Music year 1534

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Music year 1534
Rankett
An organ - to see on the picture is the beginning of the 16th century built Swallow organ in the parish church of St. Valentinus in Kiedrich - is an over keys playable musical instrument . The sound is generated by whistles blown by an air stream called an organ wind . The organ belongs to the aerophones . The first organ-like instrument was made around 246 BC. Constructed by Ktesibios , an engineer in Alexandria . The Byzantine Empire made the organ an important instrument for imperial ceremonies. This also brought them closer to the church celebrations. In the course of the 9th century the first (episcopal) churches in Western Europe began to buy organs, monastery churches probably not until the 11th century. The church organ was initially a status symbol, it was not until the Gothic period that it gradually developed into the main instrument of the Christian liturgy . The organs of the early Renaissance are still reminiscent of the time the registers were introduced at the end of the Middle Ages (voting separation). The organs initially contain very few registers (e.g. the prefix, octave, backseat and cymbal from the Gothic block , plus one or two flutes, trumpet and the shelf) and often only have a manual and an attached pedal. Fully developed organs developed in the High Renaissance . In the 17th and 18th centuries, organ building flourished in some European countries.

Events

  • Bonifacius Amerbach is Professor of Law at the University of Basel . From 1533 onwards, Amerbach approached Martin Bucer's balancing position . Under its influence, he finally committed to the Reformation. In 1534 he also advocates the Protestant Lord's Supper.
  • Pierre Attaingnant , who invented a variant of sheet music printing around 1527/1528 that allowed printing in one operation, published more than 50 collections of chansons and some “dance books” between 1528 and 1552.
  • Antoine Barbé has - according to the files of the Cathedral of Antwerp - from 1527 to 1562 held the position of Kapellmeister.
  • Eustorg de Beaulieu moved to Lyon in 1533 or 1534 and entered the service of the former city governor Pomponio Trivulzi.
  • Pietro Paolo Borrono has been the official lute player in the service of the French King Francis I since 1531 .
  • Arnold von Bruck has been Kapellmeister of the Austrian regent Archduke Ferdinand (later King and Emperor Ferdinand I ) in Vienna since the second half of 1527 , as successor to Heinrich Finck . He has retained this position for over 18 years; his vice-bandmasters are Pieter Maessins (around 1505-1562), also of Flemish descent, and Stephan Mahu . During this time, Arnold acquires from Bruck several livings in what is now Slovenia and Croatia, so 1528 to 1548 at the Cathedral of Ljubljana , from December 1529 at the Cathedral of Zagreb , and from July 1531 in the town of Laas in Kočevje . In 1534 a collection of sacred and secular songs dedicated to Arnold von Bruck was published in Nuremberg . In addition to 20 compositions by himself, the work contains compositions by Ludwig Senfl and Wilhelm Breitengraser (around 1495 - 1542).
  • Hans Buchner is organist in the parish church in Überlingen , but keeps his place of residence in Konstanz .
  • Marco Antonio Cavazzoni worked in Venice for about ten years from 1528 .
  • Pierre Certon has worked at Notre-Dame in Paris since 1529 .
  • Jean Courtois worked in Cambrai as petit vicaire in 1534 and 1535 - as he did in 1516 to 1517 .
  • Jehan Daniel is the organist at Angers Cathedral . He will hold this position until 1540.
  • Benedictus Ducis was pastor in Stubersheim from 1533 to 1535 .
  • The remains of Juan del Encina , who died in 1519, were transferred to Salamanca Cathedral in 1534 , where they remain to this day.
  • Pedro de Escobar is in Portugal in the service of the monarch Manuel I (Portugal) . He is the teacher of the boys in the chapel of his son Alfonso.
  • Georg Forster , who has been studying medicine in Ingolstadt since 1531 , is leaving Ingolstadt after three years. There is a presumption by music historians that the composer feels drawn to Protestantism and that he does not feel at home in Ingolstadt, which is clearly Catholic. Forster could have cherished the wish to be able to obtain first-hand information about Luther's teachings, and he therefore relocated the place of his medical studies from 1534 on a scholarship to Wittenberg , where he also attended the lectures of Philipp Melanchthon and M. Garbicius, and after a few Time also a guest in Luther's table community. His compositional skills aroused Luther's interest as a music lover, and the reformer asked Forster to set Bible passages to music. In the supplementary part (1818) of Christian Conrad Nopitch's Nuremberg scholarly lexicon by Georg Andreas Will : "Luther mainly enjoyed his music and also had psalms and various scriptures composed by him". Duke Ernst von Sachsen is also impressed by Forster's musical abilities and often invites him to perform at his court.
  • Nicolas Gombert , who was probably a student of Josquin Desprez († 1521), has been a member of the court orchestra of Emperor Charles V since 1526 and maitre des enfants since 1529 . As the master of the choir boys, Gombert is responsible for the musical and vocal training of the boys as well as for their upbringing, their accommodation and their well-being. At this time the choir consists of 14 adults, an organist , a “prompter” (chalk or bellows treadle of the organ) and about twelve choirboys. Since 1534 he has held a church sinecure in Tournai . His name does not appear in the list of clergymen who read masses in Tournai, and he probably no longer exercises priestly functions.
  • Lupus Hellinck is succentor at the Church of Our Lady in Bruges and since June 17, 1523 at the main church of St. Donatian, which is connected with the tasks of choir direction and teaching the choirboys.
  • Nikolaus Herman is a cantor and teacher at the Latin school in St. Joachimsthal . Here he works with Johannes Mathesius , who is the rector of the school from 1532.
  • Paul Hofhaimer has been the cathedral organist at Salzburg Cathedral in the service of Prince Archbishop Cardinal Matthäus Lang von Wellenburg since 1522 at the latest . Hofhaimer is famous as an excellent organist, organ teacher and ode composer. His compositions are also very popular in music lessons in Latin schools.
  • Gheerkin de Hondt , who worked as a singing master at the Nieuwe Kerk in Delft from August 1, 1530 to February 1532 , carried out the same activity from 1532 to 1539 at the Church of St. Jacob in Bruges ; there he is also a member of the Sacrament Guild.
  • Clément Janequin , who from 1505 was a clergyman in Bordeaux in the service of the humanist Lancelot du Fau, became conductor of Angers Cathedral in 1534 .
  • Hans Kotter (musician) teaches as a schoolmaster in Bern from 1534 .
  • Hans Kugelmann , who was in the service of the Fugger family in Augsburg , has been a trumpeter and court composer for Margrave Albrecht in Königsberg since 1524 . Parallel to his work at court, he was Kapellmeister of the choir from 1534 until his death.
  • Erasmus Lapicida that around the year 1521 by the Habsburg Archduke I. Ferdinand (reign as Archduke 1521-1531) on Schottenkloster in Vienna a stipend was awarded, lives there, the remaining 26 years of his life. In Vienna between 1527 and 1534 he met the theologian and music theorist Johann Zanger (1517–1587), who later reported on a dispute between Lapicida, Stephan Mahu and Arnold von Bruck in his work “Practicae musicae praecepta” (Leipzig 1554) . This is about the interpretation of the scale mark without a vertical line.
  • Jacotin Le Bel is a member of the court orchestra of the French King Francis I. On a list of the chapel's salaried employees in 1532/1533 he appears as haulte-contre and as chantre et chanoine ordinaire . From the king he receives a canonical and a benefice at the collegiate church of Notre Dame in the province of Anjou . Jacotin wrote more than 50 polyphonic works in over 100 manuscripts and prints from the 16th century. 32 of these works were printed between 1528 and 1553 by the royal sheet music printer Pierre Attaingnant .
  • Johannes Lupi is magnus vicarius and subdeacon in Cambrai .
  • Stephan Mahu , who may have been a member of the court of Queen Anna of Bohemia and Hungary (1503–1547), the wife of Ferdinand I , as a singer and trombonist from the beginning of the 1520s, signed a lifelong contract from November 14, 1528 Service with her and Ferdinand. In return, he is guaranteed a substantial increase in salary, which will only be paid out from 1539. In addition, between September 1529 and March 1532, he took over the position of Vice Kapellmeister of the Viennese court orchestra from Archduke Ferdinand under Arnold von Bruck , until 1539.
  • Jachet de Mantua receives the citizenship of Mantua on April 20, 1534.
  • At ton Musa pastor is in Jena . As one of the first superintendents appointed by the sovereign , he also oversees the clergy in the offices of Jena and Eisenberg as well as in the Bürgel Foundation . Since 1529 his district has been expanded to include the offices of Stadtrod a , Leuchtenburg , Kahla and Orl amünde . He also works as a superintendent and as a visitor in the Vogtland and in the Saalekreis.
  • Luis de Narváez has been in the service of Francisco de los Cobos y Molina (1477–1547), Commander of León and secretary to Emperor Charles V since the 1520s . It is very likely that he lived in Valladolid until the death of his employer in 1547.
  • Nicolas Payen , who was probably a choirboy at the capilla flamenca of Emperor Charles V between 1522 and 1529 and then continued his musical training in an unknown location, is again included in the payrolls of the imperial court from 1534.
  • Matteo Rampollini , who had been director of the boys' choir at the Cathedral of Santa Maria del Fiore in Florence since 1520, was appointed chaplain to the Medici Chapel from 1530 . Maybe the Medici showed their loyalty to Rampolini during their expulsion from Florence . Rampolini held this office until 1534.
  • Nikolaus Selnecker has been growing up in Nuremberg since 1534 .
  • Claudin de Sermisy is a member of the court orchestra of King Francis I of France. From 1533 the composer worked as sous-maître over all musicians in the royal band; Cardinal François de Tournon , a close confidante of the king, is in charge of the administration . As sous-maître , de Sermisy directs the performances of around 40 adult singers and six choirboys that the royal chapel owned during the 1530s and 1540s; In addition, he is responsible for the well-being of the boys and oversees the chapel's liturgical and musical books. In the position of maître , Sermisy earned 400 livres in salary and in kind in 1533 . He will hold this office until around 1553.
  • Tielman Susato has been a member of the Antwerp Town Musicians since 1531; he plays the instruments flute , recorder , Krummhorn , field trumpet and trombone , and perhaps also the evening prayer of the brotherhood accompanied.
  • Thomas Tallis was organist at the Augustinian Abbey of Waltham north of London from 1532 to 1540 .
  • Adrian Willaert has been the cathedral music director of San Marco in Venice since December 12, 1527 . The composer held this post for 35 years until his death; It is only through his work that this position gains its outstanding importance throughout Europe. Willaert is the successor to Petrus de Fossis († before July 7, 1526).

Vocal works

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Publications

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Exact date of birth unknown

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See also

Portal: Music  - Overview of Wikipedia content on music