Max Nonnenbruch

from Wikipedia, the free encyclopedia
Max Nonnenbruch before 1901
signature
Evening at the lake
Woman on a dune , Galerie Der Panther , Freising
Young women dancing on the beach
Dunes on the beach , 1914
The archer , study
Sea Winds , 1919
Stiller Winkel , 1903
Woman in Kimono with Fan and Flowers , 1900
Young bacchante , 1899
Well-being (detail), 1899 or before
Youth , 1897 or before
Girl with a teapot , 1896
Flora , 1892
The Favorite , 1892
The beautiful rose
Christian in prayer , 1894 (or before)
Portrait of a young woman , National Mikalojus Konstantinas Čiurlionis Art Museum in Kaunas , Lithuania
Vase carrier (version)
Profile portrait of a girl in a white coat , 1887
Portrait of a woman in a strapless dress

Max Nonnenbruch (born January 25, 1857 in Viersen , † March 13, 1922 in Munich ) was a German painter of the Munich School , Neoclassicism and Symbolism .

Life

Max Nonnenbruch was born in Viersen as the son of the cadastral inspector Alwin Nonnenbruch and his wife Karoline, née Gössling . He spent his childhood and first school days in Mönchengladbach . From 1868 the family lived in Bonn , where he attended the royal high school. In the school year 1871–1872 he was a senior (9th grade) and in 1872 performed the poem The Battle of Friedrich Schiller at the closing ceremonies of the school year . As a teenager he developed the desire to become a painter. From autumn 1875 he studied at the Düsseldorf Art Academy for two semesters . On May 2, 1877 he enrolled at the Royal Academy of Fine Arts in Munich and studied under Wilhelm von Lindenschmit , among others, until 1879. He composed the text for Eduard Unger's (1853-1894) picture cycle From the Four Seasons to. The cycle and the texts were published by Friedrich Bruckmann in Munich in 1880 . From 1880 he made several trips to Paris and Italy , including with his college friends Arthur Langhammer , Hans Olde and Claus Meyer . He also toured Belgium and England . On Capri he met Gerhart Hauptmann and his brother Carl Hauptmann and in 1883 drew a caricature of the two brothers in the hotel's guest book. After completing his military service he met on Capri Margarethe Anna Maria 1894 Baroness of Welck , whom he on 4 October 1884 in Serkowitz married and with whom he is a studio apartment in the Landwehrstraße 62 referred in Munich.

Max Nonnenbruch became deputy chairman of the economic association of visual artists , chairman of the Munich Artist Support Association , member of the General German Art Cooperative and the Munich Artists Cooperative . In 1889 he was a board member of the Munich Artists' Cooperative, and from 1890 he was also deputy secretary . On the occasion of the international art exhibition in Munich's Glaspalast in 1892 , he was secretary of the exhibition committee, chairman of the raffle commission, member of the catalog and finance commission and finally responsible for contact with the English participants in the annual exhibitions. In 1892 and 1893 he traveled to England for this reason. In 1893 he and his wife moved to Nymphenburger Strasse 43 . For his services to the organization of the English department at the international art exhibition in 1893 in the Glaspalast, he was awarded the Order of Merit of St. Michael 4th Class by the Prince Regent Luitpold of Bavaria . At the New Year celebrations in 1894 he was awarded the Order of Merit of St. Michael 3rd Class. That year he visited England again, traveling back through Paris, Bordeaux and Nice . He also worked in the exhibition management in 1894 and 1895. In 1896 he wrote the article Modern Art and Robert Fowler for the magazine Die Kunst der Zeit . In 1899 he moved with his wife to Friedrichstrasse and in 1902 to the house he had acquired at Mandlstrasse 10 in the Schwabing district . In 1907 he was a member of the Comité Local D'Organisation of the XVI. World Peace Congress in Munich.

Max Nonnenbruch frequented the Viennese Café Stefanie in Munich for years and also played chess there . Erich Mühsam often mentioned him in his diaries and in his apolitical memoirs . On Sunday, June 9, 1912, Erich Mühsam, accompanied by Mary Pfefferle, visited Max Nonnenbusch and his deaf wife on Mandlstrasse . He arranged for Max Nonnenbusch Mary as a model and Nonnenbruch took some photos of her. After Max Nonnenbruch had paid for it, he showed Erich Mühsam around the house where he had many pictures. Erich Mühsam was particularly impressed by a picture by the painter Leo Samberger from Nonnenbruch's collection.

Max Nonnenbruch pictures were often reproduced, as a wood engraving or as a heliogravure reproduction by the art publisher Franz Hanfstaengl . The reproductions have been published in many international magazines and newspapers. In 1918 two reproductions of his pictures in Religious Pictures and in 1921 five reproductions of his pictures in 1000 Pictures: A selection from the publisher were printed by the art publisher Franz Hanfstaengl. His pictures were also popular postcard motifs. There were many editions that appeared in different countries, but more or less good reproductions of his painting motifs are also widespread on vases or plates. His painting Die Rose from 1892 (or before) inspired Elsa Bernstein to write her poem Die Rose for this painting under her pseudonym Ernst Rosmer .

family

Margarethe Anna Maria Nonnenbruch (* February 2, 1856 in Liebau ; † December 17, 1930), born von Welck , was a daughter of Kurt Heinrich Freiherr von Welck (* October 27, 1827; † December 30, 1908), heir to Liebau , and Clara Weiß (born August 11, 1833, † August 7, 1862), daughter of the manufacturer Emil Weiß from Langensalza and granddaughter of Curt Robert Freiherr von Welck . With Max Nonnenbruch she had two sons and a daughter. Her son Wilhelm Nonnenbruch was born on November 6, 1887 in Munich and their daughter Marie († 1973) was born on November 11, 1893, also in Munich. In 1924 Marie Nonnenbruch gave a female head on paper by Robert Fowler to the Heinemann Gallery and received the work back a few months later. It could perhaps have been the study head from Max Nonnenbruch's article on Robert Fowler. Marie Nonnenbruch married the physicist Eduard Rüchardt on April 7, 1925 .

Awards

Image composition

In Max Nonnenbruch's versions of Young Woman on the Beach , also Girl on the Beach , the rule of thirds was applied to the composition of the pictures, with the horizontal line separating the upper third and the central third. Vertically, the woman hits the border between the left third and the middle third, just as the reflecting sunlight hits the border between the middle third and the right third.

  • Rule of thirds for a young woman on the beach , 1920

  • Young woman on the beach , 1920

  • Young woman on the beach , second version

Exhibitions (selection)

  • 1887: Exhibition by the Munich Art Association - The Young Scholar
  • 1888: 60th exhibition of the Royal Academy of Arts in the Glass Palace of the State Exhibition Park at Lehrter Bahnhof in Berlin - oil painting of a lady portrait
  • 1888: III. International art exhibition in the Glaspalast in Munich - oil painting portrait and goldfish
  • 1889: 61st exhibition of the Royal Academy of Arts in Berlin, Unter den Linden 38 - oil painting portrait of the Baroness Hedwig Marie Henriette von Arenberg (Duchess), Goldfische and In der Sommerfrische
  • 1889: Munich annual exhibition of works of art from all nations in the Glaspalast - oil painting portrait of my wife , portrait of a lady and model break in the studio
  • 1890: Munich annual exhibition of works of art from all nations in the Glaspalast - oil painting vase carrier
  • 1890: Exhibition of the Dresden Art Association - oil painting portrait of my wife
  • 1890: Berlin Academic Art Exhibition - oil painting portrait of my wife
  • 1891: International exhibition organized by the Association of Berlin Artists on the occasion of its 50th anniversary in the Glaspalast in Berlin - oil paintings in the Tannenwald
  • 1891: Munich annual exhibition of works of art from all nations in the Glaspalast - oil painting Siesta
  • 1892: Munich annual exhibition of works of art from all nations in the Glaspalast - oil painting Flora
  • 1893: Munich annual exhibition of works of art from all nations in the Glaspalast - oil paintings in thoughts
  • 1894: Munich annual exhibition in the Glaspalast - oil painting Christin in prayer
  • 1895: Great Berlin art exhibition - painting elegy
  • 1896: International art exhibition in the Glaspalast in Berlin - painting Passionata , first version
  • 1897: Art exhibition in Poznan in the municipal gym at Grünen Platz - Bachidyll
  • 1897: Exhibition of the Zurich Art Society in the Kunsthaus Zurich - oil painting youth
  • 1897: Rotus exhibition by the Swiss Art Association in the Kunsthalle Basel - oil paintings Siesta and In the Sunshine
  • 1897: Regular exhibition of the Swiss Art Association in Winterthur - oil paintings Siesta and In the Sunshine
  • 1897: Regular exhibition of the Swiss Art Association in the Schützenhaus in Glarus - oil paintings Siesta and In the Sunshine
  • 1897: Rotus exhibition of the Swiss Art Association in the girls' primary school in Biel - oil paintings Siesta and In the Sunshine
  • 1897: Swiss art exhibition in the Concilium Hall in Konstanz - oil paintings Siesta and In the Sunshine
  • 1897: Esposizione Svizzera di Belle Arti Terzo Turno in Lugano - Oil painting Siesta and Allo Splendor del Sole ( In the Sunshine )
  • 1898: Great Berlin art exhibition - painting Caprice
  • 1898: Munich annual exhibition in the Glaspalast - oil painting Transfiguration
  • 1898: Exposition des beaux-arts of the Heinemann gallery in the Palais des Beaux Arts on Promenade des Anglais 13 in Nice - oil painting Geisha
  • 1899: Great Berlin Art Exhibition - Paintings Well-being and Transfiguration
  • 1899: Munich annual exhibition in the Glaspalast - oil painting After the dance
  • 1900: Great Berlin Art Exhibition - Painting Lost Dreams
  • 1902: Great Berlin Art Exhibition - Paintings Sculptura , Pictura and A Bride of the Wind
  • 1902: Exposition des beaux-arts of the Heinemann gallery in the Palais des Beaux Arts on Promenade des Anglais 13 in Nice - oil painting in the morning
  • 1903: Exposition des beaux-arts of the Heinemann gallery in the Palais des Beaux Arts on Promenade des Anglais 13 in Nice - oil painting youth (version 2) (exhibited under the name of Träumerei )
  • 1904: Exposition des beaux-arts of the Heinemann gallery in the Palais des Beaux Arts on Promenade des Anglais 13 in Nice - oil painting youth (version 2) (exhibited under the name of Träumerei )
  • 1905: IX. International art exhibition in the Glaspalast in Munich - oil painting dream picture
  • 1906: Autumn exhibition of the Hannover Art Association in the Künstlerhaus
  • 1911: Annual exhibition of Bonn artists in the municipal museum in Bonn - several works

Posthumously

  • 1923: Max Nonnenbruch memorial exhibition in the rooms of the Münchner Kunstverein organized by the Munich Artists' Cooperative - well-known paintings and numerous studies, including a young woman with a cat on the beach
  • 2010: Highlights , International Art Fair, House of Art , Munich, booth of the Paffrath Gallery , Düsseldorf - oil painting youth

  • Temple Servant , 1886

  • On the terrace , 1888

  • Standing nude girl in the boudoir , 1892

  • Sculptura , 1902 or before

  • Oriental dancer , 1920

  • To the Überbuttl masked ball , 1902 or before

Catalog of works (selection)

signature Dimensions: width × height

  • 1879: Portrait of Ottilia Christine Nonnenbruch (1868–1959) (oil on canvas)
  • 1880: A young couple ( oil on panel, 24.5 × 32 cm)
  • 1881: A conversation among gentlemen (oil on canvas, 40.2 × 60.6 cm)
  • 1882: Lady with a fan
  • 1883: Caricature Gerhart Hauptmann and Carl Hauptmann (drawing on paper)
  • 1886: Temple servant (oil on canvas, 87 × 122 cm) - printed in the magazine Das Buch für Alle , issue 23, 1891
  • 1887 or before: The young scholar - exhibited in Munich in 1887
  • 1887: Profile portrait of a girl in a white coat (oil on wood, 33 × 40.8 cm)
  • 1887: Mutterglück (oil on canvas, 53 × 24 cm)
  • 1888 or before: Goldfische (oil on canvas) - exhibited in Berlin in 1898 and in Munich in 1889
  • 1888: On the terrace (oil on panel, 38.1 × 57.8 cm)
  • 1888: At the baths (oil on canvas, 24.7 × 23.3 cm)
  • 1889 or before: Grüß Gott (drawing) - Printed in the magazine Die Gartenlaube 1889
  • 1889 or before: In der Sommerfrische (oil on canvas) - Exhibited in Berlin in 1889
  • 1889 or before: Portrait of my wife (Portrait Margarethe Nonnenbruch) (oil on canvas) - exhibited in Munich in 1889, in Dresden and Berlin in 1890
  • 1889 or before: Model break in the studio (oil on canvas) - Exhibited in Munich in 1889
  • 1889: Portrait of Duchess Hedwig Marie Henriette von Arenberg, née Princess von Ligne , wife of Engelbert-Maria von Arenberg (oil on canvas, 53 × 86 cm) - exhibited in Berlin in 1889
  • 1890 or before: vase carrier (oil on canvas) - exhibited in Munich in 1890
  • 1891 or before: Im Tannenwald (oil on canvas) - exhibited in Berlin in 1891 - printed in the magazine Die Gartenlaube 1892 and in the newspaper The Boston Globe on May 15, 1904
  • 1891 or before: Siesta (oil on canvas) - exhibited in Munich in 1891 and in Basel, Winterthur, Glarus, Biel, Konstanz and Lugano in 1897
  • 1892 or before: The Rose (oil on canvas)
  • 1892: Flora (oil on canvas, 64 × 118 cm) - exhibited in Munich in 1892 - auctioned at Dorotheum in 2013 for € 46,660
  • 1892: The Favorite (oil on canvas, 61.6 × 111.76 cm)
  • 1892: Standing nude girl in the boudoir (oil on canvas, 59 × 100 cm)
  • 1893 or before: In thoughts (oil on canvas) - exhibited (and sold) in Munich in 1893
  • 1894 or before: In the rose season (oil on canvas)
  • 1894 or before: Christin in Prayer (oil on canvas) - Exhibited in Munich in 1894
  • 1895 or before: Elegy (oil on canvas) - exhibited in Berlin in 1895
  • 1895 or before: Summer Flowers - Reprinted in The Illustrated London News , Aug 5, 1895, p. 141.
  • 1895 or before: Iphigenia
  • 1896 or before: Passionata , first version (oil on canvas) - exhibited in Berlin in 1896
  • 1896: Girl with a teapot (oil on cardboard, 35 × 52 cm)
  • 1896: Portrait of Adele Einsle, née Hauck , daughter of Thomas von Hauck
  • 1896: Portrait of Wilhelm Max Maria Einsle, also Willy Einsle
  • 1897 or before: Jugend (oil on canvas, 70.5 × 118 cm) (also known as (Die) Odaliske ) - exhibited in Zurich in 1897 and in Munich in 2010 - sold at Nagel Auctions in 2015 for € 22,000
  • 1897 or before: In the Sunshine (oil on canvas) - Exhibited in 1897 in Basel, Winterthur, Glarus, Biel, Konstanz and Lugano
  • 1898 or before: Passionata , second version - Printed in the journal Die Gartenlaube 1898
  • 1898 or before: Caprice (oil on canvas) - exhibited in Berlin in 1898
  • 1898 or before: Transfiguration (oil on canvas) - exhibited in Munich in 1898 and in Berlin in 1899
  • 1898 or before: Evening - Reprinted in Munsey's Magazine 1898
  • 1898 or before: Geisha (oil on canvas, 70 × 117 cm) - Exhibited in Nice in 1898
  • 1899 or before: Wellbeing or Bien être (oil on canvas, 75 × 124 cm) - Exhibited in Berlin in 1899 under the name Wellbeing
  • 1899 or before: After the dance (oil on canvas) - Exhibited in Munich in 1899
  • 1899: Young Bacchante (oil on canvas, 79 × 130 cm) - auctioned at Nagel Auctions in 2012 for € 24,000
  • 1900 or before: Traumverloren (oil on canvas) - exhibited in Berlin in 1900
  • 1900: Woman in kimono with fan and flowers (oil on canvas, 70.5 × 118.5 cm)
  • 1901 or before: In the morning (oil on canvas, 63 × 122 cm) - Exhibited in 1902 in Nice
  • 1902 or before: Sculptura (oil on canvas) - exhibited in Berlin in 1902
  • 1902 or before: Pictura (oil on canvas) - exhibited in Berlin in 1902 - The Rijksmuseum Amsterdam owns a photo by Gustav Schauer from 1902 showing the painting.
  • 1902 or before: To the Masked Ball Überbuttl , also known as The Pink Kimono (oil on canvas, 75 × 125 cm)
  • 1902: A Bride of the Wind (oil on canvas) - exhibited in Berlin in 1902
  • 1902 or before: Youth (Version 2) (oil on canvas, 77 × 127.5 cm) - Exhibited in 1903 and 1904 in Nice
  • 1903 or before: Jugendglück - A heliogravure reproduction of the painting by the art publisher Franz Hanfstaengl was exhibited in January 1903 in the Lechner Hofbuchhandlung in Vienna .
  • 1903: Stiller Winkel (oil on canvas, 63 × 113 or 62 × 110 cm). Presumably Stiller Winkel from 1903 from Galerie Heinemann , sold to Carl Eschebach in 1904 , auctioned in Berlin in 1912
  • 1904 or before: Monna Vanna (oil on canvas, 69 × 120 cm) also Traumbild - exhibited in Munich in 1905 with the name Traumbild and printed in 1905 in The Art of Our Time with the name Traumbild
  • 1904: The Vision (oil on canvas, 81 × 110 cm)
  • 1906 or before: Flower language (oil on canvas, 72 × 125 cm)
  • 1906 or before: Dreaming (oil on canvas, 72 × 125 cm)
  • 1909: Falling Blätter (oil on canvas, 71 × 120 cm) - auctioned in 2007 at the art and auction house Kastern for € 36,000
  • 1914: dunes on the beach , (oil on canvas, 110 × 70 cm)
  • 1919: Sea winds (oil on canvas, 79.5 × 108.5 cm)
  • 1920: Oriental dancer (oil on canvas, 70 × 110 cm)
  • 1920: Young woman on the beach , also girls on the beach (oil on canvas, 100 × 78 cm)
  • Undated: Young woman on the beach. also girls on the beach , second version (oil on canvas, approx. 100 × 78 cm)
  • Undated: Young woman with a cat on the beach (study, oil on cardboard, 31 × 21 cm) - Exhibited in Munich in 1923
  • Undated: Loisach and Wanneck near Lermoos (study, oil on cardboard, 30 × 20.5 cm) - Collection Lingenauber, Monaco
  • Undated: Wanneck near Lermoos (study, oil on cardboard, 30 × 20.5 cm) - Lingenauber Collection, Monaco
  • Undated: Portrait of a young woman (oil on canvas, 47.5 × 75.5 cm) - National Mikalojus Konstantinas Čiurlionis Art Museum in Kaunas , Lithuania (A version by Monna Vanna or dream image from 1904 (or before))
  • Undated: Abend am See (oil on canvas, 66 × 118.1 cm) - auctioned in 2007 at Sotheby’s for € 95,966 ($ 130,000)
  • Undated: evening at the lake. smaller version (oil on wood, 22 × 32.5 cm) - Galerie Der Panther , Freising
  • Undated: Woman on a dune (oil on canvas, 62 × 85 cm) - Galerie Der Panther , Freising
  • Undated: Young women dancing on the beach (oil on canvas, 140 × 110 cm)
  • Undated: Meditation (oil on canvas, 109.2 × 66 cm)
  • Undated: Portrait of a woman in a strapless dress (oil on canvas, 40 × 50 cm)
  • Undated: vase carrier (version) (oil on wood, 20 × 28 cm)
  • Undated: The beautiful rose (oil on canvas, 90 × 59 cm)
  • Undated: Eva or girl under an apple tree ( grisaille , 30 × 54 cm)
  • Undated: Harem ladies at the bathing pool (oil on canvas, 61.2 × 87.5 cm)
  • Undated: Portrait of a young woman ( pastel on paper, 45 × 63 cm)
  • Undated: the archer. Study (oil on canvas, 81 × 110 cm)

signature

  • Good day! 1889 or before

  • Portrait of my wife , 1889 or before

  • Siesta , 1891 or before

  • In the fir forest , 1891 or before

  • meditation

  • The Vision , 1904

Literary works

literature

Web links

Commons : Max Nonnenbruch  - Collection of pictures, videos and audio files

Individual evidence

  1. ^ Max Nonnenbruch in: Johann Josef Klein: Program of the Royal High School in Bonn - School year 1871–1872 , Carl Georgi, Bonn 1872, p. 44.
  2. ^ The battle of Friedrich Schiller on projekt-gutenberg.org
  3. ↑ a b c d e f g h i j k l m Siegfried Weiß : Max Nonnenbruch - A Munich representative of symbolism , Weltkunst Heft 13, 2000, Zeitverlag
  4. ^ Proof of the Düsseldorf Art Academy
  5. ↑ Register of the Academy of Fine Arts in Munich
  6. ^ Hyacinth Holland :  Unger, Eduard . In: Allgemeine Deutsche Biographie (ADB). Volume 39, Duncker & Humblot, Leipzig 1895, p. 285 f.
  7. ^ Travel to Belgium and England
  8. ^ Captain on Capri
  9. ↑ Mention of the election as deputy chairman, Kunstchronik
  10. ^ Letter from the Munich Artist Support Association with the signature of Max Nonnenbruch
  11. ^ Members of the General German Art Cooperative in 1890.
  12. ↑ Deputy Secretary 1890 ( archive.li ). As a board member he was listed in the Berlin exhibition catalog as early as 1889.
  13. ↑ Honorable Mention  - Internet Archive regarding the English section and Max Nonnenbruch in The Art of Our Time
  14. ^ Nonnenbruch Mandelstraße 10 in the yearbook of fine arts from 1903.
  15. ^ Nonnenbruch  - Internet Archive Mandelstrasse 10 in Munich and the Munich people: people. Things. Manners. Wave your hand. from 1905.
  16. ↑ In the catalog of the exhibition from 1905 in the Munich Glass Palace on page 77 it says Mandlstrasse 16 , but in four other sources (both previous individual references, entries from Galerie Heinemann (under web links ) and the article by Siegfried Weiß about Max Nonnenbruch) it says Mandlstrasse 10 .
  17. ↑ Proof  - Internet Archive Member of the Comité Local D'Organisation
  18. ↑ diary by Erich Müsahm. Enter Nonnenbruch as a search term
  19. ^ Café Stefanie
  20. ↑ diary entry by Erich difficulty of 9 June (1912 Nonnenbruch enter a search term and 06/09/1912 click)
  21. ^ Religious pictures from the art publisher Franz Hanfstaengl in the German National Library , with table of contents as PDF
  22. ↑ 1000 images : A selection from the publisher of the art publisher Franz Hanfstaengl in the German National Library , with table of contents as PDF.
  23. ↑ Right vase at Christie's
  24. ↑ Die Rose  - Internet Archive by Max Nonnenbruch
  25. ↑ The Rose  - Internet Archive by Elsa Bernstein (Ernst Rosmer)
  26. ^ Data from Margarethe von Welck
  27. ^ Mariechen Nonnenbruch
  28. ^ Marie Nonnenbruch in the Heinemann Gallery
  29. ↑ Sudierkopf  - Internet Archive by Robert Fowler
  30. ^ Eduard Rüchardt in the German biography
  31. ↑ Photos of the Order III. Class, front, back and case
  32. ^ Exhibition in 1887
  33. ↑ Entry in the exhibition catalog
  34. ↑ Entry in the exhibition catalog with an illustration of the oil painting Goldfish. P. 101.
  35. ↑ Entry in the exhibition catalog
  36. ↑ Entry in the exhibition catalog with a picture of the oil painting Portrait of my wife. P. 69.
  37. ↑ Entry in the exhibition catalog, p. 29.
  38. ↑ Entry  - Internet Archive in the exhibition catalog
  39. ↑ Figure  - Internet Archive Im Tannenwald
  40. ^ Entry in the exhibition catalog, p. 76.
  41. ↑ Figure Siesta
  42. ↑ Entry in the exhibition catalog, p. 59.
  43. ↑ Figure Flora
  44. ↑ Entry in the exhibition catalog, p. 60.
  45. ↑ Figure In thoughts
  46. ↑ Entry in the exhibition catalog, p. 33.
  47. ↑ Figure Christ in prayer
  48. ↑ Entry in the exhibition catalog
  49. ↑ Entry in the exhibition catalog
  50. ↑ Figure  - Internet Archive Passionata (Version 1)
  51. ↑ Exhibition catalog , p. 12 (digital page 14)
  52. ↑ Exhibition catalog (PDF) Basel 1897, p. 9.
  53. ↑ Exhibition catalog (PDF) Winterthur 1897, p. 9.
  54. ^ Exhibition catalog (PDF) Glarus 1897, p. 9.
  55. ↑ Exhibition catalog (PDF) Biel 1897, p. 9.
  56. ↑ Exhibition catalog (PDF) Konstanz 1897, p. 9.
  57. ↑ Exhibition catalog (PDF) Lugano 1897, p. 9.
  58. ↑ Entry in the exhibition catalog
  59. ↑ Entry in the exhibition catalog, p. 70.
  60. ↑ Geisha in the Heinemann Gallery. Scans of the exhibition catalog online (picture also in the exhibition catalog)
  61. ↑ Entry in the exhibition catalog
  62. ↑ Figure well-being in the exhibition catalog
  63. ^ Illustration of the Transfiguration in the exhibition catalog
  64. ↑ Entry in the exhibition catalog, p. 67.
  65. ↑ Entry in the exhibition catalog
  66. ↑ Illustration Lost Dreams in the exhibition catalog
  67. ↑ Entry in the exhibition catalog
  68. ↑ Figure A bride of the wind in the exhibition catalog
  69. ^ In the morning in the Heinemann Gallery. Scans of the exhibition catalog online (picture also in the exhibition catalog)
  70. ↑ Youth (name when entering the stock book) Version 2 in Galerie Heinemann. Scans of the exhibition catalog online (picture also in the exhibition catalog)
  71. ↑ Entry in the exhibition catalog, p. 77.
  72. ↑ Page 66  - Internet Archive in Die Kunst: Monthly Bulletin for Free and Applied Arts 1906.
  73. ^ Exhibition  - Internet Archive Bonn
  74. ^ Galerie Paffrath at the HIGHLIGHTS in Munich , kunstmarkt.com , October 12, 2010.
  75. ^ Photo of the portrait by Ottilia Christine Nonnebruch
  76. ↑ Figure A conversation among gentlemen
  77. ↑ Temple Servant , The Book for All , Issue 23, 1991.
  78. ↑ Mutterglück in the auction catalog, 1941.
  79. ↑ Figure Happy Mother
  80. ↑ Illustration by the baths
  81. ↑ Hello! , The Gazebo 1889.
  82. ^ Illustration of the portrait of Duchess Hedwig Marie Henriette von Arenberg
  83. ^ The Boston Globe
  84. ↑ Illustration  - Internet Archive Die Rose von Max Nonnenbruch
  85. ↑ Flora by Max Nonnenbruch at Dorotheum
  86. ↑ Illustration and information on the painting Standing Nude Girl in the Boudoir
  87. ↑ Acquisitions  - Internet Archive Glaspalast Munich 1893.
  88. ↑ In der Rosenzeit , illustration in the magazine Daheim No. 36, June 9, 1894, p. 581.
  89. ↑ Illustration  - Internet Archive Elegy by Max Nonnenbruch
  90. ↑ illustration Summer flowers ( Summer Flowers )
  91. ↑ Illustration of a reproduction. 1913 Nonnenbruch's Iphigenie illustration, alongside a version of Iphigenie by Anselm Feuerbach , is in the English translation of Goethe's Iphigenie in Tauris in The German Classics of The Nineteenth and Twentieth Centuries , Volume I  - Internet Archive
  92. ↑ 1897 also illustration for Round the Year in Myth and Song by Florence Holbrook
  93. ↑ Illustration of the painting by Adele Einsle
  94. ↑ Adele Einsle in the Karl May Wiki
  95. ↑ Illustration of the painting by Willy Einsle
  96. ↑ Willy Einsle in the Karl May Wiki
  97. ↑ Odalisque at Sotheby’s
  98. ↑ Claudia Rauth: If so, then do it right! , kunstmarkt.com , July 19, 2015.
  99. ^ Passionata , second version, Die Gartenlaube 1898.
  100. ↑ Figure  - Internet Archive Transfiguration by Max Nonnenbruch
  101. ↑ Figure  - Internet Archive evening ( Evening )
  102. ↑ Data on Bien être , Galerie Heinemann
  103. ↑ Figure Bien être on postcard
  104. ↑ Johannes Sander: Panorama von Berlin , kunstmarkt.com , October 26, 2012.
  105. ^ Rijksmuseum Amsterdam , information on the photo
  106. ↑ On the Überbuttl masked ball in the Heinemann gallery
  107. ^ Rudolf Lechner
  108. ^ Page 111  - Internet Archive , lower third, in Photographische Korrespondenz - Photographische Gesellschaft in Wien
  109. ↑ Exhibits  - Internet Archive , p. 118, in Photographische Korrespondenz - Photographische Gesellschaft in Wien
  110. ↑ Stiller Winkel in the Heinemann Gallery
  111. ↑ Auction catalog page
  112. ↑ Illustration in the auction catalog
  113. ↑ Data on Monna Vanna , Galerie Heinemann
  114. ↑ Figure Monna Vanna on a postcard
  115. ↑ Illustration  - Internet Archive dream picture of Max Nonnenbruch
  116. ↑ The vision as a postcard
  117. ↑ The language of flowers in the Heinemann Gallery
  118. ↑ Dreaming in the Heinemann Gallery
  119. ↑ Falling leaves
  120. ↑ Description of the painting Meerwinde
  121. ↑ Girls on the Beach , second version
  122. ^ Image in the Lingenauber Collection
  123. ^ Image in the Lingenauber Collection
  124. ↑ Figure Portrait of a Woman
  125. ↑ Illustration  - Internet Archive dream picture of Max Nonnenbruch
  126. ↑ Max Nonnenbruch in the gallery Der Panther
  127. ↑ Figure Oriental water carrier
  128. ↑ Figure The beautiful rose
  129. ↑ Figure girl under an apple tree
  130. ↑ Figure Eve
  131. ↑ Figure harem ladies at the bathing pool
  132. ↑ Figure Portrait of a Young Woman
  133. ↑ The archer at MutualArt
personal data
SURNAME Nonnenbruch, Max
BRIEF DESCRIPTION German painter
DATE OF BIRTH January 25, 1857
PLACE OF BIRTH Viersen
DATE OF DEATH March 13, 1922
Place of death Munich