Music year 1538

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Further events

Music year 1538
Aldegrever
Copper engraving Three musicians by Heinrich Aldegrever from the series The great wedding dancers

Events

  • Benedictus Appenzeller has been a singer at the Habsburg court of the regent Maria of Hungary in Brussels since 1536 and head of the choirboys ( maître des enfants ) since 1537 .
  • Pietro Aron is a monk in a Kreuzherrenkloster near Bergamo .
  • Pierre Attaingnant , who invented a variant of sheet music printing around 1527/1528 that allowed printing in one operation, published more than 50 collections of chansons and some “dance books” between 1528 and 1552.
  • Antoine Barbé has - according to the files of the Cathedral of Antwerp - from 1527 to 1562 held the position of Kapellmeister.
  • Leonardo Barré , a pupil of Adrian Willaert in Venice , has been a singer in the papal chapel in Rome since 1537 . He retained this position until 1555.
  • Eustorg de Beaulieu , of 1,537 to Protestantism converted and Lyon fled to Geneva, studied at the Academy of Lausanne Theology .
  • Arnold von Bruck has been Kapellmeister of the Austrian regent Archduke Ferdinand (later King and Emperor Ferdinand I ) in Vienna since the second half of 1527 , as successor to Heinrich Finck . He has retained this position for over 18 years. The Viennese court orchestra is considered a prominent institution in the Austro-Habsburg music world, and Arnold von Bruck enjoys a special reputation as director of this band.
  • Joan Brudieu arrived at La Seu d'Urgell Cathedral in 1538 as a young singer and conductor .
  • In 1538 Jakob Buus was able to publish two of his chansons in the third volume of the Parangon des chansons collection of the publisher Jacques Moderne in Lyon . This is the composer's first step in public.
  • After his marriage, Antonio de Cabezón moved to Ávila , the city of his wife's birth, around 1538 .
  • Pierre Certon has worked at Notre-Dame in Paris since 1529 .
  • The composer Jacobus Clemens non Papa was first mentioned in records around 1538, when he was able to publish a small number of his chansons under his original name Jacob Clement in a collective print with the Parisian publisher Pierre Attaignant .
  • Ghiselin Danckerts was the singer of the papal chapel in Rome from 1538 to 1565 .
  • Jehan Daniel is the organist at Angers Cathedral . He held this position until 1540.
  • Jean De Latre was singing master ( maître de chant ) of the collegiate monastery Saint-Jean l'Evangeliste in Liège in 1538 and 1539 . This emerges from the lists of the collegiate foundation. Because the lists before and after these years are lost, it is possible that he worked there before 1538 and after 1539.
  • Benedictus Ducis was a Protestant pastor in Schalkstetten from 1535 until his death in 1544 .
  • Ludovicus Episcopius studied at the Artes Faculty of the University of Leuven from 1538 and completed his studies there as a theologian in 1541 .
  • Composition by Costanzo Festa
    Costanzo Festa , who may have studied with Jean Mouton in Paris , has been papal choir singer in Rome since 1517 and later director of this choir. As a composer he is one of the founders of the Roman School of the High Renaissance , but also a pioneer as an early madrigalist .
  • Georg Forster has been a medical student in Wittenberg since 1534 . There he also attended the lectures of Philipp Melanchthon and Matthias Garbitius , and after a while he was also a guest at Martin Luther's table community. His compositional skills aroused Luther's interest. As a music lover, he would like Forster to set Bible passages to music. In the supplementary part (1818) of Christian Conrad Nopitch's Nuremberg scholarly lexicon by Georg Andreas Will : "Luther mainly enjoyed his music and also had psalms and various scriptures composed by him".
  • The compositions handed down by Henry Fresneau allow the conclusion that he worked in Lyon from 1538 to 1554 . His work includes the motet Miser ubi parebo , which appears in Jacques Modernes Motetti del Fiore alongside the work of contemporary masters, which speaks for his reputation at the time, and 24 or 25 four-part chansons , which are predominantly in the series Le paragon des chansons and Le Difficile des chansons from the same printer. The better-known include Trac c'est le beau-père , Oeil importun and Peine et travail .
  • Antonio Gardano , who has lived in Venice since 1532 and founded a music publisher and printer here, published around 450 publications between 1538 and 1569, mainly madrigals and sacred music. Of the 388 remaining prints, only two are non-musical.
  • Nicolas Gombert , who was probably a student of Josquin Desprez († 1521), has been a member of the court orchestra of Emperor Charles V since 1526 and maitre des enfants since 1529 . As the master of the choir boys, Gombert is responsible for the musical and vocal training of the boys as well as for their upbringing, their accommodation and their well-being. At this time the choir consists of 14 adults, an organist , a “prompter” (chalk or bellows treadle of the organ) and about twelve choirboys. The last major event in which he could have participated is the meeting of the three largest European court orchestras in Aigues-Mortes in 1538; these are the papal chapel of Paul III. , the French court chapel of King Francis I and the court chapel of Charles V.
    Giovanni Battista Ghisi - Cupido tocando cravo
  • In 1538 Matthias Greitter took on a position as music teacher at the Collegium Argentinense , the forerunner of the Strasbourg University .
  • Lupus Hellinck is succentor at the Church of Our Lady in Bruges and since June 17, 1523 at the main church of St. Donatian, which is connected with the tasks of choir direction and teaching the choirboys.
  • Nikolaus Herman is a cantor and teacher at the Latin school in St. Joachimsthal . Here he works with Johannes Mathesius , who is the rector of the school from 1532.
  • Gheerkin de Hondt , who worked as a singing master at the Nieuwe Kerk in Delft from August 1, 1530 to February 1532 , carried out the same activity from 1532 to 1539 at the Church of St. Jacob in Bruges ; there he is also a member of the Sacrament Guild.
  • Clément Janequin has been music director of Angers Cathedral since 1534 .
  • Hans Kotter has been teaching as a schoolmaster in Bern since 1534 .
  • Hans Kugelmann , who was in the service of the Fugger family in Augsburg , has been a trumpeter and court composer for Margrave Albrecht in Königsberg since 1524 . Parallel to his work at court, he was Kapellmeister of the choir from 1534 until his death.
  • Erasmus Lapicida that around the year 1521 by the Habsburg Archduke I. Ferdinand (reign as Archduke 1521-1531) on Schottenkloster in Vienna a stipend was awarded, lives there, the remaining 26 years of his life.
  • Jacotin Le Bel is a member of the court orchestra of the French King Francis I. On a list of the chapel's salaried employees in 1532/1533 he appears as haulte-contre and as chantre et chanoine ordinaire . From the king he receives a canonical and a benefice at the collegiate church of Notre Dame in the province of Anjou . Jacotin wrote more than 50 polyphonic works in over 100 manuscripts and prints from the 16th century. 32 of these works were printed between 1528 and 1553 by the royal sheet music printer Pierre Attaingnant .
  • Like his father Nikolaos, Francesco Londariti chose the clerical career and worked at his church as an organist from 1537 to 1544. The support of his father, the good relations of his family and his extraordinary talent as a musician make it possible that, as the illegitimate son of a priest, he is not confronted with the currently usual obstacles and not only ordained a priest, but also with the title of Apostolic Protonotary and various high ecclesiastical offices, which are associated with lucrative property and thus some prosperity.
  • Johannes Lupi is magnus vicarius and subdeacon in Cambrai .
  • Stephan Mahu , who may have been a member of the court of Queen Anna of Bohemia and Hungary (1503–1547), the wife of Ferdinand I , as a singer and trombonist from the beginning of the 1520s, signed a lifelong contract from November 14, 1528 Service with her and Ferdinand. In return, he is guaranteed a substantial increase in salary, which will only be paid out from 1539. In addition, between September 1529 and March 1532, he took over the position of Vice Kapellmeister of the Vienna Court Music Orchestra from Archduke Ferdinand under Arnold von Bruck , until 1539.
  • Jachet de Mantua has been the master of the chapel boys and chapel master at the Cathedral of St. Peter and Paul in Mantua since 1535 at the latest .
  • Luis Milán probably spent his entire life in Valencia , where he worked at the ducal court of Germaine de Foix until around 1538 .
  • Francesco Canova da Milano , who has worked in Rome since 1535 as the lutenist and viola player of Cardinal Ippolito de 'Medici and as the teacher of the nephew of Pope Paul II I , Ottavio Farnese, accompanied the Pope to a meeting between Charles V and F in 1538 ranz I. in Nice .
  • Cristóbal de Morales has been a singer in the Sistine Chapel since 1535 and lives and works during the pontificate of Paul III. in Rome for ten years .
  • Anton Musa has been pastor in Rochlitz since 1536 , an office he held for eight years.
  • Luis de Narváez stands since the 1520s in the service of Fran cisco de los Cobos y Molina (1477-1547), commander of Leon and secretary of Emperor Charles V ; He is very likely to live in Valladolid with his employer until his death in 1547. He was granted royal printing privilege in 1537 to publish his work Los seys libros del Delphín de música de cifras para tañer Vihuela and was able to publish it in 1538.
  • Francesco Patavino , who leads the cathedral music in Gemona , leaves Gemona and returns to Treviso , where he is again active as Kapellmeister. It can be proven in documents from Treviso until 1551.
  • Nicolas Payen , who was probably the choirboy at the capilla flamenca of Emperor Charles V between 1522 and 1529 and then continued his musical training in an unknown location, is again included in the payrolls of the imperial court from 1534.
  • Dominique Phinot , who comes from France and spent most of his life in Italy, was able to publish his earliest motets in Venice and Ferrara in 1538 .
  • Giovanni Pierluigi da Palestrina since 1537 choirboy in Rome . This emerges from a contract between the cathedral chapter of Santa Maria Maggiore and the singer and conductor Giacomo Coppola dated October 25, 1537. The contract also mentions six choirboys entrusted to the latter, among them a "Joannes de Palestrina".
  • Pierre Sandrin published around 50 four-part chants between 1538 and 1549.
  • Claudin de Sermisy is a member of the court orchestra of King Francis I of France. From 1533 the composer worked as sous-maître over all musicians in the royal band; Cardinal François de Tournon , a close confidante of the king, is in charge of the administration . As sous-maître , de Sermisy directs the performances of around 40 adult singers and six choirboys that the royal chapel owned during the 1530s and 1540s; In addition, he is responsible for the well-being of the boys and oversees the chapel's liturgical and musical books. He held this office until around 1553.
  • Tielman Susato has been a member of the Antwerp Town Musicians since 1531; he plays the instruments flute , recorder , Krummhorn , field trumpet and trombone , and perhaps also the evening prayer of the brotherhood accompanied.
  • Thomas Tallis was organist at the Augustinian Abbey of Waltham north of London from 1532 to 1540 .
  • John Taverner , whose work for St. Botolph's Church in the city of Boston, Lincolnshire, ended in 1537, stayed in Boston. He is in contact with Thomas Cromwell , the Protestant minister of King Henry VIII of England . On his behalf, he carried out the dissolution of the monasteries in the Boston region, which was initiated in 1534.
  • For the second edition of the text Praise vnd preis der loblichen Kunst Musica by the composer and cantor Johann Walter , Martin Luther wrote the preface The best time of the year is mine .
  • Adrian Willaert has been the cathedral music director of San Marco in Venice since December 12, 1527 . The composer held this post for 35 years until his death; It is only through his work that this position gains its outstanding importance throughout Europe. Willaert is the successor to Petrus de Fossis († before July 7, 1526).
    • Heinrich Aldegrever : The little wedding dancers , series of 8 copper engravings, each approx. 5.4 × 3.8 cm.
    • Aldegrever wedding dancers 1.jpg
    • Aldegrever wedding dancers 2.jpg
    • Aldegrever wedding dancers 3.jpg
    • Aldegrever wedding dancers 4.jpg
    • Aldegrever wedding dancers 5.jpg
    • Aldegrever wedding dancers 6.jpg
    • Aldegrever wedding dancers 7.jpg
    • Aldegrever wedding dancers 8.jpg

    Instrumental works

    Different instruments

    Vihuela

    • Luis de Narváez - Los seys libros del Delphín de música de cifras para tañer Vihuela (Valladolid) : Sheet music and audio files in the International Music Score Library Project
      Two pages from the book Los seys libros del Delphin de música de cifras para tañer Vihuela by Luis de Narváez
      • Book 1: Fantasia I to VIII in the 1st to 8th tone
      • Book 2: Ay en el fantasias por algunos tonos que no son tan dificultosas de tañer como las del primer libro : Fantasia IX to XIV in the 1st, 4th and 5th tone
      • Book 3: Ay en obras compuestas de Josquin y canciones Francescas de diversos autores : Intavolations from masses by Josquin des Préz : Sanctus and Osanna from the mass “Ercules dux ferrarie”, Sanctus and Osanna from the mass “Faissan regres”, the Cum santo spirito from the “Missa sine nomine”, furthermore the chanson d'Émpereur del quarto tono “Mille regres” by Josquin, the chanson “Jamais je n'eus tant de soulas” by Nicolas Gombert , the chanson “Si par souffrir” by Jean Courtois and the chanson “Je veulx laysser melancolie” by Jean Richafort
      • Book 4: Y en el diferencias de contrapuntos sobre el igno del nuestra Señora o gloriosa Domina, y de Pange lingua y Sacris solenniis : Six variations on "O gloriosa Domina" and five variations on "Sacris solenniis"
      • Book 5: Ay en el romances y villancicos para tañer y cantar y contrapuntos sobre algunos villancicos : “Ya se asienta el rey Ramiro”, “Paseavase el rey Moro”, “Si tantos halcones” (three variations), “Y la mi cinta dorada "(six variations)," La bella mal maridada "," Con que la lavare "and" Ay arde coraçon "
      • Book 6: Ay en el veynte y dos diferencias de Conde claros para discantar y siete diferencias de guardame las varcas, y una baxa de contrapunto : "Conde claros" (22 variations), "Guardame las vacas" (7 variations) and "Baxa de contrapunto ", therein:

    Vocal works

    Spiritually

    Worldly

    Publications

    Instrument making

    Born

    Date of birth saved

    Born around 1538

    Died

    Date of death secured

    Died after 1538

    See also

    Portal: Music  - Overview of Wikipedia content on music