Micro Four Thirds

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Micro Four Thirds logo
Lens-side connection (Panasonic)
Camera-side connection (Olympus E-M1)

Micro Four Thirds (abbreviated MFT or µFT after the SI prefix µ for “micro”) describes a standard for system components such as lens connections or flash units that was developed mainly by the companies Panasonic and Olympus and is specially tailored to digital, mirrorless system cameras .

The general standard , which is open to other manufacturers, defines, among other things, the sensor dimensions, the lens bayonet including communication protocol, the image circle and the flange focal length (19.25 mm), but also optical requirements such as the maximum angle between the light beams hitting the sensor. This makes Micro-Four-Thirds the only cross-manufacturer standard for mirrorless digital camera systems and is now (as of December 2016) supported by over 30 providers.

description

At the beginning of August 2008, Panasonic and Olympus presented the Micro Four Thirds system standard for mirrorless cameras as a further development of the Four Thirds standard for single-lens reflex camera systems . With this compact camera systems with interchangeable lenses are possible. The new standard uses a flange focal length that is about half the size , which practically no longer allows any installation space for a reflex mechanism , but allows relatively small designs for system cameras with high image quality. The bayonet connection is 6 millimeters narrower than the Four Thirds, with the sensor format unchanged. Four Thirds lenses can still be used with an adapter ring on Micro Four Thirds camera housings. Olympus discontinued the production of Four Thirds lenses in 2017.

The elimination of the oscillating mirror allows greater freedom in lens construction; In the wide-angle range in particular , the rear lens of the lens can move closer to the sensor, similar to viewfinder cameras , which can be used, for example, to optimize the image quality with lenses that image telecentrically on the image side . This also means that Micro Four Thirds cameras are only equipped with live view functions for both still and video recordings . Since no additional sensors are provided, the automatic focusing (autofocus) or subject analysis (e.g. face recognition ) may have to be controlled with the help of the signals from the image sensor, with any variable image areas within the entire image being able to be evaluated.

The live view mode makes it possible, for example, to display setting aids such as focus peaking or a software magnifying glass for distance setting , real-time histograms or warning zebra stripe patterns for exposure setting and virtual spirit levels for image alignment on the screen or in the electronic viewfinder of the camera .

Sensor size

Optimization by using the full image circle (blue) with different image aspect ratios:
16: 9 (green), 3: 2 (orange), 4: 3 (blue)
Some pixels in the corners of the image sensor are usually not used; the gray image circle has the diameter of the sensor diagonal and can be used for recordings with the native sensor format.

The designation Four Thirds does not indicate the sensor size, but corresponds to the historical measurement method of camera tubes that are not on the sensor size, but according to the outer diameter of the tube were called .

Screen diagonal

The image diagonal or the image circle diameter of micro four thirds sensors is the same as with the four thirds standard and, at 21.63 millimeters, is exactly half the diagonal of the 35mm format (43.267 mm), which corresponds to a format factor of 2.0 . The normal focal length is thus 25 millimeters. This image sensor size is slightly smaller than the image in 35-millimeter movie sound film , yet still allows continuous operation without the sensor temperature by the increasingly difficult at increasingly large sensors expectant sensor cooling increases too much, which regardless of the sensor size is an increased dark current noise result Has.

Most cameras have an image sensor having an aspect ratio of 4: (mm area = 224.64, Bildkreisdradius = 10.82 mm) 3 and an optically active area of 17.31 mm × 12.98 mm, wherein some of the camera housing has a multi-format sensor having , in which the full image circle is used with different aspect ratios , such as the Panasonic DMC-GH1 or the DMC-GH2. This enables the aspect ratios 4: 3 (4608 × 3456 pixels, 17.31 mm × 12.98 mm), 3: 2 (4752 × 3168 pixels, 17.85 mm × 11.90 mm) and 16: 9 (4976 × 2800 pixels, 18.69 mm × 10.52 mm) the use of the largest possible screen diagonal (data for the DMC-GH2).

Equivalences

Equivalent focal length, equivalent aperture number and equivalent ISO number with the same angle of view, the same aperture width, the same exposure time and different image sensor sizes

The equivalent focal lengths with the same angle of view of different camera systems depend on the size of the image sensor. The Micro Four Thirds system therefore produces the same image section as a camera of the 35 mm system with a focal length that is about half the size of the 35mm format. The normal focal length is therefore around 25 millimeters, with the 35mm format it is 50 millimeters.

With the same aperture width and the same angle of view, all camera systems have the same depth of field and the same relative diffraction blur . This means that the equivalent f-number in the Micro Four Thirds system is half that of the 35mm format.

In this case, due to the smaller image sensor area and the same luminous flux in the lens, the illuminance is four times as great and the photometric light intensity in the image plane is about four times smaller due to the larger solid angle , which can be described by the lens's opening angle , which is about twice as large on the image side . This results in the same luminance on the image sensor and thus also the same exposure value for the recording. Because the f-number is half as large, the photographic image must be recorded with a quarter of the exposure time or, with the same exposure time, with a quarter of the ISO light sensitivity . In the latter case, i.e. with the same exposure time and with a varying exposure index, the same motion blur results in all camera systems , and they have the same requirements for image stabilization .

The following table shows an example of some equivalent image parameters for some common image sensor formats compared to Micro Four Thirds:

Image
sensor
class
Focal length with
wide angle view
(diagonal
angle of view ≈ 75 °)
Focal length at
normal angle
(diagonal
angle of view ≈ 47 °)
Focal length for
telephoto
(diagonal
angle of view ≈ 29 °)
F-number with the
same depth of field
and the same
diffraction blur
Exposure index
(ISO value) with the same
exposure time and the
same motion blur
Nikon 1 10 mm 18 mm 31 mm 1.7 100
Micro Four Thirds 14 mm 25 mm 42.5 mm 2.4 200
APS-C 18 mm 33 mm 57 mm 3.2 360
Full format 28 mm 50 mm 85 mm 4.8 800

Communication between camera and accessories

A central feature of the system are intelligent components that communicate with one another via electrical contacts using a bidirectional protocol that is also defined in the standard . All electronically controllable Micro Four Thirds lenses are therefore equipped with their own main processor .

In this way, information about the distance to the subject , choice of aperture and focal length is electronically exchanged between the camera and lens, as is the case with competing systems. The camera housing can also determine which manual settings have been made on the lens, such as the mode of focusing (automatic AF or manual MF ) or whether the image stabilizer or macro mode on the lens are switched on or off. In addition, the Micro Four Thirds system can also transfer individual lens properties such as characteristics of chromatic aberration , distortion or vignetting to the camera, which enables digital compensation for imaging errors .

The system is able to transfer up to 240 digital image data sets per second between the lens and the camera body (as of 2013). With the introduction of the Panasonic Lumix DC-GH5 in spring 2017, an evaluation rate of 480 frames per second was achieved for the automatic distance setting.

Panasonic products have been available since 2015 in which the image stabilization in the lens can be combined with the image stabilization in the camera housing ( Dual IS = dual image stabilization = double image stabilization). Since 2016, Olympus has also been offering this function under the name Sync IS (synchronized image stabilization), which allows image stabilization with telephoto shots with an exposure time extended by up to 7.5 f-stops .

The control of the object width set in the lens from the camera housing enables functions such as focus bracketing (automatic recordings with different object widths), focus stacking (the automatic combination of recordings with different object widths to increase the depth of field ) or post focus (the subsequent selection of an image with a certain object width).

compatibility

With an adapter and electrical compatibility, it is also possible to use lenses of the Four Thirds standard, although the Micro Four Thirds with eleven contacts has two more than the older Four Thirds standard. The additional contacts are used to speed up communication between the camera housing and lens, which can be particularly important when recording video.

Because of the small focal length of around 20 millimeters and the availability of a large number of lens adapters , a large number of photographic and cinematographic lenses can be mechanically connected to a Micro Four Thirds camera. Furthermore, cameras of the Micro Four Thirds system can be provided with pinhole diaphragms located in the housing without great effort , which cover a correspondingly large angle of view . With such pinhole cameras with a correspondingly low light intensity , the electronically brightened images are then available in real time on the screen or in the electronic viewfinder, and not only still images but also video clips can be recorded with them.

Development over time

Micro-four-third camera Olympus PEN E-P2 and for comparison the compact camera Panasonic Lumix DMC-LX3
Some components for the Micro Four Thirds system (from top left to bottom right): portrait lens Leica DG Nocticron 42.5 with lens hood , telephoto zoom lens Leica DG Vario Elmar 100-400 with lens hood, superzoom Lumix 14-140, wide-angle lens Lumix G 14, standard zoom lens Lumix GX Vario 12-35, camera housing Panasonic Lumix DMC-GX8 with swiveling electronic viewfinder, camera housing Olympus OM-D E-M1 with built-in electronic viewfinder, system flash unit Olympus, clip-on flash Olympus, set of three intermediate rings, mechanical bayonet adapter for lenses the Leica R camera system , polarization filter , pinhole lens ,
motorized zoom lens with macro function M.Zuiko Digital ED 12-50

The first camera introduced for Micro Four Thirds in 2008 was the Panasonic Lumix DMC-G1 from the Lumix-G series. This camera, which is still very similar to conventional SLR cameras, has live view and an electronic viewfinder . This type of camera is now considered a new class, for which three terms are common: on the one hand "EVIL" (= electronic viewfinder, interchangeable lens , English for "electronic viewfinder, interchangeable lens"), on the other hand "CSC" (= compact system camera ), the third “DSLM” (= Digital Single Lens Mirrorless ). In German, "mirrorless system cameras" are also often used.

Another very compact design without a built-in viewfinder, which is more reminiscent of classic compact cameras, is realized with the PEN series from Olympus . In 2009 the first Olympus model E-P1 came on the market, followed by the first similarly designed Panasonic model from the GF series, which was later continued in the GX series. In the same year, the Panasonic Lumix DMC-GH1, the first digital camera with a full HD video mode with 1920 × 1080 pixels, was presented.

In 2010 there were innovations with the successor models GH2 with a frame rate of 60 fields per second in Full HD and G2 with a touch-sensitive screen . In November, the Panasonic AF100, the first camcorder of the camera system, was introduced.

At the end of 2011, Panasonic introduced a motorized zoom lens that allows for a more even focal length variation when recording video.

In February 2012, Kenko-Tokina introduced the first mirror telescopic lens for the system. With a fixed focal length of 300 millimeters, the ultra-compact and macro-compatible lens has 12 times the normal focal length .

At the same time, Olympus presented the OM-D E-M5, its first Micro Four Thirds camera with a built-in electronic viewfinder from the OM-D series, which is also dust and splash-proof. This model was the first system camera to be equipped with a five-axis image stabilization system. This system is able to move, rotate and tilt the image sensor during recording.

In the same year, the company Brenner Import- und Großhandels GmbH showed the first Shift Lens Shift Lens 4.5 / 15 mm MFT for the Micro-Four-Thirds-System at the photokina , which was developed in cooperation with the Voigtländer company .

The Micro Four Thirds standard was also designed for high-quality film recordings. Due to the comparatively small image sensor area, it is easier to carry away the heat loss that occurs in continuous operation at the image sensor and that would cause increased image noise . The Panasonic Lumix DMC-GH3 camera housing presented in September 2012 is not only designed for high-quality still image recordings and compressed video clips , but can also be used as the first micro four thirds system camera as a digital cinema camera for cinematographic purposes.

In 2013, the Panasonic Leica DG Nocticron with a focal length of 42.5 mm, the first lens of the camera system from the Leica DG series with a minimum f-number of 1.2 and autofocus, was presented. In addition, the lens, which is optically corrected with aspherical lenses, has an optomechanical image stabilizer . The smallest digital system camera GM1 was also presented.

The successor to the GH3 from 2014, the Panasonic Lumix DMC-GH4 , was the first system camera to be able to record Full HD videos with a data rate of up to 200 megabits per second and 4K videos with a data rate of up to 100 megabits per second Record second.

In the summer of 2015, Olympus presented the first fisheye lens that can be operated with a minimum f-number of 1.8. The bright, very wide-angled and weatherproof lens has a focal length of 8 millimeters, is equipped with an autofocus function and can also be used underwater with the corresponding additional housing. With the Olympus OM-D E-M5 Mark II camera housing, Olympus introduced the "pixel shift function" in which the image sensor, which is movably mounted for image stabilization, is shifted slightly during a series of images in order to improve the image quality with an automatically combined image for still subjects to improve. With the two models Zenmuse X5 and X5R, DJI presented the first drones with a combined system camera housing. The Panasonic Lumix DMC-GX8 camera housing makes it possible to combine the opto-mechanical image stabilization of the camera housing and lens in dual IS mode (IS = image stabilization = image stabilization). However, older lenses of the camera system require an update of the firmware in order to be able to support this function. Olympus introduced the focus stacking function by updating the firmware for selected camera bodies and lenses to increase the depth of field, especially for close-ups .

In May 2016, the long-focal length telephoto zoom lens Panasonic Leica DG Vario-Elmar 100-400 mm was launched, which also supports the Dula-IS function. With the maximum focal length, despite the small angle of view of only 3 degrees, you can take pictures without blurring, even with relatively long exposure times of a tenth of a second, by hand and without a tripod. In April, the DJI Innovations camera system was expanded to include the one-hand gimbal Osmo . This is a handle with a cardanic suspension for the camera housing already used in the drones of the provider, with which the camera can be supplied with power, adjusted, controlled in its recording direction and stabilized against shake. The Olympus OM-D E-M1 Mark II camera model was introduced at the end of 2016 and can take up to 18 raw data series recordings with automatic tracking of the distance setting .

In 2017, Entaniya launched three bright fisheye lenses from the "Fisheye 250 MFT" series that cover an extremely large image angle of 250 °. The Panasonic Lumix DC-GH5 , which was introduced in March 2017, is characterized by an unlimited data transfer rate of up to 400 megabits per second with a color subsampling of 4: 2: 2 and a bit depth of 10 bits when recording video on correspondingly fast SDXC memory cards . The new features of the Panasonic Lumix DC-G9 , which came on the market at the end of 2017, are a comparatively large viewfinder image, a liquid crystal status display on the top of the housing, a high-resolution mode for 80 megabyte images in raw data format, and two UHS-II-compatible slots for SD memory cards as well as a 6k photo mode with 18 megapixels and 30 single images per second.

The Panasonic Lumix DC-GH5S camera housing, which was launched on the market at the beginning of 2018 , has a comparatively low resolution with its image sensor with 10 megapixel image resolution and twice the native image sensor sensitivity , but it can take pictures with an exposure index of up to ISO 51200 (in extended mode up to ISO 204800 ) record, tape. The lens supplier Venus Optics presented its 135 gram Laowa 4 mm f / 2.8 fisheye lens with a field of view of 210 °. With the Leica DG Vario-Summilux 10-25 mm f / 1.7, Panasonic has announced the development of the brightest zoom lens for a digital camera system with a constant speed of 1.7 and autofocus.

In February 2019, Sharp announced the 8C-B60A professional camcorder with an image resolution of 8K and a frame rate of 60 frames per second.

Awards

Several components of the camera system have received awards.

EISA Awards

Olympus Pen E-P5
Panasonic Lumix DMC-GH1, the first digital camera with Full HD video resolution

The EISA Awards are given by the European Imaging and Sound Association (EISA):

  • Panasonic Lumix DC-GH5S : Photo & Video Camera 2018–2019
  • Olympus M.Zuiko Digital ED 12–100 mm F4.0 IS Pro: Compact System Zoom Lens 2017–2018
  • Panasonic Lumix DC-GH5 : Photo & Video Camera 2017–2018
  • Panasonic Dual IS System: European Photo Innovation 2016–2017
  • Olympus OM-D E-M10 Mark II: European Consumer Compact System Camera 2016–2017
  • Olympus M.Zuiko Digital ED 40–150mm f / 2.8 Pro: European Professional Compact System Lens 2015–2016
  • Olympus OM-D E-M5 Mark II : European Prosumer Compact System Camera 2015–2016
  • Panasonic Lumix DMC-G7 / G70 : European Photo & Video Camera 2015–2016
  • Olympus M.Zuiko Digital ED 12–40 mm f / 2.8: European Compact System Zoom Lens 2014–2015
  • Olympus OM-D E-M10: European Consumer Compact System Camera 2014-2015
  • Panasonic Lumix DMC-GH4 : European Photo & Video Camera 2014–2015
  • Olympus PEN E-P5 : European Advanced Compact System Camera 2013–2014
  • Panasonic Lumix G Vario 14–140 mm f / 3.5–5.6: European Compact System Zoom Lens 2013–2014
  • Panasonic Lumix DMC-GH3 : European Photo-Video Camera 2013–2014
  • Olympus OM-D E-M5 : European Compact System Camera 2012–2013
  • Panasonic Lumix GX Vario 12–35 mm f / 2.8 Asph .: Compact System Lens 2012–2013
  • Panasonic Lumix DMC-G3: European Compact System Camera 2011–2012
  • Olympus M.Zuiko Digital ED 9–18mm f / 4.0–5.6: European Micro System Lens 2010–2011
  • Panasonic Lumix DMC-G2: European Multimedia Camera 2010–2011
  • Olympus PEN E-P1: European Camera 2009–2010
  • Panasonic Lumix DMC-GH1: European Multimedia Camera 2009–2010

TIPA Awards

Olympus OM-D E-M5 II
The Panasonic Lumix DMC-GH3 model suitable for high-quality video recordings

The TIPA Awards are presented by the Photo Press Association Technical Image Press Association (TIPA):

  • Panasonic Leica DG Vario-Summilux 10–25 mm / F1.7 asph: best micro four thirds lens
  • Olympus OM-D E-M1X : best professional MFT camera (2019)
  • Panasonic Lumix DC-GH5S : Best Professional Photo / Video Camera (2018)
  • Panasonic Lumix DC-G9 : Best Professional Mirrorless Compact System Camera (2018)
  • Olympus OM-D E-M1 Mark II : best professional mirrorless compact system camera (2017)
  • Panasonic Lumix GX Vario 12–35mm / F2.8 II Asph. Power OIS: best standard zoom lens for compact system cameras (2017)
  • Olympus M.Zuiko Digital ED 12–100mm 1: 4.0 IS Pro: best telephoto zoom lens for compact system cameras (2017)
  • Panasonic Lumix DC-GH5 : Best Professional Photo / Video Camera (2017)
  • Olympus OM-D E-M10 Mark II: best mirrorless compact system camera (2016)
  • Panasonic LUMIX G 25 mm f / 1.7 Asph .: best entry-level lens for compact system cameras (2016)
  • Olympus M.Zuiko Digital ED 7-14 mm f / 2.8 Pro: best wide-angle zoom lens for compact system cameras (2016)
  • Olympus OM-D E-M5 Mark II : best compact system camera (2015)
  • Panasonic Lumix DMC-GM5: best compact system camera for advanced users (2015)
  • Olympus OM-D E-M10: best compact entry-level camera (2014)
  • Olympus M.Zuiko Digital ED 14–42 mm f / 3.5–5.6 EZ: best entry-level lens for compact system cameras (2014)
  • Panasonic Lumix DMC-GH4 : best hybrid photo-video camera (2014)
  • Olympus PEN E-PL5: Best compact system camera in the entry-level segment (2013)
  • Panasonic Lumix DMC-GH3 : best compact system camera for professional users (2013)
  • Olympus PEN E-PL3: best compact system camera in the entry-level segment (2012)
  • Panasonic Lumix DMC-GH2: best compact system camera for experts (2012)
  • Panasonic Lumix GX1: best compact system camera for advanced users (2012)
  • Olympus M.Zuiko Digital ED 12 mm f / 2.0: best fixed focal length lens for compact system cameras (2012)
  • Panasonic LUMIX GX Vario PZ 14–42 mm: best expert lens for compact system cameras (2012)
  • Panasonic Lumix DMC-G2: best compact system camera for advanced users (2010)
  • Olympus Pen E-PL1: best compact system camera in the entry-level segment (2010)
  • Panasonic Lumix G series : best design innovation (2009)

criticism

It has been criticized that the interaction between lenses and camera housings from different suppliers is limited in some cases. For example, the aperture ring setting on a Panasonic lens is not taken into account by an Olympus camera body or the function button on an Olympus lens by a Panasonic camera body. Furthermore, the synchronization of the image stabilizers of lenses and camera housings only works with devices from the same vendor. In addition, Olympus only offers a few lenses with image stabilization.

supporter

The following manufacturers and suppliers support the Micro Four Thirds standard:

In addition to these companies, other companies in the optics industry have also registered patents for lenses for this camera system, such as Canon , Konica Minolta or Ricoh .

The Jos. Schneider Optische Werke ended their plans to produce Micro Four Thirds lenses in 2015.

Camera body

For the professional, high-resolution camcorders for the Micro Four Thirds system offered by Panasonic, there are special lenses and aids designed for use on the film set .

An overview of all camera housings currently on offer can be found on the product pages of the Four Thirds Consortium. Camera models based on the Micro Four Thirds standard are listed below in the order in which they are presented to the public:

First camera of the Micro Four Thirds system: Panasonic Lumix DMC-G1
Blackmagic Cinema Camera
The industrial camera EXO Tracer from SVS-Vistek
The Olympus professional model of the Micro Four Thirds system, the OM-D E-M1, here with the zoom 12–40 mm f / 2.8 PRO that appeared at the same time
Panasonic Lumix DMC-GX8 with swiveling electronic viewfinder and foldable and swiveling monitor
Camera housing module Olympus Air A01
year providers Camera body annotation
2008 Panasonic Lumix DMC-G1 First camera housing of the camera system
2009 Panasonic Lumix DMC-GH1
2009 Olympus E-P1
2009 Panasonic Lumix DMC-GF1
2009 Olympus E-P2
2010 Olympus E-PL1
2010 Panasonic Lumix DMC-G2
2010 Panasonic Lumix DMC-G10
2010 Panasonic Lumix DMC-GH2
2010 Panasonic Lumix DMC-GF2
2010 Panasonic AG-AF100 Professional, high definition camcorder
2011 Olympus E-PL2
2011 Panasonic Lumix DMC-G3
2011 Panasonic Lumix DMC-GF3
2011 Olympus E-P3
2011 Olympus E-PL3
2011 Olympus E-PM1
2011 Panasonic Lumix DMC-GX1
2012 Olympus OM-D E-M5 First system camera from Olympus with an electronic viewfinder
2012 Panasonic Lumix DMC-GF5
2012 Panasonic Lumix DMC-G5
2012 Olympus E-PL5
2012 Olympus E-PM2
2012 Panasonic Lumix DMC-GH3 Data transfer rate up to 72 megabits per second
2012 Blackmagic Design Cinema Camera
2012 Panasonic AG-AF101A camcorder
2012 SVS-Vistek SVS-Vistek EXO Tracer Industrial camera
2013 Blackmagic Design Pocket Cinema Camera
2013 Panasonic Lumix DMC-GF6
2013 Panasonic Lumix DMC-G6
2013 Olympus PEN E-P5 Shortest shutter speed 1 / 8,000 second, WLAN
2013 Panasonic Lumix DMC-GX7 Swivel viewfinder
2013 Olympus OM-D E-M1 Successor to the Olympus E-5 from the Four Thirds system
2013 Panasonic Lumix DMC-GM1 Smallest system camera in the world to date
2014 JK Imaging Kodak S-1
2014 Panasonic Lumix DMC-GH4 4K video recording with data rates up to 200 Mbit per second and up to 100 still images per second
2014 Olympus OM-D E-M10
2014 Blackmagic Design Studio Camera HD / 4K
2014 Olympus PEN E-PL6
2014 Olympus PEN E-PL7
2014 Panasonic Lumix DMC-GM5
2014 JVC GY-LS300CHE Super 35mm camcorder
2014 Photron Fastcam Multi High speed camera
2015 Olympus OM-D E-M5 Mark II Image sensor shift to increase the image resolution
2015 Panasonic Lumix DMC-GF7 Without a viewfinder
2015 Panasonic Lumix DMC-G70 Image sequences in 4K are also offered in several countries under the name Lumix DMC-G7
2015 Blackmagic Design Micro Cinema Camera
2015 Blackmagic Design Micro Studio Camera 4K
2015 Panasonic Lumix DMC-GX8 Double image stabilization (Dual IS)
2015 DJI Innovations Zenmuse X5 and X5R Drones
2015 Astrodesign AH-4413 / AP-4414 / AM-4412
2015 Olympus OM-D E-M10 Mark II
2015 Yuneec CGO4 Camera for hexacopters
2015 Olympus Air A01 Open Platform Camera
2015 Z Cam E1 4K action camcorder with interchangeable lens, open platform camera
2016 Olympus Pen-F
2016 Autel Robotics X-Star Go drone
2016 Panasonic Lumix DMC-GF8 Without a viewfinder, distribution not in Europe
2016 Panasonic Lumix DMC-GX80
2016 Craft Camera System camera with full HD resolution in modular design
2016 Z Cam C1 4K action camcorder
2016 DJI Innovations Osmo Electronic gimbal with the Zenmuse X5 or X5R camera housing
2016 YI Technology M1 Without a viewfinder
2016 Olympus OM-D E-M1 II Up to 18 raw data series recordings with automatic tracking of the distance setting
2016 Olympus Pen E-PL8 Without a viewfinder
2016 PowerVision PowerEye drone
2016 DJI Innovations Zenmuse X5S Camera module for the Inspire 2 drone
2017 Panasonic Lumix DC-GH5 Data transfer rate up to 400 megabits per second, 4: 2: 2 color subsampling
2017 Panasonic Lumix DC-GX800 Without a viewfinder
2017 Olympus OM-D E-M10 Mark III
2017 Panasonic Lumix DC-G9 20 images per second with automatic focus tracking, large viewfinder image, high-resolution 80 megapixel mode with image sensor shift
2017 Aperture axiom Open source cinema camera
2018 Panasonic Lumix DC-GH5S Highly light-sensitive image sensor with a good ten megapixel image resolution, in which each pixel is equipped with two different analog amplifiers ("Dual Native ISO")
2018 Olympus Pen E-PL9 Without a viewfinder
2018 Panasonic Lumix DC-GX9 Viewfinder that can be swiveled upwards
2018 Z Cam E2 Cinematic Camera 4K with 120 fps, 10 bit color depth , deep learning engine
2018 Blackmagic Design Pocket Cinema Camera 4K 13 f-stops working area, video recording in raw data format
2018 Astrodesign CM-9010 8K (33 megapixels)
2019 Olympus OM-D E-M1X With a permanently attached second handle
2019 Panasonic Lumix DC-G91 Live-View Composite recording function for still images of moving subjects
2019 Panasonic Lumix DC-GX880 Without a viewfinder
2019 Sharp 8C-B60A 8K resolution, 60 fps
2019 Olympus OM-D E-M5 III
2019 Olympus Pen E ‑ PL10 Without a viewfinder
2020 Olympus Olympus OM-D E-M1 III Video with 120 fps, image stabilization with up to 7.5 f-stops, high-res shot without a tripod
2020 Z Cam E2-M4 4K at 160 fps, ProRes raw data format
2020 Panasonic Lumix DC-G110 Three internal microphones, designed for vloggers

Lenses

Lenses developed for the Micro Four Thirds system are usually calculated telecentrically due to the small dimensions on the image side , which has advantages for image quality, especially with regard to image sharpness and brightness in the image corners. Lenses with a Micro Four Thirds bayonet are available from several suppliers in a wide range of focal lengths. With mechanically and electronically compatible lens adapters, almost all lenses of the Four Thirds system can be used without any loss of functionality.

Prime lenses

brand Fixed focal length Focal length
millimeters
Light intensity
f-number
Macro lens Image stabilizer Autofocus
Carl Zeiss Compact Prime CP.2 15 mm / T2.9 15th 2.9 No No No
Carl Zeiss Compact Prime CP.2 18 mm / T3.6 18th 3.6 No No No
Carl Zeiss Compact Prime CP.2 21 mm / T2.9 21st 2.9 No No No
Carl Zeiss Compact Prime CP.2 25 mm / T2.9 25th 2.9 No No No
Carl Zeiss Compact Prime CP.2 28 mm / T2.1 28 2.1 No No No
Carl Zeiss Compact Prime CP.2 35 mm / T1.5 35 1.5 No No No
Carl Zeiss Compact Prime CP.2 35 mm / T2.1 35 2.1 No No No
Carl Zeiss Compact Prime CP.2 50 mm / T1.5 50 1.5 No No No
Carl Zeiss Compact Prime CP.2 50 mm / T2.1 50 2.1 No No No
Carl Zeiss Compact Prime CP.2 50 mm / T2.1 Macro Planar T 50 2.1 Yes No No
Carl Zeiss Compact Prime CP.2 85 mm / T1.5 85 1.5 No No No
Carl Zeiss Compact Prime CP.2 85 mm / T2.1 85 2.1 No No No
Carl Zeiss Compact Prime CP.2 100 mm / T2.1 Close Focus Planar T * 100 2.1 Yes No No
Carl Zeiss Compact Prime CP.2 135 mm / T2.1 135 2.1 No No No
DJI Innovations MFT 15 mm f / 1.7 ASPH 15th 1.7 No No Yes
Entaniya Fisheye HAL 250 MFT 2.3 2.3 2.8 No No No
Entaniya Fisheye HAL 250 MFT 3.0 3.0 2.8 No No No
Entaniya Fisheye HAL 250 MFT 3.6 3.6 2.8 No No No
Entaniya Fisheye HAL 200 MFT 3.6 3.6 4.0 No No No
HandeVision Handevision Ibelux 40 0.9 No No No
Kodak Pixpro SF 400mm f / 6.7 400 6.7 No No No
Kowa Kowa Prominar 8.5 mm F2.8 8.5 2.8 No No No
Kowa Kowa Prominar 12 mm F1.8 12 1.8 No No No
Kowa Kowa Prominar 25 mm F1.8 25th 1.8 No No No
Kowa Kowa Prominar 90 mm F2.5 Macro 90 2.5 Yes No No
Kowa Kowa Prominar 350 mm F4.0 FL / TX07 350 4.0 No No No
Kowa Kowa Prominar 500 mm F5.6 FL / TX10 500 5.6 No No No
Kowa Kowa Prominar 850 mm F9.6 FL / TX17 850 9.6 No No No
Meike 6.5 mm F2.0 6.5 2.0 No No No
Meike 25 mm F0.95 25th 0.95 No No No
Meike 28 mm F2.8 28 2.8 No No No
Meike 35 mm F1.7 35 1.7 No No No
Meike 50 mm F2.0 50 2.0 No No No
Meyer-Optik-Görlitz Nocturnus f0.95 35 mm 35 0.95 No No No
Meyer-Optik-Görlitz Trioplan 50 f2.9 50 2.9 No No No
Meyer-Optik-Görlitz Primoplan 58 / F1.9 58 1.9 No No No
Meyer-Optik-Görlitz Primoplan 75 / F1.9 75 1.9 No No No
Meyer-Optik-Görlitz Trimagon f2.6 95 mm 95 2.6 No No No
Meyer-Optik-Görlitz Trioplan f2.8 100 mm 100 2.8 No No No
Olympus M.Zuiko Digital ED 8 mm f / 1.8 Fisheye Pro 8th 1.8 Yes No Yes
Olympus Body Cap Lens 9 mm f / 8.0 9 8.0 No No No
Olympus M.Zuiko Digital 12 mm f / 2.0 12 2.0 No No Yes
Olympus Body Cap Lens 15 mm f / 8.0 15th 8.0 No No No
Olympus M.Zuiko Digital ED 17 mm f / 1.2 Pro 17th 1.2 No No Yes
Olympus M.Zuiko Digital 17 mm f / 1.8 17th 1.8 No No Yes
Olympus M.Zuiko Digital 17 mm f / 2.8 17th 2.8 No No Yes
Olympus M.Zuiko Digital ED 25 mm f / 1.2 Pro 25th 1.2 No No Yes
Olympus M.Zuiko Digital 25 mm f / 1.8 25th 1.8 No No Yes
Olympus M.Zuiko Digital ED 30 mm Macro 30th 3.5 Yes No Yes
Olympus M.Zuiko Digital ED 45 mm f / 1.2 Pro 45 1.2 No No Yes
Olympus M.Zuiko Digital 45 mm f / 1.8 45 1.8 No No Yes
Olympus M.Zuiko Digital ED 60 mm f / 2.8 Macro 60 2.8 Yes No Yes
Olympus M.Zuiko Digital 75 mm f / 1.8 75 1.8 No No Yes
Olympus M.Zuiko Digital ED 300 mm F4 IS Pro 300 4.0 Yes Yes Yes
Panasonic Lumix G 8 mm fisheye f / 3.5 8th 3.5 No No Yes
Panasonic Lumix G 12 mm 3D Lens f / 12 12 12 No No No
Panasonic Leica DG Summilux 12 mm f / 1.4 Asph 12 1.4 No No Yes
Panasonic Lumix G 14 mm f / 2.5 Asph 14th 2.5 No No Yes
Panasonic Leica DG Summilux , 15 mm f / 1.7 Asph 15th 1.7 No No Yes
Panasonic Lumix G 20 mm f / 1.7 Asph 20th 1.7 No No Yes
Panasonic Leica DG Summilux 25 mm f / 1.4 Asph 25th 1.4 No No Yes
Panasonic Lumix G 25 mm f / 1.7 25th 1.7 No No Yes
Panasonic Lumix G Macro 30 mm F2.8 Asph Mega OIS 30th 2.8 Yes Yes Yes
Panasonic Leica DG Nocticron 42.5 mm f / 1.2 Asph 42.5 1.2 No Yes Yes
Panasonic Lumix G 42.5 mm f / 1.7 Asph Power OIS 42.5 1.7 No Yes Yes
Panasonic Leica DG Makro- Elmarit 45 mm f / 2.8 Asph OIS 45 2.8 Yes Yes Yes
Panasonic Leica DG Elmarit 200 mm f / 2.8 OIS 200 2.8 No Yes Yes
Samyang Optics 7.5mm f / 3.5 UMC fish-eye 7.5 3.5 No No No
Samyang Optics 7.5 mm T3.8 Cine UMC Fish-eye 7.5 3.8 No No No
Samyang Optics 8 mm F3.5 UMC Fish-Eye II 8th 3.5 No No No
Samyang Optics 8 mm T3.8 VDSLR UMC Fish-eye CS II 8th 3.8 No No No
Samyang Optics 10 mm F2.8 ED AS NCS CS 10 2.8 No No No
Samyang Optics 10 mm T3.1 VDSLR ED AS NCS CS II 10 3.1 No No No
Samyang Optics 12 mm F2.0 NCS CS 12 2.0 No No No
Samyang Optics 12 mm T2.2 Cine NCS CS 12 2.2 No No No
Samyang Optics 12 mm F2.8 ED AS NCS Fish-Eye 12 2.8 No No No
Samyang Optics 12 mm T3.1 VDSLR ED AS NCS Fish-eye 12 3.1 No No No
Samyang Optics 14 mm F2.8 ED AS IF UMC 14th 2.8 No No No
Samyang Optics 14 mm T3.1 VDSLR ED AS IF UMC II 14th 3.1 No No No
Samyang Optics 16 mm F2.0 ED AS UMC CS 16 2.0 No No No
Samyang Optics 16 mm T2.2 VDSLR ED AS UMC CS II 16 2.2 No No No
Samyang Optics 21 mm F1.4 ED AS UMC CS 21st 1.4 No No No
Samyang Optics 21 mm T1.5 ED AS UMC CS 21st 1.5 No No No
Samyang Optics 24 mm F1.4 ED AS IF UMC 24 1.4 No No No
Samyang Optics Tilt / Shift 24 mm F3.5 ED AS UMC 24 3.5 No No No
Samyang Optics 24 mm T1.5 VDSLR ED AS IF UMC II 24 1.5 No No No
Samyang Optics 35 mm F1.4 AS UMC 35 1.4 No No No
Samyang Optics 35 mm T1.5 VDSLR AS UMC II 35 1.5 No No No
Samyang Optics 50 mm F1.2 AS UMC CS 50 1.2 No No No
Samyang Optics 50 mm T1.3 AS UMC CS 50 1.3 No No No
Samyang Optics 50 mm F1.4 AS IF UMC 50 1.4 No No No
Samyang Optics 50 mm T1.5 VDSLR AS UMC 50 1.5 No No No
Samyang Optics 85 mm F1.4 AS IF UMC 85 1.4 No No No
Samyang Optics 85 mm T1.5 VDSLR AS IF UMC II 85 1.5 No No No
Samyang Optics 100 mm F2.8 ED UMC Macro 100 2.8 Yes No No
Samyang Optics 100 mm T3.1 VDSLR ED UMC Macro 100 3.1 Yes No No
Samyang Optics 135 mm F2.0 ED UMC 135 2.0 No No No
Samyang Optics 135 mm T2.2 VDSLR ED UMC 135 2.2 No No No
Samyang Optics 300 mm F6.3 ED UMC CS 300 6.3 No No No
Sigma 16 mm F1.4 DN 16 1.4 No No Yes
Sigma 19 mm F2.8 DN 19th 2.8 No No Yes
Sigma 30 mm F1.4 DN 30th 1.4 No No Yes
Sigma 30 mm F2.8 DN 30th 2.8 No No Yes
Sigma 56 mm F1.4 DC DN 56 1.4 No No Yes
Sigma 60 mm F2.8 DN 60 2.8 No No Yes
SLR Magic HyperPrime CINE 12 mm T1.6 12 1.6 No No No
SLR Magic HyperPrime CINE 25 mm T0.95 25th 0.95 No No No
SLR Magic 35mm f / 1.7 35 1.7 No No No
SLR Magic HyperPrime 50 mm F0.95 50 0.95 No No No
SLR Magic Toy pinhole lens 12 n / A No No No
SLR Magic Toy 26 mm f / 1.4 lens 26th 1.4 No No No
Tokina Reflex 300 mm F6.3 300 6.3 Yes No No
Venus Optics Laowa 4mm f / 2.8 4th 2.8 No No No
Venus Optics Laowa 7.5mm f / 2 7.5 2.0 No No No
Veydra M4 / 3 Mini Prime 12 mm T2.2 12 2.2 No No No
Veydra M4 / 3 Mini Prime 16 mm T2.2 16 2.2 No No No
Veydra M4 / 3 Mini Prime 25 mm T2.2 25th 2.2 No No No
Veydra M4 / 3 Mini Prime 35 mm T2.2 35 2.2 No No No
Veydra M4 / 3 Mini Prime 50 mm T2.2 50 2.2 No No No
Veydra M4 / 3 Mini Prime 85 mm T2.2 85 2.2 No No No
Voigtländer Voigtländer NOKTON 10.5 mm f / 0.95 10.5 0.95 No No No
Voigtländer Voigtländer NOKTON 17.5 mm f / 0.95 17.5 0.95 No No No
Voigtländer Voigtländer NOKTON 25 mm f / 0.95 25th 0.95 No No No
Voigtländer Voigtländer NOKTON 42.5 mm f / 0.95 42.5 0.95 No No No
Voigtländer Voigtländer NOKTON 60 mm f / 0.95 60 0.95 No No No
Wanderlust Pinwide (hole lens) 11 128 No No No
YI Technology XiaoYI 42.5mm f / 1.8 42.5 1.8 Yes No Yes
ZY Optics Mitakon 20 mm f / 2 4.5x Super Macro Lens 20th 2.0 Yes No No
ZY Optics Mitakon 24 mm f / 1.7 lens 24 1.7 No No No
ZY Optics Mitakon 25 mm f / 0.95 lens 25th 0.95 No No No
ZY Optics Mitakon 35 mm f / 0.95 lens 35 0.95 No No No
ZY Optics Mitakon 42.5 mm f / 1.2 42.5 1.2 No No No

Zoom lenses

brand zoom
lens
Initial
combustible
wide
milli
meter
End
combustible
wide
milli
meter
Zoom
factor
Light
strength
starting
combustible
wide
Light
strength
end-
combustible
wide
Macro
lens
Image
stabilized
sator
Auto
focus
Motor
zoom
Carl Zeiss Compact Zoom CZ.2
70-200 mm / T2.9
70 200 2.86 2.9 2.9 No No No No
Kodak Pixpro SZ ED
12–45 mm f / 3.5–6.3
12 45 3.75 3.5 6.3 No No Yes No
Kodak Pixpro SZ ED
42.5-160 mm f / 3.9-5.9
42.5 160 3.76 3.9 5.9 No No Yes No
Olympus M.Zuiko Digital ED
7-14mm f / 2.8 Pro
7th 14th 2.00 2.8 2.8 No No Yes No
Olympus M.Zuiko Digital ED
9–18 mm f / 4.0–5.6
9 18th 2.0 4.0 5.6 No No Yes No
Olympus M.Zuiko Digital ED
12–40 mm f / 2.8 Pro
12 40 3.3 2.8 2.8 No No Yes No
Olympus M.Zuiko Digital ED
12–50 mm f / 3.5–6.3 EZ PowerZoom
12 50 4.2 3.5 6.3 Yes No Yes Yes
Olympus M.Zuiko Digital ED
12-100 mm f / 4.0 IS Pro
12 100 8.3 4.0 4.0 Yes Yes Yes No
Olympus M.Zuiko Digital ED
12–200 mm f / 3.5–6.3
12 200 16.7 3.5 6.3 Yes No Yes No
Olympus M.Zuiko Digital ED
14–42 mm f / 3.5–5.6
14th 42 3.0 3.5 5.6 No No Yes No
Olympus M.Zuiko Digital ED
14–42 mm f / 3.5–5.6 L
14th 42 3.0 3.5 5.6 No No Yes No
Olympus M.Zuiko Digital MSC
14-42 mm f / 3.5-5.6 II MSC
14th 42 3.0 3.5 5.6 No No Yes No
Olympus M.Zuiko Digital MSC
14-42 mm f / 3.5-5.6 II R MSC
14th 42 3.0 3.5 5.6 No No Yes No
Olympus M.Zuiko Digital ED
14–150 mm f / 4–5.6 AF
14th 150 10.7 4.0 5.6 No No Yes No
Olympus M.Zuiko Digital ED
40–150 mm f / 2.8 Pro
40 150 3.75 2.8 2.8 No No Yes No
Olympus M.Zuiko Digital ED
40–150 mm f / 4.0–5.6
40 150 3.75 4.0 5.6 No No Yes No
Olympus M.Zuiko Digital ED
75–300 mm f / 4.8–6.7
75 300 4.0 4.8 6.7 No No Yes No
Panasonic Lumix G Vario
7-14 mm f / 4.0
7th 14th 2.0 4.0 4.0 No No Yes No
Panasonic Leica DG Vario- Elmarit
8–18 mm f / 2.8–4.0
8th 18th 2.25 2.8 4.0 No No Yes No
Panasonic Leica DG Vario-Summilux
10–25 mm f / 1.7 Asph.
10 25th 2.5 1.7 1.7 No No Yes No
Panasonic Lumix G Vario
12–32 mm f / 3.5–5.6 Asph. Mega OIS
12 32 2.7 3.5 5.6 No Yes Yes No
Panasonic Lumix GX Vario
12–35 mm f / 2.8 Asph. Power OIS
12 35 2.9 2.8 2.8 No Yes Yes No
Panasonic Leica DG Vario- Elmarit
12–60 mm f / 2.8–4.0
12 60 5.0 2.8 4.0 No Yes Yes No
Panasonic Lumix G Vario
12-60 mm f / 3.5-5.6 Asph. Power OIS
12 60 5.0 3.5 5.6 No Yes Yes No
Panasonic Lumix G Vario
14–42 mm f / 3.5–5.6 Asph. OIS
14th 42 3.0 3.5 5.6 No Yes Yes No
Panasonic Lumix G Vario
14–42 mm f / 3.5–5.6 II Asph. Mega OIS
14th 42 3.0 3.5 5.6 No Yes Yes No
Panasonic Lumix GX Vario PZ
14–42 mm f / 3.5–5.6 Asph. Power OIS
14th 42 3.0 3.5 5.6 No Yes Yes Yes
Panasonic Lumix G Vario
14–45 mm f / 3.5–5.6 OIS
14th 45 3.2 3.5 5.6 No Yes Yes No
Panasonic Lumix G Vario
14–140 mm f / 3.5–5.6 Asph. Power OIS
14th 140 10.0 3.5 5.6 No Yes Yes No
Panasonic Lumix G Vario HD
14–140 mm f / 4.0–5.8 OIS
14th 140 10.0 4.0 5.8 No Yes Yes No
Panasonic Lumix GX Vario
35-100 mm f / 2.8 Power OIS
35 100 2.9 2.8 2.8 No Yes Yes No
Panasonic Lumix G Vario
35-100 mm f / 4.0-5.6 Asph. Mega OIS
35 100 2.9 4.0 5.6 No Yes Yes No
Panasonic Lumix G Vario
45–150 mm f / 4.0–5.6 Asph. Mega OIS
45 150 3.3 4.0 5.6 No Yes Yes No
Panasonic Lumix GX Vario PZ
45–175 mm f / 4.0–5.6 Asph. Power OIS
45 175 3.9 4.0 5.6 No Yes Yes Yes
Panasonic Lumix G Vario
45–200 mm f / 4.0–5.6 Mega OIS
45 200 4.4 4.0 5.6 No Yes Yes No
Panasonic Leica DG Vario- Elmarit
50–200 mm f / 2.8–4.0 Asph. Power OIS
50 200 4.0 2.8 4.0 No Yes Yes No
Panasonic Lumix G Vario
100–300 mm f / 4.0–5.6 Mega OIS
100 300 3.0 4.0 5.6 No Yes Yes No
Panasonic Leica DG Vario- Elmar
100–400 mm f / 4–6.3 Asph. Power OIS
100 400 4.0 4.0 6.3 Yes Yes Yes No
SLR Magic Monster Lens II 12-36x50 ED
Spotting Scope
420 1260 3.0 no information no information No No No No
Tamron 14-150mm f / 3.5-5.8 Di III 14th 150 10.7 3.5 5.8 No No Yes No
YI Technology XiaoYI 12-40 mm f / 3.5-5.6 12 40 3.3 3.5 5.6 No No Yes No

Converter and adapter

Digital telecompressor for Canon EF lenses with a reduction factor of 0.64

With tele and wide angle converters , the focal length of given lenses can be lengthened or shortened, and with various adapters , lenses with lens threads or other bayonets can be adapted to the Micro Four Thirds bayonet. With close-up lenses in front, lenses can be made macro-compatible . In addition, there are optically corrected adapters for color errors with which spotting scopes can be connected to the camera housing.

Since the Micro Four Thirds system has an image circle that is only half the size of the 35mm format and the back focus is so small, conventional lenses built for 35mm film can be used for shift photography with adapters that have shifting devices can be used.

Intermediate rings enable a lower focus limit and thus a larger image scale . With an automatic reverse adapter with bellows lenses can be used in the camera system while retaining the functions reverse position are used to obtain a high magnification.

brand Converter and adapter
Commlite CM-FT-MFT for Four Thirds lenses , CM-AEF-MFT and CM-AEF-MFT ( booster ) for Canon EF lenses with autofocus
Fotodiox Pro Shift, Arri PL , C-Mount
Kenko DG Extension Tube Set 10/16 mm (intermediate
rings ) Horseman TS-Pro Tilt / Shift Lens Control System
Metabones Canon EF (S, 0.71x, 0.64x), Canon FD, Contarex, Contax / Yashica, Leica R, Minolta MD, Nikon G (0.71x and 0.64x), Olympus OM, Rollei QBM - Speed ​​Booster
Novoflex Canon FD , Contax , Exacta 66 , Hasselblad , Leica M , Leica R , M39 , M42 , Mamiya 645 , Minolta AF , Minolta MD , Nikon F , Olympus OM , P6 , Pentax 6x7 , Pentax K , Phase One , SONY alpha (A Bayonet) , T2 , Yashica
Olympus Adapter with restrictions 1 for Olympus OM, Leica M, Leica R, Canon FD, Pentax K, Minolta MD / MC, Nikon, Sony / Minolta AF, Contax / Yashica, Tamron Adaptall, M42, T2
MMF-3: adapter with all functions for Four Thirds Standard
Panasonic Bayonet adapter DMW: MA1 for Four Thirds , MA2 for Leica M , MA3 for Leica R
DMW-GMC1: Lumix G macro converter
DMW-GFC1: Lumix G fisheye converter
DMW-GWC1: Lumix G wide angle converter 0.79x
DMW -GTC1: Lumix G tele-converter 2x
Swarovski optics TLS APO 23 mm Apochromat Telephoto Lens System for spotting scopes :
 for ATX / STX
 for ATS / STS / ATM / STM / STR

1 without automatic program and autofocus, with exposure measurement (aperture metering / aperture priority)

literature

  • David Taylor: Four Thirds & Micro Four Thirds - The Expanded Guide , Ammonite Press, 2011, ISBN 9781907708152 .
  • Späth Frank: Lumix G: System Fotoschule , July 2010, ISBN 978-3941761056 .

Web links

Commons : Micro Four Thirds System Cameras  - collection of images, videos, and audio files
Commons : Micro Four Thirds Lenses  - collection of images, videos, and audio files
Commons : Recordings with Micro Four Thirds Lenses  - collection of images, videos and audio files

Individual evidence

  1. ^ Always Evolving , Four Thirds, accessed online October 24, 2012
  2. Tilt shift lens adapter - US 20120070141 A1 , Google Patents, March 22, 2012, accessed April 5, 2016
  3. a b c d Micro Four Thirds Specification , four-thirds.org, accessed online on September 28, 2012 (in English)
  4. Hans-Heinrich Pardey: Photokina 2010 - Compactness with a system is the key - Not every lens retains its good properties on a digital camera , faz.net, September 27, 2010, accessed online on October 24, 2012
  5. a b Supporting Companies , four-thirds.org, accessed December 22, 2016
  6. Olympus Imaging and Panasonic announce new Micro Four Thirds System standard ( Memento from March 2, 2010 in the Internet Archive )
  7. a b Benefit of Micro Four Thirds , four-thirds.org, accessed online on September 28, 2012 (in English)
  8. Richard Butler: In memoriam: Olympus brings down the curtain on the legacy Four Thirds system , dpreview.com, March 10, 2017, accessed March 15, 2017
  9. ^ A b c Advancing Technology for Amazing Image Quality , getolympus.com, accessed November 9, 2016
  10. A lens for the Micro Four Thirds system was the only very good model to cut off in a comparative product test of zoom lenses by Stiftung Warentest in 2009 , see also zoom lenses: Less is more , test.de , May 28, 2009, accessed on May 13, 2009 January 2016
  11. What are the advantages of a mirrorless system camera , four-thirds.org, accessed online on September 28, 2012 (in English)
  12. Stellar Movie Power , four-thirds.org, accessed online on December 18, 2012
  13. Test report on the Panasonic Lumix DMC-GH1 at dpreview.com (in English), accessed on August 13, 2009
  14. Test report on the Panasonic Lumix DMC-GH2 at dpreview.com (in English)
  15. Equivalent focal length , Wikibook digital imaging methods , chapter image acquisition , accessed on June 24, 2015
  16. Equivalent f-number , Wikibook digital imaging methods , chapter image acquisition , accessed on June 24, 2015
  17. Equivalent light sensitivity , Wikibook digital imaging methods , chapter image acquisition , accessed on June 24, 2015
  18. Lens Technology , Completely electronic mount , accessed online October 19, 2012
  19. ^ Richard Butler: A distorted view? In-camera distortion correction , dpreview.com, September 2, 2011, accessed January 23, 2016
  20. a b Lumix GX7 - the compact premium DSLM camera , panasonic.com, July 23, 2013, accessed on January 12, 2016
  21. Jeff Keller: Panasonic's flagship Lumix DC-GH5 officially launched, hits store shelves in March , dpreview.com on January 4, 2017, accessed on March 29, 2017
  22. a b DMC-GX8 Lumix G DSLM interchangeable lens camera , panasonic.com, accessed July 16, 2015
  23. ^ The Formula for Superb Image Quality - Always Stable , olympus-imaging.com, 2016, accessed December 21, 2016
  24. James Artaius: Olympus OM-D E-M1X review , Digital Camera Review January 24, 2019, accessed September 13, 2019
  25. Firmware upgrade, Version 4.0 for Olympus OM-D E-M1 provides Focus Stacking mode and Focus Bracketing mode for advanced macro shooting ( Memento from January 12, 2016 in the Internet Archive ), olympus-global.com, September 15, 2015 on January 12, 2016
  26. Ian Burley: Exploring Panasonic's Post Focus camera feature , http://fourthirds-user.com/ , December 11, 2015, accessed January 12, 2016
  27. a b digital cameras: old lenses on modern cameras , test.de , March 21, 2013, accessed on January 13, 2016
  28. Pinwide cap for Micro 4/3 , kickstarter.com October 24, 2010, accessed online October 26, 2012
  29. SLR Magic adds Toy lenses for Q, E and Micro Four Thirds mounts , dpreview.com, March 5, 2012, accessed online on October 26, 2012
  30. Panasonic Lumix G1 system camera - a milestone in photo technology. (Rapid test) In: test.de . February 1, 2009, accessed October 1, 2012 .
  31. OLYMPUS PEN , Olympus, accessed March 12, 2018
  32. Without searcher , test.de , accessed online on October 1, 2012
  33. Lumix GH1 system camera: Panasonic goes to Hollywood , test.de from July 24, 2009, accessed on June 16, 2015
  34. a b c 10 Years of Micro Four Thirds - From the Beginning to the Present (Part 2) , dkamera from August 7, 2018, accessed on September 27, 2018
  35. ^ Noah Kadner: On The Panasonic AF100 ( memento June 17, 2013 in the Internet Archive ), hdvideopro.com, accessed online on March 12, 2013
  36. Lumix G Pancake PowerZoom lens , Panasonic, accessed online September 27, 2012
  37. Kenko-Tokina Reflex 300mm F6.3 compact telephoto for Micro Four Thirds , dpreview.com dated February 3, 2012, accessed on June 16, 2015
  38. The new Olympus OM-D: dust and splash-proof and with a built-in electronic viewfinder ( Memento from January 31, 2013 in the Internet Archive ), Olympus, accessed on January 12, 2016
  39. Andreas Rumpf: Photo Brenner shows shift lens for Micro-Four-Thirds , ueberlicht.de from September 21, 2012, accessed on June 16, 2015
  40. Sensor size facilitating the use of cine equipment assets and cinematography techniques , four-thirds.org, accessed online on September 28, 2012 (in English)
  41. New short film “Genesis” shot on pre-production Panasonic GH3 by Philip Bloom , accessed online September 25, 2012
  42. Lumix GH4: The 4K video and photo professional , panasonic.com, press release from February 7, 2014, accessed on February 29, 2016
  43. a b The world's first f / 1.8 fisheye lens , olympus-imaging.com, accessed June 12, 2015
  44. Olympus OM-D E-M5 Mark II: System camera with gimmick for poster fans , test.de from June 17, 2015, accessed on March 11, 2018
  45. a b c DJI - the world's first micro-four-third camera for commercial aerial photography , press portal from September 11, 2015, accessed on September 14, 2015
  46. Panasonic Lumix DMC-GX8 , fotomagazin.de, 9/2015, accessed on February 18, 2016
  47. Kazuo Unno: Utilizing Focus Stacking and Focus Bracketing in Insect Photography , Olympus, 2015, accessed on March 11, 2018
  48. Telezoom from Panasonic: Lens for frequent flyers and bird lovers , test.de , June 22, 2016, accessed on July 14, 2016
  49. a b DJI Brings Micro Four-Thirds Imagery Back to Earth with the Osmo RAW , PR Newswire, April 18, 2016, accessed July 24, 2016
  50. a b Entaniya Fisheye 250 MFT , entapano.com, accessed October 19, 2016
  51. Venus Laowa 4mm F2.8 Fisheye MFT , dpreview April 20, 2018, accessed September 30, 2018
  52. Panasonic Develops Two Models of Its First Full-Frame Mirrorless Camera , Businesswire.com on September 25, 2018, accessed September 30, 2018
  53. James Artaius: 5 fastest lenses at Photokina , Digital Camera World from September 28, 2018, accessed on September 30, 2018
  54. a b ISE 2019: Sharp presents new solutions for offices, schools and retail , Sharp Germany from February 5, 2019, accessed on August 30, 2019
  55. EISA Awards Photography ( Memento of October 27, 2016 in the Internet Archive ), eisa.eu, accessed on April 25, 2016
  56. Panasonic Lumix DC-GH5S: Photo & Video Camera 2018-2019 , eisa.eu, accessed on August 15, 2018
  57. Olympus M.Zuiko Digital ED 12–100 mm F4.0 IS Pro: Compact System Zoom Lens 2017–2018 ( memento from August 19, 2017 in the Internet Archive ), eisa.eu, accessed on August 19, 2017
  58. Panasonic Lumix DC-GH5: Photo & Video Camera 2017–2018 , eisa.eu, accessed on August 19, 2017
  59. ^ Technical Image Press Association , Technical Image Press Association, accessed April 25, 2016
  60. Panasonic Leica DG Vario-Summilux 10–25 mm / F1.7 asph , TIPA World Award 2020, accessed on April 20, 2020
  61. TIPA World Award 2019 , TIPA of March 17, 2019, accessed on April 2, 2019
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  63. TIPA WORLD AWARDS 2018 - BEST MIRRORLESS CSC EXPERT - Panasonic LUMIX DC-G9 , tipa.com, accessed on April 20, 2018
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  65. Dennis Blank: Panasonic Leica Nocticron 42.5 f1.2 test and practical report , January 18, 2015, accessed on March 9, 2018
  66. Mathieu Gasquet: Panasonic Lumix G9 vs Olympus OM-D E-M1 II - The complete comparison , Mirrorless Comparison, February 22, 2018, accessed on March 9, 2018
  67. Mathieu Gasquet: Panasonic Lumix G9 vs Olympus OM-D E-M1 II - The 10 Main Differences , Mirrorless Comparison, November 8, 2017, accessed on March 9, 2018
  68. マ イ ク ロ フ ォ ー サ ー ズ シ ス テ ム 規格 に Agrowing 、 Qtechnology 、 イ ン タ ニ ヤ の 3 社 が 新 た に 賛同 , Olympus Japan February 15, 2017, accessed May 11, 2017
  69. a b c YONGNUO, MEDIAEDGE, and Venus Optics Join the Micro Four Thirds System Standard Group , Olympus, February 20, 2020, accessed February 20, 2020
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