Wolfgang Lamprecht (publicist)

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Wolfgang Lamprecht (born April 30, 1964 in Linz , Upper Austria ) is an Austrian culture promoter, content curator, science citizen and author . Lamprecht lives in Vienna .

Career

Lamprecht attended the Academic Gymnasium Linz and, after completing compulsory schooling, began training as a chef in the Casino theater restaurant (today: Promenadenhof ) . After completing his apprenticeship , he made up his Matura at the Federal High School for Working People in Linz. During this time he worked for the Diocese of Linz as an administrator in the Bishop's Office in Linz under Maximilian Aichern OSB and as a youth leader in the Catholic Student Center STUWE ; Lamprecht's early socialization in the environment of the Roman Catholic Church also included his commitment as a parish councilor for the parish of St. Matthias and as a youth representative for the deanery . In the course of the pontificate of John Paul II, which he criticized , Lamprecht left the church in 1986.

He then studied journalism and communication science , theater studies and musicology at the University of Vienna , and took an instrumental training ( saxophone and flute ) at the Bruckner Conservatory Linz (today: Anton Bruckner Private University ), the Vienna University of Music , the Vienna Art Institute and with Leo Wright . Lamprecht was in the 1980s a. a. Member of the jazz rock formation Flexible Feet , the band Lumberjack des Thompson Twins - drummer Andrew Edge and the trio around Michael Kampelmühler. Scholarships from the Friedrich Austerlitz Institute enabled him to do internships at ORF , Radio Adria , WBGO JazzFM New York and finally the Arbeiter-Zeitung (AZ / Tagblatt).

Entrepreneurial Journalism

journalism

In 1986, in parallel to his studies, Lamprecht began an internship at the daily newspaper AZ / Tagblatt . Working as a jazz critic and in the cultural department , he came to the chronicle, wrote under the pseudonym “Philip Lumen” for society and was department head first for local affairs and then for Weltchronik until the daily newspaper was closed. During this time Lamprecht wrote reports on church issues and from 1991 worked as a freelance war correspondent for the Frankfurter Allgemeine Zeitung and the Austrian weekly newspaper NEWS . In 1992 he published a. a. for the features of the Neue Musikzeitung , the festival magazine , the daily newspaper Die Presse , the daily newspaper Der Standard , the weekly newspaper Falter , the culture magazine Die Bühne and the Salzburger Nachrichten reviews , portraits and interviews . In 1993 Lamprecht switched to public relations . As a jazz critic for the Salzburger Nachrichten , an author for jazzzeit or the business magazine Format , a designer of programs for radio and TV and - from 2004 to 2011 - representative of the publisher for the State of Vienna and managing editor-in-chief of the Austrian cultural magazine k2-kultur in centrope , he remained connected to cultural journalism . Lamprecht curates the magazines Jazz & Beyond and Art News on Flipboard , and he publishes the corporate media title kunstpresse , founded by Klaus Albrecht Schröder , for the Kunstforum Wien .

public relations

Between 1993 and 1996 Lamprecht was a consultant at the entertainment company Agency for Music and Art ( Chaka Khan , Roger Chapman , Kurt Hauenstein , Karl Ratzer , GSE Records), but above all an employee and partner of the capital market-specialized PR agency Scholdan & Company . There he was responsible for the IPOs at Vienna International Airport , Böhler-Uddeholm , Erste Bank and Brau Union and specialized in event marketing , corporate cultural responsibility and employee communication . In the latter capacity he acted u. a. also as editor-in-chief of the Böhler-Uddeholm group magazine Special Steel .

Together with Ernst Scholdan and Hubertus Czernin , Lamprecht founded the SOS Media Freedom initiative in the mid-1990s against the background of the turbulence of trend / profil , Falter and Standard . Furthermore, Lamprecht and Scholdan applied for a license for a cultural broadcaster under the name Radio Naschmarkt in the course of the Austrian radio liberalization . This group of operators should merge with the group around Falter publisher Armin Thurnher and today's gotv owner Thomas Madersbacher in RTL .

In 1997 Lamprecht finally took over the management of the Scholdan & Company subsidiary European Communication Systems in Vienna, most recently as chairman of the supervisory board of the corporation of the same name in Frankfurt am Main . The task of this company was the production, programming and distribution of interactive information terminals for the euro changeover for banks , insurance companies and politics . In 2004 he founded the communication agency leisure group with Alexander Khaelss-Khaelssberg .

Culture promoter

In 1997 he was awarded the Maecenas cultural sponsorship prize for his entrepreneurial cultural commitment in connection with an Arnulf Rainer retrospective in the Kunsthalle Krems . Since 1999 Lamprecht has concentrated almost exclusively on the cultural sector. Initially active as Executive Director of the Academy for Opera & Arts under the presidency of Georg Solti for the World Classic Award as well as for Peter Kupfer's concert agency European-American Productions (including Luciano Pavarotti , José Carreras , Agnes Baltsa ), Lamprecht advised the Austrian Federal Theater Holding in the course of the outsourcing of federal responsibility, the project group of the BAWAG Design Center or the Wiener Bühnenverein under Ingrid Moser , as well as commercial enterprises in the area of corporate cultural responsibility . Lamprecht has been an advisor to UniCredit Bank Austria and responsible for corporate communications at the Bank Austria Kunstforum Wien under the direction of Ingried Brugger .

Lamprecht, who was associated with the singer and Fluxus artist Christine Jones until her death in 2017 and who was also granted “citizenship” of the Kugelmugel Republic in 2006 . a. involved in the founding of the two Viennese jazz clubs Porgy & Bess (1993) and Joe Zawinul ’s Birdland (2004); In addition, Lamprecht wrote the programs of Johannes Kunz's Salzburg Jazz Autumn and the Jazz Fest Wien , which he has been advising programmatically since 2015 and since 2019 as a founding member and general secretary of the JazzFest Wien Ambassadors Club. He helped found the Vienna Oscar Night (1994), the Beinhardt Ensemble by Meret Barz (1996), the Ernstbrunn Chamber Music Festival (1999), Adi Hirschal's Wiener Lustspielhaus (2004), as well as the 1st Vienna Opera Cinema (2007) and the collection Hubert Looser (2012). In 2001 he was co-founder and curator of the Ö1 exhibition bluenotes & quiet lines , in 2002 he called with Christian Ludwig Attersee under the title music nights a classical music club in New Vienna in life, in 2003 he participated in a Intonarumori playing at the Serata Futurista , 2011 on the Minimal Housing project by the Salzburg artist Otto Beck . He was an advisor to the Vienna Art Orchestra as well as the board of the American Friends of the Salzburg Festival and an adviser to the Guitar Festival Vienna . In 2009 he founded the music agency / label paladino music with cellist Martin Rummel , and in 2011 the Music & Poetry Basket with Isabella and Klaus-Peter Schrammel . In 2012, Lamprecht started the European Songbook initiative together with music managers Fritz Thom and Wulf Müller . Lamprecht is responsible for the music program at Bank Austria Kunstforum Wien , he has been program manager for the Bank Austria Salon in Vienna's Old Town Hall since 2014 , a founding advisory board of the Association for the Promotion of Art and Cultural Communication and an advisory board for yedermann productions ; he was u. a. Member of the jury of the Amadeus Austrian Music Award and the Fine Tunes competition , and he has been a member of the jury of the Fidelio competition since 2018. In 2017 Lamprecht became Vice President of the Vienna Art Chancellery , and since 2019 he has also been a member of the Board of Directors of the Vienna Axis .

Science Citizenship

Lamprecht received his doctorate in media and communication studies from the University of Vienna . His scientific work in this area is based on the understanding of citizen science at the interface of culture, media, economy and the public, which he u. a. also mediated in the context of lectures and teaching assignments at universities and technical colleges. In 2011 he founded the Association for the Promotion and Research of Medial History Communication (VGM) with the communication scientists Jürgen Grimm, Wolfgang Duchkowitsch and Josef Seethaler . Lamprecht is a member of the History on TV project group at the Institute for Journalism and Communication Studies at the University of Vienna and, since 2013, a member of the Historical Communication Research working group , which also publishes the communication science journal Medien und Zeit . In 2012 he published a standard work on cultural communication with his white paper on cultural journalism , and since 2013 he has played a leading role in the discussion about the paradigm shift in cultural sponsorship and the concept of corporate cultural responsibility (CCR) . In 2014 Lamprecht organized the symposium Heimatfron_t! Together with Duchkowitsch and the journalist Bettina Pauer in cooperation with the Austrian Parliamentary Administration , the Federal Ministry of Education and Women as well as the Institute for Media and Communication Studies at the University of Vienna and the Concordia press club . Women, media and war. About role models and myths from the First World War to the present day . In 2015 he developed the curriculum for the department of cultural communication and cultural journalism for the Institute for Journalism and Communication Studies at the University of Vienna as part of the university course in Public Communication . Since 2015 Lamprecht has been a board member of the Music In Progress Society for Applied Research in Jazz and Popular Music , since 2017 a founding member of the Unirat of the Jam Music Lab Private University for Jazz and Popular Music Vienna, since 2018 university lecturer at the Institute for Media and Communication Studies at University of Vienna.

Publications (selection)

editor

  • Women.Medien.Krieg (Eds. Bettina Biron, Wolfgang Duchkowitsch, Wolfgang Lamprecht), LIT Verlag, Vienna 2020, ISBN 9783643507310
  • Differentials of Humor (Eds. Jürgen Grimm, Wolfgang Lamprecht), Medien und Zeit 3/2014, Volume 29, Working Group Historical Communication Research , Vienna 2014, ISSN  0259-7446
  • CSR in Communication Science: Trends - Challenges - Reflections (Eds. Christina Krakovsky, Thomas Ballhausen, Wolfgang Lamprecht), Medien und Zeit 1/2014, Volume 29, Working Group on Historical Communication Research , Vienna 2014, ISSN  0259-7446
  • White book on cultural journalism , Löcker Verlag, Vienna 2012, ISBN 9783854095934
  • Wittmann. The book , Christian Brandstätter Verlag , Munich-Frankfurt-Vienna 1995, ISBN 3854475683

Books, articles and essays

  • From the Cakewalk to the Foxtrot - Two-stepping between Dance and Propaganda: The Sound of World War I , in: Krick Aigner, Kirsten / Schuster, Marc-Oliver (eds.), Jazz in Word. European (Non-) Fiction , Würzburg 2017, Königshausen & Neumann , ISBN 978-3-8260-6341-1
  • The Blue Notes of Klezmer , Pro Business, Berlin 2016, ISBN 9783864604737
  • The Jewish jazz tone , in: Patka, Markus G./Stalzer, Alfred (ed.), Stars of David. The sound of the 20th century , Hentrich & Hentrich, Berlin 2016, ISBN 978-3-95565-136-7
  • Corporate Cultural Responsibility at UniCredit Bank Austria AG , in: Steinkellner, Vera (ed.), CSR und Kultur. Corporate cultural responsibility as a success factor in your company , management series Corporate Social Responsibility ed. by René Schmidpeter , Springer Gabler, Berlin Heidelberg 2015, ISBN 978-3-662-47758-8 , ISBN 978-3-662-47759-5
  • Corporate cultural responsibility. Moratorium on cultural sponsorship , Springer VS, Wiesbaden 2014, ISBN 978-3-658-06656-7
  • Henri de Toulouse-Lautrec, the pathways of art and the art of advertising , in: Benesch, Evelyn / Brugger, Ingried, Henri de Toulouse-Lautrec. The path to modernity , Kehrer Verlag, Berlin / Heidelberg 2014, ISBN 978-3-86828-567-3
  • The painter philosopher: On the relationship between art and science , in: Messensee, Caroline (ed.), Jürgen Messensee : Jenseits der Gegensätze , Hirmer Verlag , Munich 2014, ISBN 9783777422947
  • A Longing Look: On the rise and fall of photojournalism, the art of (re-) construction of reality and the rebirth of press photography in museums , in: Ingried Brugger / Lisa Kreil (eds.), Eyes wide open. Stanley Kubrick as photographer , Verlag für modern art , Nuremberg 2014, ISBN 9783869840697
  • Corporate Citizenship , in: Krakovsky, Christina / Ballhausen, Thomas / Lamprecht, Wolfgang (ed.), CSR in Communication Studies: Tendencies - Challenges - Reflections , Media and Time 1/2014, Volume 29, Working Group on Historical Communication Research, Vienna 2014, ISSN  0259-7446
  • The ›hot cases‹ of ›Schlurfs‹: The Viennese jazz scene as a subcultural symbol for Austrian angry citizens of the interwar period , in: Pascale Cohen-Avenel (ed.), Jazz, pouvoir et subversion de 1919 à nos jours , Peter Lang AG Internationaler Verlag of Sciences, Bern / Berlin / Bruxelles / Frankfurt am Main, New York, Oxford, Vienna 2014, ISBN 9783034314145
  • Warhol Meets Basquiat: Musical considerations of a product of the media society , in: Ingried Brugger , Florian Steininger (ed.), Warhol - Basquiat , Kehrer Verlag , Berlin / Heidelberg 2013, ISBN 9783868284263
  • Create trust, talk about it and earn money from it: Communication practice and performance measurement from Corporate Cultural Responsibility , Springer VS , Wiesbaden 2013, ISBN 9783658035938
  • Jazz criticism in Austria. Chronicle, documents, statements A contribution to Cultural Studies , Löcker Verlag, Vienna 2009, ISBN 9783854095286
  • Vienna. City of Museums , Metroverlag, Vienna 2009, ISBN 9783902517241
  • How I slept through my Bœf Bourguignon , in: Linde Waber / Rolf Schwendter (eds.), Koch au vin , Mandelbaum Verlag, Vienna 2007, ISBN 9783854762287
  • From Attersee to Zawinul: 21 years Interart and Fluxus - 21 years Wiener Kunstkanzlei , Echo Verlag, Vienna 2005 ISBN 3901761438
  • Decalogue of silence , in: dieKlasse magazine # 2: honeypots, magazine of the photography department at the Zurich University of Art and Design, 2004
  • Music in Futurism , in: Ingried Brugger, Ingried / Evelyn Benesch Futurisms , Mazzotta, Milan 2003, ISBN 8820216027
  • A chronology of many errors , in: Jazz, new music and media , series of publications in the Center for Contemporary Music, Volume 2, Salzburg 1996.

Lectures

  • International Arts Management, Globalization and Cultural policy , Study Course Sport, Culture and Event Management, FH Kufstein - University of Applied Science, July 7, 2017, doi : 10.13140 / RG.2.2.33593.88160
  • From cakewalk to foxtrot , between dance and propaganda: The sound of World War I , "Jazz in World: European (Non-) Fiction", International Conference of the Institute for German Studies at the University of Vienna, May 22nd - 24th, 2014
  • “Popart and Mass Media” , Journalism and PR course, FH Joanneum Graz - University of Applied Science, November 27, 2013
  • The Schlurfs' “hot cases”: The Viennese jazz scene as a subcultural symbol for Austrian angry citizens of the inter-war period , International Conference “Jazz, Power and Subversion”, University of Paris-Nanterre La Défense, 11/12. June 2012

Liner notes

  • Austrian Collective: Nearly A Song , Skylark production / Universal, SP1603, 2016
  • Karl Ratzer Septet: Underground System , organic music, ORGM 9764, 2014
  • Attersee and his friends , orlando records, or0001, 2012
  • Martin Rummel / Gerda Guttenberg: Beethoven - Complete Works for Cello and Piano , Paladino Music, pmr0011, 2011
  • Saxo Son • Schrammel Ton • Christine Jon , Extraplatte, YM1952, 2010
  • Vienna Art Orchestra : The Big Band Years , Universal Music, Emarcy 0602527539966, 2010
  • Attersee.Blut , monkey.music, MONCD010, 2005
  • Best of Christine Jones , Universal Music, Emarcy 9866450, 2004
  • The Music of Roy Lichtenstein , Universal Music, Emarcy 981514-6, 2003
  • Go Blow 7 Portraits , Universal Music, Emarcy 0676732, 2003
  • Vienna Art Orchestra All That Strauss , The Montreux Jazz Label, TCB 20052, 2000
  • Christine Jones: jonestones , yedermann productions 19979871-2, 1997

Music Compiler / Producer / Executive Producer / Associate Producer

  • piano forte, the next generation , Gramola
  • Studio Dan / Agnes Heginger , Friedrich Cerha One last kind of chansons , jazzwerkstatt records
  • Christine Jones , My Jazzl! Fe , Yedermann Productions
  • Attersee and his friends , orlando records
  • Mathias Rüegg , chamber music tenminusnine , paladino music
  • Attersee.Blut , Monkey Music
  • Hot Pots Vol. 3 , Universal Music Austria
  • Hot Pots Vol.2 , Universal Music Austria
  • Hot Pots Vol. 1 , Universal Music Austria
  • Best of Christine Jones , Universal Music Austria
  • The Music of Roy Lichtenstein , Universal Music Austria
  • Kissmet - Start Me Up , agencyvienna
  • Summertime - This Is Now , Universal Music Austria
  • Summertime - This Was Then , Universal Music Austria
  • Go Blow - 7 Portraits , Universal Music Austria

Song lyrics

  • The Girl From Vienna City , Elly Wright : "The Girl From Vienna City", Groove Records
  • When Duke Met Shani , Elly Wright : "Reflections," Wright Record
  • Another boy group , Christine Jones : "Tamin Bacon", yedermann productions
  • Tamin Bacon , Christine Jones: "Tamin Bacon", yedermann productions

Prices

literature

  • Fried fish, Rainer. The Blue Notes of Klezmer by Wolfgang Lamprecht , in: Jazz Podium, October 2016, p. 64, Stuttgart 2016
  • Lüddemann, Stefan (2014). Cultural journalism. Media, topics, practices , Springer VS, Osnabrück, p. 145
  • Hahn, Luise (2009). Viennese and macabre , in: Kurier, October 3, 2009, Vienna
  • Reiner Kobe: Wolfgang Lamprecht: Jazzkritik in Österreich , in: Jazz Podium , March 2010, 59th year, p. 65, Stuttgart 2010.
  • Martha Bösch: Wolfgang Lamprecht / Klaus Wienerroither: Jazz, Art + Electronic Music , in: Bösch, Martha / Enichlmayr, Eva / Strohschein, Herbert: Art in the ÖBV-Atrium , pp. 109–111, ÖBV, Vienna 2005.
  • Rauscher, Wolfgang (ed., 2004). Eurythms , in: jazzzeit May 2004, issue 46, p. 3, Vienna
  • Rösner, Christian (2003). Jazz makes the picture and the picture makes electronics , in: Wiener Zeitung from 18./19. April 2003, Vienna

Web links

Individual evidence

  1. ^ Fink, Franz: 200 years parish St. Matthias , Linz 1985
  2. ↑ Wright, Elly / Vukics, Peter: Hupfdohle and Jazzprinz. The story of jazz singer Elly and saxophonist Leo Wright , p. 173, Vienna 2017
  3. ^ Books LLC, Jazz author: Boris Vian, Bernhard Heuvelmans, Wolfgang Lamprecht, Timme Rosenkrantz, Joachim-Ernst Berendt, Humphrey Lyttelton, John Mehegan , p. 253, Nordstett 2010
  4. ↑ Seifert, Thomas (1993). Private radio for young and old , in: Der Falter 14/93, p. 12, Vienna
  5. ↑ Fidler, Harald (1998). Die Drei von der Bankstelle , in: Der Standard from July 31, 1998, p. 13, Vienna 2004
  6. ↑ Christian Cerny-Wolf: Very well. Madame! , in: extradienst of July 14, 2006, p. 156
  7. ^ Pröll, Daniela (2013). Bank Austria Kunstforum , in: Wagner, Udo / Reisinger, Heribert / Schwand, Christopher (eds.), Case studies from Austrian marketing practice , Facultas, p. 89f, Vienna
  8. ↑ Fellerer, Gottfried (2013). Geist ist Geil , special issue of BravDa - organ against cultural dictates and intellectual leveling, p. 32 ff., Wiener Neustadt
  9. ^ Sollmann, Janina (1995). Passport home flag , in: Vernissage 1/95, p. 29 ff., Vienna
  10. ↑ Kunz, Johannes (2014). Light and shadow. Memories , Amalthea, Vienna, p. 194
  11. ^ Weinzierl, Gudrun (2010). Ready for death , in: Salzburger Nachrichten of October 30, 2010, p. IV, Salzburg
  12. ^ Tosic, Ljubica (2010). Musical adventure , in: The Standard Album from April 30th / 1st. May 2010, Vienna
  13. ^ Standen-Raz, Andrew (2015). Behind the Gallery Walls , on: www.metropole.at from December 10, 2015, Vienna
  14. ^ [Hettinger, Holger / Kramp, Leif: Culture. Basic knowledge for media practice, Journalism Library 7, p. 215, Cologne 2013]
  15. ↑ Mantras of cultural financing
  16. ↑ Cultural communication and cultural journalism

swell

personal data
SURNAME Lamprecht, Wolfgang
BRIEF DESCRIPTION Austrian author
DATE OF BIRTH April 30, 1964
PLACE OF BIRTH Linz , Austria