New folk music
The music genre new folk music (sometimes also folk music or tradimix ) describes a combination of elements of folk music with jazz , folk , hip-hop , rock and other musical styles. It is a sub-genre of world music and represents a form of crossover . The programs of music festivals of new folk music include traditional folk music, folk and world music.
Music genre
New folk music was mainly created by young musicians who grew up on the one hand with contemporary music in all its forms (pop, rock, electronic music, world music, etc.) and at the same time with the traditional music of their region. Various approaches emerged, such as connecting the mostly Anglo-American rock and pop styles conveyed by radio and television with regional traditions. The various new social movements such as the environmental , anti-nuclear and peace movements in the 1970s and 1980s played a role in this . Another element of New Folk Music is the demarcation from folk music and popular hits .
history
Early pioneers of later new folk music from the southern German-speaking area were in the 1970s, summarized under the term alpine rock , among others the Tyrolean composer Werner Pirchner (since 1973) the songwriter Fredl Fesl and Biermösl Blosn (since 1976). One of the first groups to reach a large audience with Bavarian texts and a crossover of folk music and pop was Haindling . Willy Michl was one of the first performers to combine blues with Bavarian lyrics . Joy Fleming sang jazz and blues with texts in Mannheim dialect , and Christine Lauterburg yodeled crossover. In Austria, Gerhard Bronner's song Wie a Glock'n (1970) is considered to be the initial spark for Austropop and the Austrian dialect wave of the 1970s. The music for the song came from Hans Salomon and was the theme tune of Bronner's satirical television program The Great Bell. Bronner wrote the text for Marianne Mendt , who had her artistic breakthrough with the interpretation.
Attwenger , who became famous in 1992, should be mentioned among the more experimental bands of new folk music . In the same year the commercial success of Hubert von Goisern and his Alpinkatzen began , which also brought new popularity to the genre as a whole. In 1993 the first oblique Dahoam Festival took place in Munich , and in 1995 the Ridge Walk Festival in Piesendorf ( Pinzgau , Salzburg ).
Artists (selection)
- Aniada a Noar (traditional to ethno)
- Attwenger (experimental)
- Ausseer Hardbradler (Rock / Rap / Reggae)
- Bavarian diatonic yodelling madness
- Biermösl Blosn
- Bluatschink (Pop-Rock)
- Blues Lick (singer-songwriter / folk / blues)
- Broadlahn (Jazz / Ethno)
- Bube Dame König (folk meets folk song)
- Christina Zurbrügg (Ethno / Pop / Yodelling)
- Da Huawa, da Meier and I
- De Krippelkiefern ("ethnic brutal romanticism" from the Ore Mountains)
- The Bavarian Lions
- The Cuba Boarian (Bavarian folk music with Cuban salsa rhythms)
- Village rocker
- The dumplings
- Django 3000 (gypsy music)
- Extremschrammeln (Wienerlied)
- Fäaschtbänkler
- Fredl Fesl
- Georg Ringsgwandl
- Global Kryner ( world hits interpreted in the style of Oberkrainer )
- Hans Söllner (Bavarian Reggae)
- Hubert von Goisern (rock / ethno)
- Haindling (Pop / Ethno)
- Heigeign
- Herbert Pixner project
- Holstuonarmusigbigbandclub (Pop / Reggae / Ethno)
- IRISH Styrian
- Jimmy Flitz (Bernese dialect band)
- Kellerkommando (Franconian folk music and rap)
- Kofelgschroa
- Cultural work
- LaBrassBanda (brass music with Balkan punk influences)
- Lanzinger Trio (modern folk music, jazz, pop, rock)
- Willy Michl
- Netnakisum
- Poxrucker Sisters
- Powerkryner (Pop / Oberkrainer Folklore / Ska / Dancefloor)
- Ricochet
- Roland Zoss (rock / reggae / children's song)
- Sharivari
- Sweat foot
- Seer (Pop / Schlager)
- Sparifankal
- Chisel & fuse
- Voice horn (alphorn and overtone singing)
- Bully
- Stubnblues (folk songs)
- Titlá
- Trio Lepschi
- Troglauer Buam
- Unterbiberger court music
- Voxxclub
- Corrugations
- Wiener Tschuschenkapelle (Southeast European music / world music)
- Zabine (Pop / Electro / Rap / Reggae)
- Zither Manä
New folk music festivals
- wean hean
- stop in Lower Austria
- all around in rain
- Antistadl in Bamberg
- Heiden Festival in Heiden AR
literature
- Barbara Boisits: New Folk Music. In: Oesterreichisches Musiklexikon . Online edition, Vienna 2002 ff., ISBN 3-7001-3077-5 ; Print edition: Volume 3, Verlag der Österreichischen Akademie der Wissenschaften, Vienna 2004, ISBN 3-7001-3045-7 .
- Hermann Fritz: New Folk Music? Mix of styles between cabaret and commerce. In: Walter Deutsch : Path and Space. Summer Academy Folk Culture 1994. Österr. Volksliedwerk, Vienna 1995, ISBN 3-901490-01-0 .
- Christian Seiler (Ed.): Weird dahoam. On the future of folk music. Hannibal, St. Andrä-WIERT 1995, ISBN 3-85445-110-5 .
- Michael Huber: Hubert von Goisern and the music industry. Institute for Music Sociology, Vienna 2001, ISBN 3-9501301-5-2 .
- Andreas Safer: Folk & popular music in Styria. Weishaupt, Gnas 1999, ISBN 3-7059-0051-X .
- Josef Schnedl: Of stubborn heads, big sons and new tones ... The new folk music. Focus: Styria. Weishaupt, Gnas 2008, ISBN 978-3-7059-0281-7 .
- Dieter Ringli; Johannes Rühl: The New Folk Music. Seventeen portraits and a search for clues in Switzerland . Zurich, Chronos, 2015
Individual evidence
- ↑ br.de: BR home - Tradimix & songwriter, a program for experimental folk musicians
- ↑ Kulturarbeit Band - pure german folkmusic + Deutsche Volksmusik - Kulturarbeit. In: Kulturarbeit.band. Retrieved June 4, 2020 .