. Backmeister , Dortmund
- Portrait of Margot Rose , Dortmund
- Portrait of Joachim Coschell , 1927
- Boy in sailor suit , 1927
- Portrait of Prof. Henle , Dortmund 1928
- Portrait of the medical councilor Dr. Weber , Dortmund 1929
- Portrait of Prof. Dr. Schröder , Dortmund 1929
- Portrait teacher from the Mechanical Engineering School , Dortmund 1929
- Portrait of a boy
- Gypsies in Scole
- Self-portrait (studio interior and Lucy Coschell in the background)
- Portrait Joachim Coschell (Lucy with Joachim), 1929
- Self-portrait , 1929, GBK
- Portrait of Heinrich Heine , etching, 1930
- Portrait of Heinrich Grünfeld , Berlin 1930, GBK
- Self-portrait with cigarette and brush in the studio , 1930
- Portrait of Frau von Germersheim, b. Othmer , Dortmund 1930
- The wife of the composer Busoni (Gerda Busoni), 1931
- Judge Hellerdorf , Dortmund 1931
- Gypsy woman with a stick , 1932
- Goldsmith Heinrich Frisse , 1934
- Lucy Coschell (Wiskott presents jewelry by the Dortmund goldsmith Frisse), 1934
- Senior building officer Schüppel , 1935
- Mrs. Schüppel , 1935
- Prof. Schröder , Dortmund 1935
- Wife of Prof. Schröder , Dortmund 1935
- Mrs. Gisela Herbrechte b. Jucho , Dortmund
- State Secretary Riedelhammer , 1936
- Two children of State Secretary Riedelhammer , 1936
- Self-portrait in the studio , 1936
- Self-portrait , 1936
- Farmhouse , 1936
- Pool of water in the park , 1936
- Portrait of Joachim Coschell , drawing with the dedication “From your badly harassing father”, 1936
- Portrait of Mrs. Ilse Weichert with a golden blouse and veil , Vienna 1938
- Portrait of Mrs. Ilse Weichert with arbor , Vienna 1938
- Portrait of Mrs. Ilse Weichert with magazine , Vienna 1938, with a loving dedication
- Portrait of Mrs. Ilse Weichert sitting in front of the painting Bernhard Kellermann , Vienna 1941
- Portrait of Mrs. Ilse Weichert sitting on the balcony , Vienna 1941
- Portrait of an old woman , 1941
- Portrait of Ilse Weichert sitting on a stool with a newspaper in her hand , Vienna 1941
Prominent portraits from the great Berlin art exhibition
Portrait of Richard von Goldberger
The large painting by Baron Richard von Goldberger from 1903 was exhibited at the GBK. The work was published in the Jewish cultural and monthly magazine Ost und West and received a detailed assessment by the critic Georg Hermann . Goldberger was a successful Austrian composer and co-owner of the Johann Strauss Theater in Vienna who lived in Berlin.
Portrait of Bernhard Kellermann
Moritz Coschell created a life-size portrait of the writer and novelist Bernhard Kellermann in 1909 . The most important book by Kellermann is the novel The Tunnel . It was published in April 1913 by S. Fischer Verlag , Berlin. After just six months, 100,000 copies had been sold. By 1939 it had a total circulation in the millions. This makes Der Tunnel the first German bestseller of the 20th century. In addition, Kellermann belonged to the circle of Domiers , so named after their regular Café du Dome in Paris together with the art patron Wilhelm Uhde around 1906 and from 1926 a member of the Prussian Academy of Arts in Berlin and was in the poetry section , like Thomas Mann , one of his colleagues. The large portrait was given the number 982 at the Great Berlin Art Exhibition in 1909 in the state exhibition building at Lehrter Bahnhof and was exhibited in room 23.
Portrait Martha Gold
Martha (Margarethe) Gold, b. Zadek (born February 17, 1885 in Berlin; † August 16, 1960 in Portland) was married to Alfred Gold and both had a daughter, the later sculptor Marianne Gold Littman (* 1907; † March 23, 1999). Her husband was one of the most important art dealers and belonged to the Viennese Modernism of the late 19th century, the “ Jeunesse dorée ” in Vienna and Berlin, and also called himself Fin de Siécle or Alwin Goldeck .
After the " seizure of power " by the National Socialists , the family left Germany for France. Later, after the German occupation of Paris , they emigrated to the USA.
Portrait of Heinrich Grünfeld
Coschell made the life-size portrait painting of Professor Heinrich Grünfeld in 1930. Grünfeld was the Prussian court cellist and entertained the German Kaiser Wilhelm II both with his cello and with his quick-witted humor.
The composer and musician frequented the literary salon of Richard M. Meyer and his wife Estella and in the house of the coal magnate Eduard Arnhold . According to Siegmund Kaznelson (Jews in the German cultural sector) , he was remembered as a “lovable representative of the more intimate genre and chamber musician”. He was considered one of the most popular citizens of Berlin and was a close friend of the Gerhart Hauptmann family . His demise in 1931 moved Berlin society.
Exhibitions (selection)
- 1894 Kunstverein Wien
- 1899 Christmas art exhibition in the Künstlerhaus Vienna
- 1900 Great Berlin art exhibition
- 1901 Great Berlin art exhibition
- 1902 Great Berlin art exhibition
- 1903 Great Berlin art exhibition
- 1904 Düsseldorf art exhibition
- 1905 Great Berlin art exhibition
- 1906 Great Berlin art exhibition
- 1906 Exhibition of the Berlin Secession
- 1906 Miniature Exhibition Berlin, Friedmann & Weber
- 1907 exhibition of Jewish artists in Berlin
- 1908 Great Berlin art exhibition
- 1909 Great Berlin art exhibition
- 1909 Large art exhibition in the Künstlerhaus Vienna
- 1910 Great Berlin art exhibition
- 1911 anniversary exhibition Künstlerhaus Vienna
- 1911 Great Berlin art exhibition
- 1912 Great Berlin art exhibition
- 1913 Great Berlin art exhibition, anniversary exhibition
- 1913 Werckmeister's Art Salon in Berlin, May exhibition
- 1913 International art exhibition in the Glaspalast in Munich
- 1914 Exhibition House on Kurfürstendamm, January Exhibition Berlin
- 1914 First International Graphic Art Exhibition in Leipzig
- 1914 Great Berlin art exhibition
- 1916 Wild-Peters Gallery, Oppenau
- 1916 Arnot Gallery
- 1920 Exhibition of the Dortmund Art and Trade Museum
- 1923 Great Berlin art exhibition
- 1926 Big Berlin art exhibition, colored room art
- 1928 Exhibition Dortmunder Kunstsalon May
- 1928 Exhibition of the Dortmund Museum Ostwall
- 1930 Autumn exhibition of the Berlin Artists' Association
- 1936 Exhibition of the Bremen Art Show
- 1996 Rafael Gallery, Marcos-Cuadros Alicante , Spain
- 1999 Exhibition in the Märkisches Museum with loans from Axel Springer Verlag
meaning
In a letter of support to Thomas Mann's New York office on July 12, 1939, Coschell's friend Joachim Weichert wrote that Kaiser Wilhelm II had personally come to his studio and bought some paintings. Sister-in-law Nora Wiskott reported that the German Empress visited the artist several times in his Berlin studio and bought two portraits.
Reviews
“Moritz Coschell, the painter of the picture that exerts a strong attraction on many of its visitors at this year's Great Berlin Art Exhibition, was a born Austrian but has recently moved to Berlin. Up until that exhibition he had drawn attention here exclusively through his portraits of well-known personalities. With this extensive, effective, well drawn and painted picture with life-size figures, he also surprised those who thought they knew performance. "
“The portraits of the man and the boy are beautiful proofs of his art of grasping and writing down a character. I especially like the portrait of the boy in its simplicity; it reminds me of a small Rembrandt self-portrait that shows the painter from the front, a lock of hair pulled over his shoulder. The simplicity, the few tones, the large black, calm surface, the puzzling look in the boy's eyes, these are pretty things that appeal to those who have an organ for values in a creation. "
“He [Coschell] is represented here by eight oil paintings, which are among his most artificial works of great painterly as well as moving emotional impact, and by six etchings. Next to this great one, Coschell stands out from the crowd with a brilliant painterly creation. "
“The portrait is well represented. If one delves into the nature and expression of this artist's portraits, one discovers that it is not enough for him to merely find the external similarity. What matters more to him is the spiritual depth, what is behind the painterly, the individual soulfulness that can be seen in so many pictures of consistent impressionism, which for the sake of its optical effect, also a human face like a still life or a Treats landscape, searches in vain. "
"The portrait" Bernhard Kellermann "demands special attention from our co-believer M. Coschell, who is otherwise known for his genre images, also from Jewish life."
Web links
- Paintings and graphics by Moritz Coschell (1872–1943), 20th century.
- Search results of the University of Frankfurt: Coschell
- Moritz Coschell in the coordination office for the loss of cultural property Lost Art
- Moritz Coschell on artnet
swell
- Photo archive of Keystone AG in Zurich / Mueller-Hilsdorf, image 233395 (RM) Thomas Mann around 1922.
- Norbert Gläser: Találkovás a Sezent Igazzal. Photo / picture, 2014.
- Jewish Museum Berlin : photo / picture Berlin 1911.
- Dankmar Trier: Coschell, Moritz . In: General Artist Lexicon . The visual artists of all times and peoples (AKL). Volume 21, Saur, Munich a. a. 1998, ISBN 3-598-22761-2 , p. 390.
- Kirsten Xani: Coschell Collection with photo and text, Dortmund 2000.
- The small Jornal Exhibition of Jewish Artists ( The Berlin Daily , December 8, 1907), Tel Aviv 2009.
- Bénézit 1999, dl. 3, p. 927.
- University Library Frankfurt am Main, Digital Collections Judaica : Photo / Image, Berlin 1904.
- Uni-Heidelberg: Catalogs of the Great Berlin Art Exhibition from 1901–1917. Texts and lists.
- Journaux Collection. Descartes, France.
- Look at this city! In: Die Welt , 1999.
- Rudolf Schmidt: Austrian artist lexicon from the beginning to the present. Volume 1, 1980.
- Coschell, Moritz . In: Hans Vollmer (Hrsg.): General Lexicon of Fine Artists of the XX. Century. tape 1 : A-D . EA Seemann, Leipzig 1953, p. 478 .
- Sigilla veri. Lexikon der Juden ... , (Ph. Stauff's Semi-Kürschner. 2nd ed.), Volume 1, 1929 (367).
- Israelisches Familienblatt , Hamburg, February 20, 1925 / text and image.
- Dortmunder Zeitung , June 8, 1920 and December 6, 1928 / text and image.
- Arts and crafts . Monthly magazine, Verlag von Artaria & Co, Vienna, issue 5, 6 and 7, 1916.
- Theodor Demmler : Coschell, Moritz . In: Ulrich Thieme (Hrsg.): General Lexicon of Fine Artists from Antiquity to the Present . Founded by Ulrich Thieme and Felix Becker . tape 7 : Cioffi – Cousyns . EA Seemann, Leipzig 1912, p. 502 ( Textarchiv - Internet Archive ).
- Westermann's monthly books . Braunschweig, 56th volume, 112th volume 1, March – May 1912.
- Westermann's monthly books. Braunschweig, 55th year, 109th volume 1, October – December 1910.
- RS Landau (Ed.): Neue National Zeitung. Vienna. IX. Volume, No. 54, December 20, 1907.
- The world . XI. Volume, No. 47, p. 13, November 22, 1907.
- Art for everyone. Volume XIII, 1906, p. 28. Exhibition catalogs Demmler.
- Monthly for all Judaism. Illustrated East and West, 1904.
- Arts and crafts. Monthly journal, A. von Scala, issue 12, 1899.
- The Austro-Hungarian monarchy in words and pictures. Vienna 1886–1902.
| personal data | |
|---|---|
| SURNAME | Coschell, Moritz |
| ALTERNATIVE NAMES | Kocheles, Moritz; Coschell, Max |
| BRIEF DESCRIPTION | Austrian painter and illustrator |
| DATE OF BIRTH | September 18, 1872 |
| PLACE OF BIRTH | Vienna |
| DATE OF DEATH | July 11, 1943 |
| Place of death | Vienna |