Blessed are you, Jesus Christ, BWV 91

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Bach cantata
Blessed be you, Jesus Christ
BWV: 91
Occasion: 1st Christmas Day
Year of origin: 1724
Place of origin: Leipzig
Genus: cantata
Solo : SATB
Choir: SATB
Instruments : 2Co Ti 3Ob 2Vn Va BC
text
unknown, text based on: Martin Luther
List of Bach cantatas

Praise be to you, Jesus Christ ( BWV 91) is a church cantata by Johann Sebastian Bach . He composed it in Leipzig in 1724 for  Christmas Day , December 25, 1724.

Story and words

The chorale cantata from Bach's second cycle of cantatas is based on the main song for Christmas, Praise be to you, Jesus Christ (1524) by Martin Luther . Bach performed the cantata on December 25, 1724. It was the first cantata he composed in Leipzig for Christmas Day, because the previous year he had performed the Weimar cantata Christians, etches this day (1714) again. The prescribed readings were Tit 2,11–14  LUT and Lk 2,1–14  LUT , the birth of Jesus and her proclamation to the shepherds. The unknown cantata writer kept the first and last stanza, added recitatives to the 2nd stanza , transformed stanzas 3 and 4 into an aria (movement 3), stanza 5 into a recitative, and stanza 6 back into an aria.

Bach performed the cantata four more times on December 25, 1731, 1732 or 1733, and twice in the 1740s, i.e. after performing his Christmas Oratorio in 1734 , which also contains stanzas of the chant in two movements.

Occupation and structure

The cantata is festively occupied with four soloists, soprano , alto , tenor and bass , four-part choir, two horns , timpani , three oboes , two violins , viola and basso continuo . The instrumentation is similar to that in Part IV of the Christmas Oratorio.

  1. Coro: Praise be to you, Jesus Christ
  2. Recitativo (+ chorale, soprano): The shine of the highest glory
  3. Aria (tenor, oboe): God, for whom the earth's circle is too small
  4. Recitativo (bass, strings): O Christianity! Well
  5. Aria (soprano, alto): Poverty as God takes upon himself
  6. Choral: He did all of that to us

music

In the opening choir, Bach uses four concert choirs, the singing parts, the horns, the oboes and the strings. The thematic material of the ritornello also appears as an interlude and underlines the vocal parts. The chorale melody is in the soprano. The lower voices are imitated in the first and last lines of the song, in the second and fourth chords, in the central line both forms appear on the words “From a virgin, that's true”.

In the 2nd movement, the recitative is contrasted by chorale lines, which are accompanied by repeated repetitions of the 1st chorale line at double the speed. Three oboes give the tenor aria an unusual timbre, while the strings add shine to the following recitative. The last aria is a duet in which “poverty” and “abundance” are juxtaposed. “Human beings” appear in chromatically ascending lines, “angelic glories” in coloratura and triad breaks.

In the final chorale, the horns play partially independent voices, especially in the final Kyrieleis.

Recordings

LP / CD

DVD

literature

Web links

Individual evidence

  1. Booklet ( Memento of the original from December 25, 2017 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. (PDF) on the JS Bach Foundation website; accessed on May 17, 2017. @1@ 2Template: Webachiv / IABot / www.bach-streaming.ch