Micro Four Thirds
Micro Four Thirds (abbreviated MFT or µFT after the SI prefix µ for “micro”) describes a standard for system components such as lens connections or flash units that was developed mainly by the companies Panasonic and Olympus and is specially tailored to digital, mirrorless system cameras .
The general standard , which is open to other manufacturers, defines, among other things, the sensor dimensions, the lens bayonet including communication protocol, the image circle and the flange focal length (19.25 mm), but also optical requirements such as the maximum angle between the light beams hitting the sensor. This makes Micro-Four-Thirds the only cross-manufacturer standard for mirrorless digital camera systems and is now (as of December 2016) supported by over 30 providers.
description
At the beginning of August 2008, Panasonic and Olympus presented the Micro Four Thirds system standard for mirrorless cameras as a further development of the Four Thirds standard for single-lens reflex camera systems . With this compact camera systems with interchangeable lenses are possible. The new standard uses a flange focal length that is about half the size , which practically no longer allows any installation space for a reflex mechanism , but allows relatively small designs for system cameras with high image quality. The bayonet connection is 6 millimeters narrower than the Four Thirds, with the sensor format unchanged. Four Thirds lenses can still be used with an adapter ring on Micro Four Thirds camera housings. Olympus discontinued the production of Four Thirds lenses in 2017.
The elimination of the oscillating mirror allows greater freedom in lens construction; In the wide-angle range in particular , the rear lens of the lens can move closer to the sensor, similar to viewfinder cameras , which can be used, for example, to optimize the image quality with lenses that image telecentrically on the image side . This also means that Micro Four Thirds cameras are only equipped with live view functions for both still and video recordings . Since no additional sensors are provided, the automatic focusing (autofocus) or subject analysis (e.g. face recognition ) may have to be controlled with the help of the signals from the image sensor, with any variable image areas within the entire image being able to be evaluated.
The live view mode makes it possible, for example, to display setting aids such as focus peaking or a software magnifying glass for distance setting , real-time histograms or warning zebra stripe patterns for exposure setting and virtual spirit levels for image alignment on the screen or in the electronic viewfinder of the camera .
Sensor size
The designation Four Thirds does not indicate the sensor size, but corresponds to the historical measurement method of camera tubes that are not on the sensor size, but according to the outer diameter of the tube were called .
Screen diagonal
The image diagonal or the image circle diameter of micro four thirds sensors is the same as with the four thirds standard and, at 21.63 millimeters, is exactly half the diagonal of the 35mm format (43.267 mm), which corresponds to a format factor of 2.0 . The normal focal length is thus 25 millimeters. This image sensor size is slightly smaller than the image in 35-millimeter movie sound film , yet still allows continuous operation without the sensor temperature by the increasingly difficult at increasingly large sensors expectant sensor cooling increases too much, which regardless of the sensor size is an increased dark current noise result Has.
Most cameras have an image sensor having an aspect ratio of 4: (mm area = 224.64, Bildkreisdradius = 10.82 mm) 3 and an optically active area of 17.31 mm × 12.98 mm, wherein some of the camera housing has a multi-format sensor having , in which the full image circle is used with different aspect ratios , such as the Panasonic DMC-GH1 or the DMC-GH2. This enables the aspect ratios 4: 3 (4608 × 3456 pixels, 17.31 mm × 12.98 mm), 3: 2 (4752 × 3168 pixels, 17.85 mm × 11.90 mm) and 16: 9 (4976 × 2800 pixels, 18.69 mm × 10.52 mm) the use of the largest possible screen diagonal (data for the DMC-GH2).
Equivalences
The equivalent focal lengths with the same angle of view of different camera systems depend on the size of the image sensor. The Micro Four Thirds system therefore produces the same image section as a camera of the 35 mm system with a focal length that is about half the size of the 35mm format. The normal focal length is therefore around 25 millimeters, with the 35mm format it is 50 millimeters.
With the same aperture width and the same angle of view, all camera systems have the same depth of field and the same relative diffraction blur . This means that the equivalent f-number in the Micro Four Thirds system is half that of the 35mm format.
In this case, due to the smaller image sensor area and the same luminous flux in the lens, the illuminance is four times as great and the photometric light intensity in the image plane is about four times smaller due to the larger solid angle , which can be described by the lens's opening angle , which is about twice as large on the image side . This results in the same luminance on the image sensor and thus also the same exposure value for the recording. Because the f-number is half as large, the photographic image must be recorded with a quarter of the exposure time or, with the same exposure time, with a quarter of the ISO light sensitivity . In the latter case, i.e. with the same exposure time and with a varying exposure index, the same motion blur results in all camera systems , and they have the same requirements for image stabilization .
The following table shows an example of some equivalent image parameters for some common image sensor formats compared to Micro Four Thirds:
Image sensor class |
Focal length with wide angle view (diagonal angle of view ≈ 75 °) |
Focal length at normal angle (diagonal angle of view ≈ 47 °) |
Focal length for telephoto (diagonal angle of view ≈ 29 °) |
F-number with the same depth of field and the same diffraction blur |
Exposure index (ISO value) with the same exposure time and the same motion blur |
---|---|---|---|---|---|
Nikon 1 | 10 mm | 18 mm | 31 mm | 1.7 | 100 |
Micro Four Thirds | 14 mm | 25 mm | 42.5 mm | 2.4 | 200 |
APS-C | 18 mm | 33 mm | 57 mm | 3.2 | 360 |
Full format | 28 mm | 50 mm | 85 mm | 4.8 | 800 |
Communication between camera and accessories
A central feature of the system are intelligent components that communicate with one another via electrical contacts using a bidirectional protocol that is also defined in the standard . All electronically controllable Micro Four Thirds lenses are therefore equipped with their own main processor .
In this way, information about the distance to the subject , choice of aperture and focal length is electronically exchanged between the camera and lens, as is the case with competing systems. The camera housing can also determine which manual settings have been made on the lens, such as the mode of focusing (automatic AF or manual MF ) or whether the image stabilizer or macro mode on the lens are switched on or off. In addition, the Micro Four Thirds system can also transfer individual lens properties such as characteristics of chromatic aberration , distortion or vignetting to the camera, which enables digital compensation for imaging errors .
The system is able to transfer up to 240 digital image data sets per second between the lens and the camera body (as of 2013). With the introduction of the Panasonic Lumix DC-GH5 in spring 2017, an evaluation rate of 480 frames per second was achieved for the automatic distance setting.
Panasonic products have been available since 2015 in which the image stabilization in the lens can be combined with the image stabilization in the camera housing ( Dual IS = dual image stabilization = double image stabilization). Since 2016, Olympus has also been offering this function under the name Sync IS (synchronized image stabilization), which allows image stabilization with telephoto shots with an exposure time extended by up to 7.5 f-stops .
The control of the object width set in the lens from the camera housing enables functions such as focus bracketing (automatic recordings with different object widths), focus stacking (the automatic combination of recordings with different object widths to increase the depth of field ) or post focus (the subsequent selection of an image with a certain object width).
compatibility
With an adapter and electrical compatibility, it is also possible to use lenses of the Four Thirds standard, although the Micro Four Thirds with eleven contacts has two more than the older Four Thirds standard. The additional contacts are used to speed up communication between the camera housing and lens, which can be particularly important when recording video.
Because of the small focal length of around 20 millimeters and the availability of a large number of lens adapters , a large number of photographic and cinematographic lenses can be mechanically connected to a Micro Four Thirds camera. Furthermore, cameras of the Micro Four Thirds system can be provided with pinhole diaphragms located in the housing without great effort , which cover a correspondingly large angle of view . With such pinhole cameras with a correspondingly low light intensity , the electronically brightened images are then available in real time on the screen or in the electronic viewfinder, and not only still images but also video clips can be recorded with them.
Development over time
The first camera introduced for Micro Four Thirds in 2008 was the Panasonic Lumix DMC-G1 from the Lumix-G series. This camera, which is still very similar to conventional SLR cameras, has live view and an electronic viewfinder . This type of camera is now considered a new class, for which three terms are common: on the one hand "EVIL" (= electronic viewfinder, interchangeable lens , English for "electronic viewfinder, interchangeable lens"), on the other hand "CSC" (= compact system camera ), the third “DSLM” (= Digital Single Lens Mirrorless ). In German, "mirrorless system cameras" are also often used.
Another very compact design without a built-in viewfinder, which is more reminiscent of classic compact cameras, is realized with the PEN series from Olympus . In 2009 the first Olympus model E-P1 came on the market, followed by the first similarly designed Panasonic model from the GF series, which was later continued in the GX series. In the same year, the Panasonic Lumix DMC-GH1, the first digital camera with a full HD video mode with 1920 × 1080 pixels, was presented.
In 2010 there were innovations with the successor models GH2 with a frame rate of 60 fields per second in Full HD and G2 with a touch-sensitive screen . In November, the Panasonic AF100, the first camcorder of the camera system, was introduced.
At the end of 2011, Panasonic introduced a motorized zoom lens that allows for a more even focal length variation when recording video.
In February 2012, Kenko-Tokina introduced the first mirror telescopic lens for the system. With a fixed focal length of 300 millimeters, the ultra-compact and macro-compatible lens has 12 times the normal focal length .
At the same time, Olympus presented the OM-D E-M5, its first Micro Four Thirds camera with a built-in electronic viewfinder from the OM-D series, which is also dust and splash-proof. This model was the first system camera to be equipped with a five-axis image stabilization system. This system is able to move, rotate and tilt the image sensor during recording.
In the same year, the company Brenner Import- und Großhandels GmbH showed the first Shift Lens Shift Lens 4.5 / 15 mm MFT for the Micro-Four-Thirds-System at the photokina , which was developed in cooperation with the Voigtländer company .
The Micro Four Thirds standard was also designed for high-quality film recordings. Due to the comparatively small image sensor area, it is easier to carry away the heat loss that occurs in continuous operation at the image sensor and that would cause increased image noise . The Panasonic Lumix DMC-GH3 camera housing presented in September 2012 is not only designed for high-quality still image recordings and compressed video clips , but can also be used as the first micro four thirds system camera as a digital cinema camera for cinematographic purposes.
In 2013, the Panasonic Leica DG Nocticron with a focal length of 42.5 mm, the first lens of the camera system from the Leica DG series with a minimum f-number of 1.2 and autofocus, was presented. In addition, the lens, which is optically corrected with aspherical lenses, has an optomechanical image stabilizer . The smallest digital system camera GM1 was also presented.
The successor to the GH3 from 2014, the Panasonic Lumix DMC-GH4 , was the first system camera to be able to record Full HD videos with a data rate of up to 200 megabits per second and 4K videos with a data rate of up to 100 megabits per second Record second.
In the summer of 2015, Olympus presented the first fisheye lens that can be operated with a minimum f-number of 1.8. The bright, very wide-angled and weatherproof lens has a focal length of 8 millimeters, is equipped with an autofocus function and can also be used underwater with the corresponding additional housing. With the Olympus OM-D E-M5 Mark II camera housing, Olympus introduced the "pixel shift function" in which the image sensor, which is movably mounted for image stabilization, is shifted slightly during a series of images in order to improve the image quality with an automatically combined image for still subjects to improve. With the two models Zenmuse X5 and X5R, DJI presented the first drones with a combined system camera housing. The Panasonic Lumix DMC-GX8 camera housing makes it possible to combine the opto-mechanical image stabilization of the camera housing and lens in dual IS mode (IS = image stabilization = image stabilization). However, older lenses of the camera system require an update of the firmware in order to be able to support this function. Olympus introduced the focus stacking function by updating the firmware for selected camera bodies and lenses to increase the depth of field, especially for close-ups .
In May 2016, the long-focal length telephoto zoom lens Panasonic Leica DG Vario-Elmar 100-400 mm was launched, which also supports the Dula-IS function. With the maximum focal length, despite the small angle of view of only 3 degrees, you can take pictures without blurring, even with relatively long exposure times of a tenth of a second, by hand and without a tripod. In April, the DJI Innovations camera system was expanded to include the one-hand gimbal Osmo . This is a handle with a cardanic suspension for the camera housing already used in the drones of the provider, with which the camera can be supplied with power, adjusted, controlled in its recording direction and stabilized against shake. The Olympus OM-D E-M1 Mark II camera model was introduced at the end of 2016 and can take up to 18 raw data series recordings with automatic tracking of the distance setting .
In 2017, Entaniya launched three bright fisheye lenses from the "Fisheye 250 MFT" series that cover an extremely large image angle of 250 °. The Panasonic Lumix DC-GH5 , which was introduced in March 2017, is characterized by an unlimited data transfer rate of up to 400 megabits per second with a color subsampling of 4: 2: 2 and a bit depth of 10 bits when recording video on correspondingly fast SDXC memory cards . The new features of the Panasonic Lumix DC-G9 , which came on the market at the end of 2017, are a comparatively large viewfinder image, a liquid crystal status display on the top of the housing, a high-resolution mode for 80 megabyte images in raw data format, and two UHS-II-compatible slots for SD memory cards as well as a 6k photo mode with 18 megapixels and 30 single images per second.
The Panasonic Lumix DC-GH5S camera housing, which was launched on the market at the beginning of 2018 , has a comparatively low resolution with its image sensor with 10 megapixel image resolution and twice the native image sensor sensitivity , but it can take pictures with an exposure index of up to ISO 51200 (in extended mode up to ISO 204800 ) record, tape. The lens supplier Venus Optics presented its 135 gram Laowa 4 mm f / 2.8 fisheye lens with a field of view of 210 °. With the Leica DG Vario-Summilux 10-25 mm f / 1.7, Panasonic has announced the development of the brightest zoom lens for a digital camera system with a constant speed of 1.7 and autofocus.
In February 2019, Sharp announced the 8C-B60A professional camcorder with an image resolution of 8K and a frame rate of 60 frames per second.
Awards
Several components of the camera system have received awards.
EISA Awards
The EISA Awards are given by the European Imaging and Sound Association (EISA):
- Panasonic Lumix DC-GH5S : Photo & Video Camera 2018–2019
- Olympus M.Zuiko Digital ED 12–100 mm F4.0 IS Pro: Compact System Zoom Lens 2017–2018
- Panasonic Lumix DC-GH5 : Photo & Video Camera 2017–2018
- Panasonic Dual IS System: European Photo Innovation 2016–2017
- Olympus OM-D E-M10 Mark II: European Consumer Compact System Camera 2016–2017
- Olympus M.Zuiko Digital ED 40–150mm f / 2.8 Pro: European Professional Compact System Lens 2015–2016
- Olympus OM-D E-M5 Mark II : European Prosumer Compact System Camera 2015–2016
- Panasonic Lumix DMC-G7 / G70 : European Photo & Video Camera 2015–2016
- Olympus M.Zuiko Digital ED 12–40 mm f / 2.8: European Compact System Zoom Lens 2014–2015
- Olympus OM-D E-M10: European Consumer Compact System Camera 2014-2015
- Panasonic Lumix DMC-GH4 : European Photo & Video Camera 2014–2015
- Olympus PEN E-P5 : European Advanced Compact System Camera 2013–2014
- Panasonic Lumix G Vario 14–140 mm f / 3.5–5.6: European Compact System Zoom Lens 2013–2014
- Panasonic Lumix DMC-GH3 : European Photo-Video Camera 2013–2014
- Olympus OM-D E-M5 : European Compact System Camera 2012–2013
- Panasonic Lumix GX Vario 12–35 mm f / 2.8 Asph .: Compact System Lens 2012–2013
- Panasonic Lumix DMC-G3: European Compact System Camera 2011–2012
- Olympus M.Zuiko Digital ED 9–18mm f / 4.0–5.6: European Micro System Lens 2010–2011
- Panasonic Lumix DMC-G2: European Multimedia Camera 2010–2011
- Olympus PEN E-P1: European Camera 2009–2010
- Panasonic Lumix DMC-GH1: European Multimedia Camera 2009–2010
TIPA Awards
The TIPA Awards are presented by the Photo Press Association Technical Image Press Association (TIPA):
- Panasonic Leica DG Vario-Summilux 10–25 mm / F1.7 asph: best micro four thirds lens
- Olympus OM-D E-M1X : best professional MFT camera (2019)
- Panasonic Lumix DC-GH5S : Best Professional Photo / Video Camera (2018)
- Panasonic Lumix DC-G9 : Best Professional Mirrorless Compact System Camera (2018)
- Olympus OM-D E-M1 Mark II : best professional mirrorless compact system camera (2017)
- Panasonic Lumix GX Vario 12–35mm / F2.8 II Asph. Power OIS: best standard zoom lens for compact system cameras (2017)
- Olympus M.Zuiko Digital ED 12–100mm 1: 4.0 IS Pro: best telephoto zoom lens for compact system cameras (2017)
- Panasonic Lumix DC-GH5 : Best Professional Photo / Video Camera (2017)
- Olympus OM-D E-M10 Mark II: best mirrorless compact system camera (2016)
- Panasonic LUMIX G 25 mm f / 1.7 Asph .: best entry-level lens for compact system cameras (2016)
- Olympus M.Zuiko Digital ED 7-14 mm f / 2.8 Pro: best wide-angle zoom lens for compact system cameras (2016)
- Olympus OM-D E-M5 Mark II : best compact system camera (2015)
- Panasonic Lumix DMC-GM5: best compact system camera for advanced users (2015)
- Olympus OM-D E-M10: best compact entry-level camera (2014)
- Olympus M.Zuiko Digital ED 14–42 mm f / 3.5–5.6 EZ: best entry-level lens for compact system cameras (2014)
- Panasonic Lumix DMC-GH4 : best hybrid photo-video camera (2014)
- Olympus PEN E-PL5: Best compact system camera in the entry-level segment (2013)
- Panasonic Lumix DMC-GH3 : best compact system camera for professional users (2013)
- Olympus PEN E-PL3: best compact system camera in the entry-level segment (2012)
- Panasonic Lumix DMC-GH2: best compact system camera for experts (2012)
- Panasonic Lumix GX1: best compact system camera for advanced users (2012)
- Olympus M.Zuiko Digital ED 12 mm f / 2.0: best fixed focal length lens for compact system cameras (2012)
- Panasonic LUMIX GX Vario PZ 14–42 mm: best expert lens for compact system cameras (2012)
- Panasonic Lumix DMC-G2: best compact system camera for advanced users (2010)
- Olympus Pen E-PL1: best compact system camera in the entry-level segment (2010)
- Panasonic Lumix G series : best design innovation (2009)
criticism
It has been criticized that the interaction between lenses and camera housings from different suppliers is limited in some cases. For example, the aperture ring setting on a Panasonic lens is not taken into account by an Olympus camera body or the function button on an Olympus lens by a Panasonic camera body. Furthermore, the synchronization of the image stabilizers of lenses and camera housings only works with devices from the same vendor. In addition, Olympus only offers a few lenses with image stabilization.
supporter
The following manufacturers and suppliers support the Micro Four Thirds standard:
- 3db hardware technology
- Agrowing
- Astrodesign
- Autel Robotics
- Birger Engineering
- Blackmagic Design
- Carl Zeiss
- Cosina
- DJI Innovations
- Eastman Kodak
- Entaniya
- eyemore
- Flovel
- Fujifilm
- INNYA
- JCD Optical Corporation
- JK Imaging,
- JVC Kenwood ,
- Kenko Tokina
- Komamura
- Kowa
- Leica Camera
- Mediaedge
- nac Image Technology
- Novoflex
- Olympus
- Panasonic
- Photron
- Qtechnology
- Samyang Optics
- Sanyo
- Sharp
- Shenzhen ImagineVision Technology
- Sigma
- SVS-Vistek
- Tamron (Kenko)
- Tomytec
- Venus Optics
- Viewplus
- Xacti
- Xiaoyi Shanghai Technology (Yi)
- Xiamen Meitu Mobile Technology,
- Voigtländer
- Yongnuo
In addition to these companies, other companies in the optics industry have also registered patents for lenses for this camera system, such as Canon , Konica Minolta or Ricoh .
The Jos. Schneider Optische Werke ended their plans to produce Micro Four Thirds lenses in 2015.
Camera body
For the professional, high-resolution camcorders for the Micro Four Thirds system offered by Panasonic, there are special lenses and aids designed for use on the film set .
An overview of all camera housings currently on offer can be found on the product pages of the Four Thirds Consortium. Camera models based on the Micro Four Thirds standard are listed below in the order in which they are presented to the public:
year | providers | Camera body | annotation |
---|---|---|---|
2008 | Panasonic | Lumix DMC-G1 | First camera housing of the camera system |
2009 | Panasonic | Lumix DMC-GH1 | |
2009 | Olympus | E-P1 | |
2009 | Panasonic | Lumix DMC-GF1 | |
2009 | Olympus | E-P2 | |
2010 | Olympus | E-PL1 | |
2010 | Panasonic | Lumix DMC-G2 | |
2010 | Panasonic | Lumix DMC-G10 | |
2010 | Panasonic | Lumix DMC-GH2 | |
2010 | Panasonic | Lumix DMC-GF2 | |
2010 | Panasonic | AG-AF100 | Professional, high definition camcorder |
2011 | Olympus | E-PL2 | |
2011 | Panasonic | Lumix DMC-G3 | |
2011 | Panasonic | Lumix DMC-GF3 | |
2011 | Olympus | E-P3 | |
2011 | Olympus | E-PL3 | |
2011 | Olympus | E-PM1 | |
2011 | Panasonic | Lumix DMC-GX1 | |
2012 | Olympus | OM-D E-M5 | First system camera from Olympus with an electronic viewfinder |
2012 | Panasonic | Lumix DMC-GF5 | |
2012 | Panasonic | Lumix DMC-G5 | |
2012 | Olympus | E-PL5 | |
2012 | Olympus | E-PM2 | |
2012 | Panasonic | Lumix DMC-GH3 | Data transfer rate up to 72 megabits per second |
2012 | Blackmagic Design | Cinema Camera | |
2012 | Panasonic | AG-AF101A | camcorder |
2012 | SVS-Vistek | SVS-Vistek EXO Tracer | Industrial camera |
2013 | Blackmagic Design | Pocket Cinema Camera | |
2013 | Panasonic | Lumix DMC-GF6 | |
2013 | Panasonic | Lumix DMC-G6 | |
2013 | Olympus | PEN E-P5 | Shortest shutter speed 1 / 8,000 second, WLAN |
2013 | Panasonic | Lumix DMC-GX7 | Swivel viewfinder |
2013 | Olympus | OM-D E-M1 | Successor to the Olympus E-5 from the Four Thirds system |
2013 | Panasonic | Lumix DMC-GM1 | Smallest system camera in the world to date |
2014 | JK Imaging | Kodak S-1 | |
2014 | Panasonic | Lumix DMC-GH4 | 4K video recording with data rates up to 200 Mbit per second and up to 100 still images per second |
2014 | Olympus | OM-D E-M10 | |
2014 | Blackmagic Design | Studio Camera HD / 4K | |
2014 | Olympus | PEN E-PL6 | |
2014 | Olympus | PEN E-PL7 | |
2014 | Panasonic | Lumix DMC-GM5 | |
2014 | JVC | GY-LS300CHE | Super 35mm camcorder |
2014 | Photron | Fastcam Multi | High speed camera |
2015 | Olympus | OM-D E-M5 Mark II | Image sensor shift to increase the image resolution |
2015 | Panasonic | Lumix DMC-GF7 | Without a viewfinder |
2015 | Panasonic | Lumix DMC-G70 | Image sequences in 4K are also offered in several countries under the name Lumix DMC-G7 |
2015 | Blackmagic Design | Micro Cinema Camera | |
2015 | Blackmagic Design | Micro Studio Camera 4K | |
2015 | Panasonic | Lumix DMC-GX8 | Double image stabilization (Dual IS) |
2015 | DJI Innovations | Zenmuse X5 and X5R | Drones |
2015 | Astrodesign | AH-4413 / AP-4414 / AM-4412 | |
2015 | Olympus | OM-D E-M10 Mark II | |
2015 | Yuneec | CGO4 | Camera for hexacopters |
2015 | Olympus | Air A01 | Open Platform Camera |
2015 | Z Cam | E1 | 4K action camcorder with interchangeable lens, open platform camera |
2016 | Olympus | Pen-F | |
2016 | Autel Robotics | X-Star Go | drone |
2016 | Panasonic | Lumix DMC-GF8 | Without a viewfinder, distribution not in Europe |
2016 | Panasonic | Lumix DMC-GX80 | |
2016 | Craft | Camera | System camera with full HD resolution in modular design |
2016 | Z Cam | C1 | 4K action camcorder |
2016 | DJI Innovations | Osmo | Electronic gimbal with the Zenmuse X5 or X5R camera housing |
2016 | YI Technology | M1 | Without a viewfinder |
2016 | Olympus | OM-D E-M1 II | Up to 18 raw data series recordings with automatic tracking of the distance setting |
2016 | Olympus | Pen E-PL8 | Without a viewfinder |
2016 | PowerVision | PowerEye | drone |
2016 | DJI Innovations | Zenmuse X5S | Camera module for the Inspire 2 drone |
2017 | Panasonic | Lumix DC-GH5 | Data transfer rate up to 400 megabits per second, 4: 2: 2 color subsampling |
2017 | Panasonic | Lumix DC-GX800 | Without a viewfinder |
2017 | Olympus | OM-D E-M10 Mark III | |
2017 | Panasonic | Lumix DC-G9 | 20 images per second with automatic focus tracking, large viewfinder image, high-resolution 80 megapixel mode with image sensor shift |
2017 | Aperture | axiom | Open source cinema camera |
2018 | Panasonic | Lumix DC-GH5S | Highly light-sensitive image sensor with a good ten megapixel image resolution, in which each pixel is equipped with two different analog amplifiers ("Dual Native ISO") |
2018 | Olympus | Pen E-PL9 | Without a viewfinder |
2018 | Panasonic | Lumix DC-GX9 | Viewfinder that can be swiveled upwards |
2018 | Z Cam | E2 Cinematic Camera | 4K with 120 fps, 10 bit color depth , deep learning engine |
2018 | Blackmagic Design | Pocket Cinema Camera 4K | 13 f-stops working area, video recording in raw data format |
2018 | Astrodesign | CM-9010 | 8K (33 megapixels) |
2019 | Olympus | OM-D E-M1X | With a permanently attached second handle |
2019 | Panasonic | Lumix DC-G91 | Live-View Composite recording function for still images of moving subjects |
2019 | Panasonic | Lumix DC-GX880 | Without a viewfinder |
2019 | Sharp | 8C-B60A | 8K resolution, 60 fps |
2019 | Olympus | OM-D E-M5 III | |
2019 | Olympus | Pen E ‑ PL10 | Without a viewfinder |
2020 | Olympus | Olympus OM-D E-M1 III | Video with 120 fps, image stabilization with up to 7.5 f-stops, high-res shot without a tripod |
2020 | Z Cam | E2-M4 | 4K at 160 fps, ProRes raw data format |
2020 | Panasonic | Lumix DC-G110 | Three internal microphones, designed for vloggers |
Lenses
Lenses developed for the Micro Four Thirds system are usually calculated telecentrically due to the small dimensions on the image side , which has advantages for image quality, especially with regard to image sharpness and brightness in the image corners. Lenses with a Micro Four Thirds bayonet are available from several suppliers in a wide range of focal lengths. With mechanically and electronically compatible lens adapters, almost all lenses of the Four Thirds system can be used without any loss of functionality.
Prime lenses
Fast fixed focal length Panasonic Leica DG Summilux 25 mm F1.4
Very fast corrected fixed focal length lens Leica DG Nocticron 1: 1.2 / 42.5 Aspherical
Macro lens Leica DG Macro- Elmarit 45 mm F2.8
brand | Fixed focal length |
Focal length millimeters |
Light intensity f-number |
Macro lens | Image stabilizer | Autofocus |
---|---|---|---|---|---|---|
Carl Zeiss | Compact Prime CP.2 15 mm / T2.9 | 15th | 2.9 | No | No | No |
Carl Zeiss | Compact Prime CP.2 18 mm / T3.6 | 18th | 3.6 | No | No | No |
Carl Zeiss | Compact Prime CP.2 21 mm / T2.9 | 21st | 2.9 | No | No | No |
Carl Zeiss | Compact Prime CP.2 25 mm / T2.9 | 25th | 2.9 | No | No | No |
Carl Zeiss | Compact Prime CP.2 28 mm / T2.1 | 28 | 2.1 | No | No | No |
Carl Zeiss | Compact Prime CP.2 35 mm / T1.5 | 35 | 1.5 | No | No | No |
Carl Zeiss | Compact Prime CP.2 35 mm / T2.1 | 35 | 2.1 | No | No | No |
Carl Zeiss | Compact Prime CP.2 50 mm / T1.5 | 50 | 1.5 | No | No | No |
Carl Zeiss | Compact Prime CP.2 50 mm / T2.1 | 50 | 2.1 | No | No | No |
Carl Zeiss | Compact Prime CP.2 50 mm / T2.1 Macro Planar T | 50 | 2.1 | Yes | No | No |
Carl Zeiss | Compact Prime CP.2 85 mm / T1.5 | 85 | 1.5 | No | No | No |
Carl Zeiss | Compact Prime CP.2 85 mm / T2.1 | 85 | 2.1 | No | No | No |
Carl Zeiss | Compact Prime CP.2 100 mm / T2.1 Close Focus Planar T * | 100 | 2.1 | Yes | No | No |
Carl Zeiss | Compact Prime CP.2 135 mm / T2.1 | 135 | 2.1 | No | No | No |
DJI Innovations | MFT 15 mm f / 1.7 ASPH | 15th | 1.7 | No | No | Yes |
Entaniya | Fisheye HAL 250 MFT 2.3 | 2.3 | 2.8 | No | No | No |
Entaniya | Fisheye HAL 250 MFT 3.0 | 3.0 | 2.8 | No | No | No |
Entaniya | Fisheye HAL 250 MFT 3.6 | 3.6 | 2.8 | No | No | No |
Entaniya | Fisheye HAL 200 MFT 3.6 | 3.6 | 4.0 | No | No | No |
HandeVision | Handevision Ibelux | 40 | 0.9 | No | No | No |
Kodak | Pixpro SF 400mm f / 6.7 | 400 | 6.7 | No | No | No |
Kowa | Kowa Prominar 8.5 mm F2.8 | 8.5 | 2.8 | No | No | No |
Kowa | Kowa Prominar 12 mm F1.8 | 12 | 1.8 | No | No | No |
Kowa | Kowa Prominar 25 mm F1.8 | 25th | 1.8 | No | No | No |
Kowa | Kowa Prominar 90 mm F2.5 Macro | 90 | 2.5 | Yes | No | No |
Kowa | Kowa Prominar 350 mm F4.0 FL / TX07 | 350 | 4.0 | No | No | No |
Kowa | Kowa Prominar 500 mm F5.6 FL / TX10 | 500 | 5.6 | No | No | No |
Kowa | Kowa Prominar 850 mm F9.6 FL / TX17 | 850 | 9.6 | No | No | No |
Meike | 6.5 mm F2.0 | 6.5 | 2.0 | No | No | No |
Meike | 25 mm F0.95 | 25th | 0.95 | No | No | No |
Meike | 28 mm F2.8 | 28 | 2.8 | No | No | No |
Meike | 35 mm F1.7 | 35 | 1.7 | No | No | No |
Meike | 50 mm F2.0 | 50 | 2.0 | No | No | No |
Meyer-Optik-Görlitz | Nocturnus f0.95 35 mm | 35 | 0.95 | No | No | No |
Meyer-Optik-Görlitz | Trioplan 50 f2.9 | 50 | 2.9 | No | No | No |
Meyer-Optik-Görlitz | Primoplan 58 / F1.9 | 58 | 1.9 | No | No | No |
Meyer-Optik-Görlitz | Primoplan 75 / F1.9 | 75 | 1.9 | No | No | No |
Meyer-Optik-Görlitz | Trimagon f2.6 95 mm | 95 | 2.6 | No | No | No |
Meyer-Optik-Görlitz | Trioplan f2.8 100 mm | 100 | 2.8 | No | No | No |
Olympus | M.Zuiko Digital ED 8 mm f / 1.8 Fisheye Pro | 8th | 1.8 | Yes | No | Yes |
Olympus | Body Cap Lens 9 mm f / 8.0 | 9 | 8.0 | No | No | No |
Olympus | M.Zuiko Digital 12 mm f / 2.0 | 12 | 2.0 | No | No | Yes |
Olympus | Body Cap Lens 15 mm f / 8.0 | 15th | 8.0 | No | No | No |
Olympus | M.Zuiko Digital ED 17 mm f / 1.2 Pro | 17th | 1.2 | No | No | Yes |
Olympus | M.Zuiko Digital 17 mm f / 1.8 | 17th | 1.8 | No | No | Yes |
Olympus | M.Zuiko Digital 17 mm f / 2.8 | 17th | 2.8 | No | No | Yes |
Olympus | M.Zuiko Digital ED 25 mm f / 1.2 Pro | 25th | 1.2 | No | No | Yes |
Olympus | M.Zuiko Digital 25 mm f / 1.8 | 25th | 1.8 | No | No | Yes |
Olympus | M.Zuiko Digital ED 30 mm Macro | 30th | 3.5 | Yes | No | Yes |
Olympus | M.Zuiko Digital ED 45 mm f / 1.2 Pro | 45 | 1.2 | No | No | Yes |
Olympus | M.Zuiko Digital 45 mm f / 1.8 | 45 | 1.8 | No | No | Yes |
Olympus | M.Zuiko Digital ED 60 mm f / 2.8 Macro | 60 | 2.8 | Yes | No | Yes |
Olympus | M.Zuiko Digital 75 mm f / 1.8 | 75 | 1.8 | No | No | Yes |
Olympus | M.Zuiko Digital ED 300 mm F4 IS Pro | 300 | 4.0 | Yes | Yes | Yes |
Panasonic | Lumix G 8 mm fisheye f / 3.5 | 8th | 3.5 | No | No | Yes |
Panasonic | Lumix G 12 mm 3D Lens f / 12 | 12 | 12 | No | No | No |
Panasonic | Leica DG Summilux 12 mm f / 1.4 Asph | 12 | 1.4 | No | No | Yes |
Panasonic | Lumix G 14 mm f / 2.5 Asph | 14th | 2.5 | No | No | Yes |
Panasonic | Leica DG Summilux , 15 mm f / 1.7 Asph | 15th | 1.7 | No | No | Yes |
Panasonic | Lumix G 20 mm f / 1.7 Asph | 20th | 1.7 | No | No | Yes |
Panasonic | Leica DG Summilux 25 mm f / 1.4 Asph | 25th | 1.4 | No | No | Yes |
Panasonic | Lumix G 25 mm f / 1.7 | 25th | 1.7 | No | No | Yes |
Panasonic | Lumix G Macro 30 mm F2.8 Asph Mega OIS | 30th | 2.8 | Yes | Yes | Yes |
Panasonic | Leica DG Nocticron 42.5 mm f / 1.2 Asph | 42.5 | 1.2 | No | Yes | Yes |
Panasonic | Lumix G 42.5 mm f / 1.7 Asph Power OIS | 42.5 | 1.7 | No | Yes | Yes |
Panasonic | Leica DG Makro- Elmarit 45 mm f / 2.8 Asph OIS | 45 | 2.8 | Yes | Yes | Yes |
Panasonic | Leica DG Elmarit 200 mm f / 2.8 OIS | 200 | 2.8 | No | Yes | Yes |
Samyang Optics | 7.5mm f / 3.5 UMC fish-eye | 7.5 | 3.5 | No | No | No |
Samyang Optics | 7.5 mm T3.8 Cine UMC Fish-eye | 7.5 | 3.8 | No | No | No |
Samyang Optics | 8 mm F3.5 UMC Fish-Eye II | 8th | 3.5 | No | No | No |
Samyang Optics | 8 mm T3.8 VDSLR UMC Fish-eye CS II | 8th | 3.8 | No | No | No |
Samyang Optics | 10 mm F2.8 ED AS NCS CS | 10 | 2.8 | No | No | No |
Samyang Optics | 10 mm T3.1 VDSLR ED AS NCS CS II | 10 | 3.1 | No | No | No |
Samyang Optics | 12 mm F2.0 NCS CS | 12 | 2.0 | No | No | No |
Samyang Optics | 12 mm T2.2 Cine NCS CS | 12 | 2.2 | No | No | No |
Samyang Optics | 12 mm F2.8 ED AS NCS Fish-Eye | 12 | 2.8 | No | No | No |
Samyang Optics | 12 mm T3.1 VDSLR ED AS NCS Fish-eye | 12 | 3.1 | No | No | No |
Samyang Optics | 14 mm F2.8 ED AS IF UMC | 14th | 2.8 | No | No | No |
Samyang Optics | 14 mm T3.1 VDSLR ED AS IF UMC II | 14th | 3.1 | No | No | No |
Samyang Optics | 16 mm F2.0 ED AS UMC CS | 16 | 2.0 | No | No | No |
Samyang Optics | 16 mm T2.2 VDSLR ED AS UMC CS II | 16 | 2.2 | No | No | No |
Samyang Optics | 21 mm F1.4 ED AS UMC CS | 21st | 1.4 | No | No | No |
Samyang Optics | 21 mm T1.5 ED AS UMC CS | 21st | 1.5 | No | No | No |
Samyang Optics | 24 mm F1.4 ED AS IF UMC | 24 | 1.4 | No | No | No |
Samyang Optics | Tilt / Shift 24 mm F3.5 ED AS UMC | 24 | 3.5 | No | No | No |
Samyang Optics | 24 mm T1.5 VDSLR ED AS IF UMC II | 24 | 1.5 | No | No | No |
Samyang Optics | 35 mm F1.4 AS UMC | 35 | 1.4 | No | No | No |
Samyang Optics | 35 mm T1.5 VDSLR AS UMC II | 35 | 1.5 | No | No | No |
Samyang Optics | 50 mm F1.2 AS UMC CS | 50 | 1.2 | No | No | No |
Samyang Optics | 50 mm T1.3 AS UMC CS | 50 | 1.3 | No | No | No |
Samyang Optics | 50 mm F1.4 AS IF UMC | 50 | 1.4 | No | No | No |
Samyang Optics | 50 mm T1.5 VDSLR AS UMC | 50 | 1.5 | No | No | No |
Samyang Optics | 85 mm F1.4 AS IF UMC | 85 | 1.4 | No | No | No |
Samyang Optics | 85 mm T1.5 VDSLR AS IF UMC II | 85 | 1.5 | No | No | No |
Samyang Optics | 100 mm F2.8 ED UMC Macro | 100 | 2.8 | Yes | No | No |
Samyang Optics | 100 mm T3.1 VDSLR ED UMC Macro | 100 | 3.1 | Yes | No | No |
Samyang Optics | 135 mm F2.0 ED UMC | 135 | 2.0 | No | No | No |
Samyang Optics | 135 mm T2.2 VDSLR ED UMC | 135 | 2.2 | No | No | No |
Samyang Optics | 300 mm F6.3 ED UMC CS | 300 | 6.3 | No | No | No |
Sigma | 16 mm F1.4 DN | 16 | 1.4 | No | No | Yes |
Sigma | 19 mm F2.8 DN | 19th | 2.8 | No | No | Yes |
Sigma | 30 mm F1.4 DN | 30th | 1.4 | No | No | Yes |
Sigma | 30 mm F2.8 DN | 30th | 2.8 | No | No | Yes |
Sigma | 56 mm F1.4 DC DN | 56 | 1.4 | No | No | Yes |
Sigma | 60 mm F2.8 DN | 60 | 2.8 | No | No | Yes |
SLR Magic | HyperPrime CINE 12 mm T1.6 | 12 | 1.6 | No | No | No |
SLR Magic | HyperPrime CINE 25 mm T0.95 | 25th | 0.95 | No | No | No |
SLR Magic | 35mm f / 1.7 | 35 | 1.7 | No | No | No |
SLR Magic | HyperPrime 50 mm F0.95 | 50 | 0.95 | No | No | No |
SLR Magic | Toy pinhole lens | 12 | n / A | No | No | No |
SLR Magic | Toy 26 mm f / 1.4 lens | 26th | 1.4 | No | No | No |
Tokina | Reflex 300 mm F6.3 | 300 | 6.3 | Yes | No | No |
Venus Optics | Laowa 4mm f / 2.8 | 4th | 2.8 | No | No | No |
Venus Optics | Laowa 7.5mm f / 2 | 7.5 | 2.0 | No | No | No |
Veydra | M4 / 3 Mini Prime 12 mm T2.2 | 12 | 2.2 | No | No | No |
Veydra | M4 / 3 Mini Prime 16 mm T2.2 | 16 | 2.2 | No | No | No |
Veydra | M4 / 3 Mini Prime 25 mm T2.2 | 25th | 2.2 | No | No | No |
Veydra | M4 / 3 Mini Prime 35 mm T2.2 | 35 | 2.2 | No | No | No |
Veydra | M4 / 3 Mini Prime 50 mm T2.2 | 50 | 2.2 | No | No | No |
Veydra | M4 / 3 Mini Prime 85 mm T2.2 | 85 | 2.2 | No | No | No |
Voigtländer | Voigtländer NOKTON 10.5 mm f / 0.95 | 10.5 | 0.95 | No | No | No |
Voigtländer | Voigtländer NOKTON 17.5 mm f / 0.95 | 17.5 | 0.95 | No | No | No |
Voigtländer | Voigtländer NOKTON 25 mm f / 0.95 | 25th | 0.95 | No | No | No |
Voigtländer | Voigtländer NOKTON 42.5 mm f / 0.95 | 42.5 | 0.95 | No | No | No |
Voigtländer | Voigtländer NOKTON 60 mm f / 0.95 | 60 | 0.95 | No | No | No |
Wanderlust | Pinwide (hole lens) | 11 | 128 | No | No | No |
YI Technology | XiaoYI 42.5mm f / 1.8 | 42.5 | 1.8 | Yes | No | Yes |
ZY Optics | Mitakon 20 mm f / 2 4.5x Super Macro Lens | 20th | 2.0 | Yes | No | No |
ZY Optics | Mitakon 24 mm f / 1.7 lens | 24 | 1.7 | No | No | No |
ZY Optics | Mitakon 25 mm f / 0.95 lens | 25th | 0.95 | No | No | No |
ZY Optics | Mitakon 35 mm f / 0.95 lens | 35 | 0.95 | No | No | No |
ZY Optics | Mitakon 42.5 mm f / 1.2 | 42.5 | 1.2 | No | No | No |
Zoom lenses
brand | zoom lens |
Initial combustible wide milli meter |
End combustible wide milli meter |
Zoom factor |
Light strength starting combustible wide |
Light strength end- combustible wide |
Macro lens |
Image stabilized sator |
Auto focus |
Motor zoom |
---|---|---|---|---|---|---|---|---|---|---|
Carl Zeiss | Compact Zoom CZ.2 70-200 mm / T2.9 |
70 | 200 | 2.86 | 2.9 | 2.9 | No | No | No | No |
Kodak | Pixpro SZ ED 12–45 mm f / 3.5–6.3 |
12 | 45 | 3.75 | 3.5 | 6.3 | No | No | Yes | No |
Kodak | Pixpro SZ ED 42.5-160 mm f / 3.9-5.9 |
42.5 | 160 | 3.76 | 3.9 | 5.9 | No | No | Yes | No |
Olympus | M.Zuiko Digital ED 7-14mm f / 2.8 Pro |
7th | 14th | 2.00 | 2.8 | 2.8 | No | No | Yes | No |
Olympus | M.Zuiko Digital ED 9–18 mm f / 4.0–5.6 |
9 | 18th | 2.0 | 4.0 | 5.6 | No | No | Yes | No |
Olympus | M.Zuiko Digital ED 12–40 mm f / 2.8 Pro |
12 | 40 | 3.3 | 2.8 | 2.8 | No | No | Yes | No |
Olympus | M.Zuiko Digital ED 12–50 mm f / 3.5–6.3 EZ PowerZoom |
12 | 50 | 4.2 | 3.5 | 6.3 | Yes | No | Yes | Yes |
Olympus | M.Zuiko Digital ED 12-100 mm f / 4.0 IS Pro |
12 | 100 | 8.3 | 4.0 | 4.0 | Yes | Yes | Yes | No |
Olympus | M.Zuiko Digital ED 12–200 mm f / 3.5–6.3 |
12 | 200 | 16.7 | 3.5 | 6.3 | Yes | No | Yes | No |
Olympus | M.Zuiko Digital ED 14–42 mm f / 3.5–5.6 |
14th | 42 | 3.0 | 3.5 | 5.6 | No | No | Yes | No |
Olympus | M.Zuiko Digital ED 14–42 mm f / 3.5–5.6 L |
14th | 42 | 3.0 | 3.5 | 5.6 | No | No | Yes | No |
Olympus | M.Zuiko Digital MSC 14-42 mm f / 3.5-5.6 II MSC |
14th | 42 | 3.0 | 3.5 | 5.6 | No | No | Yes | No |
Olympus | M.Zuiko Digital MSC 14-42 mm f / 3.5-5.6 II R MSC |
14th | 42 | 3.0 | 3.5 | 5.6 | No | No | Yes | No |
Olympus | M.Zuiko Digital ED 14–150 mm f / 4–5.6 AF |
14th | 150 | 10.7 | 4.0 | 5.6 | No | No | Yes | No |
Olympus | M.Zuiko Digital ED 40–150 mm f / 2.8 Pro |
40 | 150 | 3.75 | 2.8 | 2.8 | No | No | Yes | No |
Olympus | M.Zuiko Digital ED 40–150 mm f / 4.0–5.6 |
40 | 150 | 3.75 | 4.0 | 5.6 | No | No | Yes | No |
Olympus | M.Zuiko Digital ED 75–300 mm f / 4.8–6.7 |
75 | 300 | 4.0 | 4.8 | 6.7 | No | No | Yes | No |
Panasonic | Lumix G Vario 7-14 mm f / 4.0 |
7th | 14th | 2.0 | 4.0 | 4.0 | No | No | Yes | No |
Panasonic | Leica DG Vario- Elmarit 8–18 mm f / 2.8–4.0 |
8th | 18th | 2.25 | 2.8 | 4.0 | No | No | Yes | No |
Panasonic | Leica DG Vario-Summilux 10–25 mm f / 1.7 Asph. |
10 | 25th | 2.5 | 1.7 | 1.7 | No | No | Yes | No |
Panasonic | Lumix G Vario 12–32 mm f / 3.5–5.6 Asph. Mega OIS |
12 | 32 | 2.7 | 3.5 | 5.6 | No | Yes | Yes | No |
Panasonic | Lumix GX Vario 12–35 mm f / 2.8 Asph. Power OIS |
12 | 35 | 2.9 | 2.8 | 2.8 | No | Yes | Yes | No |
Panasonic | Leica DG Vario- Elmarit 12–60 mm f / 2.8–4.0 |
12 | 60 | 5.0 | 2.8 | 4.0 | No | Yes | Yes | No |
Panasonic | Lumix G Vario 12-60 mm f / 3.5-5.6 Asph. Power OIS |
12 | 60 | 5.0 | 3.5 | 5.6 | No | Yes | Yes | No |
Panasonic | Lumix G Vario 14–42 mm f / 3.5–5.6 Asph. OIS |
14th | 42 | 3.0 | 3.5 | 5.6 | No | Yes | Yes | No |
Panasonic | Lumix G Vario 14–42 mm f / 3.5–5.6 II Asph. Mega OIS |
14th | 42 | 3.0 | 3.5 | 5.6 | No | Yes | Yes | No |
Panasonic | Lumix GX Vario PZ 14–42 mm f / 3.5–5.6 Asph. Power OIS |
14th | 42 | 3.0 | 3.5 | 5.6 | No | Yes | Yes | Yes |
Panasonic | Lumix G Vario 14–45 mm f / 3.5–5.6 OIS |
14th | 45 | 3.2 | 3.5 | 5.6 | No | Yes | Yes | No |
Panasonic | Lumix G Vario 14–140 mm f / 3.5–5.6 Asph. Power OIS |
14th | 140 | 10.0 | 3.5 | 5.6 | No | Yes | Yes | No |
Panasonic | Lumix G Vario HD 14–140 mm f / 4.0–5.8 OIS |
14th | 140 | 10.0 | 4.0 | 5.8 | No | Yes | Yes | No |
Panasonic | Lumix GX Vario 35-100 mm f / 2.8 Power OIS |
35 | 100 | 2.9 | 2.8 | 2.8 | No | Yes | Yes | No |
Panasonic | Lumix G Vario 35-100 mm f / 4.0-5.6 Asph. Mega OIS |
35 | 100 | 2.9 | 4.0 | 5.6 | No | Yes | Yes | No |
Panasonic | Lumix G Vario 45–150 mm f / 4.0–5.6 Asph. Mega OIS |
45 | 150 | 3.3 | 4.0 | 5.6 | No | Yes | Yes | No |
Panasonic | Lumix GX Vario PZ 45–175 mm f / 4.0–5.6 Asph. Power OIS |
45 | 175 | 3.9 | 4.0 | 5.6 | No | Yes | Yes | Yes |
Panasonic | Lumix G Vario 45–200 mm f / 4.0–5.6 Mega OIS |
45 | 200 | 4.4 | 4.0 | 5.6 | No | Yes | Yes | No |
Panasonic | Leica DG Vario- Elmarit 50–200 mm f / 2.8–4.0 Asph. Power OIS |
50 | 200 | 4.0 | 2.8 | 4.0 | No | Yes | Yes | No |
Panasonic | Lumix G Vario 100–300 mm f / 4.0–5.6 Mega OIS |
100 | 300 | 3.0 | 4.0 | 5.6 | No | Yes | Yes | No |
Panasonic | Leica DG Vario- Elmar 100–400 mm f / 4–6.3 Asph. Power OIS |
100 | 400 | 4.0 | 4.0 | 6.3 | Yes | Yes | Yes | No |
SLR Magic | Monster Lens II 12-36x50 ED Spotting Scope |
420 | 1260 | 3.0 | no information | no information | No | No | No | No |
Tamron | 14-150mm f / 3.5-5.8 Di III | 14th | 150 | 10.7 | 3.5 | 5.8 | No | No | Yes | No |
YI Technology | XiaoYI 12-40 mm f / 3.5-5.6 | 12 | 40 | 3.3 | 3.5 | 5.6 | No | No | Yes | No |
Converter and adapter
With tele and wide angle converters , the focal length of given lenses can be lengthened or shortened, and with various adapters , lenses with lens threads or other bayonets can be adapted to the Micro Four Thirds bayonet. With close-up lenses in front, lenses can be made macro-compatible . In addition, there are optically corrected adapters for color errors with which spotting scopes can be connected to the camera housing.
Since the Micro Four Thirds system has an image circle that is only half the size of the 35mm format and the back focus is so small, conventional lenses built for 35mm film can be used for shift photography with adapters that have shifting devices can be used.
Intermediate rings enable a lower focus limit and thus a larger image scale . With an automatic reverse adapter with bellows lenses can be used in the camera system while retaining the functions reverse position are used to obtain a high magnification.
brand | Converter and adapter |
---|---|
Commlite | CM-FT-MFT for Four Thirds lenses , CM-AEF-MFT and CM-AEF-MFT ( booster ) for Canon EF lenses with autofocus |
Fotodiox | Pro Shift, Arri PL , C-Mount |
Kenko | DG Extension Tube Set 10/16 mm (intermediate rings ) Horseman TS-Pro Tilt / Shift Lens Control System |
Metabones | Canon EF (S, 0.71x, 0.64x), Canon FD, Contarex, Contax / Yashica, Leica R, Minolta MD, Nikon G (0.71x and 0.64x), Olympus OM, Rollei QBM - Speed Booster |
Novoflex | Canon FD , Contax , Exacta 66 , Hasselblad , Leica M , Leica R , M39 , M42 , Mamiya 645 , Minolta AF , Minolta MD , Nikon F , Olympus OM , P6 , Pentax 6x7 , Pentax K , Phase One , SONY alpha (A Bayonet) , T2 , Yashica |
Olympus | Adapter with restrictions 1 for Olympus OM, Leica M, Leica R, Canon FD, Pentax K, Minolta MD / MC, Nikon, Sony / Minolta AF, Contax / Yashica, Tamron Adaptall, M42, T2 MMF-3: adapter with all functions for Four Thirds Standard |
Panasonic | Bayonet adapter DMW: MA1 for Four Thirds , MA2 for Leica M , MA3 for Leica R DMW-GMC1: Lumix G macro converter DMW-GFC1: Lumix G fisheye converter DMW-GWC1: Lumix G wide angle converter 0.79x DMW -GTC1: Lumix G tele-converter 2x |
Swarovski optics | TLS APO 23 mm Apochromat Telephoto Lens System for spotting scopes : for ATX / STX for ATS / STS / ATM / STM / STR |
1 without automatic program and autofocus, with exposure measurement (aperture metering / aperture priority)
literature
- David Taylor: Four Thirds & Micro Four Thirds - The Expanded Guide , Ammonite Press, 2011, ISBN 9781907708152 .
- Späth Frank: Lumix G: System Fotoschule , July 2010, ISBN 978-3941761056 .
Web links
Individual evidence
- ^ Always Evolving , Four Thirds, accessed online October 24, 2012
- ↑ Tilt shift lens adapter - US 20120070141 A1 , Google Patents, March 22, 2012, accessed April 5, 2016
- ↑ a b c d Micro Four Thirds Specification , four-thirds.org, accessed online on September 28, 2012 (in English)
- ↑ Hans-Heinrich Pardey: Photokina 2010 - Compactness with a system is the key - Not every lens retains its good properties on a digital camera , faz.net, September 27, 2010, accessed online on October 24, 2012
- ↑ a b Supporting Companies , four-thirds.org, accessed December 22, 2016
- ↑ Olympus Imaging and Panasonic announce new Micro Four Thirds System standard ( Memento from March 2, 2010 in the Internet Archive )
- ↑ a b Benefit of Micro Four Thirds , four-thirds.org, accessed online on September 28, 2012 (in English)
- ↑ Richard Butler: In memoriam: Olympus brings down the curtain on the legacy Four Thirds system , dpreview.com, March 10, 2017, accessed March 15, 2017
- ^ A b c Advancing Technology for Amazing Image Quality , getolympus.com, accessed November 9, 2016
- ↑ A lens for the Micro Four Thirds system was the only very good model to cut off in a comparative product test of zoom lenses by Stiftung Warentest in 2009 , see also zoom lenses: Less is more , test.de , May 28, 2009, accessed on May 13, 2009 January 2016
- ↑ What are the advantages of a mirrorless system camera , four-thirds.org, accessed online on September 28, 2012 (in English)
- ↑ Stellar Movie Power , four-thirds.org, accessed online on December 18, 2012
- ↑ Test report on the Panasonic Lumix DMC-GH1 at dpreview.com (in English), accessed on August 13, 2009
- ↑ Test report on the Panasonic Lumix DMC-GH2 at dpreview.com (in English)
- ↑ Equivalent focal length , Wikibook digital imaging methods , chapter image acquisition , accessed on June 24, 2015
- ↑ Equivalent f-number , Wikibook digital imaging methods , chapter image acquisition , accessed on June 24, 2015
- ↑ Equivalent light sensitivity , Wikibook digital imaging methods , chapter image acquisition , accessed on June 24, 2015
- ↑ Lens Technology , Completely electronic mount , accessed online October 19, 2012
- ^ Richard Butler: A distorted view? In-camera distortion correction , dpreview.com, September 2, 2011, accessed January 23, 2016
- ↑ a b Lumix GX7 - the compact premium DSLM camera , panasonic.com, July 23, 2013, accessed on January 12, 2016
- ↑ Jeff Keller: Panasonic's flagship Lumix DC-GH5 officially launched, hits store shelves in March , dpreview.com on January 4, 2017, accessed on March 29, 2017
- ↑ a b DMC-GX8 Lumix G DSLM interchangeable lens camera , panasonic.com, accessed July 16, 2015
- ^ The Formula for Superb Image Quality - Always Stable , olympus-imaging.com, 2016, accessed December 21, 2016
- ↑ James Artaius: Olympus OM-D E-M1X review , Digital Camera Review January 24, 2019, accessed September 13, 2019
- ↑ Firmware upgrade, Version 4.0 for Olympus OM-D E-M1 provides Focus Stacking mode and Focus Bracketing mode for advanced macro shooting ( Memento from January 12, 2016 in the Internet Archive ), olympus-global.com, September 15, 2015 on January 12, 2016
- ↑ Ian Burley: Exploring Panasonic's Post Focus camera feature , http://fourthirds-user.com/ , December 11, 2015, accessed January 12, 2016
- ↑ a b digital cameras: old lenses on modern cameras , test.de , March 21, 2013, accessed on January 13, 2016
- ↑ Pinwide cap for Micro 4/3 , kickstarter.com October 24, 2010, accessed online October 26, 2012
- ↑ SLR Magic adds Toy lenses for Q, E and Micro Four Thirds mounts , dpreview.com, March 5, 2012, accessed online on October 26, 2012
- ↑ Panasonic Lumix G1 system camera - a milestone in photo technology. (Rapid test) In: test.de . February 1, 2009, accessed October 1, 2012 .
- ↑ OLYMPUS PEN , Olympus, accessed March 12, 2018
- ↑ Without searcher , test.de , accessed online on October 1, 2012
- ↑ Lumix GH1 system camera: Panasonic goes to Hollywood , test.de from July 24, 2009, accessed on June 16, 2015
- ↑ a b c 10 Years of Micro Four Thirds - From the Beginning to the Present (Part 2) , dkamera from August 7, 2018, accessed on September 27, 2018
- ^ Noah Kadner: On The Panasonic AF100 ( memento June 17, 2013 in the Internet Archive ), hdvideopro.com, accessed online on March 12, 2013
- ↑ Lumix G Pancake PowerZoom lens , Panasonic, accessed online September 27, 2012
- ↑ Kenko-Tokina Reflex 300mm F6.3 compact telephoto for Micro Four Thirds , dpreview.com dated February 3, 2012, accessed on June 16, 2015
- ↑ The new Olympus OM-D: dust and splash-proof and with a built-in electronic viewfinder ( Memento from January 31, 2013 in the Internet Archive ), Olympus, accessed on January 12, 2016
- ↑ Andreas Rumpf: Photo Brenner shows shift lens for Micro-Four-Thirds , ueberlicht.de from September 21, 2012, accessed on June 16, 2015
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