Music year 1537

from Wikipedia, the free encyclopedia

◄◄1533153415351536Music year 1537  | 1538  | 1539  | 1540  | 1541  |  | ►►
Overview of the music years
Further events

Music year 1537
Salzburg Pfeifergasse 18 Hofhaimerhaus
The Austrian composer and organist Paul Hofhaimer died in 1537 in his house at Pfeifergasse 18 in Salzburg (see picture of the house from 2008). Hofhaimer had been the cathedral organist at Salzburg Cathedral in the service of Prince Archbishop Cardinal Matthäus Lang von Wellenburg since 1522 at the latest . Hofhaimer was famous as an excellent organist, organ teacher and ode composer .

Events

  • Benedictus Appenzeller , the 1536 singer at the Habsburg court of the regent Mary of Hungary in Brussels has become engaged in 1537 to head the choirboys ( maître des enfants ) on after the previous incumbent Jean Goessins died.
  • Pietro Aron is a monk in a Kreuzherrenkloster near Bergamo .
  • Pierre Attaingnant , who invented a variant of sheet music printing around 1527/1528 that allowed printing in one operation, published more than 50 collections of chansons and some “dance books” between 1528 and 1552.
  • Antoine Barbé has - according to the files of the Cathedral of Antwerp - from 1527 to 1562 held the position of Kapellmeister.
  • Leonardo Barré , a pupil of Adrian Willaert in Venice , became singer in the papal chapel in Rome in 1537 . He retained this position until 1555.
  • Eustorg de Beaulieu is in the service of the former city governor Pomponio Trivulzi in Lyon . Divers Rapportz appears here in 1537 , which is said to have contained twelve three to four-part chansons in individual parts; only three of these chansons have survived. In 1537 Beaulieu converted to Protestantism and fled to Geneva that same year . At the Academy of Lausanne , he studied theology .
  • Arnold von Bruck has been Kapellmeister of the Austrian regent Archduke Ferdinand (later King and Emperor Ferdinand I ) in Vienna since the second half of 1527 , as successor to Heinrich Finck . He has retained this position for over 18 years. The Viennese court orchestra is considered a prominent institution in the Austro-Habsburg music world, and Arnold von Bruck enjoys a special reputation as director of this band.
  • Hans Buchner is organist in the parish church in Überlingen , but keeps his place of residence in Konstanz . In 1537 he came to Heidelberg for an organ rehearsal .
  • Pierre Certon has worked at Notre-Dame in Paris since 1529 .
  • Jehan Daniel is the organist at Angers Cathedral . He held this position until 1540.
  • Benedictus Ducis was a Protestant pastor in Schalkstetten from 1535 until his death in 1544 .
  • Georg Forster has been a medical student in Wittenberg since 1534 . There he also attended the lectures of Philipp Melanchthon and Matthias Garbitius , and after a while he was also a guest at Martin Luther's table community.
  • Nicolas Gombert , who was probably a student of Josquin Desprez († 1521), has been a member of the court orchestra of Emperor Charles V since 1526 and maitre des enfants since 1529 . As the master of the choir boys, Gombert is responsible for the musical and vocal training of the boys as well as for their upbringing, their accommodation and their well-being. At this time the choir consists of 14 adults, an organist , a “prompter” (chalk or bellows treadle of the organ) and about twelve choirboys. While Charles V undertook a campaign against Tunis in 1533 , Gombert recruited additional staff for the court orchestra in the Netherlands and returned to Valladolid in 1537 with around 20 adult singers and choirboys, a Latin teacher, a few curates and an organist .
  • Lupus Hellinck is succentor at the Church of Our Lady in Bruges and since June 17, 1523 at the main church of St. Donatian, which is connected with the tasks of choir direction and teaching the choirboys.
  • Nikolaus Herman is a cantor and teacher at the Latin school in St. Joachimsthal . Here he works with Johannes Mathesius , who is the rector of the school from 1532.
  • Gheerkin de Hondt , who worked as a singing master at the Nieuwe Kerk in Delft from August 1, 1530 to February 1532 , carried out the same activity from 1532 to 1539 at the Church of St. Jacob in Bruges ; there he is also a member of the Sacrament Guild.
  • Clément Janequin has been music director of Angers Cathedral since 1534 .
  • Hans Kotter has been teaching as a schoolmaster in Bern since 1534 .
  • Hans Kugelmann , who was in the service of the Fugger family in Augsburg , has been a trumpeter and court composer for Margrave Albrecht in Königsberg since 1524 . Parallel to his work at court, he was Kapellmeister of the choir from 1534 until his death.
  • Erasmus Lapicida that around the year 1521 by the Habsburg Archduke I. Ferdinand (reign as Archduke 1521-1531) on Schottenkloster in Vienna a stipend was awarded, lives there, the remaining 26 years of his life.
  • Jacotin Le Bel is a member of the court orchestra of the French King Francis I. On a list of the chapel's salaried employees in 1532/1533 he appears as haulte-contre and as chantre et chanoine ordinaire . From the king he receives a canonical and a benefice at the collegiate church of Notre Dame in the province of Anjou . Jacotin wrote more than 50 polyphonic works in over 100 manuscripts and prints from the 16th century. 32 of these works were printed between 1528 and 1553 by the royal sheet music printer Pierre Attaingnant .
  • Like his father Nikolaos, Francesco Londariti chose the clerical career and worked at his church as an organist from 1537 to 1544. The support of his father, the good relations of his family and his extraordinary talent as a musician make it possible that, as the illegitimate son of a priest, he is not confronted with the currently usual obstacles and not only ordained a priest, but also with the title of Apostolic Protonotary and various high ecclesiastical offices, which are associated with lucrative property and thus some prosperity.
  • Johannes Lupi is magnus vicarius and subdeacon in Cambrai . Since 1535 he has suffered from an illness that is not specified in detail and because of it he was unable to exercise his functions until 1537.
  • Stephan Mahu , who may have been a member of the court of Queen Anna of Bohemia and Hungary (1503–1547), the wife of Ferdinand I , as a singer and trombonist from the beginning of the 1520s, signed a lifelong contract from November 14, 1528 Service with her and Ferdinand. In return, he is guaranteed a substantial increase in salary, which will only be paid out from 1539. In addition, between September 1529 and March 1532, he took over the position of Vice Kapellmeister of the Vienna Court Music Orchestra from Archduke Ferdinand under Arnold von Bruck , until 1539.
  • Jachet de Mantua has been the master of the chapel boys and chapel master at the Cathedral of St. Peter and Paul in Mantua since 1535 at the latest .
  • Luis Milán probably spent his entire life in Valencia , where he worked at the ducal court of Germaine de Foix until around 1538 .
  • Francesco Canova da Milano has been in Rome since 1535 as lutenist and viola player of Cardinal Ippolito de 'Medici and as teacher of Pope Paul III's nephew . , Ottavio Farnese.
  • Cristóbal de Morales is a singer in the Sistine Chapel and lives and works at the time of the pontificate of Paul III. In Rome for 10 years .
  • Anton Musa has been pastor in Rochlitz since 1536 , an office he held for eight years.
  • Luis de Narváez has been in the service of Francisco de los Cobos y Molina (1477–1547), Commander of León and Secretary to Emperor Charles V since the 1520s ; It is very likely that he lived in Valladolid with his employer until his death in 1547. In 1537 he was granted the royal printing privilege to publish his work Los seys libros del Delphín de música de cifras para tañer Vihuela . The publication takes place in the following year.
  • Nicolas Payen , who was probably the choirboy at the capilla flamenca of Emperor Charles V between 1522 and 1529 and then continued his musical training in an unknown location, is again included in the payrolls of the imperial court from 1534.
  • Giovanni Pierluigi da Palestrina was a choirboy in Rome in 1537 . This emerges from a contract between the cathedral chapter of Santa Maria Maggiore and the singer and conductor Giacomo Coppola dated October 25, 1537. The contract also mentions six choirboys entrusted to the latter, among them a "Joannes de Palestrina".
  • Francesco Patavino , in Gemon a the Dommusik forwards, leaving Gemona and returns to Treviso , where he is active as a conductor again. It can be proven in documents from Treviso until 1551.
  • Claudin de Sermisy is a member of the court orchestra of King Francis I of France. From 1533 the composer worked as sous-maître over all musicians in the royal band; Cardinal François de Tournon , a close confidante of the king, is in charge of the administration . As sous-maître , de Sermisy directs the performances of around 40 adult singers and six choirboys that the royal chapel owned during the 1530s and 1540s; In addition, he is responsible for the well-being of the boys and oversees the chapel's liturgical and musical books. He held this office until around 1553.
  • Tielman Susato has been a member of the Antwerp Town Musicians since 1531; he plays the instruments flute , recorder , Krummhorn , field trumpet and trombone , and perhaps also the evening prayer of the brotherhood accompanied.
  • Thomas Tallis was organist at the Augustinian Abbey of Waltham north of London from 1532 to 1540 .
  • John Taverner , who was choirmaster at the newly founded Cardinal's College (now Christ Church College and Cathedral ) in Oxford until 1530 , appears in the files of the city of Boston in Lincolnshire in 1536 . The affluent parish of St. Botolph's Church has a choir of 30 singers. The Church's guilds lose their financial means due to royal edicts, so Taverner's employment there ends in 1537.
  • Adrian Willaert has been the cathedral music director of San Marco in Venice since December 12, 1527 . The composer held this post for 35 years until his death; It is only through his work that this position gains its outstanding importance throughout Europe. Willaert is the successor to Petrus de Fossis († before July 7, 1526).

Vocal music

Spiritually

Worldly

Publications

Born

Exact date of birth unknown

Born around 1537

Died

Exact date of death unknown

See also

Portal: Music  - Overview of Wikipedia content on music