Herbert Spangenberg

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Sports pyramid , relief from 1957 on the outside wall of the gym of the Rhiemsweg School in Hamburg-Horn, 2016
Timmerloh 7 and 5, 2017

Herbert Spangenberg (born October 15, 1907 in Hamburg ; † August 15, 1984 there ) was a German painter of the missing generation .

Life

Herbert Spangenberg was born on October 15, 1907 as the son of Annie and the model maker Fritz Spangenberg in Hamburg. Among other things, he attended the settlement school Langenhorn am Heerskamp (today Timmerloh ), which was located on the sports field of today's Fritz Schumacher School . His father was chairman of the parents' council there. After leaving school, he completed an apprenticeship as a decorative painter with Otto Schmarje (1868–1920) from 1923 to 1926. He then studied at the Hamburg School of Applied Arts until 1928 , with Carl Otto Czeschka and Julius Wohlers , among others . His fellow students were among others Eva Hagemann (later Niemeyer-Hagemann ) and Richard Lindner . He then worked as a freelance artist in Hamburg. At the time he was living with his parents in a semi-detached house at 7 Timmerloh in the Fritz-Schumacher-Siedlung . At the time, his father was a cashier (later head of the AOK Hamburg). Herbert Spangenberg cultivated friendships with Karl Kluth , Willem Grimm , Hans Martin Ruwoldt , Eduard Bargheer and Arnold Fiedler, among others . At Martin Irwahn in Vossmoor, a district of Escheburg , he made studies for his cage pictures.

In 1928 he stayed in Paris for a long time and in 1930 in Copenhagen . In 1932 he took part in the 11th exhibition of the Hamburg Secession at the Kunstverein in Hamburg as a guest exhibitor. After the seizure of power of the Nazis , the dissipated on May 16, 1933 Hamburg secession because they do not, as requested, their Jewish wanted to exclude members. Shortly afterwards, many works by the Secession artists were considered to be degenerate art . Herbert Spangenberg also got into difficulties because of his painting, but continued to paint undeterred. The painter and art dealer Peter Lüders (1872–1945) exhibited works by secession artists and Spangenberg in his art room in Admiralitätsstrasse 12 in 1934 . At the turn of the year 1934 to 1935, their and Spangenberg's works were shown in Hamburg. The National Socialist Hamburger Tageblatt reported on the exhibition. Affected artists who did not emigrate later barricaded themselves in their inner emigration , as did Herbert Spangenberg. In 1937 he took part in the great spring exhibition of Hamburg artists in the Hamburger Kunsthalle, which was organized by the Kunstverein in Hamburg .

From 1938 he supported Karl Kluth as a set designer on the stages of the state capital Kiel under the artistic director Kurt Eggers-Kestner. As early as July 1937, Kluth had a guest performance obligation as a set designer, which was replaced by a permanent engagement in 1938. In November 1939 there was a scandal over the stage design of a Wilhelm Tell production. Karl Kluth was accused of cultural Bolshevism and ended his engagement. In 1940 Herbert Spangenberg portrayed Gustaf Gründgens . 1941–1945, during World War II , he was a draftsman in Copenhagen and Silkeborg . In 1942 he also had a studio in the Stinnes house , Schöne Aussicht 23, as did Maximilian Jahns , who had had a studio there since 1940. Otto Thämer , Fritz Schirrmacher (1893–1948) and Herbert Mhe (1891–1952) also had a studio there at the time. In 1943 some of his pictures burned at his parents' house, who no longer lived in Timmerloh . In 1944 he married Hilmar Wüstenfeld.

Exterior view of a Spangenberg window mosaic from 1960, east side of the Hohe Weide synagogue on the corner of Heymannstrasse and Hohe Weide in Hamburg-Eimsbüttel, 2010

In 1946 Spangenberg joined the newly founded Hamburg Secession and was a member of it until 1952. In 1948 he was elected to the board of directors along with Erich Hartmann , Otto Rodewald and Hans Martin Ruwoldt. Also in 1948, the Hamburger Kunsthalle acquired one or more of his works. Emmi Ruben also donated her art collection to the Hamburger Kunsthalle in 1948, in which Herbert Spangenberg was also represented. In 1950 he was a founding member of the newly founded German Association of Artists . In addition, from 1950 to 1966 he was a board member of the Professional Association of Visual Artists Hamburg . He was on friendly terms with Karl Hofer , Otto Dix , Alexander Camaro , Erich Heckel and Karl Hartung . He turned down an offer from Karl Hofer for a professorship in Berlin, as well as a scholarship for the Villa Massimo . In 1951 he moved to Bismarckstrasse 77 in Hamburg-Eimsbüttel . In 1953 he was a member of the jury of the German Association of Artists . In 1954 he created three stained glass window mosaics for the Weddestrasse school in Hamburg-Horn . In 1957 he created a two-tone relief entitled Sports Pyramid , which was attached to the outer wall of the newly built gym of the Rhiemsweg School in Hamburg-Horn. Also in 1957 he was awarded the Edwin Scharff Prize . He was also a member of the jury for the exhibition Hamburg Artists 1957 , which took place in the now demolished Hall of Nations ( Planten un Blomen ) and was directed by the professional association of Bildener Künstler Hamburg . In 1960 he designed the five room-high, slim window mosaics of the Hohe Weide Synagogue in Hamburg-Eimsbüttel, which was inaugurated on September 4, 1960. The windows are kept in lighter or darker tones according to the cardinal points, with the warm tones dominating towards the north. It shows the Jewish symbols of the Star of David , the tablets of the law , the Torah scroll , the menorah and the besamim box . In 1963 he became a member of the Free Academy of the Arts in Hamburg .

He was in closer contact with Arnold Fiedler, so from 1948 he attended his discussion evenings with various Hamburg painters and the art historian Hanns Theodor Flemming at Heilwigstrasse 33. In the 14th arrondissement of Paris, Arnold Fiedler had a studio in Rue Guilleminot from 1959 to 1969 7. When Herbert Spangenberg was in Paris, he visited him there, as did the artist Nanette Lehmann (1920–1999), to whom Spangenberg moved in 1964 to Siegrunweg 18 in Hamburg-Rissen . In 1966 he divorced his wife Hilmar, with whom he now had a daughter Simone. Nanette Lehmann became his longtime partner. He painted 80 large-format paintings for her. In 1982 rheumatoid arthritis put an end to his work. After his death in 1984, Nanette Lehmann administered his estate. Personal photographs, work photographs, exhibition documents, publications about him, the whereabouts of works, newspaper articles and correspondence are recorded in the central database of bequests .

Herbert Spangenberg is with works in the collections of the Hamburger Kunsthalle, the Hotel Louis C. Jacob in Hamburg, the Hamburg Authority for Culture and Media , the NDR , Martin Brinkmann AG , the Hamburger Sparkasse , the State Museum for Art and Cultural History im Schloss Gottorf , the Jewish Museum Berlin of the Bundeshaus in Bonn, the Telekom Bad Honnef as well as in the Deutsche Bank Collection , the Theater Studies Collection University of Cologne in Schloss Wahn and in the collections of Rolf Italiaander in the Museum Rade am Schloss Reinbek , by Hermann- Josef Bunte and the art historian Maike Bruhns . The Hermann-Josef Bunte collection has been on permanent loan in the Hermann-Stenner- Haus in Bielefeld since 2016 . In 2012, Hermann-Josef Bunte sold 250 works by artists from the Hamburg Secession to the Hamburger Sparkasse, but they were apparently works from the Secession until 1933, when Spangenberg was not yet a member.

style

Stylistically, Spangenberg's early work can be assigned to the New Objectivity , especially to Magical Realism , even if some of the works have surrealist traits. While his pictures were kept achromatic and dark in the late 1920s, from the 1930s onwards they turned to color and brightness. From the late 1940s onwards, he increasingly devoted himself to abstract painting , gradually turning away from the subject. In 1952 he exhibited a completely abstract picture in Cologne, but his pictures mostly contain geometric shapes, sometimes also formal structures, as in the painting Train of the Fish . The synagogue windows from 1960 could again be assigned to the geometric abstraction , if symbols were not incorporated. In his late work, from 1968 onwards, he mainly created images of women in dark tones, influenced by Pop Art or Art Deco , whose painted faces are sometimes exaggerated in a grotesque satirical way, as in some of the pictures of the Verism of New Objectivity in the 1920s. Every now and then they are reminiscent of Richard Lindner's characters .

The whereabouts of public works

The three lead glass window mosaics of the Weddestraße school in Hamburg-Horn, 2016

In 2012, on the initiative of the SPD parliamentary group, the Hamburg Senate made 400,000 euros available from the Hamburg 2020 redevelopment fund, among other things for the replacement of the Spangenberg windows that were damaged by the rusting frames. The Hermann Reemtsma Foundation also donated one million euros to renovate the synagogue. With these and other donations, the synagogue was renovated for 1.5 million euros. In 2013 the re-inauguration was celebrated, among others with Mayor Olaf Scholz , the Interior Senator Michael Neumann and the State Rabbi Shlomo Bistritzky . The windows have apparently not been renewed yet. It is not yet clear when this will happen. The future of the Spangenberg relief on the school sports hall on Rhiemsweg , which is to be demolished, is also uncertain . The future of the three 80 × 160 cm Spangenberg window mosaics at the Weddestrasse school is also questionable, but the Horn History Workshop wants to get the windows to stay in the Horn district after the school, which is currently still used as accommodation for asylum seekers, has been demolished. The window mosaics were then executed in the Kröplin & Sohn glass workshops in Hamburg.

Exhibitions (selection)

Solo exhibitions

Posthumously

Group exhibitions

  • 1925: Jury-free art exhibition, Hamburg
  • 1929: Hamburger Kunsthalle
  • 1930: Hamburger Kunsthalle
  • 1932: 11th exhibition of the Hamburg Secession as a guest exhibitor, Kunstverein in Hamburg
  • 1932: Exhibition of Hamburg artists
  • 1932: Cologne Art Association
  • 1934: Peter Lüders art space, Hamburg, Admiralitätsstrasse 12
  • 1937: Large spring exhibition of Hamburg artists in the Hamburger Kunsthalle , organized by the Kunstverein in Hamburg
  • 1945: Galerie Brach, Hamburg
  • 1947: Herbert Spangenberg - Wilhelm Haerlin - Herbert Mhe , Gerd Rosen Gallery, Berlin
  • 1947: 2nd annual exhibition of the Gerd Rosen artist group, Gerd Rosen Gallery, Berlin
  • 1949: Art in Germany 1930–1949 , Kunsthaus Zürich , Switzerland
  • 1949: Central Collecting Point , Munich
  • 1950: Gallery of the youth of Gottfried Sello in the attic of the tax office in the Stone Street , Hamburg
  • 1951: General Hamburg art exhibition in the Hamburger Kunsthalle, organized by the Kunstverein in Hamburg
  • 1951: 1st exhibition by the German Association of Artists
  • 1952: 2nd exhibition of the German Association of Artists , House of States , Cologne
  • 1952–1953: Large annual exhibition of Hamburg artists in the Hamburger Kunsthalle, organized by the Kunstverein in Hamburg and the Professional Association of Visual Artists Hamburg
  • 1953: 3rd exhibition of the German Association of Artists , Hamburger Kunsthalle
  • 1955: Shine and Shape - Non-representational German Art , Nassauischer Kunstverein , Wiesbaden
  • 1963: Kunsthaus Hamburg
  • 1974: Kunsthaus Hamburg

Posthumously

  • 1998: Art in the Ostracism - The Emmi Ruben donation 1948 , Hamburger Kunsthalle
  • 1999–2000: The Hermann-Josef Bunte Collection - German Painting of the XX. Century , Hamburger Kunsthalle and in the galleries of the Hamburger Sparkasse
  • 2000: The Hermann-Josef Bunte Collection - German Painting of the XX. Century , Kunsthalle Wilhelmshaven
  • 2000: The Hermann-Josef Bunte Collection - German Painting of the XX. Century , Ahlen Art Museum
  • 2002: Lost closeness - images of people in 20th century painting , works from the collection of Hermann-Josef Bunte, Kunsthaus Kaufbeuren
  • 2005: Excluded - Art in Hamburg 1933–1945 , Hamburger Kunsthalle
  • 2007: Reactions to the dictatorship , Kunstraum Tosterglope
  • 2010: Excluded - Hamburg artists under the Nazi dictatorship , works from the Maike Bruhns collection , Museum Baden , today Kunstmuseum Solingen
  • 2012: Abstraction - Figuration , Galerie Abrahams, Hamburg
  • 2012: "Bathing joy" on Sylt , Herold Gallery, Kampen, Sylt
  • 2013: Nachtmahre and Ruinenengel - Hamburg art 1920 to 1950 , works from the Maike Bruhns collection, Kunsthaus Hamburg

Works (selection)

Dimensions: width × height

  • Approx. 1928: Nocturnal street scene (Paris), oil on canvas , 41 × 56 cm, signed above right
  • 1929: Uferstrasse (Paris), oil on canvas, 46.5 × 65 cm, signed and dated lower right - Hamburger Kunsthalle
  • 1935: Fish in front of an open window , oil on canvas, 75.1 × 105.5 cm, signed and dated lower right - Hamburger Kunsthalle (acquired 1985) - Exhibited in Hamburg in 2005
  • 1937: At the bathing jetty , also the landing stage , oil on canvas, 105 × 75 cm, signed and dated lower left, provenance : Helmut R. Leppien - exhibited in Kampen in 2012
  • 1937: Der Mittag , oil on canvas, 75.2 × 104.5 cm, signed and dated lower left - Hamburger Kunsthalle (gift from Nanette Lehmann from the artist's estate, 1999) - Exhibited in 2005 in Hamburg
  • 1938: Carousel by the sea , oil on canvas, 105.5 × 75.3 cm, signed and dated lower left - Hamburger Kunsthalle (gift from Nanette Lehmann from the artist's estate, 1999) - Exhibited in 2005 in Hamburg
  • 1940: Portrait of Gustaf Gründgens
  • 1946: Escape in disguise , oil on canvas, 74 × 104 cm, signed and dated lower left - Maike Bruhns Collection - exhibited in Hamburg in 2005 and 2013, as well as in Tosterglope in 2007 and in Solingen in 2010
  • 1946: Bikini , mixed media on canvas, 76.4 × 66 cm, signed and dated lower left - Hamburger Kunsthalle
  • 1947: The swing , oil on canvas, 75 × 105 cm, signed and dated lower left - Hamburger Kunsthalle
  • 1947: Entry of the Frozen , oil on canvas, 105.5 × 76 cm, signed and dated top right
  • 19 ??: Still life with seafood, oil on canvas, 69 × 37 cm, signed lower left
  • 1949: Zug der Fisch , oil on hardboard , 73 × 104 cm, signed and dated lower left
  • 194 ?: Abstract composition, tempera on cardboard, 56 × 76 cm, signed and dated under the left (last number somewhat illegible)
  • 1950: Abstract composition - paper kite , gouache, 45 × 30 cm, signed lower left
  • 1953: The Falter's Hour , oil on hardboard, 99.5 × 125 cm, signed and dated lower left - exhibited in Hamburg in 1953
  • 1953: Flight into the sea , tempera on hardboard, 125.5 × 100.5 cm, signed and dated lower left
  • 1954: Three lead glass window mosaics , each 80 × 160 cm, for the Weddestrasse school in Hamburg-Horn
  • 1955: Birds in the nest , two-part, Tibarg 34 school in Hamburg-Niendorf
  • 1956: The great bird's nest , oil, 100 × 125 cm
  • 1956: Butterflies on the Wadden Sea , gouache or tempera on paper or cardboard, 73 × 62.5 cm, signed and dated lower left
  • 1957: Sports pyramid , two-tone relief, 250 × 500 cm, on the outer wall of the gym of the Rhiemsweg School in Hamburg-Horn
  • 1957: Ornamental signs on the gable wall of the gym, comprehensive school Lohkampstrasse 145 in Hamburg-Eidelstedt
  • 1957: Wall work, in two parts, in the stairwell of the cross building of the primary school Stockflethweg 160 in Hamburg-Langenhorn
  • 1958: At the paper kite maker , oil on hardboard, 100 × 125 cm, signed and dated lower left
  • 1958: Bert Brecht in the wall , tempera on hardboard, 100 × 125 cm
  • 1959: Berlin mosaic, Berliner Tor , bridge, Hamburg
  • 195 ?: Wall relief in Planten un Blomen , reminiscent of the painting The Hour of the Moths from 1953
  • 1960: Wall ceramics on Winterhuder Weg at the corner of Averhoffstrasse
  • 1960: Five window mosaics from the Hohe Weide synagogue in Hamburg-Eimsbüttel
  • 1961: Reconstruction and planning , wall work, Straßburger Straße underground station , Hamburg-Dulsberg
  • 1961: Plan of a machine , mixed media on hardboard, 100 × 124.5 cm, signed and dated lower left
  • 1963: Stony structures, southern bridge wall, bridge piers to the ramparts ( Planten un Blomen ), Karl-Muck- Platz (since April 1997 Johannes-Brahms-Platz )
  • 1963: Sylphide , oil on hardboard, 123.5 × 99 cm, signed and dated lower left
  • 1964: Rue des Visions d'Huguette , mixed media, 114 × 162
  • 1965: Stadtmauer '65, abstaining , mixed media on hardboard, 120 × 94 cm, signed and dated lower left
  • 1966: 2 stained glass windows of the St. Bonifatius Church in Hamburg-Wilhelmsburg
  • 19 ??: Tanz der Blätter , oil on hardboard, 105 × 75 cm, signed lower left
  • 19 ??: Untitled, abstract paper collage on cardboard, 21 × 18 cm, provenance: Nanette Lehmann (artist's estate)
  • 19 ??: Untitled, abstract paper collage on cardboard, 22.5 × 18 cm, provenance: Nanette Lehmann (artist's estate)
  • 1968: Untitled, tempera on hardboard, 98 × 123.5 cm, signed and dated lower left, provenance: Nanette Lehmann (artist's estate)
  • 1969: Night view , oil on hardboard, 100 × 125 cm, signed and dated lower left
  • 1969: At Tiffany's , tempera on hardboard, 98 × 123.5 cm, signed and dated lower left, provenance: Nanette Lehmann (artist's estate)
  • 1969: Small beach café , tempera on hardboard, 98 × 123.5 cm, signed and dated lower left, provenance: Nanette Lehmann (artist's estate)
  • 1970: Ragtime , tempera on hardboard, 99 × 123 cm, signed and dated lower left, provenance: Nanette Lehmann (artist's estate)
  • 1970: Woman with a doll , 99 × 123.5 cm, signed and dated lower left, provenance: Nanette Lehmann (artist's estate)
  • 1971: Masquerade , tempera on hardboard, 98 × 123.5 cm, signed and dated lower left, provenance: Nanette Lehmann (artist's estate)
  • 1974: Woman at a marble table, tempera on canvas, 98.5 × 123.5 cm, signed and dated lower left
  • 1974: Superboy , tempera on hard fiber, 99 × 123.5 cm, signed and dated lower left, provenance: Nanette Lehmann (artist's estate) - exhibited in 1986 and 2002 in Hamburg
  • 1974: Market day , tempera on hardboard, 98.7 × 123 cm, signed and dated lower left, provenance: Nanette Lehmann (artist's estate)
  • 1974: The Great Doll , tempera on hardboard, 100 × 125 cm, signed and dated lower left (titled on the reverse)
  • 1976: Die Prinzipalin , oil on hardboard, 100 × 125 cm, signed and dated lower left
  • 1977: After the festival , tempera on hardboard, 100 × 125 cm, signed and dated lower left - exhibited in Hamburg in 2002
  • 1977: Pallas Athene in Berlin , tempera on hardboard, 100 × 125 cm, signed and dated lower left - exhibited in Hamburg in 2002
  • 1978: California Dream , tempera on hardboard, 98 × 123.5 cm, signed and dated lower left, provenance: Nanette Lehmann
  • 1978: Tango Melonga , oil on hard fiber, 100 × 125 cm, signed and dated lower left, exhibited in Hamburg in 1982 and 2002
  • 1979: studio visit , tempera on hardboard, 100 × 125 cm, signed and dated lower left - exhibited in Hamburg in 2002
  • 1979: Forgotten doll , tempera on hardboard, 100 × 125 cm, signed and dated lower left - exhibited in Hamburg in 2002
  • 1979: In vain in the Rue St. Jacques , oil on hardboard, mounted on a stretcher, signed and dated lower left
  • 1979: Farewell to Berlin - exhibited in Hamburg in 1982
  • 1980: Giulia in the bath , tempera on hardboard, 100 × 126 cm, signed and dated lower center - exhibited in Hamburg in 2002
  • 1981: Am Trapez , tempera on hardboard, 98 × 123.5 cm, signed and dated lower left
  • 1982: En Passant , tempera on hardboard, 100 × 125 cm, signed and dated lower left - exhibited in Hamburg in 2002

Publications

  • Herbert Spangenberg: Pictures from the last 15 years. Galerie Levy, Hamburg 1982 (exhibition catalog)

literature

  • Spangenberg, Herbert . In: Hans Vollmer (Hrsg.): General Lexicon of Fine Artists of the XX. Century. tape 4 : Q-U . EA Seemann, Leipzig 1958, p. 324 .
  • Herbert Spangenberg. In: Christian Otto Frenzel: Art in architecture in Hamburg 1947–1958. On behalf of and in cooperation with the Hamburg building authority. Axel Springer publishing house in Hamburg. Hammerich & Lesser, Hamburg 1959, pp. 110-113, 135.
  • Spangenberg, Herbert. In: Volker Detlef Heydorn : Painter in Hamburg , Volume 1: 1886–1945 , Professional Association of Visual Artists, Hamburg (ed.), Hans Christians Verlag, Hamburg 1974, ISBN 3-7672-0230-1 , pp. 104, 130.
  • Spangenberg, Herbert. In: Volker Detlef Heydorn: Painter in Hamburg. Volume 2: 1945–1966 , Professional Association of Visual Artists, Hamburg (ed.), Hans Christians Verlag, Hamburg 1974, ISBN 3-7672-0277-8 , pp. 10, 14, 16, 17, 18, 27, 29, 77 , 80.
  • Spangenberg, Herbert. In: Volker Detlef Heydorn: Painter in Hamburg. Volume 3: 1966–1974 , Professional Association of Visual Artists, Hamburg (ed.), Hans Christians Verlag, Hamburg 1974, ISBN 3-7672-0290-5 , pp. 142, 154.
  • Hanns Theodor Flemming : Herbert Spangenberg , Hower, Hamburg 1986, ISBN 3-922995-15-2 .
  • Volker Plagemann (ed.): Art in public space. A guide through the city of Hamburg . Junius Verlag , Hamburg 1997, ISBN 3-88506-275-5 , p. 148.
  • Helmut R. Leppien (ed.): Art in the Forbidden - The Emmi Ruben Donation 1948 , Hamburger Kunsthalle, Wienand Verlag, Cologne 1997, ISBN 3-87909-597-3 (exhibition catalog)
  • Maike Bruhns , Renate Bunte, Hermann-Josef Bunte: The Hermann-Josef Bunte Collection - German Painting of the XX. Century , Hamburger Kunsthalle and Hamburger Sparkasse, 1999 (exhibition catalog)
  • Maike Bruhns: Art in Crisis. Volume 1: Hamburg Art in the “Third Reich”. Dölling and Galitz, Munich / Hamburg 2001, ISBN 3-933374-94-4 , pp. 43, 134, 137, 227, 304, 310, 442, 466, 471, 484–485, 499, 503–504, 533, 580.
  • Maike Bruhns: Art in Crisis. Volume 2: Artist Lexicon Hamburg 1933–1945. Dölling and Galitz, Munich / Hamburg 2001, ISBN 3-933374-95-2 , pp. 124, 167, 210, 327, 364-367, 371.
  • Alexandra Köhring: retrospective. Hamburgische Landesbank, Hamburg 2002 (exhibition catalog)
  • Helmut R. Leppien, Maike Bruhns, Carolin Quermann: Excluded - Art in Hamburg 1933–1945. Hamburger Kunsthalle (ed.), Hauschild Verlag , Bremen 2005, ISBN 3-89757-309-1 (exhibition catalog), pp. 11, 13, 51-54, 88, 99, 110.
  • Maike Bruhns: Nachtmahre and Ruinenengel - Hamburg art 1920 to 1950, works from the Maike Bruhns collection. published by Claus Mewes and Goesta Diercks, Kunsthaus Hamburg, Revolver Publishing, Berlin 2013, ISBN 978-3-86895-283-4 , p. 188.
  • Maike Bruhns: Spangenberg, Herbert. In: The new rump. Lexicon of the visual artists of Hamburg. Ed .: Rump family. Revised new edition of Ernst Rump's dictionary . Supplemented and revised by Maike Bruhns, Wachholtz, Neumünster 2013, ISBN 978-3-529-02792-5 , pp. 433–434.
  • Uta Schoop: Arnold Fiedler (1900–1985) - An artist's monograph. Dissertation. 2014, PDF file page 45, 215, 216, 236, 286, 306, 325, 332, 341, 344, 346, 360, 410, 413, 416, 442, 450, 464, 465 and 487 ( PDF file )
  • Citizenship of the Free and Hanseatic City of Hamburg : Works of art in public space , Hamburg, August 14, 2018, pp. 13, 14, 19, 22, 23, 25, 27 ( PDF file )
  • Ulrich Schulte-Wülwer : Kiel artist - Volume 3: In the Weimar Republic and in National Socialism 1918-1945. Special publications of the Gesellschaft für Kieler Stadtgeschichte edited by Jürgen Jensen, Volume 88, Boyens, Heide 2019, ISBN 978-3-8042-1493-4 , pp. 87, 111 (footnotes 437, 438)
  • Hamburger Schule - The 19th Century Rediscovered , edited by Markus Bertsch and Iris Wenderholm on behalf of the Hamburger Kunsthalle, Michael Imhof Verlag , Petersberg 2019, ISBN 978-3-7319-0825-8 , p. 121

Web links

Commons : Herbert Spangenberg  - Collection of images, videos and audio files

Individual evidence

  1. ↑ Article A Langenhorn Boy , Heimatblatt für Langenhorn und Ochsenzoll , November 1957.
  2. ↑ Ulrich Schulte-Wülwer : Kiel artist - Volume 3: In the Weimar Republic and in National Socialism 1918–1945. Special publications of the Gesellschaft für Kieler Stadtgeschichte edited by Jürgen Jensen, Volume 88, Boyens, Heide 2019, ISBN 978-3-8042-1493-4 , pp. 87, 111 (footnotes 437, 438)
  3. ↑ Herbert Spangenberg in So one simply started, without many words by Julia Friedrich and Andreas Prinzing, Walter de Gruyter, 2013, p. 75.
  4. ↑ Page 2 of the text Emmi-Ruben-Weg , PDF file from hamburg.de
  5. ↑ Entry in the Hamburg address book from 1952 until 1966. After that it is no longer in the telephone book, only in 1970 his ex-wife Hilmar Spangenberg at the same address.
  6. ^ Synagogue Hohe Weide, hamburg.de
  7. ↑ Mention of Spangenberg in With ceramic art, Nanette Lehmann remains immortal , Die Welt , December 30, 1999.
  8. ^ Herbert Spangenberg in the central database of bequests
  9. ↑ Mention ( memento of November 25, 2016 in the Internet Archive ) of Spangenberg on the museum website
  10. ^ Short biography of Spangenberg
  11. ^ Report on the purchase of the partial collection from Hermann-Josaef Bunte
  12. ^ SPD press release from August 28, 2012.
  13. ↑ Article Million donation for the synagogue by Marlies Fischer, Die Welt , December 8, 2012.
  14. ^ Article Synagogue on the Hohen Weide re-inaugurated with photos, Hamburger Abendblatt , August 27, 2013.
  15. ↑ Article Reopening of the Hamburg Synagogue by Simone Viere, nordkirche.de , August 27, 2013.
  16. ^ Relief Rhiemsweg School , Horn history workshop
  17. ↑ Window of the Weddestrasse School , Horn History Workshop
  18. ↑ Herbert Spangenberg. In: Christian Otto Frenzel: Art in architecture in Hamburg 1947–1958. On behalf of and in cooperation with the Hamburg building authority. Axel Springer publishing house in Hamburg. Hammerich & Lesser, Hamburg 1959, pp. 110, 111, 135.
  19. ^ Evidence Levy Gallery
  20. ↑ exhibition report by René Drommert, Time , April 30, the 1,982th
  21. ^ Proof of the 1986 exhibition.
  22. ↑ Exhibitions 2002 , Hamburger Abendblatt, May 30, 2002 (in Der neue Rump is 2003)
  23. ↑ Exhibitions ( Memento from October 29, 2014 in the Internet Archive ) of the Kunstverein in Hamburg (PDF file)
  24. ^ Report on the exhibition Lost Proximity
  25. ↑ Herbert Spangenberg in Two Artists Survived Theresienstadt - Ten Are Completely Lost , Die Welt , August 19, 2005.
  26. ^ Report on the exhibition in Tosterglope
  27. ↑ Mentioned in Art in Hamburg , galerien-in-hamburg.de
  28. ^ Exhibition archive Kunsthaus Hamburg
  29. ↑ Illustration of nocturnal street scene (Paris) , Blouin Art Sales Index
  30. ^ Uferstrasse on the website of the Hamburger Kunsthalle
  31. ^ Illustration of the painting, Sylter Rundschau , June 5, 2012.
  32. ↑ Figure Entry of the Frozen , Stahl auction house
  33. ↑ Illustration of Still Life with Seafood , Stahl auction house
  34. ↑ Figure Train of the Fish , Lauritz auction house
  35. ↑ Figure Abstract Composition , the saleroom
  36. ↑ Figure Abstract Composition - Paper Dragons , artnet
  37. ↑ Figure Flight into the Sea , Stahl auction house
  38. ↑ Illustration of a gouache beach motif with fishing nets and butterflies ( butterflies on the Wadden Sea ), Ahlden Castle Art Auction House
  39. ↑ Figure Tempera Butterflies on the Wadden Sea , artnet
  40. ↑ Illustration at the paper kite maker , artnet
  41. ↑ Figure Bert Brecht in the Wall , artnet
  42. ↑ Figure wall relief in Planten un Blomen
  43. ↑ Figure plan of an automaton , levelctioneers
  44. ↑ Figure Sylphide , auction house Stahl
  45. ↑ Illustration ( Memento from August 26, 2015 in the Internet Archive ) Paper collage on cardboard, Van Ham Art Auctions
  46. ↑ Illustration ( Memento from August 26, 2015 in the Internet Archive ) Paper collage on cardboard II, Van Ham Art Auctions
  47. ↑ Untitled illustration , Blouin Art Sales Index
  48. ↑ Illustration ( Memento from August 26, 2015 in the Internet Archive ) Night View , Van Ham Art Auctions
  49. ↑ Illustration ( Memento from August 26, 2015 in the Internet Archive ) At Tiffany , Van Ham Art Auctions
  50. ↑ Illustration ( Memento from August 26, 2015 in the Internet Archive ) Kleines Strandcafé , Van Ham Art Auctions
  51. ↑ Figure Ragtime , MutualArt
  52. ↑ Figure Woman with Doll , Blouin Art Sales Index
  53. ↑ Figure ( Memento from August 26, 2015 in the Internet Archive ) Masquerade , Van Ham Art Auctions
  54. ↑ Figure Woman at the Marble Table , Blouin Art Sales Index
  55. ↑ Figure market day , Blouin Art Sales Index
  56. ↑ Figure  ( page no longer available , search in web archives )  Info: The link was automatically marked as defective. Please check the link according to the instructions and then remove this notice. The principal , Aldag auction house (PDF file)@1@ 2Template: Toter Link / www.auktionshaus-aldag.de  
  57. ↑ Illustration ( memento from November 30, 2016 in the Internet Archive ) After the festival , Kunstauktionshaus Schloss Ahlden
  58. ↑ Figure ( Memento from November 30, 2016 in the Internet Archive ) Pallas Athene in Berlin , Kunstauktionshaus Schloss Ahlden
  59. ↑ Figure California Dream , Blouin Art Sales Index
  60. ↑ Figure Tango Melonga , artnet
  61. ↑ Figure ( Memento from November 30, 2016 in the Internet Archive ) Studio visit , Kunstauktionshaus Schloss Ahlden
  62. ↑ Figure Forgotten Doll , auction house Stahl
  63. ↑ Illustration ( Memento from August 26, 2015 in the Internet Archive ) Giulia im Bade , Van Ham Kunstauktionen
  64. ↑ Figure Am Trapez , Blouin Art Sales Index
  65. ↑ Figure ( Memento from November 30, 2016 in the Internet Archive ) En Passant , Kunstauktionshaus Schloss Ahlden
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personal data
SURNAME Spangenberg, Herbert
BRIEF DESCRIPTION German painter of the lost generation
DATE OF BIRTH October 15, 1907
PLACE OF BIRTH Hamburg
DATE OF DEATH August 15, 1984
Place of death Hamburg