Young Vic: Difference between revisions

Coordinates: 51°30′12″N 0°06′27″W / 51.50323°N 0.10748°W / 51.50323; -0.10748
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{{Short description|Theatre in Waterloo, London}}
{{Use dmy dates|date=November 2012}}
{{Use British English|date=March 2023}}
{{Infobox Theatre
{{Use dmy dates|date=March 2023}}
{{Infobox theatre
| name = Young Vic
| name = Young Vic
| image = Young Vic theatre London sept 07.jpg
| image = Young Vic theatre London sept 07.jpg
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| architect = [[Haworth Tompkins]]
| architect = [[Haworth Tompkins]]
| owner = The Young Vic Company
| owner = The Young Vic Company
| capacity = 420 Main house<br>150 ''Maria'' (studio)<br>70 ''Clare'' (studio)
| capacity = 420 Main house<br />150 ''Maria'' (studio)<br />70 ''Clare'' (studio)
| type = Non-commercial resident company
| type = Non-commercial resident company
| opened = {{Start date and age|1970}}
| opened = {{Start date and age|1970}}
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}}
}}


The '''Young Vic''' '''theatre''' is a performing arts venue located on [[The Cut (London)|The Cut]], near the [[South Bank]], in the [[London Borough of Lambeth]].
The '''Young Vic Theatre''' is a performing arts venue located on [[The Cut (London)|The Cut]], near the [[South Bank]], in the [[London Borough of Lambeth]].


The Young Vic was established by [[Frank Dunlop (director)|Frank Dunlop]] in 1970. [[Kwame Kwei-Armah]] has been Artistic Director since February 2018,<ref>{{Cite news|url=https://www.theguardian.com/stage/2017/sep/26/kwame-kwei-armah-named-new-artistic-director-of-young-vic|title=Kwame Kwei-Armah named new artistic director of Young Vic|last=Ellis-Petersen|first=Hannah|date=2017-09-26|work=The Guardian|access-date=2019-10-02|language=en-GB|issn=0261-3077}}</ref> succeeding [[David Lan]].
The Young Vic was established by [[Frank Dunlop (director)|Frank Dunlop]] in 1970. [[Kwame Kwei-Armah]] has been Artistic Director since February 2018,<ref>{{Cite news|url=https://www.theguardian.com/stage/2017/sep/26/kwame-kwei-armah-named-new-artistic-director-of-young-vic|title=Kwame Kwei-Armah named new artistic director of Young Vic|last=Ellis-Petersen|first=Hannah|date=26 September 2017|work=The Guardian|access-date=2 October 2019|language=en-GB|issn=0261-3077}}</ref> succeeding [[David Lan]].


==History==
==History==
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In the period after World War II, a Young Vic Company was formed in 1946 by director [[George Devine]]<ref>''The Theatres of George Devine'' by Irving Wardle, Cape 1978 {{ISBN|0-224-01415-3}}</ref> as an offshoot of the [[Old Vic]] Theatre School for the purpose of performing classic plays for audiences aged nine to fifteen.
In the period after World War II, a Young Vic Company was formed in 1946 by director [[George Devine]]<ref>''The Theatres of George Devine'' by Irving Wardle, Cape 1978 {{ISBN|0-224-01415-3}}</ref> as an offshoot of the [[Old Vic]] Theatre School for the purpose of performing classic plays for audiences aged nine to fifteen.


This was discontinued in 1948 when Devine and the entire faculty resigned from the Old Vic, but in 1969 [[Frank Dunlop (director)|Frank Dunlop]] became founder-director of The Young Vic theatre with [Scapino], his free adaptation of [[Molière]]'s ''[[Les Fourberies de Scapin|The Cheats of Scapin]]'', presented at the new venue as a National Theatre production, opening on 11 September 1970 and starring [[Jim Dale]] in the title role with designs by [[Carl Toms]] (decor) and [[Maria Björnson]] (costumes).<ref>Frank Dunlop's CV for ''Who's Who in the Theatre'' 17th edition, Gale (1981). {{ISBN|0-8103-0235-7}}</ref>
This was discontinued in 1948 when Devine and the entire faculty resigned from the Old Vic, but in 1969 [[Frank Dunlop (director)|Frank Dunlop]] became founder-director of The Young Vic theatre with ''Scapino'', his free adaptation of [[Molière]]'s ''[[Les Fourberies de Scapin|The Cheats of Scapin]]'', presented at the new venue as a National Theatre production, opening on 10 September 1970 and starring [[Jim Dale]] in the title role with designs by [[Carl Toms]] (decor) and [[Maria Björnson]] (costumes).<ref>Frank Dunlop's CV for ''Who's Who in the Theatre'' 17th edition, Gale (1981). {{ISBN|0-8103-0235-7}}</ref>


Initially part of the [[Royal National Theatre|National Theatre]], the Young Vic Theatre became an independent body in 1974.<ref>''The Oxford Companion to the Theatre'', OUP (1983). {{ISBN|0-19-211546-4}}</ref>
Initially part of the [[Royal National Theatre|National Theatre]], the Young Vic Theatre became an independent body in 1974.<ref>''The Oxford Companion to the Theatre'', OUP (1983). {{ISBN|0-19-211546-4}}</ref>
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==Young Vic Theatre==
==Young Vic Theatre==
[[File:Young Vic Theatre, Southwark.jpg|thumb|right|Young Vic Theatre, [[Southwark]]]]
[[File:Young Vic Theatre, Southwark.jpg|thumb|right|Young Vic Theatre, [[Southwark]]]]
Frank Dunlop completed creation of the theatre venue in 1970, a breeze-block building on The Cut constructed out of a former butcher's shop and an adjacent bomb-site. It was intended to last for five years, but has become permanent.
Frank Dunlop completed creation of the theatre venue in 1970, a breeze-block building on The Cut constructed out of a former butcher's shop and an adjacent bomb-site with bold gloss red wooden slat auditorium bench seating. The structure was intended to last for five years, but has become permanent.


The auditorium, with a [[thrust stage]], has an approximate capacity of 420, although the configuration and capacity can vary depending on the design of each production.
The auditorium, with a [[thrust stage]], has an approximate capacity of 420, although the configuration and capacity can vary depending on the design of each production.


In addition to the Young Vic's main house, there are now two smaller theatre spaces. The Maria, named after theatre designer Maria Björnson, is the larger of the two with a capacity of 150. The Clare, named after the former artistic director of the [[Sheffield Crucible]], [[Clare Venables]],<ref>{{cite web|url=https://www.theguardian.com/news/2003/oct/20/guardianobituaries.artsobituaries|title=Obituary: Clare Venables|first=Robin|last=Thornber|date=20 October 2003|website=the Guardian|accessdate=3 April 2018}}</ref> seats 70. Like the main house, both smaller theatres have flexible seating configurations which can be arranged to suit the production design. In the two smaller auditoriums seating is usually unreserved, with the actors performing in close proximity to the audience.<ref>{{cite web|url=http://www.youngvic.org/visit-us/what-to-expect|title=What to Expect|publisher=Young Vic|accessdate=1 December 2011}}</ref>
The Theatre undertook a significant rebuilding and renewal project in the 2000s, designed by architects Haworth Tompkins, boosting its visibility on The Cut. In addition to the Young Vic's main house, there are now two smaller theatre spaces. The Maria, named after theatre designer Maria Björnson, is the larger of the two with a capacity of 150. The Clare, named after a former artistic director of the Young Vic and [[Sheffield Crucible]], [[Clare Venables]],<ref>{{cite web|url=https://www.theguardian.com/news/2003/oct/20/guardianobituaries.artsobituaries|title=Obituary: Clare Venables|first=Robin|last=Thornber|date=20 October 2003|website=The Guardian|access-date=3 April 2018}}</ref> seats 70. Like the main house, both smaller theatres have flexible seating configurations which can be arranged to suit the production design. In the two smaller auditoria seating is usually unreserved, with the actors performing in close proximity to the audience.<ref>{{cite web|url=http://www.youngvic.org/visit-us/what-to-expect|title=What to Expect|publisher=Young Vic|access-date=1 December 2011}}</ref>


The Young Vic primarily performs classic plays, but often in innovative productions. Many well-known actors have worked at the Young Vic including [[Ian Charleson]], who made his memorable professional debut with the Young Vic 1972–74, and who played Jimmy Porter in ''[[Look Back in Anger]]'' and Hamlet in the first revival of [[Tom Stoppard|Stoppard]]'s ''[[Rosencrantz and Guildenstern Are Dead]]'' in 1973. Others include [[Vanessa Redgrave]], [[Helen Mirren]], [[Judi Dench]], [[Timothy Dalton]], [[Robert Lindsay (actor)|Robert Lindsay]], [[Willard White]], [[John Malkovich]], [[Michael Sheen]] and [[Arthur Lowe]].
The Young Vic performs both new writing and classic plays, the latter often in innovative productions. Despite its small size, like the Almeida Theatre, the Young Vic attracts well-known actors since its creation. These have included [[Ian Charleson]], who made his memorable professional debut with the Young Vic 1972–74, and who played Jimmy Porter in ''[[Look Back in Anger]]'' and Hamlet in the first revival of [[Tom Stoppard|Stoppard]]'s ''[[Rosencrantz and Guildenstern Are Dead]]'' in 1973,[[Vanessa Redgrave]], [[Helen Mirren]], [[Judi Dench]], [[Timothy Dalton]], [[Robert Lindsay (actor)|Robert Lindsay]], [[Willard White]], [[John Malkovich]], [[Michael Sheen]] and [[Arthur Lowe]].


Quintessential rock band [[The Who]] held free, weekly concerts at the Young Vic in early 1971 in order to rehearse what would become their masterpiece album, ''[[Who's Next]]''. One of these shows was released on the Deluxe edition of this album.
Quintessential rock band [[The Who]] held free, weekly concerts at the Young Vic in early 1971 in order to rehearse what would become their masterpiece album, ''[[Who's Next]]''. One of these shows was released on the Deluxe edition of this album.


A memorial at the theatre's south-east corner commemorates the 54 people killed in 1941 while sheltering in the cellars of the former building on the site, during [[the Blitz]].<ref>{{cite web|url=http://www.london-se1.co.uk/news/view/2785|title=Young Vic war memorial plaque rededicated|date=21 June 2007|publisher=Bankside Press|accessdate=1 December 2011}}</ref>
A memorial at the theatre's south-east corner commemorates the 54 people killed in 1941 while sheltering in the cellars of the former building on the site, during [[the Blitz]].<ref>{{cite web|url=http://www.london-se1.co.uk/news/view/2785|title=Young Vic war memorial plaque rededicated|date=21 June 2007|publisher=Bankside Press|access-date=1 December 2011}}</ref>


In 1982 the theatre hosted a ''Poetry Olympics'', where comedian [[Pat Condell]] took part.<ref>{{cite news
In 1982 the theatre hosted a ''Poetry Olympics'', where comedian [[Pat Condell]] took part.<ref>{{cite news
| first =
| last =
| title = Poets' marathon at Young Vic 'Olympics'
| title = Poets' marathon at Young Vic 'Olympics'
| work = The Times
| work = The Times
| date = 30 November 1982
| date = 30 November 1982
| accessdate = 24 March 2009
| access-date = 24 March 2009
| url = http://www.patcondell.net/page2/page10/page10.html
| url = http://www.patcondell.net/page2/page10/page10.html
}}</ref> Virginia Woolf taught at Morley College<ref>{{Cite web|last=College|first=Morley|date=|title=Morley College|url=https://www.morleycollege.ac.uk/|archive-url=|archive-date=|access-date=|website=}}</ref> from 1905, which represented the natural precursor of the Young Vic's education and community engagement programme. The latter now runs an office which accommodates and paradoxically houses the 'homeless' '''Belarus Free Theatre''', of Nikolai Khalezin, Natalia Koliada, inspiring a new feminist generation and aesthetic, with Sarah Kane's '4.48 Psychosis' performed underground, illegally in Minsk and Farringdon, in the cold cells of Clerkenwell House of Detention, a secret location in London.<ref>{{Cite web|url=https://www.bbc.co.uk/programmes/p03bcjlv|title=BBC Arts - BBC Arts, Belarus Free Theatre: 4.48 Psychosis|website=BBC}}</ref><ref>{{Cite web|url=http://exeuntmagazine.com/reviews/4-48-psychosis/|title=4.48 Psychosis}}</ref> Echoing the words of Woolf and mirroring her suicide, Kane's play benefitted from another feminist, Sue Emmas, who since the year 1993 has been Associate Director of the social engagement programme,<ref>{{Cite web|url=https://www.youngvic.org/about-us/young-vic-team|title=Young Vic Team|website=Young Vic website}}</ref><ref>{{Cite web|url=https://www.rtyds.co.uk/about-rtyds/|title=About Regional Theatre Young Director Scheme – RTYDS|website=Regional Theatre Young Director Scheme - RTYDS}}</ref><ref>{{Cite web|url=https://www.thestage.co.uk/advice/artistic-director-of-regional-theatre-young-directors-scheme-sue-emmas-be-kind|title=Artistic director of Regional Theatre Young Directors Scheme, Sue Emmas: 'Be kind'|website=The Stage}}</ref> working closely with Kwame Kwei-Armah and leads the Directors Program<ref>{{Cite web|url=https://hightide.org.uk/person/sue-emmas/|title=Sue Emmas – HighTide Theatre}}</ref> which provides initiatives for emerging directors, with emphasis on seeking out and nurturing artists from under-represented backgrounds.
}}</ref>


== Artistic Directors ==
== Artistic Directors ==
* Frank Dunlop (1968-1971, also Administrative Director)
* [[Frank Dunlop (director)|Frank Dunlop]] (1968–1971, also Administrative Director)
* Michael Bogdanov (1971-1973)
* [[Michael Bogdanov]] (1971–1973)
* David Thacker
* [[David Thacker]]
* Julia Bardsley and Tim Supple (jointly)
* [[Julia Bardsley]] and [[Tim Supple]] (jointly) (1991–1994)
* Tim Supple
* Tim Supple (1994–2000)
* David Lan (2004-2018)
* [[David Lan]] (2000–2018)
* Kwame Kwei-Armah (2018–present)
* [[Kwame Kwei-Armah]] (2018–present)


==Awards==
==Awards==
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* 2008 – [[Laurence Olivier Award]] for Best Musical Revival [[Laurence Olivier Award for Outstanding Achievement in an Affiliate Theatre]]
* 2008 – [[Laurence Olivier Award]] for Best Musical Revival [[Laurence Olivier Award for Outstanding Achievement in an Affiliate Theatre]]
* 2013 – The Critics' Circle Peter Hepple Award for Best Musical: [[The Scottsboro Boys (musical)|The Scottsboro Boys]]
* 2013 – The Critics' Circle Peter Hepple Award for Best Musical: [[The Scottsboro Boys (musical)|The Scottsboro Boys]]
* 2016 - [[Laurence Olivier Award]] for Best Revival: [[Yerma]]
* 2016 [[Laurence Olivier Award]] for Best Revival: [[Yerma]]
* 2018 - The Critics' Circle Award for Best New Play: [[The Inheritance (play)|The Inheritance]]
* 2018 The Critics' Circle Award for Best New Play: [[The Inheritance (play)|The Inheritance]]
* 2018 - [[Evening Standard Theatre Awards|Evening Standard Theatre Award]] for Best New Play: [[The Inheritance (play)|The Inheritance]]
* 2018 [[Evening Standard Theatre Awards|Evening Standard Theatre Award]] for Best New Play: [[The Inheritance (play)|The Inheritance]]
* 2019 - Screen Nation Film and TV Awards Diversity In Drama Award: Soon Gone: A Windrush Chronicle
* 2019 Screen Nation Film and TV Awards Diversity in Drama Award: Soon Gone: A Windrush Chronicle
* 2019 - Laurence Olivier Award for Best New Play: [[The Inheritance (play)|The Inheritance]]
* 2019 Laurence Olivier Award for Best New Play: [[The Inheritance (play)|The Inheritance]]


== Refurbishment 2004–06 ==
== Refurbishment 2004–2006 ==
In 2003, the Young Vic launched a campaign to raise £12.5 million for a major reconstruction of its building and closed in 2004 for work to start.
In 2003, the Young Vic launched a campaign to raise £12.5 million for a major reconstruction of its building and closed in 2004 for work to start.


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The remainder of the 1970s structure has been rebuilt to provide new [[foyer]]s, dressing rooms, two studio theatres, and workshop spaces. An award of £5 million was received from the [[Arts Council of England]].
The remainder of the 1970s structure has been rebuilt to provide new [[foyer]]s, dressing rooms, two studio theatres, and workshop spaces. An award of £5 million was received from the [[Arts Council of England]].


The Young Vic re-opened on 11 October 2006, with a production of the community opera ''[[Tobias and the Angel (Jonathan Dove)|Tobias and the Angel]]''; with music by [[Jonathan Dove]] and a libretto by [[David Lan]].<ref>[http://www.thestage.co.uk/reviews/review.php/14472/tobias-and-the-angel Review in ''The Stage''.]</ref>
The Young Vic re-opened on 11 October 2006, with a production of the community opera ''[[Tobias and the Angel (Jonathan Dove)|Tobias and the Angel]]''; with music by [[Jonathan Dove]] and a libretto by [[David Lan]].<ref>{{Cite web|url=http://www.thestage.co.uk/reviews/review.php/14472/tobias-and-the-angel|title=Review in ''The Stage''.}}</ref>


On 16 May 2007, the refurbished Young Vic won the ''[[RIBA]] London Building of the Year Award''.<ref>[http://www.riba.org/go/RIBA/About/RIBALondon_220.html RIBA London Building of the Year Award.] Retrieved 27 July 2007.</ref> Following this award, the Young Vic was also shortlisted for the ''RIBA [[Stirling Prize]]'' on 27 July 2007.<ref>[http://www.architecture.com/go/Architecture/Also/Awards_2006.html RIBA announcement online]. See also the [http://www.architecture.com/go/Architecture/Also/Awards_6251.html RIBA profile] of the Young Vic. Retrieved 27 July 2007.</ref>
On 16 May 2007, the refurbished Young Vic won the ''[[RIBA]] London Building of the Year Award''.<ref>[http://www.riba.org/go/RIBA/About/RIBALondon_220.html RIBA London Building of the Year Award.] Retrieved 27 July 2007.</ref> Following this award, the Young Vic was also shortlisted for the ''RIBA [[Stirling Prize]]'' on 27 July 2007.<ref>[http://www.architecture.com/go/Architecture/Also/Awards_2006.html RIBA announcement online]. See also the [http://www.architecture.com/go/Architecture/Also/Awards_6251.html RIBA profile] of the Young Vic. Retrieved 27 July 2007.</ref>
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A rebranding exercise by [[Sense Worldwide]] in 2010 resulted in the abandonment of its 30-year-old "sit anywhere" policy and a new strapline, "It's a big world in here".<ref>["Market Research Agency of the Year" Marketing Magazine (8 December 2010) p. 30.]</ref>
A rebranding exercise by [[Sense Worldwide]] in 2010 resulted in the abandonment of its 30-year-old "sit anywhere" policy and a new strapline, "It's a big world in here".<ref>["Market Research Agency of the Year" Marketing Magazine (8 December 2010) p. 30.]</ref>


==Notable Productions==
==Notable productions==
===March 2023 – March 2024===
* ''[[Further than the Furthest Thing]]'' by [[Zinnie Harris]], directed by Jennifer Tang
* ''untitled f*ck m*ss s**gon play'' by Kimber Lee, directed by Roy Alexander Weise
* ''[[The Homecoming]]'' by [[Harold Pinter]], directed by [[Matthew Dunster]], starring [[Jared Harris]] and [[Joe Cole (actor)|Joe Cole]]
===February 2022 – February 2023===
* ''[[The Collaboration (play)|The Collaboration]]'' by [[Anthony McCarten]], directed by [[Kwame Kwei-Armah]], starring [[Paul Bettany]] and [[Jeremy Pope]]
* ''[[Oklahoma!]]'' by [[Rodgers and Hammerstein]], directed by [[Daniel Fish]], starring [[Arthur Darvill]], [[Anoushka Lucas]] and [[Marisha Wallace]]
* ''Chasing Hares'' by Sonali Bhattacharyya, directed by Milli Bhatia
* ''[[Who Killed My Father]]'' by [[Ivo van Hove|Ivo Van Hove]] from the book by [[Édouard Louis]], directed by Ivo Van Hove, starring [[Hans Kesting]]
* ''Mandela'' by Greg Dean Borowsky, Shaun Borowsky and Laiona Michelle, directed by Schele Williams


=== February 2019 - Present ===
===July 2021 February 2022===
* ''Chasing Destiny'' by [[Ben Okri]], directed by [[Kwame Kwei-Armah]]
* ''Klippies'' by Jessica Siân, directed by Diyan Zora
* ''AI'', created and directed by Jennifer Tang and Company
* ''[[Hamlet]]'' by [[William Shakespeare]], directed by [[Greg Hersov]], starring [[Cush Jumbo]]
* ''[[Best of Enemies (play)|Best of Enemies]]'' by [[James Graham (playwright)|James Graham]], directed by [[Jeremy Herrin]], starring [[David Harewood]] and [[Charles Edwards (actor)|Charles Edwards]]
* ''Conundrum'' by Paul Anthony Morris, starring Anthony Ofoegbu


===February 2019 – March 2020===
* ''[[Jesus Hopped the 'A' Train]]'' by [[Stephen Adly Guirgis]]. Directed by [[Kate Hewitt]]
* ''[[Jesus Hopped the 'A' Train]]'' by [[Stephen Adly Guirgis]]. Directed by [[Kate Hewitt]]
* ''[[Death of a Salesman]]'' by [[Arthur Miller]]. Directed by [[Marianne Elliott (director)|Marianne Elliott]] and [[Miranda Cromwell]]
* ''[[Death of a Salesman]]'' by [[Arthur Miller]]. Directed by [[Marianne Elliott]] and [[Miranda Cromwell]]
* ''[https://www.youngvic.org/whats-on/the-american-dream-2-0 American Dream 2.0]''
* ''[https://www.youngvic.org/whats-on/the-american-dream-2-0 American Dream 2.0]''
* ''[https://www.youngvic.org/whats-on/ivan-and-the-dogs Ivan and the Dogs]'' by [[Hattie Naylor]]'''.''' Directed by Caitriona Shoobridge.
* ''[https://www.youngvic.org/whats-on/ivan-and-the-dogs Ivan and the Dogs]'' by [[Hattie Naylor]]'''.''' Directed by Caitriona Shoobridge.
* ''[https://www.youngvic.org/whats-on/bronx-gothic Bronx Gothic]'' by [[Okwui Okpokwasili]] and Peter Born
* ''[https://www.youngvic.org/whats-on/bronx-gothic Bronx Gothic]'' by [[Okwui Okpokwasili]] and Peter Born
* ''[https://www.youngvic.org/whats-on/tree Tree]'' Created by [[Idris Elba]] and [[Kwame Kwei-Armah]]
* ''[https://www.youngvic.org/whats-on/tree Tree]'' Created by [[Idris Elba]] and [[Kwame Kwei-Armah]]
* ''[[Blood Wedding]]'' by [[Federico García Lorca|Frederico Garcia Lorca]] in a new version by [[Marina Carr]]. Directed by [[Yaël Farber|Yael Farber]].
* ''[[Blood Wedding]]'' by [[Federico García Lorca]] in a new version by [[Marina Carr]]. Directed by [[Yaël Farber|Yael Farber]].
*[[Fairview (play)|''Fairview'']] by [[Jackie Sibblies Drury]]. Direction by Nadia Latif,
*[[Fairview (play)|''Fairview'']] by [[Jackie Sibblies Drury]]. Direction by Nadia Latif,


=== March 2018 - February 2019 ===
===March 2018 February 2019===

* [https://www.youngvic.org/whats-on/the-convert The Convert] by [[Danai Gurira]]. Directed by Ola Ince.
* [https://www.youngvic.org/whats-on/the-convert The Convert] by [[Danai Gurira]]. Directed by Ola Ince.
* ''[[Twelfth Night]]'' by [[William Shakespeare]]. Conceived by [[Kwame Kwei-Armah]] and [[Shaina Taub]]. Music and Lyrics by [[Shaina Taub]]. Directed by [[Kwame Kwei-Armah]] and [[Oskar Eustis]]
* ''[[Twelfth Night]]'' by [[William Shakespeare]]. Conceived by [[Kwame Kwei-Armah]] and [[Shaina Taub]]. Music and Lyrics by [[Shaina Taub]]. Directed by [[Kwame Kwei-Armah]] and [[Oskar Eustis]]
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* ''[[Oh My Sweet Land]]'' A Young Vic / Théâtre de Vidy-Lausanne co-production. Direction [[Amir Nizar Zuabi]].
* ''[[Oh My Sweet Land]]'' A Young Vic / Théâtre de Vidy-Lausanne co-production. Direction [[Amir Nizar Zuabi]].
* ''[[A View from the Bridge]]'' by [[Arthur Miller]]. Direction [[Ivo Van Hove]].
* ''[[A View from the Bridge]]'' by [[Arthur Miller]]. Direction [[Ivo Van Hove]].
* ''[[Safe House]]'' An installation by Jeremy Herbert and Gabriella Sonabend.
* ''Safe House'' An installation by Jeremy Herbert and Gabriella Sonabend.
* ''[[Red Forest]]'' Devised and performed by [[Belarus Free Theatre]].
* ''[[Red Forest]]'' Devised and performed by [[Belarus Free Theatre]].
* ''[[The Valley of Astonishment]]'' Direction [[Peter Brook]] and [[Marie-Hélène Estienne]].
* ''[[The Valley of Astonishment]]'' Direction [[Peter Brook]] and [[Marie-Hélène Estienne]].
* ''[[The Events]]'' An Actors Touring Company, Young Vic, Brageteatret & Schauspielhaus Wien Co-Production. Direction [[Ramin Gray]].
* ''[[The Events]]'' An Actors Touring Company, Young Vic, Brageteatret & Schauspielhaus Wien Co-Production. Direction [[Ramin Gray]].
* ''[[A Streetcar Named Desire (play)|A Streetcar Named Desire]]'' by [[Tennessee Williams]]. Direction [[Benedict Andrews]].
* ''[[A Streetcar Named Desire]]'' by [[Tennessee Williams]]. Direction [[Benedict Andrews]].
* ''[[My Perfect Mind]]'' created by Told By An Idiot written by Kathryn Hunter, Paul Hunter and Edward Petherbridge. Direction [[Kathryn Hunter]].
* ''[[My Perfect Mind]]'' created by Told by an Idiot written by Kathryn Hunter, Paul Hunter and Edward Petherbridge. Direction [[Kathryn Hunter]].
* ''[[The Cherry Orchard]]'' by [[Anton Chekhov]]. Direction [[Katie Mitchell]].
* ''[[The Cherry Orchard]]'' by [[Anton Chekhov]]. Direction [[Katie Mitchell]].
* ''[[A Harlem Dream]]'' by Ivan Blackstock.
* ''[[A Harlem Dream]]'' by Ivan Blackstock.
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===March 2012 – February 2014===
===March 2012 – February 2014===
* ''[[After Miss Julie]]'' A version of [[Strindberg]]’s ‘Miss Julie’ by [[Patrick Marber]]. Direction [[Natalie Abrahami]].
* ''[[After Miss Julie]]'' A version of [[Strindberg]]'s 'Miss Julie' by [[Patrick Marber]]. Direction [[Natalie Abrahami]].
* ''Minsk'' A Reply to [[Kathy Acker]]. Presented by Fuel, Belarus Free Theatre and LIFT 2012. Directed and adapted by [[Vladimir Shcherban]].
* ''Minsk'' A Reply to [[Kathy Acker]]. Presented by Fuel, Belarus Free Theatre and LIFT 2012. Directed and adapted by [[Vladimir Shcherban]].
* ''Mad About the Boy'' A new play by [[Gbolahan Obisesan]]. An Iron Shoes production in association with the Unicorn. Direction [[Ria Parry]].
* ''Mad About the Boy'' A new play by [[Gbolahan Obisesan]]. An Iron Shoes production in association with the Unicorn. Direction [[Ria Parry]].
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* ''[[The Events]]'' An Actors Touring Company, Young Vic, Brageteatret & Schauspielhaus Wien Co-Production. Direction [[Ramin Gray]].
* ''[[The Events]]'' An Actors Touring Company, Young Vic, Brageteatret & Schauspielhaus Wien Co-Production. Direction [[Ramin Gray]].
* ''[[Beauty and the Beast]]'' ONEOFUS present Beauty and the Beast in co-production with Improbable. Direction [[Phelim McDermott]].
* ''[[Beauty and the Beast]]'' ONEOFUS present Beauty and the Beast in co-production with Improbable. Direction [[Phelim McDermott]].
* ''[[The Scottsboro Boys]]'' Music & Lyrics by John Kander and Fred Ebb. Book by David Thompson. Direction & Choreography by Susan Stroman. A Catherine Schreiber & Young Vic Production.
* ''[[The Scottsboro Boys (musical)|The Scottsboro Boys]]'' Music & Lyrics by John Kander and Fred Ebb. Book by David Thompson. Direction & Choreography by Susan Stroman. A Catherine Schreiber & Young Vic Production.
* ''[[Brand New Ancients]]'' [[Kate Tempest]] and [[Battersea Arts Centre]] on Tour.
* ''[[Brand New Ancients]]'' [[Kae Tempest]] and [[Battersea Arts Centre]] on Tour.
* ''[[Happy Days]]'' by Samuel Beckett. Direction [[Natalie Abrahami]].
* ''[[Happy Days]]'' by Samuel Beckett. Direction [[Natalie Abrahami]].
* ''[[Sizwe Banzi is Dead]]'' Devised by Athol Fugard, John Kani & Winston Ntshona. Direction [[Matthew Xia]].
* ''[[Sizwe Banzi is Dead]]'' Devised by Athol Fugard, John Kani & Winston Ntshona. Direction [[Matthew Xia]].


===January 2011 – February 2012===
===January 2011 – February 2012===
* ''[[Vernon God Little]]'' Book by [[DBC Pierre]]. Adaptation Tanya Ronder. Direction [[Rufus Norris]]. With Luke Brady, [[Clare Burt]],<ref name="ExeuntVernonGodLittle">{{cite web |url=http://exeuntmagazine.com/reviews/vernon-god-little |title=Exeunt: Vernon God Little |author=Tracey Sinclair |date=8 February 2011 |work= |publisher= |accessdate=29 September 2011}}</ref> Daniel Cerqueira, Peter De Jersey, Joseph Drake, Johnnie Fiori, [[Lily James]], [[Penny Layden]], Nathan Osgood and [[Duncan Wisbey]].
* ''[[Vernon God Little]]'' Book by [[DBC Pierre]]. Adaptation Tanya Ronder. Direction [[Rufus Norris]]. With Luke Brady, [[Clare Burt]],<ref name="ExeuntVernonGodLittle">{{cite web |url=http://exeuntmagazine.com/reviews/vernon-god-little |title=Exeunt: Vernon God Little |author=Tracey Sinclair |date=8 February 2011 |access-date=29 September 2011}}</ref> Daniel Cerqueira, Peter De Jersey, Joseph Drake, Johnnie Fiori, [[Lily James]], [[Penny Layden]], Nathan Osgood and [[Duncan Wisbey]].
* ''And the Rain Falls Down'' by Fevered Sleep. Direction Sam Butler. Direction & Design David Harradine.
* ''And the Rain Falls Down'' by Fevered Sleep. Direction Sam Butler. Direction & Design David Harradine.
* ''Terminus'' by [[Mark O'Rowe]]. Direction [[Mark O'Rowe]]. With Declan Conlon, Olwen Fouere and [[Catherine Walker (actor)|Catherine Walker]].
* ''Terminus'' by [[Mark O'Rowe]]. Direction [[Mark O'Rowe]]. With Declan Conlon, Olwen Fouere and [[Catherine Walker (actor)|Catherine Walker]].
Line 183: Line 199:


===October 2009 – January 2010===
===October 2009 – January 2010===
* ''[[Annie Get Your Gun (musical)|Annie Get Your Gun]]''. Music & lyrics by [[Irving Berlin]]. Book by Herbert & [[Dorothy Fields]]. Direction Richard Jones. With [[Jane Horrocks]] and Julian Ovenden.<ref>{{cite web|url=http://www.whatsonstage.com/index.php?pg=207&story=E8831241516838|title=London Theatre Tickets, Theatre News and Reviews - WhatsOnStage|author=|date=|website=whatsonstage|accessdate=3 April 2018}}</ref>
* ''[[Annie Get Your Gun (musical)|Annie Get Your Gun]]''. Music & lyrics by [[Irving Berlin]]. Book by Herbert & [[Dorothy Fields]]. Direction Richard Jones. With [[Jane Horrocks]] and Julian Ovenden.<ref>{{cite web|url=http://www.whatsonstage.com/index.php?pg=207&story=E8831241516838|title=London Theatre Tickets, Theatre News and Reviews - WhatsOnStage|website=whatsonstage|access-date=3 April 2018}}</ref>


===May 2009 – August 2010===
===May 2009 – August 2010===
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===January 2009 – April 2009===
===January 2009 – April 2009===
* ''[[King Lear]]'' by [[William Shakespeare]]. Direction [[Rupert Gould]]. With [[Pete Postlethwaite]] as King Lear.
* ''[[King Lear]]'' by [[William Shakespeare]]. Direction [[Rupert Goold]]. With [[Pete Postlethwaite]] as King Lear.
* ''[[The Indian Wants the Bronx]]'' by Israel Horovitz. Direction Daljinder Singh. Design Paul Wills.
* ''[[The Indian Wants the Bronx]]'' by Israel Horovitz. Direction Daljinder Singh. Design Paul Wills.
* ''Kafka's Monkey'' Based on ''[[A Report to an Academy]]'' by [[Franz Kafka]]. Adaptation Colin Teevan. Direction Walter Meierjohann. With Kathryn Hunter.<ref>{{cite web|url=https://www.theguardian.com/stage/2009/mar/20/kafka-monkey-theatre-review|title=Michael Billington: Kafka's Monkey / Young Vic, London|first=Michael|last=Billington|date=20 March 2009|website=the Guardian|accessdate=3 April 2018}}</ref>
* ''Kafka's Monkey'' Based on ''[[A Report to an Academy]]'' by [[Franz Kafka]]. Adaptation Colin Teevan. Direction Walter Meierjohann. With Kathryn Hunter.<ref>{{cite web|url=https://www.theguardian.com/stage/2009/mar/20/kafka-monkey-theatre-review|title=Michael Billington: Kafka's Monkey / Young Vic, London|first=Michael|last=Billington|date=20 March 2009|website=The Guardian|access-date=3 April 2018}}</ref>
* ''Bay'' devised by the company with writer [[Joel Horwood]]. Direction Sarah Tipple.
* ''Bay'' devised by the company with writer [[Joel Horwood]]. Direction Sarah Tipple.
* ''After Dido'' [[Purcell]]'s Dido and Aeneas in a new film and theatre piece. Direction Katie Mitchell.
* ''After Dido'' [[Purcell]]'s Dido and Aeneas in a new film and theatre piece. Direction Katie Mitchell.
Line 240: Line 256:


== Digital Theatre ==
== Digital Theatre ==
The Young Vic was one of the launch theatres for [[Digital Theatre (website)|Digital Theatre]], a project that makes theatre productions available in video download form. The first performances that were filmed were ''Kafka's Monkey'' and ''The Container''.<ref>{{cite web|url=https://officiallondontheatre.com/news/leading-theatres-launch-downloadable-shows-107946/|title=Leading theatres launch downloadable shows|date=23 October 2009|publisher=OfficialLondonTheatre.com|accessdate=31 October 2017}}</ref>
The Young Vic was one of the launch theatres for [[Digital Theatre (website)|Digital Theatre]], a project that makes theatre productions available in video download form. The first performances that were filmed were ''Kafka's Monkey'' and ''The Container''.<ref>{{cite web|url=https://officiallondontheatre.com/news/leading-theatres-launch-downloadable-shows-107946/|title=Leading theatres launch downloadable shows|date=23 October 2009|publisher=OfficialLondonTheatre.com|access-date=31 October 2017}}</ref>


== References ==
== References ==
Line 247: Line 263:
{{Theatres in London}}
{{Theatres in London}}
{{OlivierAward AffiliateTheatre}}
{{OlivierAward AffiliateTheatre}}
{{Authority control}}


{{DEFAULTSORT:Young Vic}}
{{DEFAULTSORT:Young Vic}}

Latest revision as of 22:39, 12 January 2024

Young Vic
Map
AddressThe Cut
London, SE1
United Kingdom
Coordinates51°30′12″N 0°06′27″W / 51.50323°N 0.10748°W / 51.50323; -0.10748
Public transitLondon Underground Waterloo; Southwark
National Rail Waterloo; Waterloo East
OwnerThe Young Vic Company
TypeNon-commercial resident company
Capacity420 Main house
150 Maria (studio)
70 Clare (studio)
ProductionRepertory seasons
Construction
Opened1970; 54 years ago (1970)
Rebuilt2006: Haworth Tompkins
ArchitectHaworth Tompkins
Website
youngvic.org

The Young Vic Theatre is a performing arts venue located on The Cut, near the South Bank, in the London Borough of Lambeth.

The Young Vic was established by Frank Dunlop in 1970. Kwame Kwei-Armah has been Artistic Director since February 2018,[1] succeeding David Lan.

History[edit]

In the period after World War II, a Young Vic Company was formed in 1946 by director George Devine[2] as an offshoot of the Old Vic Theatre School for the purpose of performing classic plays for audiences aged nine to fifteen.

This was discontinued in 1948 when Devine and the entire faculty resigned from the Old Vic, but in 1969 Frank Dunlop became founder-director of The Young Vic theatre with Scapino, his free adaptation of Molière's The Cheats of Scapin, presented at the new venue as a National Theatre production, opening on 10 September 1970 and starring Jim Dale in the title role with designs by Carl Toms (decor) and Maria Björnson (costumes).[3]

Initially part of the National Theatre, the Young Vic Theatre became an independent body in 1974.[4]

In the words of Laurence Olivier, then director of the National Theatre: "Here we think to develop plays for young audiences, an experimental workshop for authors, actors and producers." The aim was to create an accessible theatre which offered high quality at low cost in an informal environment. The aim was to appeal to young audiences, but this time not specifically to children.

Young Vic Theatre[edit]

Young Vic Theatre, Southwark

Frank Dunlop completed creation of the theatre venue in 1970, a breeze-block building on The Cut constructed out of a former butcher's shop and an adjacent bomb-site with bold gloss red wooden slat auditorium bench seating. The structure was intended to last for five years, but has become permanent.

The auditorium, with a thrust stage, has an approximate capacity of 420, although the configuration and capacity can vary depending on the design of each production.

The Theatre undertook a significant rebuilding and renewal project in the 2000s, designed by architects Haworth Tompkins, boosting its visibility on The Cut. In addition to the Young Vic's main house, there are now two smaller theatre spaces. The Maria, named after theatre designer Maria Björnson, is the larger of the two with a capacity of 150. The Clare, named after a former artistic director of the Young Vic and Sheffield Crucible, Clare Venables,[5] seats 70. Like the main house, both smaller theatres have flexible seating configurations which can be arranged to suit the production design. In the two smaller auditoria seating is usually unreserved, with the actors performing in close proximity to the audience.[6]

The Young Vic performs both new writing and classic plays, the latter often in innovative productions. Despite its small size, like the Almeida Theatre, the Young Vic attracts well-known actors since its creation. These have included Ian Charleson, who made his memorable professional debut with the Young Vic 1972–74, and who played Jimmy Porter in Look Back in Anger and Hamlet in the first revival of Stoppard's Rosencrantz and Guildenstern Are Dead in 1973,Vanessa Redgrave, Helen Mirren, Judi Dench, Timothy Dalton, Robert Lindsay, Willard White, John Malkovich, Michael Sheen and Arthur Lowe.

Quintessential rock band The Who held free, weekly concerts at the Young Vic in early 1971 in order to rehearse what would become their masterpiece album, Who's Next. One of these shows was released on the Deluxe edition of this album.

A memorial at the theatre's south-east corner commemorates the 54 people killed in 1941 while sheltering in the cellars of the former building on the site, during the Blitz.[7]

In 1982 the theatre hosted a Poetry Olympics, where comedian Pat Condell took part.[8] Virginia Woolf taught at Morley College[9] from 1905, which represented the natural precursor of the Young Vic's education and community engagement programme. The latter now runs an office which accommodates and paradoxically houses the 'homeless' Belarus Free Theatre, of Nikolai Khalezin, Natalia Koliada, inspiring a new feminist generation and aesthetic, with Sarah Kane's '4.48 Psychosis' performed underground, illegally in Minsk and Farringdon, in the cold cells of Clerkenwell House of Detention, a secret location in London.[10][11] Echoing the words of Woolf and mirroring her suicide, Kane's play benefitted from another feminist, Sue Emmas, who since the year 1993 has been Associate Director of the social engagement programme,[12][13][14] working closely with Kwame Kwei-Armah and leads the Directors Program[15] which provides initiatives for emerging directors, with emphasis on seeking out and nurturing artists from under-represented backgrounds.

Artistic Directors[edit]

Awards[edit]

Refurbishment 2004–2006[edit]

In 2003, the Young Vic launched a campaign to raise £12.5 million for a major reconstruction of its building and closed in 2004 for work to start.

Designed by architects Haworth Tompkins – also known for their refurbishment of the Royal Court Theatre, Regent's Park Open Air Theatre, and two temporary venues for the Almeida – and with Jane Wernick Associates as the structural engineers, and consulting engineers Max Fordham LLP designing the building services, the refurbishment was completed in October 2006.

The main auditorium has been left intact, but refurbished and technically enhanced. The butcher's shop has also been retained as the main entrance to the building and also the box office.

The remainder of the 1970s structure has been rebuilt to provide new foyers, dressing rooms, two studio theatres, and workshop spaces. An award of £5 million was received from the Arts Council of England.

The Young Vic re-opened on 11 October 2006, with a production of the community opera Tobias and the Angel; with music by Jonathan Dove and a libretto by David Lan.[16]

On 16 May 2007, the refurbished Young Vic won the RIBA London Building of the Year Award.[17] Following this award, the Young Vic was also shortlisted for the RIBA Stirling Prize on 27 July 2007.[18]

A rebranding exercise by Sense Worldwide in 2010 resulted in the abandonment of its 30-year-old "sit anywhere" policy and a new strapline, "It's a big world in here".[19]

Notable productions[edit]

March 2023 – March 2024[edit]

February 2022 – February 2023[edit]

July 2021 – February 2022[edit]

February 2019 – March 2020[edit]

March 2018 – February 2019[edit]

March 2014 – February 2015[edit]

March 2012 – February 2014[edit]

January 2011 – February 2012[edit]

September 2010 – January 2011[edit]

October 2009 – January 2010[edit]

May 2009 – August 2010[edit]

January 2009 – April 2009[edit]

July 2008 – January 2009[edit]

January 2008 – June 2008[edit]

June 2007 – January 2008[edit]

October 2006 – June 2007[edit]

Digital Theatre[edit]

The Young Vic was one of the launch theatres for Digital Theatre, a project that makes theatre productions available in video download form. The first performances that were filmed were Kafka's Monkey and The Container.[23]

References[edit]

  1. ^ Ellis-Petersen, Hannah (26 September 2017). "Kwame Kwei-Armah named new artistic director of Young Vic". The Guardian. ISSN 0261-3077. Retrieved 2 October 2019.
  2. ^ The Theatres of George Devine by Irving Wardle, Cape 1978 ISBN 0-224-01415-3
  3. ^ Frank Dunlop's CV for Who's Who in the Theatre 17th edition, Gale (1981). ISBN 0-8103-0235-7
  4. ^ The Oxford Companion to the Theatre, OUP (1983). ISBN 0-19-211546-4
  5. ^ Thornber, Robin (20 October 2003). "Obituary: Clare Venables". The Guardian. Retrieved 3 April 2018.
  6. ^ "What to Expect". Young Vic. Retrieved 1 December 2011.
  7. ^ "Young Vic war memorial plaque rededicated". Bankside Press. 21 June 2007. Retrieved 1 December 2011.
  8. ^ "Poets' marathon at Young Vic 'Olympics'". The Times. 30 November 1982. Retrieved 24 March 2009.
  9. ^ College, Morley. "Morley College".
  10. ^ "BBC Arts - BBC Arts, Belarus Free Theatre: 4.48 Psychosis". BBC.
  11. ^ "4.48 Psychosis".
  12. ^ "Young Vic Team". Young Vic website.
  13. ^ "About Regional Theatre Young Director Scheme – RTYDS". Regional Theatre Young Director Scheme - RTYDS.
  14. ^ "Artistic director of Regional Theatre Young Directors Scheme, Sue Emmas: 'Be kind'". The Stage.
  15. ^ "Sue Emmas – HighTide Theatre".
  16. ^ "Review in The Stage".
  17. ^ RIBA London Building of the Year Award. Retrieved 27 July 2007.
  18. ^ RIBA announcement online. See also the RIBA profile of the Young Vic. Retrieved 27 July 2007.
  19. ^ ["Market Research Agency of the Year" Marketing Magazine (8 December 2010) p. 30.]
  20. ^ Tracey Sinclair (8 February 2011). "Exeunt: Vernon God Little". Retrieved 29 September 2011.
  21. ^ "London Theatre Tickets, Theatre News and Reviews - WhatsOnStage". whatsonstage. Retrieved 3 April 2018.
  22. ^ Billington, Michael (20 March 2009). "Michael Billington: Kafka's Monkey / Young Vic, London". The Guardian. Retrieved 3 April 2018.
  23. ^ "Leading theatres launch downloadable shows". OfficialLondonTheatre.com. 23 October 2009. Retrieved 31 October 2017.