List of paintings and graphics related to the First World War

from Wikipedia, the free encyclopedia
Heinrich Zille: The Iron Cross
Ernst Zimmer: The emperor gives the heroes of Novo-Georgiewsk the Iron Cross

The list of paintings and graphics for the First World War includes works by freelance artists and war painters who are related to the First World War .

Artists and works

A.

  • Richard Benno Adam ( war painter )
    • Attack of the Bavarian Uhlans near Lagarde, oil on canvas, 84 × 141 cm, 1918, Bavarian Army Museum
    • Burned horses, oil on cardboard, 20.4 × 32.3 cm, 1916, Bavarian Army Museum
    • View from the command post of the 2nd Bavarian. Infantry Division at Maison Rouge, oil on cardboard, 92 × 71 cm, 1917, Bavarian Army Museum
    • Prisoners of war in their accommodation, oil on cardboard, 92 × 71 cm, 1918, Bavarian Army Museum
  • Josef Albers
    • Two soldiers with baggage, around 1915, lithograph, Gerhard Schäfer Collection / Solingen Community Foundation
  • Guillaume Apollinaire
    • Le brigadier marqué, Le pas de l'embusqué et Sans titre (The masked brigadier, In a quiet position and unnamed), Triptych, 1915-6, Center Mondial de la Paix, Verdun.

B.

Alfred Basel: Fighting in the Carpathian Mountains (1915)
  • Carl Bantzer
    • Position in Berry au Bac, 1915, chalk drawing
    • Destroyed chapel in La Ville aux Bois, 1915, pencil drawing
  • Ernst Barlach
    • From a modern dance of death, lithographs for "Der Bildermann", Gerhard Schneider Collection
  • Alfred Basel
    • Storming of Stary Korczyn by Landsturm Infantry Regiment No. 1, December 22, 1914, tempera on canvas, 99 × 99 cm, Heeresgeschichtliches Museum , Vienna.
    • Fighting in the Carpathian Mountains, 1915
    • After the breakthrough on the Tagliamento, 1918
  • Max Beckmann
    • The outbreak of war, 1914, etching, 19.8 × 24.8 cm.
    • Self-portrait as a nurse, 1915, oil on canvas, 55.5 × 38.5 cm, Von der Heydt-Museum
    • The Grenade, 1915, etching on paper, 38 × 28.8 cm.
    • The Operation, 1914, etching on paper, 29.8 × 43.4 cm.
    • The morgue, 1915, etching, 27.5 × 35.7.
    • Resurrection, 1918, oil on canvas, 345 × 497 cm, Staatsgalerie Stuttgart .
  • Claus Bergen ( marine painter )
    • Seeschacht am Skagerrak, oil on canvas, 50 × 77 cm, 1916 (?), Bavarian Army Museum
    • Speech by Kaiser Wilhelm II to participants in the Skagerrak battle June 15, 1916, oil on canvas, 77 × 104 cm, 1916, Bavarian Army Museum
    • U53 on the journey to America, oil on canvas, 178 × 241 cm, 1918, Bavarian Army Museum
  • Hans Bertle
    • Makeshift dressing station 1915, oil on canvas 113 × 195 cm, 1915, Bavarian Army Museum
    • Capture of Cesare Battistis and Fabio Filzis on Monte Corno in 1916, oil on canvas, 1916 Tiroler Landesmuseum
  • Bruno Beye
    • Triumph of Death I, 1918, woodcut, Gerhard Schneider Collection / Solingen Community Foundation
    • Fire (Revelation of John), 1918, woodcut, Gerhard Schneider Collection
  • Umberto Boccioni
    • Charge de lanciers (Attack of the Lancers), 1915 Attack of the Lancers, 1915, tempera and collage on paper, 32 × 50 cm Juncker Collection, Milan.
  • Gerd Boehme
    • Death in uniform, around 1916, lithograph, Gerhard Schneider Collection / Solingen Community Foundation
  • Pierre Bonnard
    • Un village en ruines près de Ham (Destroyed village near Ham), 1917, oil on canvas, 63 × 85 cm, Musée d'histoire contemporaine - BDIC, Paris.
  • Frank Brangwyn
    • Tank in Action, A Tank in Action, 1925–26, tempera on canvas, 366 × 376 cm, National Museum of Wales, Cardiff.
  • Arnold Busch
    • Captain Crato, 1915, postcard based on a drawing
    • Captain Horn, 1915, postcard based on a drawing
  • Erich Büttner
    • After the presents, lithograph, war-time supplement December 24, 1914
    • Wilhelm II., Lithograph, during wartime No. 24, January 27, 1915, title page.
    • In the Argonner Wald, wartime lithograph No. 42, June 2, 1915

C.

Lovis Corinth: Portrait of Grand Admiral Alfred von Tirpitz , 1917
  • Sydney Carline
    • The Destruction of the Turkish Transport in the Gorge of the Wadi Fara, Palestine 1918 (Destruction of a Turkish transport in the Wadi-Fara Gorge, Palestine 1918), 1920, oil on canvas, 120 × 120 cm, Imperial War Museum , London.
  • George Clausen
    • In The Gun Foundry at Woolwich 1918, oil on canvas, 182 × 317 cm, Imperial War Museum, London.
  • Rudolf Czerny
    • Arrival of French prisoners in Lechfeld camp, tempera on paper, 37.9 × 46.8 cm, September 1914, Bavarian Army Museum

D.

Michael Zeno Diemer: Air Combat , 1918
  • Maurice Denis ( war painter )
    • Soirée calme en première ligne (Calm Evening in the Front Line), 1917, oil on canvas, Musée d'histoire contemporaine - BDIC , Paris.
  • Ludwig Dettmann
    • Sketch with riflemen, 1915, illustration from: Das Land Goethe, 1916
  • André Dunoyer de Segonzac
    • Préparation d'artillerie, section hors-bois, Lorraine, janvier 1915 (barrage, section in the open field, Lorraine, January 1915), 1915, ink on paper, 21.5 × 30 cm, Musée d'Histoire Contemporaine - BDIC , Paris .

E.

Albin Egger-Lienz: The Nameless 1914 (1916)
Fritz Erler: Help us win , 1917
Elmar von Eschwege: crossing over the Sava near Belgrade
  • Josef Eberz
    • Fights, folder with 15 lithographs, collection Gerhard Schneider / Bürgerstiftung Solingen
  • Erich Erler
    • Nocturnal approach of the reserves, etching 48.4 × 33 cm, Bavarian Army Museum
    • Approaching the position, etching 50 × 33.3 cm, Bavarian Army Museum
    • Help us win! 1917, color lithograph
    • War Loan poster, 1917, color lithograph

F.

  • Erich after work
    • Returnees, 1918, woodcut, (cover picture of "Hindurch", Fritz Heyder Verlag, Berlin 1918)
  • Otto Fischer-Trachau
    • Givenchy 1916 (dead Franzmann in wire entanglement), 1916, tempera, Gerhard Schäfer collection
    • Surprising hand grenade attack on the Gießlerhöhe, spring 1916, 1916, tempera, Gerhard Schäfer collection
    • Available from Givenchy, spring 1916, 1917, tempera, Gerhard Schäfer collection
    • The heavy fighting near Laffaux in April 1917, 1917, tempera in black, Gerhard Schäfer collection
    • April 16 near Laffaux, 1917, tempera in black, Gerhard Schäfer collection
  • Richard Flockenhaus
    • Battlefield (dead field on the Aisne), 1918/23, etching, Gerhard Schneider collection
    • The Expellees, 1918/23, etching, Gerhard Schneider Collection
  • Erich Fraaß
    • Half figure with raised head, around 1918, India ink drawing, Gerhard Schneider Collection
Fritz Fuhrken: English tank offensive of August 8, 1918 near Amiens / Somme and the day of capture. Watercolor was created in 1918 at Camp Colsterdale / Yorkshire.
Fritz Fuhrken: In the shell fire , fighting on the Somme 1918. Watercolor (Futorism) was created in April 1919, Camp Colsterdale / Yorkshire.
  • Fritz Fuhrken
    • Grenade hits tanks, 1918, watercolor
    • Destroyed City, 1918, watercolor, Gerhard Schneider Collection
    • In the shell fire, 1919, watercolor

G

Walter Georgi: Georgis field postcard series for Bahlsen: "Pioneers in bridge building"
  • Willi Geiger
    • Before the evacuation, pencil on paper, 27.2 × 21 cm, 1916, Bavarian Army Museum
    • Seriously wounded, pencil on paper, 20.5 × 29.3 cm, 1918, Bavarian Army Museum
    • A shot balloon, pencil on paper, 20.5 × 29.2 cm, Bavarian Army Museum
  • Walter Georgi
    • Transporting the wounded, charcoal with tempera on paper, 33.5 × 48.9 cm, 1914, Bavarian Army Museum
    • Pioneers in bridge building, template for field postcard
  • Andreas Gering
    • The relay, 1917 lithograph
    • Death bells, 1917, color etching, Gerhard Schneider collection
    • Death on the battlefield, around 1917, etching, Gerhard Schneider Collection
  • George grosz
    • Das Geschoß, 1915, ink on paper, 24.8 × 19.9 cm, whereabouts undetermined.
    • Explosion, 1917, oil on panel, 47.8 × 68.2 cm, Museum of Modern Art , New York.
    • Dead soldiers on a battlefield, 1915, lithograph, 24.5 × 31.7 cm, whereabouts undetermined.

H

  • Karl Hayd
    • Austrian hunters during the fair in Neu Sandec, oil on cardboard, 35.9 × 49.5 cm, December 13, 1914, Bavarian Army Museum
    • Sturm am Werk Serada, oil on canvas, 103 × 134.5 cm, 1916, Bavarian Army Museum
    • Austrian field blacksmiths, oil on cardboard, 49.5 × 70.2 cm, 1916, Bavarian Army Museum
    • Austrian field bakery, oil on cardboard, 50 × 69.5 cm, Bavarian Army Museum
  • Hans von Hayek ( war painter )
    • At the town hall in Munich when war was declared, pencil on paper, 35.3 × 27.4 cm, August 1914, Bavarian Army Museum , Ingolstadt
    • Combat area on the Vimy-Höhe, oil on canvas, 70 × 100 cm, October 3, 1914, Bavarian Army Museum, Ingolstadt
    • Trenching at Givenchy, charcoal watercolor on paper, 48 × 63.5 cm, February 1915, Bavarian Army Museum, Ingolstadt
    • Captive balloon near Frénois, oil on cardboard, 27.8 × 43 cm, 1915, Bavarian Army Museum, Ingolstadt
    • Air battle north of Arras, white pencil heightened on paper, 38.2 × 62.5 cm, Bavarian Army Museum, Ingolstadt
    • Soldiers' funeral at Metz en couture, watercolor, pastel chalk on paper, 40.1 × 55.4 cm, Bavarian Army Museum, Ingolstadt
    • French prisoners in the citadel of Lille, pencil on paper, 33.9 × 49 cm, Bavarian Army Museum, Ingolstadt
    • French prisoners from the Battle of the Somme, oil on panel, 45 × 70 cm, Bavarian Army Museum, Ingolstadt
    • Rearguard battle in a village near Bapaume, watercolor, drawing on paper, 47 × 72 cm, December 1916, Bavarian Army Museum, Ingolstadt
    • March into the Battle of the Somme, oil on canvas, 1916, Bavarian Army Museum, Ingolstadt
    • View of St. Quentin, white pencil heightened on paper, 36.4 × 50.7 cm, June 1917, Bavarian Army Museum, Ingolstadt
    • Hospital in the Bernot Church, watercolor, charcoal on paper, 32.1 × 49.2 cm, June 13, 1917, Bavarian Army Museum, Ingolstadt
    • Positions on the Putna, pencil on watercolor, 35.5 × 49 cm, September 26, 1917, Bavarian Army Museum, Ingolstadt
    • Suburb of Peronne, oil on cardboard, 27 × 42.7 cm, 1918, Bavarian Army Museum, Ingolstadt
    • Difficult supplies in the war zone, watercolor, charcoal on paper, 36 × 50.3 cm, March 1918, Bavarian Army Museum, Ingolstadt
    • Destroyed tank near Moeuveres, charcoal on paper, 31.5 × 48.5 cm, April 3, 1918, Bavarian Army Museum, Ingolstadt
    • Flak gun near Klymoten, pencil on paper, 28.4 × 40 cm, May 29, 1918, Bavarian Army Museum, Ingolstadt
    • Aircraft observation with anti-aircraft gun, tempera on paper, 23.8 × 31.5 cm, May 1918, Bavarian Army Museum. Ingolstadt
    • Airplanes on a runway near Guesnain, pencil on paper, 29.7 × 45.5 cm, March 11, 1918, Bavarian Army Museum, Ingolstadt
    • Airfield near Guesnain, charcoal on paper, 29.5 × 45.8 cm, March 11, 1918
    • German wounded on the march back, watercolor, pencil on paper, 33.5 × 47.2 cm, Bavarian Army Museum, Ingolstadt
    • On the heights of Givenchy, charcoal watercolor on paper, 36.7 × 46.8 cm, Bavarian Army Museum, Ingolstadt
    • Evacuation of residents of a bombarded village, charcoal heightened with white on paper, 36.6 × 55 cm, Bavarian Army Museum, Ingolstadt
    • Beaurains Castle near Arras, oil on canvas, 64 × 81.3 cm, Bavarian Army Museum, Ingolstadt
    • Promenade concert near Courrières, watercolor, chalk on paper, 39.7 × 32.9 cm, Bavarian Army Museum, Ingolstadt
    • Fire attack near Armentières, oil on canvas, 46 × 61 cm, Bavarian Army Museum, Ingolstadt
    • St. Laurent-Blangy, oil on cardboard, 27.2 × 43 cm, Bavarian Army Museum, Ingolstadt
  • Paul Hermann
    • Zeit, 1915, mezzotint from: Das Land Goethe, 1916
Anton Hoffmann: Individually completed form of a war chronicle based on a drawing by Hoffmann
    • German paramedics get caught in enemy fire, white wax chalk heightened on paper, 27 × 39.7 cm, Bavarian Army Museum, Ingolstadt
    • Heavy mortar in position, charcoal heightened with white on paper, 66 × 85.5 cm, 1918, Bavarian Army Museum, Ingolstadt
  • Ludwig Hohlwein
    • Public donation, around 1916, lithograph
    • A Reservist's Dream, 1915 movie poster, lithograph

J

  • Walter Jacob
    • Our military hospital in Chalmedy, 1917, pastel, Gerhard Schneider collection
  • Angelo Jank
    • Field gun in firing position, oil on canvas, 123 × 180 cm, 1915, Bavarian Army Museum, Ingolstadt
    • The KBI Heavy Rider Regiment in Sturm auf Onikschty, oil on canvas, 127 × 177 cm, 1915, Bavarian Army Museum, Ingolstadt
  • Willy Jaeckel
    • In the grenade fire, 1916, lithograph, Gerhard Schneider Collection / Solingen Community Foundation
    • Close combat, 1916, lithograph, Gerhard Schneider Collection / Solingen Community Foundation
    • Hatred, 1916, colored lithograph, Frank Brabant collection
    • Direct hit, lithograph from the portfolio Memento 1914/15
    • Erring Wounded Man, lithograph from the portfolio Memento 1914/15
    • Rape, lithograph from the portfolio Memento 1914/15
    • Dead mother and small child, lithograph from the portfolio Memento 1914/15
  • Franz M. Jansen
    • Burning city, around 1915, woodcut, Gerhard Schneider collection
    • Mass grave, around 1916, woodcut, Gerhard Schneider Collection

K

Eric Kennington: The Kensingtons at Laventie (1915)
Ernst Ludwig Kirchner: Self-portrait as a soldier
  • Eric Kennington
    • The Kensingtons at Laventie (The Kensingtons in Laventie), oil on glass, 139.7 × 154.2 cm, Imperial War Museum , London.
    • Gassed and Wounded, 1918, oil on canvas, 71.1 × 91.4 cm, Imperial War Museum, London.
  • Franz Klemmer
    • Post in front of Thélus, tempera on paper, 32 × 19.7 cm, Bavarian Army Museum, Ingolstadt
  • Wilhelm Kohlhoff
    • Urgewalt, 1917, oil on canvas, Gerhard Schneider Collection / Solingen Community Foundation
  • Willibald Krain
    • War, lithograph from the War portfolio, title page, 1916, Gerhard Schneider Collection
    • Blutrausch, lithograph from the War portfolio, 1916, Gerhard Schröder Collection
    • Rumors, lithograph from the War portfolio, 1916, Gerhard Schröder Collection
    • The flags, lithograph from the War portfolio, 1916, Gerhard Schröder Collection
    • The women, lithograph from the War portfolio, 1916, Gerhard Schröder Collection
    • Prayer for victory, lithograph from the War portfolio, 1916, Gerhard Schröder Collection
    • Sieg, lithograph from the War portfolio, 1916, Gerhard Schröder Collection
    • Curse those who taught us to kill, around 1918, drawing, private collection, Berlin
  • Bruno Krauskopf
    • Christ on the battlefield, 1916, lithograph (on: "War and Art" 1916), Gerhard Schäfer Collection

L.

George Washington Lambert: Anzac, the landing 1915
Max Liebermann: Title page of the wartime No. 1 from August 31, 1914
  • John Lavery
    • A Convoy, North Sea, 1918 (Ein convoy, North Sea, 1918), 1918, oil on canvas, 172 × 198 cm, Imperial War Museum , London.
    • The Cemetery, Etaples (Der Friedhof, Etaples), 1919, oil on canvas, 59 × 90 cm, Imperial War Museum , London.
  • Fernand Leger
    • Sapeurs (Pioneers), 1916, pencil on letter card, 17 × 12.7 cm, whereabouts undetermined.
    • La partie de cartes (The Card Game), 1917, oil on canvas, 129 × 193 cm, Kröller-Müller Museum , Otterlo.
    • La Cocarde, l'avion brisé (La Cocarde, Shattered Airplane), 1916, watercolor on paper, 23.5 × 29.5 cm, Musée national Fernand Léger, Biot.
    • Sur la route de Fleury, deux morts, 24 octobre 1916 (On the road to Fleury, two dead) 24 October 1916, Indian ink on a postcard, 12 × 8.25 cm, whereabouts undetermined.
  • Ernst Liebermann
    • Observation post in the trenches near Hurtebise, pencil on paper 43.7 × 33.7 cm, June 20, 1915, Bavarian Army Museum , Ingolstadt
    • Ailles (Chemin des dames), oil on canvas, 75 × 85 cm, Bavarian Army Museum, Ingolstadt
    • Siberian infantryman, 1916, drawing
  • Max Liebermann
    • Speech of the Emperor, lithograph for the first edition of the wartime August 31, 1914, title page
    • March, March, Hurray !!, wartime lithograph No. 18/19, December 24, 1914, title page
    • Drumming soldier, wartime lithograph No. 38, May 5, 1915
    • Sailor (My Blue Boys), 1915, lithograph

M.

Fighting forms by Franz Marc
  • Helmuth Macke
    • French prisoners of war, 1916, gouache, Frank Brabant collection
  • Franz Marc
    • Fighting forms, 1914, canvas, Neue Pinakothek Munich (is interpreted by some art historians as a premonition of war)
  • André Mare
    • Autoportrait (self-portrait), 1916, 2nd issue, page 7, ink and watercolor on paper, Historial de la Grande Guerre , Péronne.
    • Le canon de 280 camouflé (28 cm camouflaged cannon), ink and watercolor, 2nd issue, Historial de la Grande Guerre, Péronne.
    • La position du canon (gun emplacement), Indian ink and watercolor, 5th issue, Historial de la Grande Guerre, Péronne.
    • L'orme de Vermezeele (Elm near Vermezeele), Indian ink and watercolor, 4th issue, Historial de la Grande Guerre, Péronne.
    • La tranchée de Zillebecke, bois du sanctuaire, May 29, 1916 (Der Zillebeck-Graben), May 29, 1916, 5th issue, watercolor, Historial de la Grande Guerre, Péronne.
  • Franz Markau
    • Firing grenade, 1916, charcoal drawing, Gerhard Schneider Collection / Solingen Community Foundation
  • Frans Masereel
    • Debout les morts, Résurrection infernale (The infernal resurrection of the dead), 1917, xylography , 14 × 11 cm, Musée d'histoire contemporaine - BDIC, Paris.
  • Ludwig Meidner
    • Apocalyptic City, 1913, oil on canvas, Westphalian Museum for Art and Cultural History, Münster
    • Crescent Moon Landscape, 1916, oil on canvas, Ostdeutsche Galerie Regensburg
    • September cry: Squatting Prophet, 1918, lithograph, Gerhard Schäfer Collection / Solingen Community Foundation
    • September cry: Frightened fleeing, 1918, lithograph, Gerhard Schäfer collection
  • Moriz Melzer
    • Field kitchen, 1914, monotype, Gerhard Schneider Collection / Solingen Community Foundation
    • To a fallen friend, 1915, lithograph, Gerhard Schneider Collection
    • Heavy artillery, 1915, lithograph, Gerhard Schneider collection
  • Luc-Albert Moreau
    • Octobre 1917, attaque du Chemin des Dames (October 1917, attack on the Chemin des Dames), 1917, Indian ink, Musée d'histoire contemporaine - BDIC, Paris.
  • Wilhelm Morisse
    • Memorial sheet for the bereaved in the Grand Duchy of Oldenbourg, 1914, lithograph
    • View over the battlefield near Lasowa, 1916, colored drawing

N

  • John Nash
    • Over the Top, oil on canvas, 79.4 × 107.3 cm, Imperial War Museum, London.
    • Oppy Wood, 1917. Evening, 1917, oil on canvas, 182.8 × 213.3 cm, Imperial War Museum , London.
Paul Nash: Spring in the Trenches , 1918
    • Spring in the Trenches, oil on canvas, 60.9 × 50.8 cm, Imperial War Museum, London
    • A Howitzer Firing, oil on canvas, 71 × 91 cm, Imperial War Museum, London
    • Night Bombardment, 1918–19, oil on canvas, 182.9 × 214.4 cm, National Gallery of Canada , Ottawa.
    • The Ypres Salient at Night, 1917-18, oil on canvas, 71.1 × 91.4 cm, Imperial War Museum, London.
    • Void, 1918, oil on canvas, 71.4 × 91.7 cm, National Gallery of Canada, Ottawa.
    • The Menin Road (The Road to Menen), 1919, oil on canvas, 183 × 318 cm, Imperial War Museum, London.
  • Christopher Nevinson
    • Machine-gun (The Machine Gun), 1915, oil on canvas, 61 × 50.8 cm, Tate Gallery , London.
    • French Troops Resting, 1916, oil on canvas, 71 × 91.5 cm, Imperial War Museum , London.
    • Returning to the Trenches, 1914–15, oil on canvas, 51 × 76 cm, National Gallery of Canada , Ottawa.
    • A Bursting Shell, 1915, oil on canvas, 76.2 × 55.9 cm, Tate Gallery, London.
    • Explosion, 1916, oil on canvas, 61 × 45.8 cm.
    • A Taube, 1916–17, oil on canvas, 63.5 × 76.2 cm, Imperial War Museum , London.
    • The Harvest of Battle, 1919, oil on canvas, 182.8 × 317.8 cm, Imperial War Museum , London.
    • La Patrie, (Fatherland), 1916, oil on canvas, 60.8 × 92.5 cm, City Museum and Art Gallery, Birmingham.
    • Paths of Glory, 1917, oil on canvas, 45.7 × 61 cm, Imperial War Museum , London.
Ernst Oppler: "War sewing room", 1914

O

  • Louis Oppenheim
    • Call for Metal Collecting, 1916, lithography
    • Anyone who signs war bonds gives me the best birthday present, 1917, lithograph
  • Ernst Oppler
    • Sewing room, 1914, lithograph
    • View of Lille after the bombing in World War I, lithograph
    • Soldiers and Jews, drawing
    • Behind the front of the Imperial German Southern Army (illustrated book with lithographs), 1915
William Orpen: Dead Germans in a Trench

P

Max von Poosch: Combat squadron D3 over the Brenta group
Max von Poosch: Shot down enemy aircraft.
  • Max Pechstein
    • Explosion, 1917, etching, Gerhard Schneider Collection
  • Pablo Picasso
    • Guillaume de Kostrowitzky, artilleur (Guillaume de Kostrowitzky, artilleryman), 1914, ink and watercolor on paper, 23 × 12.5 cm, Succession Picasso.
    • Apollinaire blessé (The Wounded Apollinaire), 1916, pencil on paper, 48.8 × 30.5 cm, Succession Picasso
  • Max von Poosch
    • Combat squadron D3, above the Brenta Group, 1917, 100 × 120 cm, Heeresgeschichtliches Museum , Vienna.
    • Shot down enemy aircraft, 1918, oil on canvas, 100 × 120 cm, Heeresgeschichtliches Museum, Vienna

R.

Theodor Rocholl: The 1st Westphalian Field Artillery Regiment No. 7 in the autumn battle near La Bassée-Loos on September 25, 1915 (detail of a painting from 1917 based on a sketch "on the spot" )
  • Max Rabes
    • Russian destruction in Tapiau, chalk heightened with white on paper, 29.4 × 24.6 cm, October 7, 1914
    • Destroyed bridge near Tapiau, tempera on paper, 24 × 30.8 cm, October 7, 1914
    • Destroyed main street in Ortelsburg, chalk on paper, 26.2 × 33.1 cm, October 16, 1914
    • Before Verdun, oil on canvas, 125.5 × 164.5 cm, 1916 (?)
    • Feast of Mary in St. Gudule Cathedral in Brussels, charcoal and ink, heightened with white, 66.8 × 49.9 cm, 1916
    • Gas night in Lombartzyde, oil on canvas, 80 × 100 cm, 5./6. October 1916
    • Burial in Flanders, oil on canvas, 96 × 139 cm, October 1916
    • At the grave mirror, oil on canvas, 65 × 46 cm, October 1916
    • Ruins of Westende-Dorf, oil on canvas, 77.5-92.5 cm, October 1916
    • Gas attack, oil on canvas, 60 × 57 cm,
    • Dinant, tempera on paper, 50 × 66.2 cm
  • William Roberts
    • The First German Gas Attack at Ypres, 1918, oil on canvas, 304.8 × 365.8 cm, National Gallery of Canada , Ottawa.
    • A Shell Dump, France (ammunition depot), France, 1918–19, oil on canvas, 182.8 × 317.8 cm, Imperial War Museum, London.
  • Theodor Rocholl
    • Field furnace in the trenches, 1914, mixed media, Hofgeismar City Museum
    • Wounded soldiers with paramedics, 1915, gouache, Hofgeismar City Museum
    • German dead and wounded in a trench, 1914, watercolor, Hofgeismar City Museum
    • Shattered railway wagon, 1915, watercolor, Hofgeismar City Museum
    • Soldier with wounded comrades, 1916, mixed media, Hofgeismar City Museum
    • Firing of the field kitchen, 1917, oil on cardboard,
    • Spring Offensive by German Soldiers, 1918, oil on canvas, Hofgeismar City Museum
    • Mounted artillerymen on the march, 1919, oil on canvas, Hofgeismar City Museum
    • Between Damwillers and Azannes ("From my sketchbook"), 1917, watercolor, Hofgeismar City Museum
  • Hans Röhm
    • Michel strike, create 'peace and quiet', 1914, drawing (from: "Kunstwart", November 1914)

S.

John Singer Sargent: Gassed - famous portrayal of victims of a gas attack
Wilhelm Sauter: Serre ( Somme ) 1916
Egon Schiele: Russian prisoner of war
Theophile Steinlein: Save serbia
  • John Singer Sargent
    • Gassed (Poison Gas Victims: The First Aid Station at Le Bac-de-Sud on Doullens-Arras Street, August 1918), 1918–19, oil on canvas, 2310 × 6111 cm, Imperial War Museum, London.
    • A Street in Arras, 1918, watercolor, 39 × 52 cm, Imperial War Museum, London.
  • Wilhelm Sauter
    • Dance of Death (1917-1918)
    • Trench Post in the Fire (1928)
    • Meal Holer (1931)
    • In the trench (1932)
    • Endless Road (1934)
    • The Good Comrade (1934)
    • Water Drinker (1936)
    • Hero's Shrine (1936)
    • The Baden Grenadiers in the Battle of Cambrai (1938)
    • Front soldier (1938)
    • Two ways (1939)
    • The Eternal Musketeer (1940)
    • Serre ( Somme ) 1916 (around 1942), oil tempera
    • Buried
    • encounter
    • The Serre Cross
    • About dawn
    • The dead comrade
    • Detector
    • Endless road
  • Lino von Schaurath
    • Donates gifts of love for our troops in the field, 1914/15, color lithograph
  • Wilhelm Schnarrenberger
    • Announcement of the state of war on July 31, 1914, lithograph, Gerhard Schneider Collection / Solingen Community Foundation
  • Robert Schneider
    • Verdun cycle, 2001/2, charcoal on cardboard, 150 × 102.5 cm (40 drawings from the work area "Reflection of the Century")
      Robert Schneider Verdun No. 38, steel helmet with bullet hole and grenade half, 2002
  • Otto Schubert
    • Arocourt (soldier with hand grenade between barbed wire), around 1916, charcoal drawing, Gerhard Schneider collection
    • The suffering of horses in war, 1917 (portfolio with 12 lithographs, including fear, shell fire, death)
  • Felix Schwormstädt
    • Launch of the “Hindenburg”, 1915, oil on canvas, City of Wilhelmshaven
  • Paul Segieth
    • Battle ground in front of Souville (Verdun), pencil on paper, 30 × 38.8 cm, September 3, 1916
    • Barrage near Douaumont, oil on canvas, 92.5 × 125 cm, September 1916
    • Fire protection against enemy gases at Fort Douaumont, tempera on paper, 26.7 × 37.3 cm, 1916
    • Post in front of a tunnel entrance in Combres-Höhe, 32.8 × 26.8 cm, 1916
    • A tunnel in the Combreshöhe, tempera on paper, 32.4 26.4 cm, 1916
    • Road construction by German Landsturm troops near Kriwoschin, tempera on paper, 26.6 × 37.2 cm, 1917
  • Gino Severini
    • Synthèse plastique de l'idée Guerre (plastic synthesis of the term war), 1915, 60 × 50 cm, State Gallery of Modern Art , Munich / Augsburg.
    • Train blindé en action (Panzerzug in Aktion), 1915, oil on canvas, 115.8 × 88.5 cm, Museum of Modern Art , New York.
    • Canon en action (cannons in action), 1915, oil on canvas, 50 × 60 cm, Museum Ludwig , Cologne.
    • Le train-hopital (The Hospital Train), 1915, oil on canvas, 117 × 90 cm, Stedelijk Museum , Amsterdam.
  • Max Slevogt
    • Battlefield, drawing on wood (cut by R. Hoberg, from the calendar, "Art and Life"), 1916
  • Stanley Spencer
    • Travoys Arriving with Wounded at a Dressing Station at Smol, Macedonia, September 1916 (Wounded men in Smol, Macedonia, September 1916), 1919, oil on canvas, 183 × 218.5 cm, Imperial War Museum , London.
    • The Resurrection of the Soldiers, 1928–29, oil on canvas, Sandham Memorial Chapel, Burghclere.
  • Rudolf Stark (aviator)
    • Air battle over Verdun, oil on canvas, 81 × 101 cm, 1916
    • View of a German fighter plane in a dogfight, oil on cardboard,
    • German pilots fighting British tanks near Foucaucourt, oil on canvas 80 × 100 cm, 23 August 1918
  • Fritz Steisslinger
    • Soldier on the lookout, around 1915, oil on paper
    • Studies from the shelter, 1917, oil on canvas
    • Study sheet, 1917, red chalk drawing
    • Soldiers in the trenches, 1917, red chalk drawing
  • Hans Stubenrauch
    • Before Arras, colored pencil and pastel, 41.5 × 32.8 cm, 1917,

T

  • Eduard Thöny
    • Austrian artillery column near Gorizia, charcoal on paper, 30 × 55 cm, Bavarian Army Museum Ingolstadt
    • Tyrolean Standschützen, Bavarian Army Museum Ingolstadt
    • Resting German infantry, oil on canvas, 75.5 × 69 cm, Bavarian Army Museum Ingolstadt

U

  • Curt Ullrich
    • Corpse burial of Captain Adolf Ritter von Tutschek in Marsous-Lâon, March 17, 1918, pencil on paper, 49.5 × 64.5 cm, Bavarian Army Museum Ingolstadt
  • Otto Ubbelohde
    • War Loan poster, 1917, lithograph
    • Illustration for the "war edition" of the calendar "Hessen-Kunst" 1914
    • 1914, lithograph 1914/15

V

Félix Vallotton: Verdun, 1917
    • Dans l'ombre (In the Dark), 1916, xylography on paper, 17.7 × 22.5 cm, Galerie Paul Vallotton, Lausanne.
    • Verdun, tableau de guerre interprété, projections colorées noires, bleues et rouges, terrains dévastés, nuées de gaz (Verdun, interpretation of the war, black, blue and red projections, devastated terrain, puffs of poison gas), 1917, oil on canvas, 114 × 146 cm, Musée de l'Armée , Paris.
    • Le Plateau de Bolante (The Plateau of Bolante), 1917, oil on canvas, Musée d'histoire contemporaine - BDIC, Paris.
    • L'église de Souain en silhouette (Silhouette of the Church of Souain), 1917, oil on canvas, 97 × 130 cm, National Gallery of Art , Washington.
    • Les barbelés (barbed wire), 1916, xylography, 25.2 × 33.5 cm, Galerie Paul Vallotton, Lausanne.
    • Le cimetière de Châlons-sur-Marne (The Châlons-sur-Marne Cemetery), 1917, oil on canvas, 54 × 80 cm, Musée d'histoire contemporaine - BDIC, Paris.
  • Jacques Villon
    • L'entonnoir en Champagne (Funnel in Champagne), ink on paper, Musée d'histoire contemporaine - BDIC, Paris.
Heinrich Vogeler: The pouring out of the seven bowls of anger , etching, 1918
Heinrich Vogeler: The suffering of women in war or mourning women , 1918
    • Mühle bei Kowel, 1915, pencil and oil on cardboard
    • Young woman from Galicia, 1915, pen drawing
    • Am Styr, around 1915, oil on canvas
    • Weeping women, around 1915, pen drawing
    • Luck, 1915, oil on cardboard, Friederich Netzel Art Foundation, Worpswede
    • Gun in position (Carpathian Mountains), 1915, pen drawing
    • Machine gun of the snowshoe company, 1915, pen drawing
    • Artillery observation in the Carpathian Mountains, in front General von Gerok, 1915, pen drawing
    • Figure studies (Dolina), around 1915, pencil / colored pencil drawing
    • Homestead near Lissowo, around 1915
    • Wyszkow, around 1915, pencil drawing
    • Farmer in the Rokitno Marshes, pen drawing
    • The Village of Tailly, around 1916, oil on cardboard
    • Village Talks in Russia, around 1916, oil on cardboard
    • The Suffering of War, 1916, oil on canvas, Kulturstiftung Landkreis Osterholz
    • The Outpouring of the Seven Bowls of Wrath, etching, 1918
    • The suffering of women in war or mourning women, 1918
  • Edouard Vuillard
    • Interrogatoire d'un prisonnier (interrogation of a prisoner), 1917, glue paint on paper, laid down on canvas, 110 × 75 cm, Musée d'histoire contemporaine - BDIC, Paris.
    • Usine de fabrication d'armement à Lyon: La Forge (An ammunition factory in Lyon: The smithy), 1917, tempera on canvas, 75 × 154 cm, Musée d'art moderne, Troyes .

W.

  • Edward Alexander Wadsworth
    • Dazzle-ships in Drydock at Liverpool, 1919, oil on canvas, 304.8 × 243.8 cm, National Gallery of Canada, Ottawa.
  • Evarist Adam Weber
    • Sturm, 1915, woodcut, Gerhard Schneider Collection / Solingen Community Foundation
    • After the storm, 1915, woodcut, Gerhard Schneider Collection / Solingen Community Foundation
    • Direct hit, woodcut, Gerhard Schneider Collection / Solingen Community Foundation
  • Bernhard Winter
    • Jump up, march, march !, 1914, oil on canvas
    • The war seeds, 1915, oil on canvas
  • Aloys Wach
    • Prelude, around 1917, etching from the portfolio Totentanz 1914
    • The grenade, around 1917, etching from the portfolio Totentanz 1914
    • Collapse, around 1917, etching from the portfolio Totentanz 1914
    • Indians at the campfire, around 1917, etching from the folder Totentanz 1914
    • The seducer, around 1917, etching from the portfolio Totentanz 1914
  • Albert Weisgerber
    • Lamenting Jeremias in front of the ruins, 1912, oil on canvas, Museum St. Ingbert, Albert Weisgerber Foundation
  • Georg Wolf
    • Trench in front of shot-up houses in Charonne, 1916, watercolor, Sabatier art trade, Verden
    • Observation post at Chevreus, oil on cardboard, Sabatier art trade, Verden
    • Soldier on guard on the Aisne, 1916, oil on cardboard, Sabatier art trade, Verden
    • Six-horse carriage in a shell fire, 1916, watercolor, Sabatier art dealer, Verden
    • Wounded horse after the attack by the Moors, around 1916, watercolor, Sabatier art trade, Verden

Z

Ernst Zimmer: Scout combat
  • Ossip Zadkine
    • Loude, 1916, ink and watercolor on paper, 26 × 33.5 cm, Musée d'histoire contemporaine - BDIC, Paris.
    • Ambulance russe (Russian ambulance), 1917, charcoal on paper, 25.5 × 33 cm, Musée d'histoire contemporaine - BDIC, Paris.
  • Heinrich Zille
    • Potato standing (from: Der Bildermann), 1916
    • The Iron Cross
  • Ernst Zimmer ( war painter )
    • Transporting wounded soldiers, tempera on paper, 16.1 × 23.5 cm, Bavarian Army Museum Ingolstadt
    • The Emperor awards the Heroes of Novo-Georgiewsk the Iron Cross
    • Scout battle

See also

literature

Web links

Individual evidence

  1. ↑ http://www.bilder-geschichte.de/ns-kunst.htm
  2. ↑ Exhibition catalog 1940 from the House of German Art in Munich