Music year 1528

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Further events

Music year 1528

A Klaviziterium or Clavicytherium (also Claviciterium, Klavizitherium or Klavicitherium) - seen here in the upper right corner of a picture from the Syntagma musicum by Michael Praetorius - is a stringed keyboard instrument in which the sound is generated by tearing the strings using quills, as with the harpsichord . With the Clavicytherium, however, the body is upright and the strings run vertically, i.e. vertically to the keys, which means that it can be placed on a wall to save space. As early as 1388, in a letter from John I of Aragón to Philip the Bold of Burgundy, an instrument is mentioned that "resembles an organ, but sounds with strings" (semblant dorguens que sona ab cordes) - this instrument could have been a clavicytherium be. That would mean it's older than the harpsichord. The name of the instrument appears for the first time in 1511 in Sebastian Virdung's Musica tutscht and pulled out . Clavicytheria were apparently rather rare, but were built until the 18th century, later also with fortepiano mechanics.

Events

• Martin Agricola , who settled in Magdeburg as a music teacher in 1519 and joined the Reformation , is the cantor of the music schools that have been combined into a single municipal institution. In addition to his teaching duties, Agricola tries above all to give the new Protestant movement its own church music. In 1528 he published Ein Kurz deudsche Musica ( Musica Choralis Deudsch ), a popular guide to music lessons.
• Cosmas Alder , the singer at St. Vinzenz Abbey in Bern , was elected clerk of the building contractor on April 15, 1528 after the introduction of the Reformation . He held this office until his death. In the same year he also became a clerk for the Frienisberg conductor .
• Bonifacius Amerbach is Professor of Law at the University of Basel .
• Around 1527/1528, Pierre Attaingnant invented a variant of sheet music printing that allowed printing in one operation. Every note symbol, every note type (see also Type ) is surrounded by a small segment of the note lines, so that the entire note image can be put together like a mosaic. He will publish more than 50 collections of chansons between 1528 and 1552. Among other things, he publishes the works of Pierre Passereau . He also publishes some "dance books".
• Antoine Barbé has - according to the files of the Cathedral of Antwerp - from 1527 to 1562 held the position of Kapellmeister.
• Eustorg de Beaulieu has been in Tulle since 1524 . His later work, Les Divers Rapportz, contains several poems of homage to well-known personalities in the city.
• Arnold von Bruck has been Kapellmeister of the Austrian regent Archduke Ferdinand (later King and Emperor Ferdinand I ) in Vienna since the second half of 1527 , as successor to Heinrich Finck . He will hold this position for over 18 years; his vice-bandmasters are Pieter Maessins (around 1505-1562), also of Flemish descent, and Stephan Mahu . During this time, Arnold acquires from Bruck several livings in what is now Slovenia and Croatia, so from 1528 to 1548 at the Cathedral of Ljubljana .
• Hans Buchner is organist in the parish church in Überlingen , but keeps his place of residence in Konstanz .
• After a short stay in Padua, where he was acquainted with Pietro Bembo , Marco Antonio Cavazzoni worked again in Venice for about ten years from 1528 .
• Jehan Daniel is the organist at Angers Cathedral . He will hold this position until 1540.
• Sixt Dietrich , who was a deacon and teacher of the choirboys in music and Latin in Constance , lost his income due to the Reformation in 1527 and managed to get by with odd jobs.
• Pedro de Escobar is in Portugal in the service of the monarch Manuel I (Portugal) . He is the teacher of the boys in the chapel of his son Alfonso.
• Georg Forster is a member of the Heidelberg Choir of Elector Ludwig X. , which is under the direction of the conductor and composer Lorenz Lemlin . There he received a thorough musical education. His classmates include Caspar Othmayr , Jobst von Brandt and Stefan Zirler, which leads to a lifelong friendship with these composers. Forster studied ancient languages at the University of Heidelberg and acquired the degree of baccalaureus artium here in the summer of 1528 . The relationships in Heidelberg are of great importance for his musical development: Here he lays the foundation for his large collection of fresh teutsche Liedlein (1539–1556), and the composers with whom he studies in Heidelberg are particularly well represented in this collection.
• Nicolas Gombert , who was probably a student of Josquin Desprez († 1521), has been a member of the court chapel of Emperor Charles V since 1526.In the first three years until 1529, Gombert stayed with this chapel in Toledo , Seville , Granada , Valladolid , Valencia and Madrid because the chapel accompanies the emperor on his travels.
• Matthias Greitter , the Order chaplain and cantor at in Straßbur Munster g was and - as is mainly due to the influence from there in 1524 Wolfgang Capito the Reformation penetrated - before the election is to join the new movement or to leave the city, remains well like his friend Wolfgang Dachstein , left the monastery and from 1528 became assistant preacher to St. Stephan and St. Martin.
• Lupus Hellinck is succentor at the Church of Our Lady in Bruges and since June 17, 1523 at the main church of St. Donatian, which is connected with the tasks of choir direction and teaching the choirboys.
• Nikolaus Herman is a cantor and teacher at the Latin school in St. Joachimsthal .
• Paul Hofhaimer has been the cathedral organist at Salzburg Cathedral in the service of Prince Archbishop Cardinal Matthäus Lang von Wellenburg since 1522 at the latest . Hofhaimer is famous as an excellent organist, organ teacher and ode composer. His compositions are also very popular in music lessons in Latin schools.
• Hans Kugelmann , who was in the service of the Fugger family in Augsburg , has been a trumpeter and court composer for Margrave Albrecht in Königsberg since 1524 .
• Erasmus Lapicida that around the year 1521 by the Habsburg Archduke I. Ferdinand (reign as Archduke 1521-1531) on Schottenkloster in Vienna a stipend was awarded, lives there, the remaining 26 years of his life. In Vienna between 1527 and 1534 he met the theologian and music theorist Johann Zanger (1517–1587), who later reported on a dispute between Lapicida, Stephan Mahu and Arnold von Bruck in his work “Practicae musicae praecepta” (Leipzig 1554) . This is about the interpretation of the scale mark without a vertical line.
• Jacotin Le Bel is a member of the court orchestra of the French King Franz I. He is led under the name Maistre Jacques Le Bel, clerc du diocese d'Amyens and receives from the king a canonical and a benefice at the collegiate church of Notre Dame in the province of Anjou . Jacotin wrote more than 50 polyphonic works in over 100 manuscripts and prints from the 16th century. 32 of these works were printed between 1528 and 1553 by the royal sheet music printer Pierre Attaingnant .
• Georg Liban lectures at the University of Kraków and worked as cantor at the St. Mary's School from around 1506 to 1528, and as rector since 1514. He teaches Latin prosody , Greek and music.
• Johannes Lupi has been a master of puerorum at the cathedral choir of Cambrai since 1527 .
• Stephan Mahu , who may have been a member of the court of Queen Anna of Bohemia and Hungary (1503–1547), the wife of Ferdinand I , as a singer and trombonist from the beginning of the 1520s, signed a lifelong contract from November 14, 1528 Service with her and Ferdinand. In return, he is guaranteed a substantial increase in salary, which will only be paid out from 1539.
• Francesco Canova da Milano , who for Pope Leo X. , for Pope Hadrian VI. and Clement VII worked in Rome , returns to northern Italy in the late 1620s. His presence in Piacenza is documented in 1528 .
• Anton Musa is the parish priest in Jena . As one of the first superintendents appointed by the sovereign , he also oversees the clergy in the offices of Jena and Eisenberg as well as in the Bürgel monastery .
• Luis de Narváez has been in the service of Francisco de los Cobos y Molina (1477–1547), Commander of León and Secretary to Emperor Charles V since the 1520s ; He is most likely living in Valladolid with his employer until his death in 1547.
• Francesco Patavino , who was Kapellmeister at the Cathedral of Treviso , changes in June 1528 as Maestro di canto to the church of San Zanipolo in Venice . He stayed there until April 1529.
• Nicolas Payen was probably the choirboy at the capilla flamenca of Emperor Charles V between 1522 and 1529. From 1525 his name appears in the benefice lists of the communities in Mons and Gorinchem .
• Matteo Rampollini has succeeded Bernardo Pisano as director of the boys' choir at the Cathedral of Santa Maria del Fiore in Florence since 1520 .
• Claudin de Sermisy is a chaplain in the Church of Camberon, near Abbeville . He is still a member of the court orchestra of King Francis I of France. Since 1525/26 Sermisy has possibly been the successor of Antoine du Longueval as royal choir master ( maître et recteur ). Many of his 160 chansons are published in anthologies by Pierre Attaignant in Paris between 1528 and 1533 . They are therefore generally referred to as "Parisian chansons".
• John Taverner is likely choirmaster at Cardinal's College (now Christ Church College and Cathedral ) in Oxford .
• Adrian Willaert has been the cathedral music director of San Marco in Venice since December 12, 1527 . The composer held this post for 35 years until his death; It is only through his work that this position gains its outstanding importance throughout Europe. Willaert is the successor of Petrus de Fossis († before July 7, 1526) and initially receives his salary of 70 ducats .
• Ten-year-old Johann Zanger , who was a treble singer under Thomas Stoltzer († 1526) in the court orchestra of King Ludwig II of Bohemia and Hungary († 1526) in Buda from 1523 to 1526 and as a result of the devastating defeat of the Hungarian army against the Ottomans in battle Fled to Vienna at Mohács' with members of the court orchestra in 1527 , worked as a singer in the local court orchestra of the new Hungarian king, the Habsburg Ferdinand I. In Vienna he received music theory lessons from the court orchestra leader Heinrich Finck († 1527) and his successor Arnold von Bruck .

Vocal works

Spiritually

• Pierre Attaingnant (Ed.) - 13 Motetz nouvelement composez : Sheet music and audio files in the International Music Score Library Project
  1. Girum celi circuivi sola
  2. Aspice Domine quia facta est
  3. Philomena previa temporis
  4. Impetum inimicorum
  5. Deus venerunt gentes
  6. Regina celi laetare
  7. Regnum mundi
  8. Deus in nomine tuo
  9. Emendemus in me lius
  10. Deus ultionum Dominus
  11. Da pacem domine
  12. Ave Maria
  13. Virgo virginum
• Stephani Guaynard - Contrapunctus seu fiturata musica super plano cantu missarum solennium totius anni : Notes and audio files in the International Music Score Library Project
• Martin Luther - A strong castle is our God : sheet music and audio files in the International Music Score Library Project (1527–1529)

Worldly

• Pierre Attaingnant (Ed.)
  • 30 Chansons musicales a quatre parties : sheet music and audio files in the International Music Score Library Project
  • 32 Chansons musicales a quatre parties : sheet music and audio files in the International Music Score Library Project
  • 34 Chansons musicales a quatre parties : sheet music and audio files in the International Music Score Library Project
  • 35 Chansons musicales a quatre parties : sheet music and audio files in the International Music Score Library Project
  • 37 Chansons musicales a quatre parties : sheet music and audio files in the International Music Score Library Project
• Josquin Desprez - Cœurs désolés de toutes nations (Josquin Desprez) : Sheet music and audio files in the International Music Score Library Project
• Nicolas Gombert - Chanson Alleluya my fault chanter for four voices (ca.1528)
• Claudin de Sermisy
  • Las, je m'y plains : Sheet music and audio files in the International Music Score Library Project
  • Il me suffit : Sheet music and audio files in the International Music Score Library Project
• Unknown composer - A desiuner la belle andouille : Sheet music and audio files in the International Music Score Library Project

Publications

• Pierre Attaingnant (Ed.) - Chansons nouvelles en musique à quatre parties (Paris)
• Martin Agricola - A Brief German Musica ( Musica Choralis Deudsch )

Born

Born around 1528

• Johannes de Cleve , Franco-Flemish composer, conductor and singer († 1582 )
• Francisco Guerrero , Spanish composer († 1599 )
• Costanzo Porta , Italian conductor and composer († 1601 )
• Thomas Whythorne, English composer († 1595 )

Died

Date of death secured

• April 1 : Francisco de Peñalosa Spanish cleric, singer and composer (* around 1470 )

See also

Portal: Music  - Overview of Wikipedia content on music