List of cinemas in the Berlin district of Charlottenburg-Wilmersdorf

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The list of cinemas in the Berlin district of Charlottenburg-Wilmersdorf gives an overview of all cinemas that existed or still exist in the Berlin district of Charlottenburg-Wilmersdorf . Since the reform of 2001, the districts have been included in the list according to the district boundaries. Sorted by administrative number: Charlottenburg , Wilmersdorf , Schmargendorf , Grunewald , Westend , Halensee , although there were no cinemas in Charlottenburg-Nord . The list was built according to information from research in the Kino-Wiki and linked to connections with Berlin's cinema history from further historical and current references. It reflects the status of the film screening facilities that have ever existed in Berlin as well as the situation in January 2020. According to this, there are 92 venues in Berlin, which means first place in Germany, followed by Munich (38), Hamburg (28), Dresden (18) as well as Cologne and Stuttgart (17 each). At the same time, this compilation is part of the lists of all Berlin cinemas .

introduction

The distribution of cinemas in the district results from the history of settlement and population distribution. In the cinema-relevant years from 1910 onwards, the area around Kurfürstendamm (“City West”) was part of the core area of ​​Berlin and was more interesting for investors and owners when it came to the settlement of “ Kintöppe ” and the large movie theaters than the districts further away from the center. This is how “Berlin's cinema mile around Kurfürstendamm” () emerged as a central location with a denser arrangement. The Berlinale Festival also found its starting point here after the early years in the Steglitz Titaniapalast . As in Berlin, many closed cinemas in the district became supermarkets during the cinema crisis of the 1960s .

The completeness of the list cannot be guaranteed. In the 1910s the demand for Kintöppen boomed and a demonstration device in a guest room was often sufficient. Tracking down to the older cinemas is sometimes more difficult because the owners and operators were also merchants, innkeepers and homeowners. In the early days in particular, the wife was sometimes used as a cinema owner for tax reasons.

Overview in the district

The set-ups of cinemas in the (greater) district were divided up according to the district boundaries in accordance with the district reform of 2001. These lists are still based on the two old districts of Charlottenburg and Wilmersdorf. The 66 cinemas in the district of Charlottenburg were included in a separate Charlottenburg list . Therefore, historical structures are mentioned here within the article, but not structured separately from the district. 23 cinemas for Wilmersdorf, five cinemas for Schmargendorf as well as one in Grunewald and six each in Westend and Halensee were researched.

The twelve cinemas in the districts of Grunewald, Halensee and Schmargendorf are summarized in an overall list that can be sorted by district . The 23 cinemas in the Wilmersdorf district are summarized in the list of cinemas in Berlin-Wilmersdorf .

Cinemas in the old district of Charlottenburg

There were never any cinemas in the district of Charlottenburg-Nord. Six cinemas in Westend are included in the subsequent Westend list .

In the Charlottenburg-Wilmersdorf district, the 66 cinemas in the Charlottenburg district make up by far the largest proportion. This is reflected in the fact that of the active cinemas in Berlin, the following six theaters are located in the district:

• Astor Film Lounge , since 1948
• Cinema Paris , since 1950
• Delphi Film Palace at the Zoo , since 1949
• Filmkunst 66 , since 1951
• Kant Kino , since 1905
• Zoo Palast , since 1957

Cinemas in the old district of Wilmersdorf

From 1886, with the first development plan, Wilmersdorf developed from a rural community to an elegant residential area. This went hand in hand with the construction of “noble” houses for wealthy residents from all over Berlin. In the entertainment district around Wilmersdorfer See at that time , there were already three cinematograph theaters with a total of 600 seats by 1910, according to the “Wilmersdorfer Zeitung”. “A number of cinemas of the greatest style are currently still under construction: in Friedrichstrasse, on Kurfürstendamm, in Wilmersdorf. In the west there will even be a grand theater in the near future, which will only be used for cinematographic screenings. "()

In line with the ongoing development, the first cinemas were built in the area of ​​the village center on Berliner-, Uhland- and Blissestrasse, mainly as shop cinemas or, as in the case of Amor Lichtspiele, with an attached cinema. The first independent cinema was built in 1913 on Berliner Strasse with the Wittelsbach Palace . In 1926 Friedrich Lipp created the large cinema atrium with more than a thousand seats and an elaborate design, which also attracted visitors from all over Berlin. Finally, in 1927, the Universe in the WOGA complex on Kurfürstendamm by Erich Mendelsohn , which completes the series of Kurfürstendamm cinemas. At the upper end of Kurfürstendamm, in Halensee, the Rote Mühle and the Rivoli tie in with the tradition of the excursion restaurants and the nearby Luna Park .

To replace the many cinemas destroyed in the war, makeshift cinemas such as the Pax in the auditorium of the Hildegard Wegscheider grammar school are being built in the surrounding districts . Melodie Lichtspiele am Roseneck in Schmargendorf was the only new building to be built in 1956. The only surviving cinemas are the Bundesplatz-Studio on Bundesplatz and Eva Lichtspiele in Blissestraße. The graffiti on Pariser Strasse was the last off-screen cinema to close in 1996.

Cinema list from Wilmersdorf

Contents A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Name / location	address	Duration	description
Amor light games ---- New light games ( Location )	Wilmersdorf Uhlandstrasse  81	1911-1943	The district taxator operated its technical office on the double plot of land at Uhlandstrasse 81/82 and two new buildings were built in 1911. In the neighboring house 83/84, the cinematograph owner Julius Umlauf moved into the ground floor as a new citizen of Berlin (previously not registered in the residential area). In 1911, a new building by the Wohlfahrt brothers was built on the previously undeveloped property at Uhlandstrasse 80. The sculptor Otto Wohlfahrt (Wilmersdorf, Mannheimer Straße 30) carried out a construction on the plot No. 81 of the previous double plot 81/82. Originally, 81 stores were planned. After the neighboring property was included and the fire wall (between 80 and 81) was broken, a theater hall that emerged from the side of the building could be built. In this, on November 11, 1911, the "New Light Games" were opened. The screen at the end of the ground-level auditorium was three meters high, and the projection was overhead. Josef Umlauf (Cinematographic Performances) moved to Mannheimer Straße 43 in 1912. The use of the cinema / theater hall in Uhlandstraße 81 was not clearly documented until it was named “Amor”, and neither the address nor an owner is under cinematographic conception among the traders called. However, Otto Wohlfarth moved with his sculptor's workshop to Neukölln on the property on which a movie theater had existed since 1913. From 1915, Fritz Wohlfahrt ran the previous cinema from Erlanger Straße 12 in Neukölln Hermannstraße 49 to the new Palast-Kino Stern (Ufa im Stern) built in 1925. Not Josef Umlauf as the cinematograph owner, but Conrad Umlauf (bookbinder, cinema owner) in Neukölln, Hermannstrasse 55 in 1913. 1913 in W 50 Neue Ansbacher Strasse 14 in the garden house Fritz Staar is named as a cafetier. From 1914 Fritz Staar is registered as a movie theater owner with an apartment at Lauenburger Straße 4 on the first floor (the house is on the corner of Uhlandstraße 106). In the cinema address book, the name "Amor-Lichtspiele" at Uhlandstrasse 81 is recorded for 1917, the cinema owner Wilhelm Gentes lives in the house, the other partner, cinema owner Fritz Staar (with the note in the address book: "s. Gentes und Staar") still lives in Lauenburger Strasse 4. The "Amor-Lichtspiele" had 365 to 400 seats, there were daily screenings and program changes on Friday and Tuesday, five cinema musicians were used for the audience of 400 seats. From at least 1924 Fritz Staar operated the Lichtspiele temporarily as the sole partner. In 1927 the National-Film-Theater GmbH was temporarily owned by the Amor and other major Berlin cinemas. Fritz Staar is in charge of the Amor. Joachim Kühns is 1928 and Max Wehner is the managing director of Fritz Staar ("Fritz Staar film theater company") around 1930. In 1930, games were played in front of 375 places only three to four days a week. In 1930, sound film equipment was installed in the Amor Lichtspiele. In 1933, the entrance area was converted with lettering and neon lighting. Access was still from Uhlandstrasse through an anteroom with a cash register and the vestibule. The seating in the hall increased to 421 when the rear rows were rebuilt. In 1938 Herbert Zakogowski became, in 1938/1940 Heinz Splawski and from 1941 Robert Bauch became managing director of Fritz Staar. The building and the cinema were destroyed in the air raids in 1943. The destruction lies in a 100-meter-wide strip facing east / west across Holsteinische / Uhland- / Pfalzburger Strasse towards the AOK hospital. Uhlandstrasse 80, 81 and 82 and the opposite ones 120, 121, 122 were badly affected. The six-storey gap building Uhlandstrasse 80/81 was built as a residential and commercial building on the cleared ruins in the 1950s, and residential building 82 followed at the beginning of the 1960s . The houses on both sides are (partially renovated) old buildings from the 1910s / 1920s. No remains have been preserved from the building of the cinema or cinema hall.
Arkadia light games --- Beba light games ( Location )	Wilmersdorf Berliner Strasse  163/164	1909-1966	The property at Berliner Straße 163/164 is located on the south side at the corner of Babelsberger Straße 52, opposite the junction with Jenaer Straße. The tradition of the cinema can be traced back to the cinematograph theater by Eduard Luft from 1909, who lived in N20 on Badstrasse. Eduard Luft ran a cinematograph theater on Potsdamer Strasse from 1907 until at least 1915 (Ortrud Wagner Theater). He also owned other cinema locations. The house at Babelsberger Straße 48 was only built in 1910. The property at Babelsberger Straße 52 / Berliner Straße 163/164 was the seat of the sculptor R. Schirmer with his workshop, the new building was added in 1913. The Schöneberger Feldmark was already behind the Berliner Strasse 165 (corner of Grunewaldstrasse). In 1911 Eduard Luft moved his apartment to Schöneberg Eisenacher Strasse 52, but still ran the theater on Potsdamer Strasse. Probably also the location at Babelsberger Straße 43, Fritz Staar named 1909 for the cinema address book as the year the Arkadia-Lichtspiele was founded. In 1912, the twin house at Babelsberger Strasse 52 (including Berliner Strasse 163/164) was built by the sculptor R. Schirmer from Berlin, who previously had his workshop here. Eduard Luft established a cinema and apartment in Schöneberg. The Babelsberger / Berliner Straße house was probably not used as a cinema during the war years , especially since the “Lichtspiele Wittelsbach GmbH” had its headquarters at 165 Berliner Straße, although it was initially in liquidation from 1918 onwards. From 1917 the businessman Herbert Polke lived in Wilmersdorf. In 1918 Polke owned a machine factory in Kreuzberg, in the following year Herbert Polke GmbH was incorporated as a steel goods factory in the newly created property 5a in 1918. Herbert Polke opened in 1919 in the Be rliner / Ba belsberger road 52, the "Beba Light Games," the merchant and manufacturer Polke lived Badensche Straße 13 I. floor, since 1922 in the second. Floor. The cinema had 227 seats and daily screenings with two changes of program per week. In 1920, the "Converta" Metallwarenfabrik und Apparatebau GmbH was located at Babelsberger Strasse 52, as a department of the artificial stone industry W. Henker & Co. in Neukölln. From 1921, 180 seats were specified for the cinema. There were 14 tenants in the tenement building at Babelsberger Strasse 52 owned by the property utilization company. Property 163/164 was named but has no residents / tenants. “Be-Ba Lichtspiele” was run by the businessman Herbert Polke, who entered the address book as director after 1925 until 1929. Fritz Staar, Lichtspiele, was already one of 18 tenants for Babelsberger Strasse 52 in 1928. In 1929 the "Herbert Polke Beba Film und Bühnenschau" (in the large Beba-Palast Atrium cinema) was recorded at Badensche Strasse 13, while the Arkadia light plays were already registered at Babelsberger Strasse 52. Herbert Polke is in 1927/28 with the Be-Ba-Lichtspiele Kaiserplatz 14, 200 places. Director Herbert Polke is the owner of the Beba-Palast Atrium cinema, which was 250 meters away and was newly built in 1926, at Kaiserallee 178 / Berliner Straße 155, with a stage and 2500 seats. The small, 180-seat cinema hall of the “Be-Ba” was already expanded to 300 seats by Polke in 1927 and, in this state and size, was taken over by Fritz Staar as owner. While the merchant Polke took "his" name "BeBa" with him to the large cinema "Atrium", Staar used the name "Arkadia" for his cinema operations. Notable among the residents of Babelsberger Strasse 52 is the actress Helene Weigel-Brecht . Herbert Polke and his wife Gertrud Polke (née Rothgiesser) were deported to Riga on January 13, 1942. Herbert was murdered there in the Holocaust in December 1942, Gertrud was deported to the Stutthof concentration camp and survived, she died on June 6, 1986 in Berlin. In memory of the two , two stumbling blocks were laid on July 7, 2008 for Herbert and on March 19, 2014 for Gertrud at their last residential address, Stierstrasse 19 in Berlin-Friedenau . The "Arkadia-Lichtspiele" existed until the 1960s under the leadership of the Berlin cinema family Staar. In the 1930 Reichs-Kino address book, Fritz Staar is listed as the owner and Friedrich Kessel as the director of the cinema. It had 379 seats and six cinema musicians accompanied the films, after there were screenings of films every day in 1929 and again in 1931, three to four game days were registered for 1930. Staar gave 1909 as the beginning of the cinema location at Berliner Straße 163/164, but from 1937 onwards he gave 1920. A sound film facility from Klangfilm was available from 1931, the number of seats rose to 400. Hugo Michaelis was the managing director of Arkadia-Lichtspiele until 1940 and Walter Lüdke from 1941, which had 380 seats from the mid-1930s. Two houses down in Berliner Strasse 166, Staar also owned the Wittelsbach Palace . The street corner of Berliner / Babelsberger Strasse with the cinema location was spared war damage, Fritz Staar remained the owner of this and other cinemas beyond the end of the war in 1945 . The cinema was temporarily taken over by the theater administration of the US troops, but was returned to the Fritz Staar Theaterbetriebe (which already ran eight theaters before the war) by 1949 at the latest. As the owner and manager, Staar converted the cinema in 1950/1951 with a spacious foyer, wall paneling made of Limba wood and upholstered seats. "1951: Opening of Arkadia-Lichtspiele, Berlin-Wilmersdorf, owner Fritz Staar, redesign and renovation by the architects Kurfiss and Siebenrock." () In Arkadia there were 22 performances per week with daily operation for 379 spectators. The film was shown with an Ernemann VIIB device, an amplifier Europa-Junior from Klarton and a slide device with sound. “Fritz Staar joins the group of senior citizens of German movie theater owners. He was 75 on May 16. He has worked tirelessly in the industry for 43 years. Fritz Staars love for Berlin and his belief in the existence of the embattled city can hardly be more clearly documented than the fact that after losing most of his theater park he returned to work in Berlin. The Arkadia-Lichtspiele are a jewel case, the Meraner-Lichtspiele could be bought back, and on May 1st of this year the Lumina-Lichtspiele in Schlachtensee were added. We know of the trust and respect that Fritz Staar is shown by his colleagues and employees. We sincerely wish the pioneer of the theater industry all the best. ”() Elisabeth Albrecht ran the business from 1953 at the latest until it closed, and H. J. Bleck was named for 1956. From 1957, in addition to the Ernemann projection machine, Uniphon amplifiers and loudspeakers from the sound film "Gloria-Komb" were entered in 21 performances, the upholstered seating came from Behre. After Fritz Staar disappeared, Eva Staar became the owner of the "Fritz Staar Film Theater Company" from 1957. There was no change to wide-screen technology in the cinema directory. The cinema ended in 1966. A supermarket followed in the further use of the cinema rooms. The corner house Berliner / Babelsberger Straße, renovated in 2014, is a five-storey residential / commercial building on the ground floor with business premises for the retail facility ( Plus , 2009 Netto, since 2013 Bio-Company) and an attic, apartment buildings. for which essential cinema elements had been removed. "As you can see in the picture, nothing [2000] reminds you of the film theater past." The discounter at Babelsberger Strasse 52 was replaced in 2013 by the organic supermarket. “The branch moved into the premises of a former discounter and heavily rebuilt it. During the construction work, the fragments of a former cinema also emerged, as the 'Arkadia Lichtspiele' resided here from 1920 to the 1960s. A rediscovered, old ceiling ornament could be restored in detail. A lot of work for the craftsmen and architects: in some cases, the original form of the foyer was 'peeled off' and large shop windows that stretched to the floor were used again. The team was able to restore a rediscovered, old ceiling ornament in loving detail. The former cinema entrance, which was moved back to the corner, was also a structural challenge. "()
Astoria-Lichtspiele ---- Metropol-Lichtspiele Uhland-Lichtspiele Charles Willy Kayser Chamber-Lichtspiele ( Location )	Wilmersdorf Uhlandstrasse  75	1910-1945	The elongated cinema room of the "Metropol-Lichtspiele" was created in 1912 by converting a shop. The year the cinema was founded is also given in the cinema address book as 1909, and there is no suitable reference in the Berlin address book. According to the entries in the cinema address book from 1920 to 1910, it can be assumed that the shop cinema had existed since 1910. In the Berlin address book, F. Zadrafil is listed among the Wilmersdorf traders with cinematographic ideas for 1913 and 1914. For the following year, 18 tenants were registered, among which Zadrafil is missing. In the 1916/3364 residents' section, however, the draftsman Franz Zadrafil is noted with the address W30 Neue Winterfeldtstrasse 34 Hinterhaus. The cinema address book lists Ms. Elise Cohn from Friedenau as the owner of the Metropol-Lichtspiele with 150 seats for Uhlandstrasse in 1918. In 1920 Kurt Wagner was the owner of the "Uhland-Lichtspiele", for which he stated that there were 145 officially occupied seats every day. W. Gerdsmann (when it opened in 1920) is already listed as the owner of the Astoria-Lichtspiel-Theater in the addendum to 1920: daily performances with 180 seats. The owner of the Astoria-Theater (Güntzelecke) changed again to Alphons Müller in 1921 until 1927. The actor Charles Willy Kayser was at least 1928 owner / partner for the cinema at Uhlandstraße 75, which was known as “Charles Willy Kayser Kammer-Lichtspiele” under the name of a popular Berlin actor. The cinema has the program change on Friday and Tuesday and films were shown daily at 150 seats, for which one or two cinema musicians set the tone. From 1928 to 1930 CA Beha (at the time Lugano) was the owner of the “Astoria-Lichtspiele”, which Theodor Heyde ran on site. In 1931 A. Ullmann and Frieda Oberpichler took over the cinema and installed the sound film equipment in 1932. After 1935 there was another change of ownership to Erna Meusel, from 1938 Dr. Hofmann partner and in 1940 Charlotte Kraemer-Riebe became owner of the Astoria-Lichtspiele. On February 3, 1945, the cinema was destroyed by the effects of the war and burned out. The corner of Uhlandstrasse and Güntzelstrasse was cleared and in the 1960s a six-storey corner house was built on Güntzelstrasse with seven floors and a supermarket on the ground floor. There are no longer any connections to the former cinema location.
Atrium --- Beba Palace ( Location )	Wilmersdorf Bundesallee  178/179	1927-1943	The "Be-Ba-Palast Atrium" was built in 1926/1927 according to the designs by Friedrich Lipp, the architectural decorations came from Georg Leschnitzer. ( Kaiserallee 178 at the corner of Berliner Straße 155/156) “On the corner lot, four- to six-storey, circular segment-shaped masonry building based on the model of the Roman Colosseum with a three-tiered attic and a front entrance area. Uniform, vertical structure through pilasters, balconies and windows. Generous forecourt. Acute-angled cinema hall, semicircular stage, retractable orchestra pit; Rank with boxes up to the stage frame; Far more seats in rank than in the parquet. ”() The client was Herbert Polke, who previously owned the Beba-Lichtspiele in the corner of Berlin and Babelsberger Strasse. With the Beba film and stage show, he opened a large cinema with 2025 seats, which opened in 1926 at Kaiserallee 178. With 1100 in the balcony there were more seats than the 925 in the parquet, the hall had back wall boxes in the tier and in the parquet, as well as boxes on the parapet. A stage and an orchestra pit were built in, the sound film was not yet commercially available at the opening and the Welte cinema organ was built in. The curtain was made of gold-yellow silk plush and the hall in gold and red tones, so the seating was made of mahogany wood with cardinal red fabric. There was an illuminated dome over the hall. For the silent film performances, 24 cinema musicians were employed, they had a trench in front of the stage measuring 10 m × 9.5 m. The owner Herbert Polke was the first owner, Luis Gutmann became its managing director. In 1929 Fritz Staars "United Lichtspiele Wilmersdorf und Potsdam GmbH" became the tenant and from 1930 the "Berliner Lichtspieltheater AG" took over the cinema from Fritz Staar. The managing directors were successively Alexander Grohmann (1930), Hauptmann (1931-1933) and finally Willi Neumann (1934). The latter remained with the change of ownership to “Atrium Staar & Lemke”, Hugo Lemke in turn owned other cinemas in Schöneberg and Steglitz. The sound film facility was installed by Klangfilm in 1931. From the mid-1930s, places are still given in 1983. During the air raids on Berlin in 1943, the building was badly damaged by bombs and burned down. The lower part of the facade had remained standing, but the destruction was too heavy and the ruins were removed in 1953. In 1950 the Kaiser- in Bundesallee was renamed. By 1961, the southeast corner of the intersection was generously built with a five-story residential line at Bundesallee 178/179 and Berliner Strasse 155, and an eleven-story high-rise building at Berliner Strasse 156. In front of it is an entrance to the Berliner Straße underground station . In the 1960s, the Bundesallee was placed in a car tunnel, underpassing Berliner Strasse and Badensche Strasse, which is more southerly.
Bundesplatz-Studio --- Casino light games ( Location )	Wilmersdorf Bundesplatz  14	since 1913	The cinema was set up in 1913 with 230 seats as a shop cinema in a residential building and opened under the name "Lichtspiele Kaiserplatz" with the address Kaiserplatz 14. Wexstraße 31 also belonged to the corner house. The Berlin address book shows the photographer J. Brage with cinematographic presentations in Wilmersdorf called in the Kaiserallee 12a, the Kaiserplatz 14 with eleven tenants, but no reference to the cinema. Proof of the location is available in the cinema address book, where the owner Paul Blank from Friedenau named 1919 as the year of the opening for his casino light games with 200 seats, daily performances and two program changes per week. In 1921 the "Leo Lazarsfeldt & Co." based at Augsburger Straße 28 is the owner before the cinema owner Herbert Polke and E. Wolff (around 1924) run the cinema, which probably also used its brand name BeBa here, so the cinema was called " Beba light games ”. In 1929 Mrs. Marie Snopkoff took over the cinema as "Lichtspiele Kaiserplatz" with 225 seats and again indicated the founding year as 1913. For them, Dipl.-Ing. Ernst Nietner the cinema on site. When Kurth & Dreyer became cinema owners in 1932, the sound film equipment from Kinoton with a “mechanical music system” was installed. From 1935 until the post-war years, the "Polygon-Lichtspiel-Betriebe Schönstedt & Co. (KG)" continued to run the cinema. This operating company owned by W. Schönstedt owns further cinemas in Wilmersdorf, Steglitz and Schöneberg. 216 cinema seats are given for daily screenings. After minor war damage, the cinema was reopened in May 1945. Only in 1948 was A. Kürschner named as the owner. 1950 E. Sittner is the managing director of the Polygon-Lichtspielbetriebe Schönstedt & Co. KG. There were three performances a day. The cinema technology was the Ernemann II projector, sound film amplifier and the slide equipment. Since the Kaiserplatz was renamed Bundesplatz in 1950 , the cinema has been called "Bundesplatz-Lichtspiele". In 1957 the technology was improved and supplemented: loudspeakers and amplifiers from sound film, Erko projection apparatus (light source: pure coal) and sounding Dia-N, in addition to three daily matinee / late night performances. The seating is 216 high upholstered armchairs from Kamphöner. From the 1960s until July 2011, the cinema was run by Lothar Bellmann (Bundesplatz-Studio Kinobetrieb GmbH), who still owned the nearby Cosima (Schöneberg, Sieglindestraße 10). Due to the original size of 200 seats, later rebuilt to 100 seats and 26 m², the small Kiezkino received the name "Bundesplatz Studio" if there was a corresponding film offer. October 23, 2011, the new operators Karlheinz Opitz, Peter Latta and Martin Erlenmaier reopened the 90-seat cinema after a three-month general overhaul. Since then, there has been Dolby Surround technology and a café in the anteroom. The “Bundesplatz Kino” is run by cinema fans: owner of Eva Lichtspiele Karlheinz Opitz, curator of German film series Martin Erlenmaier and former employee of the Deutsche Kinemathek Peter Latta. The seats come from the former zoo palace. During the renovation in 2011, the entrance to the cinema was changed by inserting a partition wall to the left of the screen, which means that late-arriving visitors no longer enter the hall directly next to the screen, but from the side, and noise and light from the foyer are largely prevented. The formerly brown wall covering was replaced by dark blue fabric covering. The canvas is new and has a red curtain for different picture formats. The rose-colored folding armchairs are 'old friends' from room 1 of the “UCI Kinowelt Zoo Palast” and are still used here. The hall was transformed into a cozy Kiezkino cinema in which you can not only see the latest sophisticated films, but also rediscover old films for children in addition to the so-called historical film series and classics. The facade remained unchanged during the renovation, so the old Bundesplatz Studio logo hangs over the letters and the program of the neighbor “Cosima” is pointed out, like all the years before. In summer there are flower pots along the entrances, café chairs and tables take up the left part of the open space. There is a small library of movie books in the foyer café. Access is handicapped accessible. The admission prices in 2015 are € 8 for adults, € 7 for concessions, € 5 for children up to 12 years of age and € 4.50 on Wednesday cinema day. The cinema offers 88 seats, the projection can take place in digital 4K or 35mm analog , for the sound there is Dolby Digital 5.1 and the screen is 5.2 m × 2.2 m. The films on offer are dubbed and original versions in the sense of an art house cinema .
Capitol & Studio --- Luxor Palace Universe ( Location )	Wilmersdorf Kurfürstendamm  153	1928-1973	The Schaubühne , located opposite Lehniner Platz on property 153, belongs to the Wilmersdorf district, whereas Kurfürstendamm 152, with the former “ Kammerlichtspiele ”, belongs to Halensee. In 1928 the architect Erich Mendelsohn built the “Universum” cinema building as part of the “Woga complex” Kurfürstendamm / Cicerostraße. on the Kürfürstendamm a little set back on Lehniner Platz. The auditorium held 1276 in the stalls and 487 in tier, so a total of 1763 seats. There was a rectangular cinema hall with a circumferential tier and mahogany cladding of the parquet, the modern indirect lighting at that time. The large cinema was operated by the Ufa-Theater-Betriebs-GmbH as a premiere theater , but in 1931 it was converted to a reprise cinema due to a lack of spectators . With the development of the sound film, a sound film facility was installed by Klangfilm in 1932. Willy Hein bought the large cinema from UFA in 1937 and operated it under his name “Luxor Palast” with daily film screenings in 1,784 seats. In 1943, the “Halensee Palast” was rebuilt so that the Scala variety theater , whose own house was bombed in the air raids, could play on the 80 m² stage . On September 1, 1944, all cinemas were closed on Goebbels's instructions . The building was badly damaged in 1945 by bomb damage and the subsequent fire. In April 1946 Johannes Betzel reopened the cinema as a UFA tenant. In 1948, after two years of construction, the former ticket hall and staircase were converted into the “Studio Premiere Stage”. And the “ Capitol ” with 900 seats was created in the reduced cinema hall . “The new premiere cinema 'Studio', the fourth that the 'Eagle-Lion' now has on Kurfürstendamm, should actually open by Christmas. [...] It is the cleverly developed box office of the old 'Luxor Palace' (formerly 'Universum'), once one of the largest and most beautiful Berlin cinemas, which the architect Erich Mendelssohn built at the end of the twenty years. Right behind the screen of the theater [...] is what used to be a huge auditorium and [1948] is a ruin. You want to build it up again if the Berlin ascent continues to move forward so quickly. Film bon vivant Erich Fiedler strode fashionably and confidently through the rows of the parquet, greeted the guests, a glass of 32 percent allotment schnapps in hand, and emptied it for the prosperity of the house. […] The 'Studio' opened with Nicholas Nickleby after Charles Dickens “The Halensee Studio with 355 seats belonged to Johannes Betzel, and Ronald Forte gave several performances every day. The slightly modified facade was repaired in 1951/1952 by the architect Anton Zimmer. Miss H. Grieschy became managing director and there are now 382 places and three daily performances. The theater license existed for the 4 m × 3 m × 3.5 m stage. In 1957 Gerhard Fritsche converted to a wide screen, this was done with managing director Fritz Schmischke and the tenants Johannes Betzel and Jochen Fröhner at the "O.-Gilde-Theater-Gesellschaft". The necessary technology for CinemaScope single-channel magnetone consists of the Nitzsche-Matador Ib projection apparatus, sound film amplifiers and loudspeakers, and the playback was in the format 1: 2.35. The seating was 380 high upholstered armchairs from Kamphöner. In 1958, Annemarie Stoldt and the tenants Johannes and Gizella Betzel became the managing director of the “Studio”, and from 1960 Gertrud Prause. The small cinema studio was still used until 1962. In the former cinema of the “Luxor Palace”, which had been reduced in size due to the war damage, Johannes Betzel opened the “Capitol” in 1950 as a tenant of UFA, led by Paul Nieke. The renovation of the existing cinema hall with 899 seats was carried out by Hermann Fehling. Wall covering with a diamond-shaped quilted glass wool backing (pleated underneath the tier), a black ceiling with embedded, irregularly distributed, differently sized light points and oval wall showcases are incunables of early 1950s architecture. The "Broadway of Berlin" was created between Halensee and Tauentzien. The Capitol had 899 seats and two performances a day; there was also a theater license and an opera concession for the 12 m × 5.5 m × 7 m stage. From 1953 Fritz Kuske runs Betzel's Capitol and organizes three daily shows, the demonstration machine is supplemented by two Lorenz amplifiers 75 watts, slide equipment with sound. The area between Halensee and Tauentzien became the “Broadway of Berlin” with theaters and cinemas. In 1956, Hans Joachim Bunar was managing director at the Capitol and is replaced by Fritz Schmischke. The conversion to wide screen is carried out by Gerhard Fritsche . The possible image and sound systems were Perspecta 3-channel, SuperScope with a screen of 5 m × 10 m. For CinemaScope in optical sound and four-channel magnetic sound, there was the AEG apparatus Euro G (light source: pure coal and Becklicht), the sound film sound technology for reproduction of 1: 2.35 and 1: 2.55. 899 high upholstered armchair from Kamphöner. Johannes Betzel is a tenant at UFA and Harri Kapahnke ran the Capitol. In 1959 the Capitol is taken over by an American company with a 50% UfA stake and converted into a Cinerama cinema, with the rank being restored. The first Cinerama Theater in Germany began on April 29, 1959 with the premiere of This is Cinerama with seven-channel magnetic sound. In 1963/1964 the window front on the upper floor was restored as there were plans to put the building under monument protection. In 1964, Kino took over Johannes Betzel again and converted it for Cinemascope . With the number of visitors declining ( cinema crisis ), a Beatlokal was opened in the Capitol in 1968, which in 1969 was further converted into a musical theater. In 1973 the "Studio" with Stanley Kubrick's Orange Clockwork also ceased operations. In 1975 the Capitol's license was withdrawn. When it was considered to demolish the building, the Schaubühne became interested in the property. The interior of the Schaubühne was rebuilt by Jürgen Sawade and began in 1975. In 1976 the Senate bought the property for six million DM. However, the damage to the building was serious. The roof and the right side will be torn down and only the front facade will remain of the original building and the monument preservation authority has criticized it heavily. The cost of the renovation totaled 81 million DM. The Mendelsohn building has been a listed building since 1979. The actual renovation began in 1978. The Schaubühne has been playing in the new Mendelsohn building on Lehniner Platz since 1981 .
Corso plays of light ( Location )	Wilmersdorf Uhlandstrasse  48	1910-1943	In the cinema address books from 1920 onwards, the later owners indicated the year 1910 as the beginning of cinema performances at Uhlandstrasse 48, and film screenings have probably already been held. In May 1912, the owner of the house at Uhlandstrasse 48 at the corner of Pariser Strasse Hugo Seligsohn applied for a cinematograph theater to be set up on the ground floor. Four shops along Pariser Straße provided the floor plan for the auditorium, which was given an entrance on the corner of Uhlandstraße. On August 9, 1913, the "Corso Lichtspiele" announced their opening. In 1917 a cinema theater was specified for Uhlandstraße 48, at this point in time the businessman Hugo Seligsohn was still the owner of the house, but he was no longer marked as "legally registered". In the cinema address book for 1920, the K orso light games with daily screenings and 227 seats for the owner Richard Filsch from Friedenau are specified and in 1921 Richard Kahnemann is the owner of the C orso light games. In 1924 the game was played three to four days a week, the owner (after the inflationary years ) was Mrs. Bertha Schwarzkopf while C. Schwarzkopf ran the business. From 1926 daily screenings and 230 seats were registered again, Bertha Schwarzkopf subsequently became a private owner and in 1927 the cinema belonged to the businessman Heinrich Windler, in 1928 Max Wolff became the owner of the Corso-Lichtspiele. Wolff ordered two cinema musicians to provide acoustic support for the silent films, which were played daily for viewers with 205 to 220 seats. In 1932 Klangfilm acquired the sound film equipment. In 1934 Gustav Kurth took over the cinema and after him Otto Dannenberg and Käthe Schulz ran the Corso-Lichtspiele during the war years . Under these performance conditions, the corner house and the cinema were destroyed by bombs in 1943, while the neighboring houses were only slightly damaged. In the 1950s, the ruins on the northwest corner of Uhland- / Pariser Strasse were cleared. At the end of the 1950s, a five-story residential building with shops on the ground floor was built on this property. There is no tracing back to the cinema system.
German light games ( Location )	Wilmersdorf Spichernstrasse  20	1909-1943	The first films were shown in the shop cinema at Spichernstrasse 20 as early as 1912 (or probably as early as 1909, as the later cinema owners entered in the cinema address book), but it was only approved for tax purposes from 1914. The "Deutsche Lichtspiel-Theater" by Ms. Auguste Dadien had 250 (officially registered) seats, the programs of the daily screenings of silent films changed twice a week. The entry prices for 1917 are 0.35 ... 1.20 marks. In 1927 the National-Film-Theater GmbH became the owner. In 1928 Fritz Staar was the leaseholder of the cinema from Ms. Auguste Dadien, in the following year Staar took over the ownership rights to the "Deutsches Lichtspiel-Theater", from 1931 the name is "Deutsche Lichtspiele". In the address book for the cinema there are 292 seats, daily performances and to a musician. The founding year for the cinema address book was listed by Ms. Dadien in 1920, initially beginning in 1915, then "since 1909". From the 1930 edition, the foundation for 1912 is in the cinema address book, from the 1937 edition the year began with Listed in 1913. In 1930 Fritz Staar appointed the managing director Hermann Lehmann, this year only gave performances 3–4 days a week. In 1931, Klangfilm installed the sound film facility and the cinema was back in daily operation. With Fritz Staar as the cinema owner of Deutsche Lichtspiele, Hugo Michaelis is its managing director from 1934, Horst Nickel in 1939, Gernot Schultz in 1940 and Gustav Brose from 1941. The entire square on both sides of Spichernstrasse as far as Nürnberger Platz was destroyed in World War II, which meant that the cinema building was also wiped out and cinema operations became impossible. The rubble on the ruins was cleared after the end of the war. On the southeast side of Spichernstrasse, a row of residential buildings was built in the late 1950s. The opposite side of the street and on Nürnberger Platz followed with residential and commercial buildings in the 1960s. There are three stumbling blocks (Benno, Ellen and Margarete Jonas) on the property at Spichernstrasse 20 .
Eva Lichtspiele --- Roland Lichtspiele ( Location )	Wilmersdorf Blissestrasse  18	since 1913	The Augusta Street was called from 1937 Stenzel street and was named in July 1947 in Blissestraße, with the accompanying renumbering of land has the cinema's current address: Blissestraße 18. The property was built 1912th It is not far from the Wilhelmsaue (Volkspark Wilmersdorf) in the center of the district. Theater director Felix Wespe had already started cinematographic performances in the shop cinema in the new building at Uhlandstrasse 89/90 in 1910 . He left this venue in 1912 in favor of the new location and moved to Augustastraße 7, one reason could have been differences in the change of the old house owner after a Deutsche Bank branch moved there. “It is difficult to sketch the history of Eva Lichtspiele, because unfortunately not much is known about the hundred years of their existence.” “One of these residential buildings was built at Augustastraße 7 in 1913, the ground floor of which was set up for the purpose of a cinema from the start . At first the cinema was called "Roland-Lichtspiele"; In the early 1920s, the operator at the time renamed it "Eva-Lichtspiele" after his wife and is still called that around 90 years later. At that time the Eva was one of the first cinemas in Wilmersdorf, today it is one of the oldest still in use in all of Berlin. The nine cinema operators up to now have always tried to adapt to the latest state of taste and technology, without luckily all traces of the past being erased. Therefore, the furnishings from the 1950s are still preserved, of which the neon lettering on the house wall and the cloud curtain in front of the screen are particularly eye-catching and make this cinema so attractive. In 1992, the old wooden stalls were replaced by more comfortable seats, which at the same time led to a reduction in the number of seats from 330 to 250. The films have been shown digitally since 2011. From 1964-2000 Hannelore Rojahn was the operator of the cinema. After 2000, the cinema was run for a few years by Dirk Pohlmann, who had previously been the projectionist at Eva. [1] Karlheinz Opitz has headed the Eva since the end of 2006. "() Felix Wespe had been the owner of the “Roland Lichtspiele” since the opening of the “Roland Lichtspiele” through the construction of the house with the cinema, through the war years until 1921. The cinema had 300 seats (officially confirmed seats listed in the cinema directory). The silent film program was played "all week". Waspe gave up the light shows in 1921 and the cinema was probably renovated with new house owners. After making his own entry in the cinema directory, Alfred Löwenthal became the cinema owner from this point on. The cinema has since been called Eva-Lichtspiele. “In addition to cinema films, there were also film screenings on the subject of marriage hygiene at the Eva Lichtspiele in 1924 , combined with a“ generally understandable medical lecture ”about what everyone needs to know about marriage! That's what it says in a newspaper advertisement from that time. ”At the suggestion of the operator, the films were presented with musical accompaniment - first by a violinist, and according to the cinema directory, three cinema musicians were employed. There were two new programs per week, a stage was specified as 2 m × 4 m (also 4.5 m × 2 m × 2.8 m). From 1928, following the spirit of the times, there was a film and stage show, and the installation of a second projection device enabled non-stop film playback. The performances were accompanied by an entire orchestra for the (at full capacity) 310 spectators. From 1931, Dipl.-Ing. Joseph Steinberg ran the cinema, Georg Steinberg ran his business. The sound film came into the cinemas since 1930. An installed sound film device with “mechanical music” from 1934 onwards has been recorded for Eva in the cinema address book. In this year the "Polygon" Lichtspielbetriebe GmbH of Walter Schönstedt (temporarily called Schönstedt & Co.) became the owner of the cinema. Schönstedt again entered 1913 as the year of the opening. The address of Eva-Lichtspiele changed to Stenzelstraße 18 in 1937 , by renaming and changing the lot numbers. The capacity is indicated with 332, also 322 places by the "Polygon-Lichtspiel-Betriebe Schönstedt & Co. KG". From September 1944, the Eva-Lichtspiele were also affected by the Goebbels decree on closure. While the corner house on Mannheimer Strasse and the buildings opposite were destroyed in the war , the houses on Wilhelmsaue remained almost undamaged. The operation of the cinema was able to be maintained almost continuously. For 1949, the cinema directory names G. Leudner as the “owner”, but the following are still the Polygon-Lichtspiel-Betriebe Schönstedt & Co. KG. There were three performances every day, a theater license and the Ernemann II projection device, sound film amplifier and slide equipment for playback. The Bauer B6 projection apparatus was available from 1953. E. Sittner was the managing director of Eva. In 1957, UFA-Handel distributed the equipment for the CinemaScope picture and sound system throughout Berlin and converted the building. The neon lettering on the facade and the gold-colored cloud curtain in front of the canvas have been preserved until now. The technology of the Eva-Lichtspiele was suitable for single-channel optical sound and the film format 1: 2.35. For the 333 seats there were high upholstered armchairs from Kamphön. The matinee and late night performances were added. The slide demonstration was possible with sound. In 1964, the cinema went to Hannelore Rojahn (12349 Berlin, Drusenheimer Weg 7), she had already operated cinemas that had been closed (Friedrichshain: Tempo-Lichtspiele; Neukölln: Luna-Lichtspiele). She led the cinema through the times of the cinema crisis and thought of giving up. The breakthrough came with Amadeus in the mid-1980s and the cinema became profitable. Rojahn invested in cinema equipment such as curtains and furniture. It stayed that way until 2000, when the hall was redesigned to reduce the number of seats from 300 to 250 and the sound was switched to Dolby Surround (from 1997: DTS ). After her, Dirk Pohlmann ran the cinema from 2000, who was previously the projectionist in the house. Despite his commitment as a film lover, he had to give up. Karl-Heinz Opitz took over in September 2006 and invested in getting the cinema back in shape. The films have been screened digitally since 2011, which has completely changed the role of the screener. His concept is a Kiez & spy; kino, especially for visitors from the neighborhood. On Wednesdays there is a series of “The Old German Film” with almost unknown German-language films from the 1930s and 1940s, and before that a piece of cake and coffee. Some stars from bygone film times answered questions from the audience and gave autographs. Since 2010, the Eva-Lichtspiele have also hosted the “ Berlinale goes Kiez ” among the Kiez cinemas. The Medienboard Berlin-Brandenburg recorded several times the Wilmersdorf Eva-Lichtspiele as a cinema in Berlin. On Sunday there is a matinee mainly with current documentaries, on the third Sunday of the month there is a “cinema brunch” as well as performances for kindergartens and schools. The equipment currently consists of a screen of 4 m × 9 m in front of 250 seats in 20 rows, the projection digital in D-Cinema 2K or analog 35mm and the sound is output with Dolby Digital 5.1 . In addition to a bar, the foyer offers a few café tables as seating and since the operator is often at the cash register, the atmosphere is family-run. The cinema celebrated its 100th anniversary in June 2013 with vintage cars in front of the door and the film Die Reise zum Mond (Journey to the Moon) from 1902 on an old Skladanowsky device with a hand crank and with piano accompaniment.
Film-Eck --- Charles-Willy-Kaiser-Lichtspiele G.LU ( Location )	Wilmersdorf Gasteiner Strasse  26	1912-1945	In 1910 at the corner of Lauenburger Strasse (since 1947: Fechnerstrasse) there was still a coal field on the property at Gasteiner Strasse 26 and 27 was intended for development, in 1911 a construction site for the city of Wilmersdorf was built on 26/27, in 1912 the residential building was built. According to the Reichs-Kino-Adreßbuch (third year 1921/1922), the cinema was opened in 1912 and therefore already set up in the new building of the residential building. The cinema with almost 200 seats was called GLU-Lichtspiele until 1926 and there were daily screenings. According to the documents in the address book, businessman Josef Umlauf was the owner of the cinema theater on Gasteiner Straße. Several times in business with cinematographic performances and with cinematograph theater, his residence was not at Gasteiner Straße 26. For a short time Konrad Umlauf (brother?) Was probably responsible for the cinema. According to the cinema address book, Josef Umlauf was still the owner in 1918, while Adolf Schwarz was the managing director of the latter in 1920: Margarete Müller in 1920 and Paul Drews in 1921. In 1922 Hans Laskus was the owner of GLU-Lichtspiele and lived in the corner house on Lauenburger Straße . In 1924/1925 the cinema is stated as “currently closed”. In 1926, the actor Charles Willy Kayser, who was popular at the time, invested the venue and named it “Charles Willy Kayser-Lichtspiele”. This movie theater was initially designated with 100 seats, later also with 148, 194 and 200 seats, there were daily performances, the house had a stage of 4 x 6 m. Herbert Peter and Hans Vieweg took over the cinema at Gasteiner Straße 26 from Kayser in 1931 and initially kept the personal name until 1936. In 1932, Hans Vieweg was managing director and owner, and the sound film equipment was installed by Kinoton. First they set up a cinema theater on Gasteiner Strasse in 1920 as the year it was founded, and from 1912 they entered 1912 in the cinema address book. The 180-seat cinema remains in the possession of Wieweg and was named in Filmsck by him in 1936, probably when he himself moved his residence to this house. The Vieweg cinema on Gasteiner Strasse was destroyed in the air raids on Berlin. The entire corner development from Gasteiner Strasse to Berliner Strasse was affected. On the property there is a seven-storey block of flats in a closed construction with a roof terrace and a corner shop on the building that merges into Fechnerstrasse 6 / 6a. Built at the end of the 1960s, there is no longer any reference to the residential building with the Lichtspiele Gasteiner Straße 26 / Laubenheimer Straße 2a. The previous building boundaries were maintained, so the triangular square to the west in front of the corner house was restored.
Graffiti --- Pali-Filmtheater Premiere-Lichtspiele Emser-Lichtspiele ( Location )	Wilmersdorf Pariser Strasse  44	1933-1996	The house at Pariser Strasse 44 is to the west of Ludwigkirchplatz, on the corner of Emser Strasse (40/41 adjacent there). It is a five-storey brick-built residential building with a shop / business line on the ground floor. All of the houses along the west side of Emserstraße were built in the 1920s. The property at Pariser Strasse 44 and Emser Strasse 40–47 In 1932, W15 Pariser Strasse came to the administrative district of Wilmersdorf and property 44 remained undeveloped for the time being, on the (already separate) land owned by Deutsche Realkredit GmbH Emser Strasse 40–46 there were newly built residential and commercial buildings. The property at Pariser Strasse 44 was first entered in the address book in 1936 as developed. The brick building by the architect Paul Metzer was designed in 1932. The building complex is given rhythm by protruding bay windows with light-colored plaster. The design of the facade is an example of residential construction in the late period of the Weimar Republic. The owners of the Emser Lichtspiele, Kurt Mietusch and Franz Tischler, stated in the Handbuch des Film 1935/36 as of March 31, 1935 as the year of opening 1933, according to the “Reichskino Adressbuch” 1934 it was 1932. According to the Berlin address book, the “Emser Lichtspiele” are from 1934 one of twelve users of Emser Straße 40/41. The Emser Lichtspiele are listed with 399 seats in 1937. The Berlin address book names the Emser Lichtspiele for the address Emser Straße 40/41. Franz Tischler left the company as a partner until 1935, from 1937 Horst Klee and Mietusch are the owners of Emser Lichtspiele. Their address is Pariser Strasse 44 from 1939. The building on Pariser Strasse 44 and the adjoining buildings on Emser Strasse were damaged in the war, and house 42 on Sächsische Strasse was destroyed. The movie theater was resumed as early as 1946 under the name "Premiere-Lichtspiele", the cinema with 344 seats. In the post-war years, Schäfgen-Thurnau was named in the cinema directory as the owner of the “Premiere” . From 1953 the “Gebr. Thurnau GmbH “Owner of the cinema is run by Hans Thurnau. In the cinema there was a 3 x 6 m stage with a theater license, with daily performances there were 16 per week. When the owner changed in 1957, the name of the cinema changed. The Pali-Filmtheater belongs to the "Pali und LK GmbH" with Wilhelmine Langer as managing director. Like other cinemas, the PaLi was converted to the CinemaScope image and sound system in 1957, with single-channel optical sound and an aspect ratio of 1: 2.35. There was a Bauer B8 projector, the sound was reproduced with a sound film device (Euronette amplifier) ​​and a slide device with sound. The seating for the 372 seats consisted of flat upholstered and high upholstered armchairs from Kamphöner. There were also three performances a day and a weekly late-night performance. In 1959 the "Filmtheaterbetriebe Heinz Viehweg KG" replaced Thurnaus. Due to the falling number of visitors and the poor financial situation, Viehweg closed the cinema at the PaLi. After 20 years of use as a furniture store, Franz Stadler (Filmkunst 66) opened the "Graffiti" on May 9, 1984, as an arthouse cinema with 164 seats in the residential and commercial building in 10707 Berlin, Pariser Strasse 44. Until 1993, Action-Kino Stadler GmbH, 10623 Berlin Bleibtreustraße 12 the owner. Olaf Pernugaow from 10623 Berlin Kaiser-Friedrich-Strasse 17 took over the cinema from him. It was equipped with Dolby Surround and DTS for sound reproduction and there were 145 seats. However, it was closed at the end of 1996 due to rent increases. Since then, there has been a carpet shop and a restaurant in the cinema on the ground floor. It should be noted that the Slovak embassy is located on the 5th floor of the building. The block of flats at Pariser Strasse 44, Emser Strasse 40–47, Düsseldorfer Strasse 17–18 is on the Berlin State Monument List.
Kammerspiele Kaiserallee ( Location )	Wilmersdorf Bundesallee  21	1929-1943	The properties Kaiserallee 1–22 and 201–222 belonged to Berlin W 15 by post in 1929, politically to Wilmersdorf, 61–154 to Friedenau. On plot 21 there was a four-storey residential building in which the rooms for a cinema were created in 1929 by converting the left ground floor wing. The cinema operated under the name “Kammerlichtspiele Kaiserallee” with daily performances, 400 seats and five cinema musicians. From 1931 the sound film facility (from Klangfilm) is entered in the cinema directory, the cinema musicians still in 1932. In 1933 Hildegard is no longer in the house, the theater owner Fritz Staar took over the cinema and appointed Hugo Papajewski as managing director. The name of the cinema changed to "Kammerspiele Kaiserallee". From this point on, 380 seats have been registered. In 1941 management changes to Günther Friedrichson. During the air raids, the buildings on both sides of the Kaiserallee between Nikolsburger and Prager Platz were destroyed, and with it the “Kammerspiele”. The Kaiserallee was renamed Bundesallee in 1950. The eight-story residential building with shop and restaurant on the ground floor on the former cinema location is a post-war new building from the 1960s.
Small movie theater ( Location )	Wilmersdorf Hohenzollerndamm  29	1937-1967	In 1937 the theater was built according to plans by the architect Fritz Wilms , who was also responsible for the rebuilding in 1949. The building at Hohenzollerndamm 29 at the corner of Sächsische Straße 30 with the cinema was destroyed in the war. The cinema existed under this name from 1937 until it was destroyed and from 1949 to 1967 after its reconstruction. "The 'Kleine Lichtspielhaus' near Fehrbelliner Platz in Berlin, which was destroyed during the war and provisionally rebuilt in 1947, appears in a festive new look. Mr. Hugo Körver not only renovated it, but also had many technical improvements made. "() Hans Rehm opened the "Kleine Lichtspielhaus" as the owner on February 3, 1937. There were 390 seats and daily performances. In the course of 1940 Curt Haupt and Ernst Schumann became the cinema owners, Heinz Preuße ran their business. The operation of the film theater was interrupted by the war's destruction. In 1947 the cinema in the building was temporarily put back into operation and restored in 1950. Heinz Viehweg KG Filmtheaterbetriebe has been the owner of the cinema since the late 1940s . The cinema offered three screenings a day with an audience of 297 seats. The cinema had a stage of 5.5 m × 1.25 m × 4 m. The film was played back by two AEG Euro M devices (light source: Becklicht) and the Europa Junior system (sound film), and there was also the sounding slide projection. With the help of the UFA trade, the CinemaScope picture and sound system in optical sound with the format 1: 2.35 was introduced. There were 366 high upholstered armchairs from Schröder & Henzelmann. The Kleines Lichtspielhaus defied the cinema crisis with falling audience numbers and financial difficulties until the mid-1960s. The cinema existed from 1937 until it was destroyed, and after it was rebuilt, it was used until 1967. The building, built by Philipp Schaefer between 1936 and 1937, is a listed building and has been preserved; the cinema was used as a supermarket after it was closed. In addition, there was a video library and meanwhile an interior decorator in the ground floor rooms.
Photo stage ( Location )	Wilmersdorf Blissestrasse  2	1910-1912	The stage for photography was briefly in a restaurant in the corner building at Augustastraße 1. The building at Augustastraße 2 was built in 1909, registered as a new building for the Korte & Liskow construction company. From 1910 the “Lichtbilderbühne” (probably) moved into the premises of Augustastraße 2 as a shop cinema . The operator and owner was Ernst Hannowsky. In 1910 and 1911 he was accepted by the Wilmersdorfer tradesmen with his cinema theater. Before that, he was probably not a citizen of Berlin, or at least he was not living in Berlin. According to the Berlin address book, Ernst Hannowsky was in 1910: Cinema owner with the apartment in Gartenhaus III. Stock at Holsteinische Strasse 46, recorded for 1911 as a cinema owner and innkeeper with an apartment at Augustastrasse 1, which also included the property at Berliner Strasse 129. The photo stage itself is not included, as only companies registered by the commercial court were named as tenants and in the residents' area, which at that time would not have been common for a shop cinema. From 1912 Ernst Hannowsky is a plumber (and electrician) in Wilmersdorf with the address Holsteinische Straße 51 Gartenhaus III. Called floor (the change of house number from 46 to 51 resulted from newly added lots). In addition, from 1912 the innkeeper Pauline Gützlaff has been admitted to Augustastraße 1 and M. Ramme Rabitzputz also lives in Holsteinische Straße 51 (Hannowsky). In addition, the plumber Ernst Hannowsky (1916/1000) is still registered after the war years (1920/941) and the inflation years (1930/1118) at Holsteinische Strasse 51 IV floor. The tenement houses on the corner of Augusta and Berliner Strasse were bombed during World War II. In 1947 Augustastraße was given the name Blissestraße, after it was called Stenzelstraße in 1937 when it was changed from horseshoe to reciprocal numbering until 1947. The west side (even house numbers) of Blissestraße between Wilhelmsaue and Berliner Straße was rebuilt in the 1960s (1962 to 1974), so that the traces of the cinema location were built over. There is a modern commercial building on the Blissestraße 2–6 property on Berliner Straße at the Blissestraße subway exit . The corner building on the Wilhelmsaue is addressed as Wilhelmsaue 28.
Light spectacles ( Location )	Wilmersdorf Spichernstrasse  3	1910-1913	Even before 1905, the “Grand Halls of the West” were located at Spichernstrasse 3, with the room owner Carl Stechert as the owner, and the house was inhabited by 13 tenants (Scripture, merchants). The company was registered in the commercial court. The merchant Salo Rappaport lived in Charlottenburg Friedbergstrasse 31. In 1908/1909, the merchant Salo Rappaport owned a cinematograph in Charlottenburg. In 1910, Rappaport wanted to move its cinematograph theater to the Wilmersdorfer Saal von Stechert. "Berlin. 'Lichtspielkunst' is the name of a new cinematographic company that is being set up by Director Salo Rappaport in the Prachtsaal des Westens, Spichernstrasse. The theater, which is to hold 1200 people, is built in an elegant, modern style by the architect Arnold v. Goedicke executed. Construction has already started; the opening is to take place on December 1st [2010]. ”() Salo Rappaport has been listed in the Berlin address book for 1910 with the cinematograph theater“ Licht-Schauspiele ”in Spichernstrasse 3. According to the address book, two locations in Charlottenburg remained and Samuel Rappaport is also registered with a cinematograph theater in S 42. For the year 1911 in Spichernstrasse 3, hall owner Stechert recorded the "Magnificent Halls of the West", which in connection with the report in the "Kinematograph" (the "Licht-Schauspiele" would be ready in December) means that the performances (probably) as part of the program there. Salo Rapport is listed as a businessman with his apartment at Gerviniusstrasse 6 in the Berlin address book and has probably suspended his cinema activities. In 2011, M. Eckert's Biophon-Theater was added to Charlottenburg Berliner Straße 107 and the S. Moritz department store for Goethepark 26, and Paul Rappaport's women's hat factory in Alexandrinenstraße 97 in the 1st rear building, III. Floor. Carl Stechert lived as the owner of the "Carl Stechert Prachtsäle des Westens" in his own house in the III. Stock and in 1912 the widow Ida is the owner. The property belongs to Allgemeine Immobilienkaufs-Ges.mbH Kochstrasse 16/17, which was given to “Spichernstrasse” in 1919 at the latest. Property GmbH ". While Ida Stechert lived in the house as the owner of the Grand Halls of the West until 1925. The ballrooms were transferred to Spichersäle GmbH in 1925. According to research by allekinos.com, the light shows in Spichernstr. 3 at Nürnberger Platz from 1910–1933. It can be assumed, however, that the operation as a cinematograph theater ended in 1913 at the latest. Especially according to the evidence, it cannot be ruled out that - as elsewhere - film screenings took place in the ballrooms. Members of the Rappaport family did not work in the fixed cinema venues during the early years. The buildings on Spichernstrasse, including No. 3, were badly damaged by the air raids. After the ruins were cleared at the end of the 1950s, the northwest side of Spichernstrasse was rebuilt in the early 1970s. The former cinema location on plot 3 was included in the new construction of the multi-storey business and office building Spichernstrasse 2 (address also 2-3), which has a triangular (hall) extension at the rear. The building is mainly used by the professional association for health and welfare services and related institutions.
Play of light on Nikolsburger Platz ( Location )	Wilmersdorf Landhausstrasse  1	1926-1943	The building formed a corner directly on Nikolsburger Platz, Trautenaustraße 18 and Landhausstraße 1. The “Lichtspiele am Nikolsburger Platz” was set up in 1925 by the architect Otto Werner as a built-in cinema with 300 seats in the existing house. "One visited the Lichtspiele on Nikolsburger Platz, a 300-seat cinema that was over on the corner, where [2012] the new building at Trautenaustraße 18 is." In 1928, Madelaine & Adalbert Lieban owned the daily Lichtspiele with 278 seats . The corner house is located at Trautenaustraße 18, the cinema at Landhausstraße 1 (according to the cinema address book). Gustav Schunke was the owner in 1929 and named 300 seats. Between 1930 and the mid-1930s, the engineer Siegfried Ebenstein became the owner (graduate engineer at Cicerostraße 56a, no longer in the Berlin address book for 1936) and in 1932 he had Klangfilm install the sound film equipment. He was replaced as owner by Wilhelm Steindorff. The light shows had 280 seats. Steindorff managed the light shows until operations were discontinued as a result of the destruction in World War II . After the ruins had been cleared, new buildings were built. The corner building between the two acute-angled streets encompasses the former cinema location, is addressed as Trautenaustraße 18, on the southern edge of Nikolsburger Platz there is a triangular green area. A plot of land at Landhausstrasse 1 no longer exists. The seven-storey residential building with a roof terrace and commercial space on the ground floor (day care center) was built in the late 1970s. There is a stumbling block in front of the house ( Moritz Silberblatt ). The six-story two-thirds residential building from the 1970s follows along Landhausstrasse, next to an undeveloped wasteland with garages and trees.
Ludwig-Kirch-Lichtspiele --- Royal-Licht-Schauspiele, Moritz-Lichtspiele, Beauty-Lichtspiele, Uhland-Lichtspiele, ( Location )	Wilmersdorf Ludwigkirchstrasse  6	1912-1963	The house at Ludwigkirchstrasse and Uhlandstrasse was a 15-party tenement house in 1910. The apartment building, built in 1902, has a business entrance on the sloping corner of the house, as it was then built across Berlin at (preferably not right-angled) intersections with shops on the ground floor. The cinema owner Johannes Moritz (Moritz-Lichtspiele) had 1912 entered as the year the cinema was founded from "Reichs-Kino Adressbuch 1930". The “Royal-Licht-Schauspiele” of the cinematograph theater owner August Wilhelm Bart for Ludwigskirchstrasse 6 and A. Barth, Lichtspieltheater, are also registered as tenants in the Berlin address book 1912. In 1914 August Bart is no longer the cinema owner, but a businessman and in 1915 he became a tenant in Pariser Strasse, from 1917 Uhlandstrasse 195, garden house VI. Floor. According to the information in the cinema address book, the cinema hall offered space for 170 to 200 viewers for daily screenings. The war years remain paperless. For 1917, the cinema directory gives the "Uhland-Lichtspiele" from Ms. Aranka (Amanda) Roth. Lothar Kallmann from Pfalzburger Strasse 71 replaced her as owner. In 1920 Karl Vanselow took over the venue and called his cinema "Beauty-Lichtspiele". At Ludwigkirchstrasse 6, in addition to Vanselows Kino, the publishing house Beauty and Youth by Clara Rothe and the operating company for Lichtspieltheater GmbH were located. There was a connection between the name “Die Schönheit, Buch- und Kunsthandlung Karl Vanselow” and the “Beauty-Lichtspiele Karl Vanselow”. After Vanselow had probably left Berlin, the beauty light games were taken over by chief engineer Johannes Moritz in 1927 and named "Moritz-Lichtspiele". The daily screenings of silent films in front of 170 (165) viewers were accompanied musically by a cinema musician. From 1931 the name was Johannes-Moritz-Lichtspiele, there were still 156 seats. In 1934 Ludwigkirchstrasse came to the IX Wilmersdorf administrative district. In 1934 a mechanical music system was installed for sound films and the owners of the LK-Lichtspiele in Ludwigkirchstraße 6 became the cinema owners Mietusch & Klee, named after the street name as "Ludwigkirch-Lichtspiele", the short form LK (-Lichtspiele) was also quite common. From 1938 Horst Klee had probably faded into the background as a partner. Before that, they both owned the Emser-Lichtspiele (Pariser Straße 44), Capitol (Hasenheide) and the Hofjäger-Lichtspiele (Hasenheide). Mietusch remained the cinema owner until the end of the war. In contrast to neighboring houses, the old corner building was spared the air raids . Game operations will probably not have ended until the Goebbels instruction of September 1944, and it was resumed in 1946 at the latest. Like other Mietusch cinemas, Schäfgen-Thurnau also operated the "L.-K." (Ludwig-Kirch-Lichtspiele) in the post-war years . From 1952 onwards, “Gebr. Thurnau GmbH “as owner and Hans Thurnau as managing director. Two performances a day were supplemented by two weekend performances a week. In 1957 the LK-Lichtspiele came to the “Pali u. LK Lichtspieltheater GmbH ”whose business was run by Wilhelmine Langer. The number of performances increased to three times a day and one youth event. Kamphöner's 168 seats were partially upholstered. In addition to the sound film technology, there was an Erko projection and a Hahn-Goertz projection apparatus, and the slide playback was done with sound. An addition to CinemaScope was probably not profitable with 168 seats. The widescreen conversion was also omitted when the Kiezkino was continued by Heinz Viehweg in 1959, the owner was the "Filmtheaterbetriebe Heinz Viehweg KG". Falling audience numbers during the cinema crisis led to the discontinuation of LK Lichtspiele in 1962, and only 163 seats were probably not available. After the cinema was closed, the Reichskabarett theater by Volker Ludwig played in the rooms from 1965/1966 . The former cinema rooms could easily be incorporated into the business line on Uhlandstrasse. On the ground floor of the house there is a restaurant as well as a shop and a gallery in the corner rooms. Stumbling blocks for Oskar Franke and Frieda Helft lie in front of Ludwigkirchstraße 6 .
Rheingau Theater ( Location )	Wilmersdorf Bergheimer Strasse  1	1931-1961	Bergheimer Platz is located in the Rheingauviertel , which is demarcated from Laubacher Straße to the east of Friedenau. On the square is the Catholic Marienkirche in whose parish hall the Rheingau light shows were recorded in 1931. The parish hall is on the northwest corner of the square at the confluence with Bergheimer Straße. As part of the "garden city on the south-west parade with artists' colony", the building of the Catholic community was built in 1930 by Carl Kühn . The church building is addressed at Bergheimer Platz 2a. The municipal housing with a clinker facade on the first floor is addressed as Bergheimer Platz 1, until the mid-1940s as Bergheimer Straße 1. The cinema in the community hall had 400 seats and daily shows. The owner of the cinema technology was Friedrich Kessel; Mechanical music was part of the cinema and the hall had a stage measuring 4 m × 6 m. In 1933 the ownership rights changed. For 1933, the Rheingau-Lichtspiele GmbH in Bergheimer Strasse 1 is among the traders. since in 1934 the "Polygon" Lichtspielbetriebe GmbH of Walter Schönstedt is registered as the owner, there are 340 places indicated. Paul Keidel followed as owner until 1937. From March 1, 1938, Thea Schallehn and Max Leschonski (Schallehn & Co.) became cinema owners, whose business was run by Werner Schallehn and, from 1940, Alfred Heyne. The area around Laubacher Platz remained almost entirely free of war damage. At the end of the war , the Lichtspiele had to cease operations in autumn 1944 on the basis of instructions from the Goebbels Ministry . However, after problems with the power supply, the Rheingau Filmtheater was soon able to resume theater operations. Under the initial Allied control, Schallehn operated the cinema with 362 seats and again the Schallehn u. Co. Werner and Thea Schallehn. The stage had a theater license, also an opera license, and was designated 5 m × 12 m × 6 m. Performances were given three times a day and one or two additional times on the weekend (late performance). Technically, there was the Ernemann II apparatus, the Europe amplifier system and slide equipment for film screenings. In 1956 the company was reorganized into Schallehn und Co. OHG (shareholders: Werner and Thea Schallehn). In 1957 the facility for wide screen films followed: with an Ernemann VIIB and Ernemann II projection machine, amplifiers and loudspeakers from Klangfilm, the CinemaScope image and sound system / single-channel optical sound was possible for the image format 1: 2.35, as in most of Berlin's cinemas . The slide playback was done with Dia-N. The audience capacity was increased to 416 and the seating in the hall consisted of flat and high upholstered armchairs from both Schröder & Henzelmann and Kamphöner. With the general decline in visitor numbers, the Rheingau Theater could no longer be financed and so it followed at the end of 1961 when the cinema was closed.
Roland Theater ( Location )	Wilmersdorf Uhlandstrasse  90	1910-1912	"Wilmersdorf. Corner of Uhlandstrasse and Lauenburgstrasse. the 'Rolandtheater' was opened. ”() The mentioned corner corresponds to the corner house Fechnerstraße 10 / Uhlandstraße 90 built in the 1990s. Uhlandstraße has kept its name since 1893, while Lauenburger Straße, known since 1890 as Walter- Fischer-Strasse and then Fechnerstrasse in June 1947. The entire former corner development with the cinema from the 1910s was destroyed in the air raids . In 1909 the double plot of land at Uhlandstrasse 89/90 facing ← Lauenburger Strasse → ← Uhlandstrasse → opposite ← Gasteiner Strasse → was still undeveloped. and in 1910 the new building (Uhlandstrasse 89.90 / Lauenburger Strasse 4.5) by the architect Roch from Hohenzollerndamm 196 was built. In the following year the rentier Meßner became the owner, while Roch was the tenant. However, just one year later, Fritz Wespe was no longer named among the tenants and from 1913 he moved his cinematographic presentations under the same name as Roland-Lichtspiele to Augustastraße 7 ( Eva-Lichtspiele ). The original building, in which Wespe owned his cinema from 1910 to 1912, was built together with the tenement houses in the center of Wilmersdorf south of the post office Wilmersdorf 1 (Uhlandstrasse 86–90 continuously and Fechnerstrasse 12–16 straight, also across from Uhlandstrasse 106–113 and Gasteiner 6– 10) destroyed by bomb damage. After the rubble and ruins had been cleared, the land was only slowly rebuilt since the late 1950s. After a small interim use from the 1960s, the corner property was only built on in 1992/1996 with a seven-storey office, commercial and residential building with underground parking, roof terrace and storefront on the ground floor, Uhlandstrasse 88/90 with Fechnerstrasse 10 and 12. It has 15 residential units and follows the curved plot of land in Fechnerstrasse.
Rüdesheimer Lichtspiele ( Location )	Wilmersdorf Homburger Strasse  26	1916-1966	The cinema location in the Rheingauviertel was on the northwest corner of the intersection of Homburger Strasse and Aßmannshauser Strasse, which continues Rüdesheimer Strasse at a fork with Spessartstrasse to the north. The house was built as Homburger Straße 12 (Aßmannshausener 13) in 1914–1915 for businessman Fröhlich (architects Rudolf Krause and Paul Jatzow). A shop cinema was set up on the ground floor of the new building; Walter Fröhlich, as the house owner, was the owner of the cinema until 1921. From the mid-1920s onwards, 1916 was named in the cinema directory as the year of foundation. Walter Fröhlich as the owner of the cinema gave the year 1919 as the founding date in the cinema address book 1920/1921; he (probably) set the expanded shop cinema as the opening after the renovation in 1918. Since the numbering method was changed around 1938, the residential building has been addressed as Homburger Straße 26 / Aßmannshauser Straße 13 and is a listed building. The buildings at the intersection were hit and damaged in air strikes. The building has been preserved and changed. The cinema name Rüdesheimer Lichtspiele (probably) arose from the nearby Rüdesheimer Platz underground station on the U3 line (Wilmersdorf-Dahlemer subway), which opened in 1913 . On the other hand, the surrounding development was promoted. The cinema address book lists 1920/1921 for the Rüdesheimer-Lichtspiele as Walter Fröhlich as owner and Wilke as managing director. With 270 seats for spectators, there were daily performances. In 1924 the address listed was “Homburger Straße 12 am Untergrundbahnhof Rüdesheimer Platz”, the owner is Franz Markus Feßler, and two programs with silent films were offered every week. Josef Steinberg had been the owner of the cinema since 1928, initially (Dr.) Spanier ran Rüdesheimer Lichtspiele with 170 seats, and Georg Steinberg was the managing director from 1931. From this year on there were 230 seats and three cinema musicians were shown at the daily performances. The sound film equipment was also purchased in 1931. After a brief closure in 1933, the Rüdesheimer Lichtspiele are continued by Walter Schönstedt with his "Polygon" Lichtspielbetriebe GmbH. In 1937 the number of places was increased slightly to 246. (Polygon-Lichtspiel-Betriebe Schönstedt & Co.) From him the cinema was led through the war years. Only briefly interrupted after damage in 1946, the company continued to operate under the Polygon-Lichtspiel-Betriebe Schönstedt & Co KG with E. Sittner as managing director in the post-war years. In 1950 there were 258 seats and there were three performances a day. The technical equipment was the sound film amplifier, the Ernemann II projector and the slide equipment. From 1957 the matinee and late night performances were added, the Kamphöner seating consisted of 261 high upholstered armchairs. The possibility of showing the optical sound CinemaScope and SuperScope for widescreen films in the format 1: 2.35 is specified from 1959 with Ernemann II and amplifiers and loudspeakers from Klangfilm. The cinema closed in 1966, after which the house was rebuilt from 1966–1967. After that there was a supermarket in the cinema. It was replaced by a furniture store. The Jewish furniture store Max Grand & Co., founded in 1936 at Homburger Strasse 26, was liquidated in 1940.
Savoy ( Location )	Wilmersdorf Blissestrasse  36	1957-1964	“Shortly before Christmas [1956] Gustav Lehmann opened the newly built 'Savoy-Lichtspiele' with 651 seats in Berlin-Wilmersdorf, Blissestraße 36. The theater, created by the architect B. Sender, is an attractive functional building, the interior of which, in brownish red, was adapted to the requirements of the Cinemascope presentation. The seating was provided by the Kamphöner company, and Philips machines are in the demonstration room. The new house is located in a part of Berlin that until recently had no CinemaScope theater. Its establishment may have been one of the reasons that the nearby Eva light games from the Polygon company have now switched to Cinemascope. "() “In 1945 there was a war gap four houses long on Blissestraße opposite the confluence with Hildegardstraße. 1957 built Mr. Lehmann sen. there a cinema, the Savoy, which was initially isolated. At that time, the Savoy, with its 651 seats, was one of the largest cinemas in West Berlin. It was also one of the most modern as it was equipped with a cinemascope and a surround sound system with speakers on all four sides. However, the Savoy only showed films for seven years, from 1957 to 1964. Then it turned out to be unprofitable and Mr. Lehmann Sr. concentrates on its other cinemas in Zehlendorf, including the Capitol. Since then, food has been sold in the former cinema, initially under the name Reichelt, now Edeka. At the back of the Edeka sales room (or from the courtyard) you can still see the end wall of the hall - slightly convexly curved like the screen back then, in order to be able to show the wide-screen films undistorted. " The Savoy film theater belonged to Gustav Lehmann. There were daily performances, there were 18 appointments per week with matinee, late night and youth performance, and the theater and opera license was also in place. With the Philips FP 56 projection machine and amplifiers and loudspeakers from Klangfilm, the presentation of CinemaScope in optical sound and four-channel magnetic sound of films in the formats 1: 2.35 and 1: 2.55 was possible. Around 1960 the hearing aid system was added, the Kamphöner seating offered high upholstered armchairs for the audience. When the audience dwindled in the 1960s, this cinema was closed in 1964.
Ufa-Theater Wilhelmsaue ( Location )	Wilmersdorf Wilhelmsaue  112	(1942) -1943	In 1936/1937, the Christian Science religious community built their Church of Christ on their property acquired in 1929 . The construction of this community center came from Otto Bartning . On June 4, 1941, the head of the Reich Security Main Office Heydrich ordered the “Action against Secret Doctrine and Secret Science”, which also affected Christian Science, and on June 9, the church doors across the country were sealed by the Gestapo. In 1942 the Reich Ministry of the Interior took over the church and was looking for a tenant, and ultimately the building was handed over to the Waffen-SS , whose Nordland publishing house moved into the vestibule. In the church hall, the Waffen-SS set up a cinema with 1,000 seats for closed events. On December 14, 1943, the "internal cinema" was opened to the public. The melodrama shown at the opening had popular actors, including Olga Chekhova as the lead actress . Because of the large cinemas destroyed in the air raids, there was a clear lack of performance venues, so this church was used. However, the venue was only open to the public for two days, as it was destroyed by fire bombs on the evening of December 16, 1943. The church building was rebuilt in 1956 with simplified and reopened in 1957. The building is on the Berlin monument list.
Uhlandtheater ( Location )	Wilmersdorf Uhlandstrasse  83/84	1910-1912	The six-storey residential building with shops at Uhlandstrasse 83/84 is adjacent to the post office in Uhlandstrasse. The ten-party tenement Uhlandstrasse 83/84 owned by the Franzkowiak freight forwarding company was built in 1906 and there was an inn in the house. The post office was a new building for the Treasury in 1909. In 1910 Josef Umlauf had opened a shop cinema, the "Uhlandtheater", in the free-standing guest rooms. In the Wilmersdorfer Strasse section of the Berlin address book in 1912, Umlauf was still mentioned as a tenant. As a trader in Wilmersdorf he is named for Uhlandstraße 83/84 with cinematographic ideas. In 1913 he moved his cinematograph to the new building 250 meters away on the corner of Gasteiner and Lauenburger Straße and became the owner of GLU-Lichtspiele .
Wittelsbach Palace ---- Wittelsbach plays of light ( Location )	Wilmersdorf Berliner Strasse  166	1913-1943	The Berliner Straße was the arterial road of the city of Wilmersdorf, on property 165 the course of the road changed to Schöneberger Flur, continued in Grunewaldstraße. In 1912, the architect Georg Pinette built a new cinema building for the Schöneberg entrepreneurs Sattler and Eisner on Wilmersdorf's "property 166". “According to the design of the master builder of the exhibition halls at the zoo, Mr. Georg Pinette, we learn that two Americans are having a large cinematograph theater and café built near Bayerischer Platz in Berlinerstrasse, Wilmersdorf, on a villa area. The theater should be furnished in the most elegant way; the café should be around 400, the theater approx. Hold 600 people. Construction is to start on March 15th. "() The "Lichtspielhaus am Bayerischen Platz Sattler & Eisner" was noted for the cinema owners Dave Eisner and Oscar Sattler with the headquarters of their company. This cinema name referred to the Bayerischer Platz in Schöneberg, 250 meters away . Due to its location, property 166 was subject to the tax sovereignty of the city ​​of Wilmersdorf . The "Lichtspielhaus Wittelsbach Berliner Straße 166" in the Wilmersdorfer commercial section with cinematographic presentations is included in the address book. The cinema, including the projection room, was located along the street front and offered seats for 617 spectators. Obviously, the name reference to “Café Wittelsbach” by Cafetier Meißner in the tenement building Bayerischer Platz 2. The merchants Dave S. Eisner (from W 30 Münchener Straße 14 ground floor) and Oscar Sattler (from Bozener Straße 8, from 1918 Bozener Straße 11) were the partners of "Lichtspiele Wittelsbach GmbH", the house owner of Berliner Straße 166. Their business was run by Georg Pinette (architect from Jenaer Straße 9) in 1914, he was no longer mentioned among the Berlin residents during the war in 1915 . Café Wittelsbach from Cafetier Meißner at Bayerischer Platz 2 continued to exist for the next few years without any demonstrable connection to the cinema. Probably as the distributor of the films purchased for their movie theater, “Sattler & Eisner Filmvertrieb” took up its seat in SW 48 Friedrichstrasse 235 in 1915, where mainly companies from the film industry were based in the Friedrich-Wilhelm-Passage office. Sattler & Eisner moved to Friedrichstrasse 226 in 1917. The Kapellmeister Josef Streletzky took over the business of the Lichtspiel-GmbH in 1915 after the failure of Pinette. In 1916/1917 he moved from his apartment on the ground floor of the garden house Prager Platz 3 to Jenaer Straße 16. At Berliner Straße 166, the “Lichtspiele Wittelsbach” are in the cinema directory and among the Wilmersdorfer tradespeople cinematographic ideas in the Berlin address book. The capacity of (officially) registered seats was between 420 and over 500 spectators. The cinema remained in operation in 1918, but the two dealers had moved out of the house in 1917. In any case, the GmbH managed by Streletzky got into financial difficulties as a cinema and house owner in 1918, the entry reads: "Lichtspiele Wittelsbach GmbH in Liquidation". The house was taken over in 1918 by Mrs. Grochtmann, the owner of the neighboring house 165, and a new game shop moved in. In 1919 Josef (von) Streletzky became theater director of his "Wittelsbach Theater Joseph Streletzky". In 1920 the cinema with 550 seats was still played three to four days a week by Streletzky, but then the entry for Jenaer Strasse 16 was: "Banker Josef von Strelitzki", which he had bought from. Thereupon, in 1921, Deutsche Cines GmbH took over the cinema building. The cinema and building were rebuilt by C. Georg Lischka, with the hall being expanded to 833 seats. "The former Wittelsbach cinema in Berliner Straße zu Wilmersdorf has been reopened under the name 'Cito-Cinema'." () Since the liquidation of the GmbH, the Wittelsbach-Lichtspiele have been called "Wittelsbach-Theater", Lichtspielhaus. The house with the theater and the two retail stores is temporarily listed for Ms. Grochtmann from house 165, but also for Deutsche Cines GmbH . At the beginning of the 1920s, the capacity of the cinema was designated with seats for 550 spectators, with daily play the program is changed twice a week. The business of the Cines is led by Mrs. Kanowski. The cinema owner Fritz Staar took over the Wittelsbach Theater as the owner (apartment: Wilmersdorf Lauenburger Straße 4) in 1925, and in the cinema address book he stated 700 seats for the "Wittelsbach Palace". The German Cines and the Cito film no longer existed, the Cito-publishing company had moved. Owner of the house Berliner Straße 166 is from the time of the "Wittelsbach Palace" The Wittelsbach Palace was in the late 1920s repeatedly premiere cinema, as on 13 December 1929 the film Distinguishing features . With changes in ownership in the German cinema business , this large cinema , together with the “Staar-Filmbetriebe”, was temporarily part of the “National-Film-Theater GmbH” fund. However, Fritz Staar remained the responsible operator and owner from 1925 until the end of this cinema theater due to the bomb damage. With the cinema ownership, the movie theater owner Fritz Staar was also the owner of the building. Nine cinema musicians were employed in the Wittelsbach Palace, they accompanied the daily performances as long as silent films were shown. The managing director was Alfred Randow with daily performances in front of 650 seats. In 1931 the sound film equipment was installed by Klangfilm, Max Steinke became the managing director, and from 1931 onwards there are 700 seats. The architect Ernst Bielfeld carried out another renovation in 1937 and the cinema hall had 750 to 760 seats available for spectators. Since then Herbert Trettin has been running Staar's business in the Wittelsbach Palace until Hugo Michaelis became the managing director in 1941 , probably under the influence of the war . The former building of the Wittelsbach Palace had a built-up plot depth of 50 meters with a street front of 20 meters, so that the cinema hall could accommodate up to 780 seats. The corner building at Berliner Straße 167 / Kufsteinstraße 2 connected to the east. There was a decent passage to the five-story neighboring house in the courtyard. These two neighboring houses survived almost unscathed, but the cinema building was destroyed by bombs in an air raid during World War II. At the beginning of the 1960s, the cleared ruin site was rebuilt at a lower house depth with a six-story house and shops on the ground floor. The depth of the plot became additional courtyard area.

Westend cinema list

Name / location	address	Duration	description
Eden light plays (Ahorn Theater) ( Location )	Westend Ahornallee 1/2	1924-1944	In 1924 the cinema was set up in the ballroom of a garden restaurant and was initially called the Ahorn Theater; when it was taken over by Wilhelm Prüße, it was renamed Eden-Lichtspiele. The building was probably destroyed in 1944 during the Second World War . The house at Ahornallee 1 (in Berlin 14050) no longer exists. It was located on the corner of Spandauer Damm 127 (formerly: Spandauer Chaussee ), and the property was rebuilt after the Second World War .
Cinema in the Waldbühne ( Location )	Westend Waldbühne	1950-2003	The Berlin Waldbühne was built in the course of the construction work for the Olympic Games of 1936 under the direction of the architect Werner March according to plans by Konrad Robert Heidenreich and was named "Dietrich-Eckart-Freilichtbühne". After the Second World War , the stage was named "Waldbühne". At first it served as an open-air cinema (including the venue for the Berlinale ), then it was used for boxing matches. War damage was repaired in the 1960s. From 1961 it was mainly used for rock concerts . It offers space for 22,000 spectators. In June 1950 Kurt Tuntsch, director of the Filmbühne Wien , opened the open-air cinema in the Waldbühne with the WB color film Robin Hood, King of the Vagabonds . The 1200 seats consisted of garden chairs and the tiers. The image size at that time was 10 m × 12 m (screen 14 m × 17 m), the projector distance 70 meters. Between 1956 and 1959 Walter Jonigkeit ran the open-air cinema in the Waldbühne. The film screenings ("Kino in der Waldbühne") by the Blues Brothers and the Rocky Horror Picture Show had cult status , to which thousands of fans came in disguise to sing along loudly. These cinema events have not taken place since the 2000s, with one poorly attended exception in 2006. In 2012 there was another attempt with open-air cinema.
Oberon (Jerboa Cinema) ( Location )	Westend Heerstraße 1	1937-1990	The Amerikahaus at Theodor-Heuss-Platz 5–7 in Berlin was built in 1928–1930 as a commercial building and cinema (Oberon) by the contractor Heinrich Mendelssohn based on designs by Heinrich Straumers . The German Reich Post in neighboring Germany house used from 1 November 1938, the tower of the Amerika Haus for their television stations. In 1943, Allied bombs destroyed the transmitter and the building was only slightly damaged. The British armed forces took over the America House after the Second World War as the Naafi-Club (Navy-Army-Air Force Institution). Shops, restaurants and clubs for members of the armed forces, as well as the "Globe Cinema" (also called "Jerboa Cinema") were built. The cabaret Die Wühlmäuse is currently using the former cinema.
Olympic light games ( Location )	Westend Preußenallee 4–8	1947-1958	The "Olympia-Lichtspiele at Heerstraße train station" existed with interruptions from 1947 to 1958. At times, the Neu-Westend Church also held services in the cinema . The cinema was demolished around 1959. The sports field is located at Preußenallee 6 and the gym of the TU Berlin is at No. 8 .
Puck movie theater ( Location )	Westend Steubenplatz 3–5	1939-1967	In 1939 the representative residential and commercial building at Steubenplatz 3–5 was built, the owner was the businessman R. Herrmann. On the courtyard side, a hall building was added to the house in the planning in 1939. The cinema is listed for the first time in the film theater address books from 1953 and in the Berlin address book from 1946; perhaps it did not even open before then. After the Second World War it served as a British troop cinema from 1946 to 1952 and showed British and American films until it was again open to the public in 1952. The cinema was closed in 1967, after which the cinema became a supermarket.
Splendid ( Location )	Westend Kaiserdamm 29	1927-1988	The building designed by Gustav Neustein in 1927 contains a two-story cinema that extends around the corner of the house. Through the main entrance on Kaiserdamm you entered an almost square ticket hall in the foyer. From here the auditorium on Meerscheidstrasse could be reached via two doors. The tier area was also reached from the foyer via two flights of stairs . A circumferential, saddlecloth-like ornamentation made of gold set off the walls from the gold and white grained ceiling, which was adorned by a round metal chandelier. In the hall, shiny golden fittings such as lighting or the parapet set splendid accents. On the front of the Theater zum Kaiserdamm, an almost square billboard with a frame consisting of protruding blue light strips and on which the red, glowing cinema name "SPLENDID" stood rose above three double doors . The cinema was in operation from 1927 to 1978 and had 600 seats in 1929, 500 in 1966 and only 320 in 1977. After the closure it was used as a supermarket. After a period of vacancy, a steak house first opened in the rooms in 2008 and then an Italian restaurant in the same year, which currently also uses the hall with stage for events.

Cinema list Schmargendorf, Grunewald, Halensee

Name / location	address	Duration	description
Pan Movie Theater --- Pax ( Location )	Grunewald Lassenstrasse  16	1945-1958	“Before 1945 there were two very popular cinemas on the north side of Kurfürstendamm in Grunewald between Bornimer Straße and the S-Bahn, one was called Rivoli , the other was Rote Mühle . Both cinemas were destroyed by bombs during the war. And so after 1945 a small cinema - the 'Pan' - established itself in the front of Lassenstrasse on Bismarckallee. ”() The Pan was opened in 1945 in the undamaged gymnastics hall of the Hildegard Wegscheider Oberschule (1939 Johanna von Puttkamer School ) set up. The cinema had 352 seats in the 1940s, from the 1950s it was specified with 277 seats. The cinema was initially owned by Johannes Betzel, who had been a cinema entrepreneur in Berlin and Dessau since the 1930s, and later also in Hamburg. Ronald Forte was the managing director of the Panfilmtheater. There were two performances a day. In 1953 Walter Bornholdt and Hermann Pentke owned the cinema and also added a performance. From 1955 Erich Otto took over the PAN film theater. There was an Erko IV device for film projection, sound film amplifiers and a slide device with sound. The seating was then 277 high upholstered armchairs from Kamphöner. As in other Berlin cinemas, the widescreen show was introduced in 1957, with 16 screenings per week. Even with the use of the CinemaScope image and sound system in the optical sound system and format 1: 2.35, the financial difficulties remained and the school use of the rooms was (probably) the focus again. The PAN film theater was closed in 1958.
Concordia plays of light ( Location )	Halensee Westfälische Strasse  (35)	1912-1919	Rentier Henne's two residential buildings, Westfälische Strasse 35 and Joachim-Friedrich-Strasse 10b, each with seven tenants, stood together on the same property. Otto Saewe with the Concordia-Lichtspiele at Westfälische Strasse 35 and his apartment at Joachim-Friedrich-Strasse 33 are listed among the tenants for 1912. In the following year Otto Saewe had his apartment at Nestorstrasse 14, 2nd floor garden house and his cinematograph theater in Joachim Friedrich-Strasse 10a. The changing address of the cinema shows that the entrance to the shop cinema was (probably) from the street corner. The cinema address book has 121 (official) seats for the Concordia. In the address book for the status from 1919 there is no suitable cinema entry for Westfälische Strasse 35 (with 13 tenants), for Joachim-Friedrich-Strasse 10a (with eleven tenants, but women's and men's clothing Jablonski & Kluge) and also in the Wilmersdorf commercial section. On the other hand, Otto Säwe from Joachim-Friedrich-Strasse 5 is accepted as a painter in the residential area, who was registered under this apartment as the owner of Concordia-Lichtspiele, Westfälischestrasse 35, in the previous year. The houses on Joachim-Friedrich-Strasse, south of Kurfürstendamm, were damaged in the air raids in 1943. In particular, the two corner houses 10 and 10a on Westfälische Strasse received severe damage. The property at Westfälische Strasse 35 remained undeveloped after the ruins were cleared, the corner property is listed as Joachim-Friedrich-Strasse 10a. Part of the old building at Joachim-Straße 11 remained, while a part of the old building is part of residential building 34 on Westfälische Straße.
Kammerlichtspiele --- Camera Cicero Lichtspiele ( Location )	Halensee Kurfürstendamm  152	1925-1943	“A new cinema on Kurfürstendamm: Already a bit high up in Halensee, at Kurfürstendamm No. 152, the Cicero-Lichtspiele, abbreviated to 'Ci-Li', were made into 'Cico' after the popular cognac and curacao mixture on Kurfürstendamm , opened. The neat little theater, which will soon get a good film neighbor in the new Efa studios, was opened with an 'American' not exactly the latest production, the film The Girl from the Fifth Floor (directed by Sven Gade), which has the right mix, in order to please the audience, people will taste 'Cico' if, as planned, the program is selected with particular care. ”() The“ Cicero ”1926/6309 was located in the corner house on the Halenseer property at Kurfürstendamm 152 (“ Corner house am Lehniner Platz ”) on the west corner of Cicerostraße. The opposite Schaubühne at 153 belongs to the district of Wilmersdorf. The exhibition hall with the automobile company Olympia was initially located on plot 151, and film companies have also been represented there since 1926. In 1927 at the latest, the cinema was continued by the United Thurmann-Lichtspiele and renamed “Kammerlichtspiele Kurfürstendamm”. The cinema, which was used every day, had 274 seats. In 1928 the cinema entrepreneur Julius Huppert (“Autopalast des Westens”, Joachim-Friedrich-Straße 37/38) took over the “Zoo-Lichtspiele GmbH” and leased the house to (Mr.) Neuer. In 1932 Dipl.-Ing. Siegfried Ebenstein owner of the Kammer-Lichtspiele and purchases the sound film equipment from Klangfilm. In 1934 Heinz Kernke was the owner, and from 1937 at the latest Margarethe Branske was the owner, she stated 243 seats. From 1941 married to Fritz, registered as Margarethe Guhle, also as the owner of the Luxor Palace . The performances of the Kammer-Lichtspiele ended when the corner house with the cinema was destroyed during the war, like the buildings between Nestorstrasse and Cicerostrasse on the Halensee side on Kurfürstendamm. The five-storey residential and commercial building (38 apartments, office floors, penthouse) was built in the 1960s after the rubble had been removed.
Light plays Georg Wilhelm ( Location )	Halensee Georg-Wilhelm-Strasse  5	1912-1926	The Georg-Wilhelm-Lichtspiele existed from 1912. 1914 Georg Pinette was managing director of the "Lichtspiele Georg Wilhelm" GmbH and also ran the "Lichtspiele Wittelsbach GmbH". In the Berlin address book of 1924, the cinema is listed as the St. Georg Theater with the registered office of the GmbH in W10 Friedrich-Wilhelm-Straße 11. The use of the rooms as a shop cinema ended in 1926. The venue was opened and initially operated by the “Lichtspiele Georg Wilhelm GmbH”, whose managing director was Friedrich Moeck. The address book lists both the GmbH and Moeck among the Wilmersdorf traders with cinematographic ideas. The owners or shareholders changed during the period of inflation : for 1918 is Max Seidenbeck, 1920 and 1921 Salwitz (Karl Salwitz, Jaques Salwitz, Kaufmann Georg (?) Salwitz) from Markgraf-Albrecht-Straße 13. In the cinema address book, the owner for 1917 200 seats indicated with admission prices between 0.40 and one mark. The program changed on Tuesday and Friday and was played daily, in July and August, however, only "half the week". Arthur Baumann (1922: for Excelsior Lichtspiele in N65 Müllerstraße 137) is listed as the owner in the cinema address book by 1925 at the latest. The house in which the cinema was located was destroyed in the World War like the entire square northeast of Henriettenplatz. The property was not rebuilt and there is a playground on property 5 and 6.
Rivoli --- Kurfürstenpark-Lichtspiele ( Location )	Halensee Kurfürstendamm  119/120	1918-1943	The former cinema building was on the western corner of the Kurfürstendamm with the Kronprinzendamm / Bornstedter Straße southwest of the Kurfürstendammbrücke, it was destroyed in the air raids in 1943. The Kurfürstenpark inn was expanded in 1892 by the entrepreneur Köhler on the property (property 119/120). Expanded several times and a dance and theater hall was built in the back garden. In 1910 Otto Braun's restaurant "Zur Ewigen Lampe" existed. In 1918 a movie theater was set up in the dance hall of the “Kurfürstenpark” inn in the west of Wilmersdorf. For 1917 the "Kurfürstenpark" of the innkeeper Pallas is in liquidation as a GmbH and for 1918 the "Lichtspielhaus Kurfürstenpark" is taken up by theater director Franz Tischler-Tielscher, the owner of the property is the rentier Nathan from Berlin. With its 500 seats (initially 1000 officially approved seats are indicated) it was nicknamed "KuPark-Kintopp" and there were daily performances. In the 1920s, dancer and choreographer Mary Wigman ran a dance school on the property. The Rote Mühle cinema was added in the immediate vicinity in the Kaiser Wilhelm Garden . The owner of the Kurfürstenpark-Lichtspiele became Elfenschloß GmbH and the cinema was run in 1920 by Joseph Bauer, in 1921 by director Harry Schreyer, and in 1924 Paul Hildebrand. The owner of Elfenschloß GmbH and thus of Lichtspiele is the businessman David Finkenstain from Wilmersdorf, Kurfürstendamm 119/120. In 1927 the cinema was renamed "Rivoli-Lichtspiele" because it was taken over by the Deutsche Lichtspiel-Betriebs-AG "De-Li-Be". With initially 600 seats and daily play, the Rivoli-Lichtspiele Halensee in 1928 went to the Kurfürstendamm Lichtspiele GmbH by Leo Schaps with 569 seats, eight cinema musicians and daily screenings. From 1930 there was the sound film facility from Klangfilm / Tobis. Director Karl Selak was the owner of the 600-seat cinema with his Elite Kino GmbH from 1931. In 1934 Karl Jünger and Hans Gruber ran the business of the "Cosima" Lichtspiel-Theater Betriebs-Ges.mbH in Rivoli. Administratively, the property came to Grunewald with the district reform in 1938. In 1937 the cinema entrepreneur Willy Hein becomes the owner together with H. Niendorf. Due to the considerable bomb damage, the cinema in Rivoli was closed in 1943. Hein also owned the movie theater on the neighboring property 121/122 "Rote Mühle". Car repair shop, brake service and car lights as well as a large petrol station had been on the neighboring properties between Bornstedter and Bornimer Strasse since the mid-1930s. The reconstruction of the "Rivoli" planned in the 1950s did not take place, the building was destroyed in its place until the 1960s, after which a gas station was built there. In 1994, an office building was built on Kurfürstendamm 119 at the corner of Bornstedter Strasse in Kronprinzendamm. On Kurfürstendamm 120 there is an eight-story tower block designed by the German-American architect Helmut Jahn .
Red mill ( Location )	Halensee Kurfürstendamm  122	1927-1943	The former cinema building (plot of land at Kurfürstendamm 121/122) was on the corner of Bornimer Strasse not far from the Kurfürstendamm bridge; it was destroyed in the air raids in 1943 . In 1892 Meyer opened the Kaiser-Wilhelm-Garten establishment in the same year as the Kurfürstenpark. There was a restaurant, the Redoutensaal was used for balls of the better society and by student corporations, there was a big ball on Sundays, Mondays, Wednesdays and Thursdays, and there were concerts by orchestras and military bands every day. The owners changed several times. In the 1920s, the building was modernized as the Rote Mühle in the New Objectivity style. In the main building, in which dance events took place every evening until around 1925, the movie theater "Rote Mühle" was set up in 1927. The existing rooms were converted by the architect Fritz Wilms for cinema purposes on behalf of Zelnik Film GmbH. Not far from Halensee train station , it was an excursion restaurant and was close to "the S-Bahn [one of the] two very popular cinemas, both cinemas were destroyed by bombs in the war." () Operator of the film palace "Rote Mühle" with 855 seats (initially there were 1000 Hermann Feldschuh worked for Friedrich Zelnik Film GmbH. In 1929 the owner changed to Rote Mühle GmbH, with the management of Bruno Mayer and the management of Eugen Illes, who also took over the management in 1930. The daily performances were accompanied by ten permanent film musicians. In 1930 the sound film equipment of the Melrob company was added. In 1931 Leo Schaps became the owner and in 1932 Halenseer Kinobetriebs Ges. MbH, whose business was run by Karl Sedlak and Leo Schaps. In the film palace Rote Mühle there was the sound film equipment , a mechanical music system and also the accompaniment of ten musicians, which Willy Hein as the owner of "Willy Hein GmbH" no longer states in his entry cinema address book. He named a Kinoton sound film device in the address book. Willy Hein leads the "Rote Mühle" light shows from 1938 together with H. Niendorf until it had to be closed in 1943 because of the bomb damage. The neighboring ensemble is registered as a residence for Willy Hein sz. After the remnants of the building had been cleared in the 1950s, the part of the property near the street remained undeveloped by the cinema; in the depths away from Kurfürstendamm there are five-storey residential buildings from the 1950s with a business line on the ground floor, Kurfürstendamm 121-122a.
Saba --- gnome light games ( Location )	Halensee Kurfürstendamm  (140)	1950-1967	The buildings on Agathe-Lasch-Platz (which had only been named since 2004) had been damaged by the effects of the war; House 140 was less damaged than the buildings following on Kurfürstendamm on Nestorstrasse. “In the Berlin district of Halensee, at Kurfürstendamm 140, the Gnom-Lichtspiele, a so-called“ narrow towel ”, opened, the technical equipment of which its owner, Mr. Walter Rahn, rescued from Hohenneuendorf (East Berlin). The theater, which has 195 seats, is intended as a regular cinema in a badly bombed area, its visitors can save themselves long walks down the Kudamm. ”() The cinema was with a Hahn-Goerz projection equipment with a light source pure coal, sound film Eurodyn amplifier and sounding slide equipment. There were a total of 21 performances seven days a week. The seating was cinema seats with back cushions. The cinema changed hands in 1960. When it was taken over by Franz Gebert in 1961, the cinema was named Saba-Lichtspiele. Game operations ended in 1967. The same house on the corner from Kurfürstendamm to Johann-Georg-Straße was also the seat of the SDS ( Socialist German Student Union ) and the police section 20. After the cinema was closed, house 140 was soon demolished and in 1971/1973 was built between the confluence Joachim-Friedrich- and Johann-Georg-Straße the “Kurfürstendamm-Center” with the address Kurfürstendamm 142/147 (buildings 142/143 and 146/147) to Nestorstraße. Since then, the consulate general of Turkey has also been located in the building. From the corner building of the six-storey residential and commercial building along the street front (to the west) from Nestor- to the confluence with Joachim-Friedrich-Straße, there is no reference to the former cinema location.
Dedy light games ( Location )	Schmargendorf Warnemünder Strasse  8	1951-1972	The “Dedy” was originally the hall of the adjacent “Forsthaus Schmargendorf” restaurant, which was converted into a cinema in 1951. The property is located south of the Schmargendorf municipal cemetery, the restaurant was on Warnemünder / Misdroyer Strasse and was damaged in the air raids. "Dedy-Lichtspiele in Berlin-Schmargendorf: The Dedy-Lichtspiele were opened in Warnemünder Strasse 8 in Berlin-Schmargendorf, a theater that can seat 308 people. The theater is run by a limited liability company whose managing directors are businessman Kurt Paschen, who used to be in charge of the Kakadu-Lichtspiele at Jannowitzbrücke, and a businessman Margarete Urbscheit, Hamburg. Since this district of Berlin is not overcrowded with movie theaters, the new house should soon become popular with the residents. ”() From the mid-1950s, Marga Urbscheit, Dahlem Max-Eyth-Straße 31, became the owner, and Walter Schulze ran the business . The number of seats fell slightly to 292 upholstered cinema seats from Schröder & Henzelmann. At daily events, 21 performances were given a week, played 16 times in the summer months until 1960, plus there were two late performances, some of them a youth performance. The equipment was the apparatus Nitzsche Matador IB, amplifier from Zeiss Ikon and slide equipment with sound. Wide screen films were possible with the picture and sound system CinemaScope-Lichtton in the format 1: 2.35. From 1960 to at least 1962 the Urbscheid cinema was managed by “Polyphon Lichtspiele Schönstedt & Co”. After a temporary closure (1966), Lothar Bellmann was still the owner until the movie theater "dedy" died in 1972 and was converted into a supermarket. The outline of the building was retained and behind the shelves were the typical, classic stucco and ornamental pillars of the dance hall, as they were built in the first decades after the turn of the century and thus belonged to the former cinema hall. In 2011 "the demolition excavator came and exposed the outlines of the former cinema screen for a moment before everything collapsed and only a pile of rubble remained." ()
Deutsches Lichtspielhaus --- Kammerspiele Schmargendorf ( Location )	Schmargendorf Breite Strasse  33	1926-1961	The property at Breite Straße 33 between Warnemünder and Kirchstraße is located in the historic center (number 38: village church ) north of the municipal cemetery. Until 1891 Dorfstraße, 1904 as the main street, it was renamed in Breite Straße on April 13, 1904. The innkeeper Hermann Balz had built a hall building (no. 33) in 1893 for his excursion restaurant "Deutsches Haus" (no. 34) in the Berlin suburb. According to the type of entry in the Berlin address book, the opening of a film theater was probably more profitable. In 1926, the "Deutsche Lichtspielhaus" was set up in the guest hall, although as in other restorations it was already there. In the cinema address book, Hugo v. Scheven as the owner of the Deutsches Lichtspielhaus (Breite Straße 33) with 347 seats and daily performances, founded in 1926. In the following volume in February 1929 August Röder (Friedenau, Wilhelmstraße 23 Erdg.) Became the owner. From 1929, as the cinema owner, he gave the 5 m × 6 m stage and 335 visitor seats, he used four to seven cinema musicians for the acoustic design of the films. In 1931 the sound film equipment of sound film and mechanical music came here into the cinema. The house survived the war with minor damage and in 1946 Röder's cinema was resumed in the British sector. The managing director is initially Erwin Ross and from 1950 Käte Handke. There are 16 weekly performances with daily play. The demonstration device is from Hahn-Goerz, the amplifier from Klangfilm and a slide device is available. From 1953 Helga Röder became the owner, from 1955 Paul Homann ran the movie theater. The seating is now upholstered armchairs by Kamphöner and the projection device is an Erko IV. When Werner and Brigitta Meske (postal address-Schöneberg Durlacher Straße 2) took over the cinema in 1959, widescreen films were shown with an aspect ratio of 1: 2.35 using the CinemaScope single-channel optical sound system and enabled in SuperScope. The cinema lasted until 1961. The house and the cinema gave way on April 17, 1961 to widen the street. The old course of the Breite Straße with old buildings fell victim to the straightening and widening for new buildings. The tram line 51, which meanders through the gently winding street, from Roseneck to Zoo station has been replaced by a bus line. The existing house number 33 has not been identical to the previous guest house and cinema since then.
Germania --- Eden-Lichtspiele Belvedere ( Location )	Schmargendorf Ruhlaer Strasse  (1)	1929-1943	The Schützenhaus garden restaurant was on the north side of Hundekehlestrasse and Ruhlaer Strasse. The hall along Ruhlaer Straße 1/2 with the hall entrance from there was already used as a people's theater. The main entrance was at Hundekehlestrasse 20. In 1929 the “Belvedere - Filmbühne am Roseneck” opened in the former theater. The owner was initially the cinema entrepreneur Leo Czutzka, who owned cinemas in Weißensee, Charlottenburg, Neukölln. After Mrs. Frieda Müller took over the cinema with 600 seats in 1930, the sound film equipment was installed in 1932 and renamed "Eden-Lichtspiele". With the next change of ownership in 1934, Paul Klein gave the cinema the name “Germania-Lichtspiele”. A renovation that took place in the process led to a reduction in audience capacity to 340 seats. It was recorded in the cinema address book (Reichskino address book Volume 13) as the year of its establishment in 1933. In the air raids in 1943, the hall building in particular was hit hard, while the main building on Hundekehlestrasse was less damaged. Due to the broken hall, however, the cinema ended. Both on the cinema address of the hall building and along Hundekehlestrasse are three-story post-war residential buildings from the 1950s.
Melody at the Roseneck ( Location )	Schmargendorf Marienbader Strasse  9	1956-1966	The property at Marienbader Strasse 9 remained vacant when the war-related damage to the 1930s buildings on the east side of Marienbader Strasse was restored and could thus be used for a new cinema. “On October 4th [1956], exactly ten years to the day after he had opened his provisional first Melodie-Filmtheater in an office building on Hohenzollerndamm , Heinz Viehweg handed over a few street corners further west, on Roseneck, 'on his own property and Boden ', a brand new tune to its old and new regular audience. This time, unlike a decade ago when Werner Finck conferred the opening, the 'third phase' of the current did not stay away - Finck had to improvise for an hour at the time to keep the audience engaged - on the contrary, you could see for yourself as planned, what excellent technical and artistic facilities the new theater holds. In a four-month construction period, architect Hans Bielenberg , who built over 30 cinemas in five years, created a tasteful, dignified house in the rooms of which you feel comfortable. Acoustic panels on the ceiling, wooden panels and green fabric coverings on the walls guarantee good acoustics. The CinemaScope screen measures 6 by 12 meters. It is noticeable that indirect lighting was not used in the auditorium. Two rows of chandeliers give the room an intimate, festive glow. The 'Melodie' seats 607 spectators. The seating was provided by Gustav Wegener, Berlin. UFA-Handel took over the technical equipment. ”() The operating company was“ Heinz Viehweg KG. Filmtheaterbetriebe ”led by Heinz Viehweg. The technical equipment consisted of the Ernemann IX demonstration machine (light source: Becklicht), Dominar amplifier and loudspeakers from Zeiss Ikon and Dia-SC. The audience saw three performances a day in high-upholstered cinema armchairs. It was possible to reproduce CinemaScope using the optical sound method and the one- and four-channel magnetic sound method, as well as the Perspecta system with widescreen formats 1: 2.35 and 1: 2.55. In 1960 the now common hearing aid system came into Melodie am Roseneck. Nevertheless, due to the general lack of spectators, the financial base was weakened. In 1966 (allekinos.com: after 1967) this cinema was transformed into a supermarket in the course of time . In the 2000s / 2010s, the low-rise building, which was still externally recognizable as a cinema, was used by a drinks market.
Melody and light plays ( Location )	Schmargendorf Hohenzollerndamm  150	1946-1956	The building at Hohenzollerndamm 144–153 was built by Rudolf Klar in 1937 as a new building for the Wehrmacht (barracks and headquarters of the military district command III). From 1948 the building complex became the headquarters of the electrical company AEG . In 1946, Heinz Viehweg moved the Melodie-Lichtspiele into suitable rooms in this building on the corner of Cunostraße. The cinema used offered 351 seats for spectators and three performances were given daily. The cinema was owned by the "Heinz Viehweg KG Filmtheaterbetriebe" whose business was run by Heinz Viehweg. There were three performances a day, to which there were also late and matinee performances. The equipment consisted of two Ernemann II projection devices for film projection and a Europa Junior amplifier system for the sound, as well as the slide equipment. The theater and opera licenses were available for the 3 m × 8 m × 4 m stage. The cinema was renovated in 1953. The seat capacity was increased slightly from 351 to 360. When the opportunity arose, in 1956 Vieweg moved to the new purpose-built cinema for his "Melodie am Roseneck" located 1.5 kilometers to the south. The rooms in the listed building were taken over by the AEG company. After the abandonment of the AEG headquarters, it has been used by various companies and institutions since 1996.

literature

• Sylvaine Hänsel, Angelika Schmitt (eds.): Cinema architecture in Berlin 1895–1995 . Reimer, Berlin 1995, ISBN 3-496-01129-7 .

Web links

• The Kino Wiki is currently hosted on filmtheater.square7.ch . The data was compiled from the special address books Reichskino Adressbuch (Verlag Lichtbühne) and Kinoadressbuch (Verlag Max Mattisson) as well as the cinema list (1907–1910) of the first specialist journal for all of the art of photography, Der Kinematograph . The project of the Berlin cinemas is based on this data and supplements regional references.
• Film theater history in Germany, Austria and Switzerland
• Berlin's independent cinema guide
• On the trail of cinemas - all cinemas in the computer . In: Berlinische Monatsschrift , 12/1996, at the Luisenstädtischer Bildungsverein

Individual evidence

1. ↑ Kino-Wiki main page, accessed on January 18, 2020. Kinowiki deals with the history of movie theaters in Germany and tries to collect all information about movie theaters and movie theaters in Germany. It is sorted according to federal states and cities. Everyone is called upon to supplement the data or correct errors.
2. ↑ The breakdown by districts and districts is based on the district reform of 2001.
3. ^ Stefan Strauss: Film? Running. Publication in the Berliner Zeitung , March 27, 2017, p. 13.
4. ↑ New cinema on the former Berlin cinema mile . In. BZ , August 2, 2016
5. ↑ Hans Land: Lichtspiele : “In the most obscure streets, desperate house owners rented empty pubs and cigar shops to cinema entrepreneurs, and the servant now knew where to lead his Miss Bride nobly.” From: Schaubühne, 1910, Volume VI .2, No. 38, pp. 963-964.
6. ↑ The founding fever for cinematograph theater . In: Germania, July 17, 1912.
7. ↑ Herrmann . In: Berliner Adreßbuch , 1911, I., p. 1084. "Ludwig Herrmann, master builder, district taxator and judicial expert, technical office, Wilmersdorf, Uhlandstrasse 81.".
8. ↑ Uhlandstrasse . In: Berliner Adreßbuch , 1911, Dt.-Wilmersdorf, p. 745. “81.82: Master builder L. Herrmann, s. Addendum. Addendum 1911 Part V p. 114: Uhlandstrasse 81: New building by sculptor O. Wohlfahrt from Mannheimer Strasse 30 / Uhlandstrasse 82: New building by master mason C. Krause from Schöneberg. ”(In the neighboring house at Uhlandstrasse 83.84, the merchants E. Franzkowiak and L. Kurzhals is among the 15 tenants: freight forwarding company E. Franzkowiak & Co. and the cinematograph owner J. Umlauf.).
9. ^ Brothers Wohlfahrt . In: Berliner Adreßbuch , 1909, I., p. 3018. “Sculptor Fritz Wohlfahrt, Mannheimer Strasse 30 apartment on the first floor and owner and sculptor Otto Wohlfahrt, Mannheimer Strasse 30 III. Floor".
10. ↑ ^{a b c} S. Hänsel, A. Schmitt: Kinoarchitektur 1895–1995. 1995, ISBN 3-496-01129-7 , p. 232.
11. ↑ The two houses of the Wohlfahrts had space for ten tenants each. Uhlandstrasse 81 is the residence of Otto Wohlfahrt, the sculptor Fritz Wohlfahrt is the owner of the house at Mannheimer Strasse 30 (with 19 tenants). Josef Umlauf is listed in the commercial section with "cinematograph theater" and in the residential section as "cinematograph owner" in the house of the forwarding agents Franzkowiak and Kurzhals Uhlandstrasse 83/84 ground floor.
12. ↑ Amor-Lichtspiele in Kino Wiki
13. ↑ on the cinema entrepreneur Fritz Staar :
14. ↑ Fritz Staar . In: Berliner Adreßbuch , 1915, I., p. 3060. "Fritz Staar on the first floor." (In the house a Grieneisen funeral parlor and the innkeeper Eugen Moldenhauer lived in Lauenburger Strasse 4 and had the inn in Uhlandstrasse 106). # Lauenburger Strasse 4 . In: Berliner Adreßbuch , 1916, V., p. 518. “The house at Lauenburger Strasse 4 and Uhlandstrasse 106 belongs to the doctor Dr. Pollack. Fritz Staar, movie theater owner, is a tenant. After the commercial part he is the owner of a cinematograph, but not listed under cinematographic ideas. An entry for 1917/2887… 1914/1068 is similar. ”(Director O. Rippert lives in Uhlandstrasse 81. J. Führer’s café is in house 80). # Uhlandstrasse . In: Berliner Adreßbuch , 1917, V., p. 540. “Cinema owner (movie theater owner) Fritz Staar lives in Lauenburger Strasse 4 1st floor. Theater owner Josef Umlauf lives at Uhlandstrasse 103 at the corner of Berliner Strasse and is shown with cinematographic performances. " # Uhlandstrasse . In: Berliner Adreßbuch , 1918, V., p. 526. “In Pinkus's house 81, the company Gentes & Staar, Lichtspieltheater, is among the 20 tenants, including the managing director P. Zimmermann. Residents 1918/761 /: Wilhelm Gentes in Uhlandstrasse 81, as well as the Gentes & Staar company with owners Wilhelm Gentes and Fritz Staar / The cinema owner in A. Roth lives in house 77 . / Josef Umlauf is listed as a businessman for Uhlandstrasse 103, no longer as a cinema owner. "
15. ↑ Research in the Kino Wiki
16. ^ Marline Otte: Jewish Identities in German Popular Entertainment, 1890-1933 : the Jewish cellist Liebenbaum (Russian) played in the Amor light plays. Online in Google Book Search, Cambridge 2006.
17. ↑ Fritz Staar . In: Berliner Adreßbuch , 1928, I., p. 3392. "Director Fritz Staar lives in Güntzelstrasse 57 on the ground floor and is the owner of a cinema at Uhlandstrasse 81." (National-Film Aktiengesellschaft, National-Film-Theater GmbH and National-Film-Verleihgesellschaft mbH are based in Berlin-Mitte SW 48 Friedrichstrasse 10.).
18. ^ 1) Directory of movie theaters : Cinema address book from Max Mattisson publishing house. 2) Reichs-Kino-Adressbuch, 1930, ninth edition (based on official material). Publishing house of the "Lichtbildbühne".
19. ^ Official telephone directory for the district of the Reichspostdirektion Berlin . July 1940 edition, March 9, 1940, p. 22: Amor-Lichtspiele, Wilmersdorf, Uhlandstraße 81, 86 29 88.
20. ↑ Uhlandstrasse . In: Berliner Adreßbuch , 1940, IV., P. 1401. “The house at Uhlandstrasse is owned by the businessman L. Israel Goldstaub from abroad. / In the commercial section 1940/3931: Fritz Staar (here as Stahr) registered at Wilmersdorf Berliner Straße 166. In the residential part 1940/3005 /: Fritz Staar Lichtspieltheater Berliner Straße 166, apartment: Dahlem Im Dol 39 ground floor. “.
21. ^ Building damage 1945: Uhlandstrasse
22. ↑ Uhlandstrasse . In: Berliner Adreßbuch , 1943, IV., P. 1397 (Pfalzburger Strasse 35: Hospital owned by the Allgemeine Ortskrankenkasse Berlin, 36-38 associated garden.).
23. ^ Berlin 1: 5000: plot of land.
24. ^ Plan of Berlin. Sheet 4145 ( Memento of the original from November 9, 2015 in the Internet Archive ) Info: The archive link has been inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. X = 19425, Y = 18107, plus years 1931, 1943, 1950, 1960/1964. 
25. ↑ Tradespeople (cinematograph theater) . In: Berliner Adreßbuch , 1910, V. (Dt.Wilmersdorf), p. 690. “E. Luft, Babelsberger Straße 43 / 1910/5893: Babelsberger Straße 43: The owner is the architect COFranke, among 31 tenants: cinematograph owner E. Luft. / Residential area 1910/1740 /: Eduard Luft, Kinematographen Theaterbesitzer, W35 Potsdamer Straße 31a pt., Apartment: Apartment N20 Badstraße 35 // 1911 further: in the commercial area Wilmersdorf: 1911/6154 /: Kinematographentheater E. Luft, Babelsberger Straße 48. / Street section 1911/6115 /: Cinematograph owner E. Luft in Babelsberger Straße 43, + 46, 47: new building, 48: construction site, 49: new building, 50: construction site, 51: construction, 51a: apartment building, 52 belongs to Berliner Straße 163.164. // Inhabitants 1911/1827: Cinematograph owner Ed. Luft, Schöneberg, Hauptstrasse 20 ++ Eduard Luft, Kinematographen Theaterbesitzer, W35 Potsdamer Strasse 31a pt., Apartment: Apartment N20 Badstrasse 35 // “(In 1912 E. Luft is listed neither with Babelsberger 43 nor 48. 1912/6311: Die Berliner Street 163/164 belongs to the sculptor Schirmer, without tenants. 165 is on the Schöneberger Feldmark.).
26. ↑ see KinoWiki entry on Tiergarten
27. ^ Kino Wiki 1930 : Reichs-Kino Adressbuch 1930, ninth edition based on official material. "Arkadia-Lichtspiele, Berlin-Wilmersdorf, Berliner Straße 163/164, phone: Pfalzburg 2988, founded: 1909, 3-4 days, member of the Reichsverband Deutscher Lichtspieltheater - owner EV, 6 musicians, 379 seats owner Fritz Staar, Güntzelstraße 57, Telephone: Uhland 3209, managing director Friedrich Kessel. "
28. ^ Berliner Strasse . In: Berliner Adreßbuch , 1913, V., p. 502. “New building by sculptor R. Schirmer from Berlin” (1915/6177 /: ← Babelsberger Straße → Berliner Straße 163/164 belongs to Babelsberger Straße 52: owner of sculptor Schirmer, 13 Tenant, 165: Owner is Mrs. Grochtmann no tenant, 166: Owner Wittelsbach-Lichtspiele GmbH, user of smoked products, Grützmacher and jams Lina Ruppert. ← Schöneberger Feldmark → ← Grunewaldstrasse?).
29. ↑ Polke . In: Berliner Adreßbuch , 1918, I., p. 2137. “Kaufmann Herbert Polke, Wilmersdorf, Badensche Strasse 13, first floor. Badensche corner Babelsberger Straße 7. 1919 5442 / V. Part V, p. 482: Herbert Polke listed as manufacturer. In the residents' part I, p. 2188: Herbert Polke GmbH Maschinenfabrik SE29 Am Tempelhofer Berg 5a. “(The entry on Polke was missing in the previous year, also 1917/5819 /.).
30. ↑ Am Tempelhofer Berg 5a . In: Berliner Adreßbuch , 1920, III., P. 853. "Land owner the construction business Kostropetsch, Polke GmbH Stahlwarenfabrik, National-Antrieb-Ges.mbH Automobilteile, Hans Mäther & Co. Nachf. Cacao." (In the previous year followed No. 5 is No. 6. A year later Unger and Thünemann have the metal goods factory, plus 1921/4599 /.).
31. ↑ Polke as owner had the year 1919 entered in the cinema address book as owner.
32. ↑ Herbert Polke . In: Berliner Adreßbuch , 1930, I., p. 2556 (1930/6575 /: In Babelsberger Straße 52 of Mrs. Karpowitz from Charlottenburg, the Arkadia-Lichtspiele are among the 17 tenants.).
33. ↑ Cinema address book . Verlag Max Mattisson 1927/28 and Reichskino Adressbuch Volume 7 - December 1927.
34. ↑ on this entry at www.allekinos.com , but a “much larger residential and commercial building” does not result from the Berlin address book. Compare: Cinema address book 1927/28 (Max Mattisson publishing house): Be-Ba-Lichtspiele Berliner Straße 163-164, Herbert Polke, 180 seats. // Reichskino Adressbuch Volume 7 - December 1927 : 300 places for the Be-Ba-Lichtspiele Berliner Straße 163/164, corner Babelsberger Straße 52, owner Herbert Polke Member of the Reichsverband Deutscher Lichtspieltheater // Reichskino Adressbuch . Volume 8 - February 1929: 300 seats in the “Arkadia-Lichtspiele” Berliner Straße 163/164, founded in 1919, daily, R 300 owner Fritz Staar (Güntzelstraße), member of the Reich Association of German Movie Theaters 37. F: Uhland 3209.
35. ↑ H. Weigel-Brecht . In: Berliner Adreßbuch , 1931, IV., P. 1438. "Babelsberger Straße 52: Owner Mrs. Karpowitz, Arkadia-Lichtspiele, Berliner Spar-Elektrizitäts GmbH, director L. Dietrich, actress H. Weigel-Brecht and another 13 tenants." (Since 1926/6278 and still 1930/6575 the entry has read: Actress Helene Weigel. As Helene Weigel-Brecht, the entry is still in 1932/6054 no longer for 1933/5292).
36. ^ Online in the Google book search Fritz Sternberg: The poet and the ratio: memories of Bertolt Brecht . Suhrkamp, ​​Berlin 2014, ISBN 978-3-518-22488-5 . Note 6
37. ↑ Transport List VIII. Transport No. 89 Date of departure: 01/13/42, destination of deportation: Riga
38. ^ Stumbling blocks in Berlin Herbert Polke
39. ^ Stumbling blocks in Berlin Gertrud Polke (née Rothgießer)
40. ^ Reichs-Kino . Ninth edition by the Lichtbildbühne publishing house. Research in the cinema wiki
41. ^ Residents: Kessel . In: Berliner Adreßbuch , 1931, I., p. 1561. “Dr. Fritz Kessel, Authorized Signatory, Schöneberg, Innsbrucker Straße 50, 3rd floor “(same entry also 1932/1555 /.).
42. ^ Residents: Michaelis . In: Berliner Adreßbuch , 1939, I., S. 1912. "Hugo Michaelis, Managing Director, Pfalzburger Strasse 43/44." (1943/1977 /: Hugo Michaelis, Managing Director, same address.).
43. ↑ Population: Staar . In: Berliner Adreßbuch , 1943, I., p. 2913. "Fritz Staar in Wilmersdorf: Director Uhlandstrasse 80, Lichtspieltheater Kaiserallee 178/179, apartment in Dahlem Im Dol 39." (The house owner of Uhlandstrasse 80 with seven tenants is director Fritz Staar and the privateer Gentes. The house Kaiserallee 178/179 at Berliner Straße 155/156 belongs to the former Reg.-Baumeister C. Havestadt and the widow M. Havestadt and therein only the seat of the "Fritz Staar Lichtspieltheater-Betriebe" and "Atrium Staar und Lemke ”. For the house on the corner of Gadebuscher Weg“ Im Dol 39 ”the movie theater owner Fritz Staar is the owner and sole resident.).
44. ↑ The Film Week 43/1951
45. ^ The new film, 38-39 / 1952
46. ↑ allekinos.com: View of the round corner of the house.
47. ↑ bio-berlin-brandenburg.de: June 14, 2013 - Bio Company opens 33rd branch in Berlin-Wilmersdorf
48. ↑ cinematographic ideas . In: Berliner Adreßbuch , 1914, V., p. 567. “Among the 18 tenants in Uhlandstrasse 75: Franz Zadrafil, cinema owner.” (Same entry in the following year 1915/6228. In the previous year there were also 14 tenants in the banker's house in the previous year a waiter, a flour wholesaler and a wine shop).
49. ^ Residents: Kayser . In: Berliner Adreßbuch , 1929, I., p. 1614. "Kayser, Charles Willy, Filmschauspieler, Wilmersdorf Hohenzollerndamm 185 IV. Floor." (Not yet 1923/1507; first 1924/1380: for Schöneberg Martin-Luther-Straße 43 // Hohenzollerndamm 185: 1925/1485… 1933/1243 + only 1926/1531: "former Hofburg actor" // 1934/1156: ›without 'film-', only‹ actors, W15 Fasanenstrasse 61 // 1936/1224: Charles Willy Kaiser Lichtspiele, Gasteiner Straße 26, apartment: W15 Fasanenstraße 61 // 1937/1274 W 50 Wilmersdorf Nachodstraße 19 + 1938/1288 // 1939/1316: with "i" Charles Willy Kaiser actor and director, W 50 Nachodstraße 19 + singer Ruth Kaiser-Sersen, 1940 only the singer Kaiser-Sersen // from 1941 neither part of the population nor part of the street.).
50. ^ Residents: Heyde . In: Berliner Adreßbuch , 1930, I., p. 1235. “Theodor Heyde, Managing Director, Schöneberg, Fregestraße 70 Gartenhaus (Post Friedenau)”.
51. ↑ National maps: Age of buildings 1992/1993
52. ↑ View along Kaiserallee (? Bundesallee) to the south
53. ↑ berlin.de/ba-charlottenburg-wilmersdorf: cinemas
54. ↑ Arne Sildatke: Decorative Modernism: The Art Deco in the spatial art of the Weimar Republic . LIT Verlag, Münster 2013, ISBN 978-3-643-12293-3 .
55. ^ Homepage of the Bundesplatz cinema
56. ↑ Kaiserplatz . In: Berliner Adreßbuch , 1913, V., p. 519. “Kaiserplatz 14: The owner is the businessman J. Hänel from Friedenau, 27 private and commercial tenants” (the neighboring house is Kaiserplatz 12a from Baumeister Wagner. 1905/4478: New building by master mason Lange at the corner of Ringbahnstrasse . 1906/4787: Nine tenants, including the innkeeper Rohr.).
57. ↑ Built in the 1910s
58. ↑ Traders . In: Berliner Adreßbuch , 1917, V., p. 611.
59. ↑ Kaiserplatz . In: Berliner Adreßbuch , 1925, IV., P. 1389. “Kaiserplatz 14 / Wexstraße 31 belongs to the German-Dutch land acquisition, among the eleven tenants: Savoy Film Comp GmbH and the Felzmoden B. Lazarsfeld & Co.” (businessman Herbert Polke , Badensche Straße 13, 2nd floor // E. Wolff cannot be clearly assigned.).
60. ↑ Schönstedt . In: Berliner Adreßbuch , 1937, I., p. 2484. “Kaufmann Willy Schönstedt, Wilmersdorf, Bergheimer Platz 1”.
61. ↑ Pictures of the Bundesplatz cinema: 1957, 1985, 2010
62. ↑ Eva-Lichtspiele.de: Blissestraße 18 10713 Berlin
63. ↑ kinokompendium.de: Description of the Bundesplatz Kino
64. ↑ Pictures of the exterior, the foyer and the hall from 2012
65. ↑ The film program in bundesplatz-kino.de
66. ↑ ^{a b} Berlin 1: 5000: Kurfürstendamm at the corner of Cicerostraße Cicerostraße divides the districts.
67. ↑ WoGa = residential / commercial development: South of Lehniner Platz, an ensemble of buildings was created that was supposed to combine all the functions of a city in a small space, in addition to residential buildings, a shopping street, a café-restaurant and a cabaret theater. The most striking building of the ensemble is the Kino Universum, a world premiere cinema by Ufa (Universum Film AG) with 1,800 seats, whose expansive, horseshoe-like shape with its high front vent protrudes into the Kurfürstendamm like a giant ship's keel. According to Schaubuehne.de: Architecture 1928
68. ↑ berlin.de/ba-charlottenburg-wilmersdorf: cinemas
69. ↑ Cinema in the ticket office . In: Der Spiegel . No. 8 , 1948 ( online ).
70. ↑ The cinema owner Johannes Betzel is said to have not always sold his cinema tickets legally, as reported in an article in the Spiegel magazine in its issue of 8/8/1950. The marketing of his cinema is also said to have been a stumbling block in 1951 when he sent pretty girls off with notes and brisk slogans. Johannes Betzel . In: Der Spiegel . No. 23 , 1950 ( online ). Every gentleman a fifty . In: Der Spiegel . No.  44 , 1951 ( online ).
71. ^ Gerhard Fritsche (born September 27, 1916 in Berlin; † November 4, 1965 in Leverkusen) was a German architect. From 1936–1938 he completed a degree in architecture and began his work from 1938–1940 in the architectural office of Dr. Rudolf Kühn. From 1946–1950 he was involved in building projects with his father Max Fritsche. In 1950 he opened his first own architectural office in Berlin. From 1951–1961 he was involved in 17 cinema projects and several commercial buildings. In 1961 he moved to Düsseldorf and died in Leverkusen in 1965. In September-October 2014 an exhibition in the student village Schlachtensee was dedicated to him. his holdings in cinema buildings
72. ↑ WOGA-Complex & Universum-Kino & Schaubühne & Cabaret of the comedians
73. ^ Architecture of the Mendelsohn building
74. ↑ Uhlandstrasse was consecutively numbered and at that time belonged to Berlin W15, 1–25 and 178–197 Charlottenburg Postamt 2, 58–142 Post Wilmersdorf, politically it belonged to 1–25, with house numbers 27–57, 143–175 and 177 27–53 and 165–197 to the city of Charlottenburg, 38–163 to Berlin-Wilmersdorf, but 26, 34–37, 164 and 176 do not exist. The Pariser Strasse belonged politically to Wilmersdorf and postally to Berlin.
75. ↑ Uhlandstrasse 48 . In: Berliner Adreßbuch , 1912, III., P. 888. “Berlin W15, corner house see Pariser Straße 14b: The owner is the reindeer Hugo Seligsohn who lived on the first floor, the manager was O. Felting, and the porter Deutschmann the following year. There were ten renting (residential) parties in the house. The representative W. Silberstein and the widowed captain M. von Wartenberg are registered for Pariser Strasse 14b. In 1912 Hugo Seligmann was written in bold / Latin in the residents' area and was thus marked as “registered in the commercial court”. In 1902 (III. Theil, p. 668) the new building by Kaufmann Seligsohn, Passauer Strasse 2, the house Pariser Strasse 14b with two tenants is listed for 1903/2891 / on plot 48. ”(Only residents are noted in the street section. ).
76. ^ Residents: Schwarzkopf . In: Berliner Adreßbuch , 1923, I., p. 2999. “Frau Bertha Schwarzkopf, Pariser Strasse 17/18. For 1925/3060 she is registered as the owner of the cinema with the apartment at Berliner Straße 18 III. Stock. “(Seligsohn is a resident, no longer the owner.).
77. ↑ Windler . In: Berliner Adreßbuch , 1927, I., p. 3784. “Kaufmann J. Heinrich Windler, Wilmersdorf, Laubacher Strasse 31 2nd floor. // 1928/3867: JH Windler as general agent in SW19 Seydelstraße 14. "(" Max Wolff "is a common name, so it is not possible to assign it as a businessman).
78. ↑ Uhlandstrasse 48 . In: Berliner Adreßbuch , 1928, IV., P. 1043. “← Ludwigkirchstrasse → 47: 20 tenants, including private owner Martha Wolff lives on the first floor. // 48: The house is owned by businessman M. Bernard in Spain, among the eleven tenants: Corso-Lichtspiele, reindeer Hugo Seligsohn. ← Pariser Strasse? “(Also taken in 1929/6434 Corso-Lichtspiele at Uhlandstrasse 48.).
79. ↑ National maps of the building age legend: Karree Uhland- / Pariser Straße / Ludwigkirchplatz / -straße built between 1900 and 1918, but corner development: built 1946/1961.
80. ↑ Berliner Börsen-Courier No. 204 : Taxation of the "Kientöppe" in Wilmersdorf . May 1, 1912.
81. ↑ Ministerialblatt for Internal Administration, 1912, pp. 260–266. : "The new police ordinance, which takes into account the development of cinematograph theaters and the advances in technology in the direction of reducing the fire risk of cinematographic presentations, can in future serve as a model for the issuing of police ordinances on the fire safety of cinematographic presentations in place of the old ordinance . "
82. ↑ The website allekinos.com/berlin.htm also mentions the name Nikki-Lichtspieltheater for the cinema in Spichernstrasse 20.
83. ↑ Inhabitants of Berlin and its suburbs . In: Berliner Adreßbuch , 1918, I., p. 409. “Auguste Dadien, Deutsche Lichtspiele, W50, Spichernstrasse 20, ground floor. // No entry in the 1915 address book, especially since the male form of cinema owner initially follows . 1916/477 Part I, page 427: Dadien, Aug., Kinobes., SO36, Cottbusser Ufer 25a 1st floor. // 1917/443: Business owner Auguste Dadien, Schmargendorf Ruhlaer Straße 27 III. Stock // (1918/4405) In street part III, p. 779: Spichernstrasse 20: The house owner (also 21) is Spichernhaus GmbH. In house 20: Depot administration of the Artillery Examination Commission, Auguste Dadien with Deutsche Lichtspiele, Hennigsen & Neuberg Holz engros, caretaker Käding and Schuhmacher Schulz. “(The information with the floor referred to the place of residence. In the address part -only- Residents, administrators and owners included.).
84. ^ National map series, building damage 1945: Spichernstrasse
85. ↑ The exact date of the opening could not be determined by Karlheinz Opitz (operator since 2006) after intensive research in various archives.
86. ↑ Stenzelstrasse . In: Street name lexicon of the Luisenstädtischer Bildungsverein
87. ↑ Augustastrasse . In: Berliner Adreßbuch , 1910, V. (Dt. Wilmersdorf), p. 654. “? Wilhelmsaue → 5–9: Construction sites ← Mecklenburgische Strasse?”.
    * Augustastrasse . In: Berliner Adreßbuch , 1912, V. (Berlin-Wilmersdorf), p. 767. "5/6: new building by architect Kirte, 7: new building by privateer E. Schneider from Paulsborner Strasse 12, 8 and 9: construction sites".
    * Augustastraße 7 . In: Berliner Adreßbuch , 1913, V., p. 497. "The house owner is engineer E. Schneider, among the tenants and Nitzers: Roland-Lichtspiele Felix Wespe, businessman Felix Wespe with the apartment." (1913/2575 Part I, p . 2558: "Roland Lichtspiele Felix Wespe", owner Felix Wespe marked as "registered in the commercial court").
88. ^ Berlin 1: 5000: Blissestrasse
89. ↑ ^{a b c d} berlin-audiovisuell.de : Popular family cinema celebrates its 100th birthday in 2013 . Discover June 17, 2013 in Berlin .
90. ↑ Cinema report on Eva on youtube
91. ↑ from: Michael Roeder, Weblog Klausenerplatz
92. ↑ In Part V. of the Berlin address books, Felix Wespe is recorded with cinematographic ideas in the Roland-Lichtspiele from 1913 to 1921. (1913/6187 + 1914/6339 + 1915/6228 + 1916/5897 + 1917/5871 + 1918/5559 + 1919/5493 + 1920/5545 + 1921/5871)
93. ↑ Augustastraße 7 . In: Berliner Adreßbuch , 1922, IV., P. 1218. “In 1920 and 1921 the house owner was still engineer E. Schneider (from Berlin, 1921 from Blankenburg). In 1922 it is Mrs. E. von Streletzky from Jenaer Straße 16, Felix Wespe is only listed as a businessman among the tenants in the house and the Roland-Lichtspiele are no longer listed. "(Alfred Löwenthal cannot be clearly assigned in the 1922/2011 residents' area. In Jenaer Straße 16 is where the theater director "Josef von Streletzky", registered under commercial law, lives, among others. 1923 as "Josef von Streletzky Finanz und Handel".).
    * Augustastraße 7 . In: Berliner Adreßbuch , 1923, IV., P. 1275. “The house owners are the factory owners Kurschanski and Himmelhoch from Riga, the manager is the cinema owner A. Löwenthal from Berlin. In addition to businessman B. Löwenthal, the tenants also include Alfred Löwenthal, Lichtspiele. In the residential part 1923/1987 /: Alfred Löwenthal, Eva-Lichtspiele Wilmersdorf, Augustastraße 7. “(1923/3561 /: Merchant Felix Wespe now lives in Charlottenburg, Nordhausener Straße 8 4th floor).
94. ↑ Pictures on Kino Wiki
95. ↑ Damage to buildings 1945: Blissestrasse
96. ↑ For 23 years, starting with the ticket teller, he was active in the Berlin cinema scene. In the 2000s he had tried to find a suitable object. So in Friedrichshain and Kreuzberg he looked for a suitable venue with two portable 35 mm projectors.
97. ↑ For example, the Berlin actor Gunnar Möller, who made his film debut in 1940 at the tender age of 12 in a film adaptation of the fairy tale Hansel and Gretel and in 1955 played the leading role alongside Liselotte Pulver in the film I often think of Piroschka .
98. ↑ Eva-Lichtspiele in Kinokompendium.de with pictures from inside and outside (2010/2013)
99. ^ Lauenburger Strasse . In: Street name lexicon of the Luisenstädtischer Bildungsverein Fechnerstrasse since July 1947, previously from May 1937: Walter-Fischer-Strasse.
100. ↑ Gasteiner Strasse 26 . In: Berliner Adreßbuch , 1913, V., p. 507. “? Uhlandstrasse → ← Lauenburger Strasse → Gasteiner Strasse 26: saLauenburger Strasse 2a: the house is owned by businessman Koch and architect Kunze, ten tenants // 27: new building. Previously for Uhlandstrasse 83/84 ground floor, the cinematograph owner Josef Umlauf was recorded for Mannheimer Strasse 43 ground floor in the 1913/3255 residential area. // 1914/3326 / at this address as operations manager; Conrad Umlauf from Neukölln Hermannstrasse 55 is registered as the owner of the cinematograph. // 1915/3287: Factory worker Konrad Umlauf, Neukölln Hermannstrasse 55. Josef Umlauf is missing in the residential and street part. // 1916/3101: Bookbinder Conrad Umlauf, Neukölln Hermannstrasse 55 4th floor. Merchant Josef Umlauf, Uhlandstrasse 103 and is included in the commercial section 1916/5897 / with cinematographic ideas. // 1917/5871: According to the commercial section, Josef Umlauf runs cinematographic performances. 1917/3081 in the residential part: cinema owner Josef Umlauf at Uhlandstrasse 103, in the street part 1917/5860 / as a theater owner. // 1918/2953 Kaufmann Josef Umlauf's apartment is Uhlandstrasse 103. // 1919/2932: Kaufmann Josef Umlauf, Uhlandstrasse 103 2nd floor. The same in 1920/5491 and 1921/3224 “(In the residential part at that time only companies registered by commercial courts are registered, in the residential part residents).
101. ↑ There is no explanation for the interpretation of the three letters GLU. Probably: " G arsteiner L ichtspiele U mlauf"
102. ^ Resident of Berlin: Lascus . In: Berliner Adreßbuch , 1924, I., p. 1712. "Hans Laskus, cinema owner, Wilmersdorf, Lauenburger Strasse 2a.".
103. ↑ Kino-Pharus-Plan Berlin: to the Kino-Adressbuch 1919, Berlin W35: GLU-Lichtspiele up to 300 places // Kino-Adressbuch-Verlag Max Mattisson Berlin SW681925: no marking
104. ↑ Kino address book 1924-25 . Publisher Max Mattisson. According to Kino Wiki : “GLU-Lichtspiele Wilmersdorf. Gasteiner Straße 26 currently closed Owner: 'Mais' Laskus "
105. ^ Charles Willy Kayser as an actor and director
106. ↑ Vieweg in the residential area . In: Berliner Adreßbuch , 1936, I., S. 2827. "Kinobesitzer Hans Vieweg, Wilmersdorf, Gasteiner Straße 26" (Until 1935/2763 Vieweg was not listed in the Berlin address book, not even in the street section 1934/4568 /. Address book states Berlin W 57, Steinmetzstraße 75 as the place of residence.).
107. ↑ Der Tagesspiegel : Death came from the air. : "From September 1, 1939 to April 21, 1945 the sirens wailed over 500 times, the city experienced 389 air alarms and 143 public air warnings or small alarms." April 2, 2013.
108. ↑ Damage to buildings in 1945
109. ^ Berliner Zeitung: Heaviest air raid on Berlin on March 18, 1945 . 17th March 2015.
110. ↑ National maps building age: corner development 1946–1961, the adjacent development: 1962–1974
111. ↑ Der Tagesspiegel: Interactive aerial photographs - Berlin 1928 and today - a journey through time at the click of a mouse . April 25, 2016.
112. ^ National maps: Building age Emser / Pariser Straße: built between 1919 and 1932
113. ↑ Pariser Strasse 44 . In: Berliner Adreßbuch , 1931, IV., P. 754. “? Sächsische Strasse → 42/43: 13-party tenement house. 44 belongs to Emser Strasse 40–47 ← Emser Strasse → ← Ludwigkirchplatz → ← Pfalzburger Strasse → / Emser Strasse 40–46: several company offices ← Düsseldorfer Strasse → // “(In 1930, tennis courts owned by the Borussia tennis club were owned by the Mossesche heirs and sports field Wintermärchen I).
114. ↑ ^{a b} Embassies: Slovak Republic
115. ↑ Streetview Emser Straße with a former cinema entrance
116. ↑ Reichskino Adressbuch Volume 13 (Distribution District I East Germany): Emser-Lichtspiele Berlin-Wilmersdorf, Pariser Straße 44, member of the Reichskinoverband, founded in 1932. Game day: daily, 500 seats, sound film equipment from sound film, mechanical music system, owner: Kurt Mietusch (Berlin-Wilmersdorf Konstanzer Strasse 53) and Franz Tischler, Berlin-Charlottenburg 4 Walzstrasse 11.
117. ↑ Emser Strasse 40/41 . In: Berliner Adreßbuch , 1935, IV., P. 1275. “The owner of property 40-46 is Deutsche Realkredit GmbH. 40/41: Emser Lichtspiele, Massage Alberti, Evang. Zentralbank eGmbH, installer Garczarek, knitwear Gurski, businessman Jacobowitz, drugstore John, Miss Markowitz, Dt.-Rum. Petroleum GmbH, Reich Coal Association, Wassermesser Vertriebs GmbH. 1934/5020: Emser Straße 40/41: almost the same users: not yet Emser Lichtspiele, but 1935/5238 /: Pariser Straße 44 "belongs to Emser Straße 40-46". 1936/5505 /: Pariser Strasse 44: See also Emser Strasse 40/41: owner unnamed, nine commercial users / “.
118. ↑ Emser Strasse 40/41 . In: Berliner Adreßbuch , 1937, IV., P. 1310.
119. ↑ Pariser Strasse 44 . In: Berliner Adreßbuch , 1943, IV., P. 1374. “Pariser Strasse 44 also Emser Strasse 40/41. House owner: German Empire. Under nine tenants: Mietusch & Klee Lichtspiele. 1939/5645 /: Mietusch & Klee Lichtspiele in Emser Straße 40/41. 1940/5819 /: Mietusch & Klee Lichtspiele in Pariser Straße 44. 1940/2032 /: Mietusch & Klee Lichtspielbetrieb W15 Pariser Straße 44. “.
120. ^ Building damage on Ludwigkirchplatz
121. ^ The film theater 1984 . (Stadler GmbH)
122. ↑ Apartment block 1932 by Paul Hetzer
123. ↑ Kaiserallee 21 . In: Berliner Adreßbuch , 1929, IV., P. 481. “The house owner was the businessman A. Rabinowitsch. There were 20 residents and commercial tenants. See the neighboring house 22. also indicated at Trautenaustrasse 4. “.
124. ↑ Kaiserallee 21 . In: Berliner Adreßbuch , 1930, IV., P. 461. “The house owners are merchant Rabinowitsch from London, Rentier JA Rabinowitsch from Danzig, manager is A. Rabinowitsch (probably Babelsberger Strasse 50 I). Among the 19 tenants is (for the first time) Hildegard Moll, Lichtspiele. 1930/2257 (part 1): Hildegard Moll, Lichtspiele, W15 Kaiserallee 21 Erdg., It was not listed in the register of residents in the previous year. ".
125. ↑ Kaiserallee . In: Berliner Adreßbuch , 1934, IV .. "Kaiserallee 1-60 and 155-22: Administrative District IX Wilmersdorf (district Berlin-Wilmersdorf), 61-154: Administrative District XI Schöneberg. Kaiserallee 21: Owned by the merchants A. and J. Rabinowitsch (abroad), Ms. Moll is no longer listed in the house, not even in the register of residents. Fritz Staar is registered with the Wilmersdorfer cinemas at Berliner Straße 166 and Güntzelstraße 57. Hugo Papajewski is missing in the population register. ”.
126. ^ National maps: War damage on Trautenaustrasse
127. ↑ War damage Hohenzollerndamm / Sächsische Straße
128. ↑ The new film 79/1952
129. ↑ Wiemer and Trachte office building
130. ↑ According to research by allekinos.com , the inventory period is given as 1910–1924. On the 1919 Kino-Pharus map, there is no longer a cinema on the corner of Augusta at Berliner Strasse.
131. ↑ 1909/5676: Augustastraße 1 at the corner of Berliner Straße 129 (the property is assigned to Augustastraße 1) belongs to the builder Fritzsche, with 23 tenants, including the innkeeper G. Struß, also the income tax assessment commission for the urban district of Dt. Wilmersdorf. The tenement house was built on the property of master baker Schramm after 1905. Number 2 is probably still uninhabited in 1909, owned by master butcher Hofmann.
132. ↑ Augustastraße 2 . In: Berliner Adreßbuch , 1911, V., p. 745. “The house owned by the architects F. Korte and F. Liskow has already been occupied by their architecture bureau and 15 tenants, including a wine shop and a waiter. 1911/6127: The owner of the cinema theater Hannowsky lives at Holsteinische Strasse 46. “.
133. ↑ According to the research in Kino Wiki : “The photo stage at Augustastraße 2 near Berliner Straße 129 is said to have existed from 1910–1924. [] ... It can be assumed that the operation as a cinematograph theater ended in 1914 at the latest. "
134. ↑ The information in the Berlin address book suggests that the photo stage at Augustastraße 1 existed.
135. ↑ Cinematograph Theater . In: Berliner Adreßbuch , 1911, V., p. 755. “In the residential part of 1911/1004: cinematograph owner Ernst Hannowsky with the apartment Holsteinische Strasse 46, garden house III. Floor.". / Cinematograph theater . In: Berliner Adreßbuch , 1912, V., p. 813. “E. Hannowsky, Augustastraße 1 ”.
136. ↑ Augustastrasse . In: Berliner Adreßbuch , 1912, V., p. 767. "? Berliner Straße → Augustastraße 1: The owner is Dr. jur. Abrahamsohn vom Kurfürstendamm 105 * 106. Among the 21 tenants cinematograph owner Hannowsky, also the income tax assessment commission for the city district of Dt. Wilmersdorf. // No. 2: Eleven tenants are named in the house of the architects Korte and Liskow. House 3 also belongs to the two architects, apartment house 4 is on the ← Wilhelmsaue ?. The innkeeper and cinema owner Ernst Hannowsky is noted in the 1912/1030 residents section, but he is absent as an innkeeper in the Wilmersdorfer commercial section. " "). // Resident: Hannowsky . In: Berliner Adreßbuch , 1912, I., p. 1032.
137. ↑ In the Wilmersdorfer commercial section, there was no distinction between gas and water plumbers and plumbers for electric light, for example with power and low-voltage licenses.
138. ↑ Compare: up to 1912/6321: Holsteinische Straße 43 belongs to Uhlandstraße 122 and from 1913/6153: Holsteinische 45/46 Garten belongs to Uhlandstraße 122. In addition, the house 46 after 51 belongs to the master builder Reisse.
139. ^ National map series, building damage 1945: corner of Blissestrasse and Berliner Strasse destroyed
140. ↑ Compare street location and numbering: 1930/6572 - Augustastraße and 1943/5851 - Stenzelstraße
141. ↑ Map of Berlin 1: 5000 (K5 - color edition): Blissestraße 2-6
142. ↑ Map of Berlin 1: 5000 (K5 - color edition): Blissestraße 2-6
143. ^ National maps: Berlin around 1910
144. ↑ Carl Stechert . In: Berliner Adreßbuch , 1905, I, p. 2055. “ Carl Stechert Prachtsäle des Westens , W50 Spichertstrasse 3, owner is Carl Stechert, the owner of the property with the apartment on the first floor. Information in the road section 1905/3446. Also commercial part 1906/4012. 1900: Street section III, p. 578: Spichernstrasse 1–8 building sites by Kaufmann Rühm. “(Companies registered by the commercial court are marked with * or in Latin / bold letters.).
145. ^ Friedbergstrasse . In: Berliner Adreßbuch , 1905, V., p. 45. "In 1900 Salo Rappaport lives in Berlin-W Augsburger Strasse 63 ground floor // # 1247 I. Theil p. 1227".
146. ^ Salo Rappaport . In: Berliner Adreßbuch , 1909, I., p. 2124. “Merchant Salo Rappaport is in Charlottenburg with his apartment at Gervinusstrasse 6 mezzanine floor and with the cinematograph theater of living, singing, speaking and music-making photographs at Berliner Strasse 107, also Wilmersdorfer Strasse 165 and Scharrenstrasse 5 registered on 1909/5123. “(Also 1910/2230, and 1910/5295).
147. ↑ The Kinematograph 199/1910
148. ↑ Rappaport . In: Berliner Adreßbuch , 1911, I., p. 2315. “Salo Rappaport, Kinematograph.-Theater, 'Licht-Schauspiele', W50 Spichernstrasse 3. Wohn. Charlottenbg, Gervinusstr. 6 T. Ch. 9375. // (Brother?) Samuel Rappaport Kinematogr.-Theat, p. 42, Alexandrinenstr. 97. T: IV. 7903. // S. Rappaport also noted as a cinematograph in Charlottenburg Berliner Strasse 107. S. Rappaport for Berliner Straße 7 and V. Rappaport for Goethepark 26 are listed on sheet 1911/5581 among the Charlottenburg tradespeople with cinematographic ideas. In the street section, S (alo) Rappaport is named with a cinematograph theater in Goethepark 26. “.
149. ↑ Spichernstrasse 3 . In: Berliner Adreßbuch , 1913, I., p. 3051. “Carl Stechert Magnificent Halls of the West, W 50, Spichernstrasse. 3, T: Pfzb. 2573. Jnh. Jda Stechert, b. Herald. 77 1914/2449: "Magnificent Halls of the West" Ida Stechert, concert, theater and social establishment, W50, Spichernstrasse 3, T .: Pfzb. 2573th c. Mrs. Ida Stechert ”.
150. ^ Building damage 1945: Spichernstrasse
151. ↑ compare the aerial photo from 1955 on Google Earth
152. ↑ Berlin 1: 5000: building location Spichernstrasse 2016
153. ↑ Landhausstrasse 1 . In: Berliner Adreßbuch , 1925, IV., P. 1393. “belongs to Trautenaustraße 18> owner is Rentier Weißbrem, foreign; 18 tenants ← Landhausstrasse → ← Nikolsburger Platz? ”.
154. ↑ Berlin 1: 5000: Location on Nikolsburger Platz 2016
155. ↑ Trautenaustraße 18 . In: Berliner Adreßbuch , 1927, IV, p. 1464. “The owner is a businessman Steinmeier, among the tenants:“ Lichtspiele Nicolsburger Platz ””.
156. ↑ Dorothea Hauser: Address about the laying of the Stolperstein in Trautenaustraße and inauguration of the memorial stele on Nikolsburger Platz on April 29, 2012. www2.becker2011.de/uploads/hauser_stolpersteine_trautenaustr_29_04_2012.pdf
157. ^ Wilhelm Steindorff . In: Berliner Adreßbuch , 1937, I., p. 2710. “Kinobesitzer NO55 Greifswalder Strasse 220. 1938/2798… 1943/2973: Cinema owner Wilmersdorf Güntzelstrasse 2. 1938/5587: ← Güntzelstrasse → Mietshäuser 13-17, Trautenaustraße 18: Kaufmann Steinmeier is the house owner, in addition to 22 tenants, the "Lichtspiele am Nikolsburger Platz". "
158. ^ National map series of war damage: Nikolsburger Platz
159. ↑ Berlin around 1940 (gray mixed areas, purple: common areas) The corner house is numbered Landhausstraße 1 here.
160. ^ National maps: Berlin around 1910: Ludwigkirchstraße , the corner property and the properties along Uhlandstraße are designated as mixed areas.
161. ↑ Ludwigkirchstrasse 6 . In: Berliner Adreßbuch , 1910, III., P. 516. “The corner house is connected to Uhlandstrasse 46. The house owner is the reindeer burdock. Among the 15 tenants of house 6 is a jam dealer Glose, the wine shop Kahn & Co., and the men's clothing magazine Kochanke. In house 46, the ten tenants include the Becker wine wholesaler and the Foerstemann confectionery. ”(The corner house was built in 1901 by the builder Schrepler, in 1902 it was rented to the foreign wine merchant Klette).
162. ^ Resident: Bart . In: Berliner Adreßbuch , 1913, I., p. 102. “F.-W. Bart Royal-Licht-Schauspiele, W15 Ludwigskirchstrasse 6, apartment NW7 Dorotheenstrasse 57. The tenant A. Barth, Lichtspieltheater, was listed for the rented house of the reindeer Klette. In the following year August Wilhelm Bart lived on the ground floor of Ludwigskirchstrasse 6. “.
163. ↑ Roth . In: Berliner Adreßbuch , 1918, I., p. 2338. “Cinema owner Aranka Roth, apartment in Wilmersdorf Uhlandstrasse 77 garden house.”.
164. ↑ Ludwigkirchstrasse 6 . In: Berliner Adreßbuch , 1921, III., P. 528. “The house owner is a businessman Baron, in addition to the ten tenants: Beauty-Lichtspiele K. Vanselow. At that time, Aranka Roth was a film dispatcher and lives in Uhlandstrasse 77, rear building fourth floor, this address is also noted for Vanselow. "
165. ↑ Ludwigkirchstrasse 6 . In: Berliner Adreßbuch , 1922, IV., P. 565.
166. ↑ "Beauty" . In: Berliner Adreßbuch , 1922, I .. “Commercial court registered: Die Schönheit, Buch- u. Kunsthdlg., Karl Vanselow, Charlottenbg, Schillerstraße 114 T. Wilmersdf branch, Ludwigkirchstr. 6, T. and Beauty-Lichtspiele Karl Vaselow W15 Ludwigkirchstr. 6 T. Pfzb. 4494. Whereby (C / K) lara Rothe and Karl Vanselow were owners at different times. ".
167. ^ Moritz . In: Berliner Adreßbuch , 1930, 1, p. 2243. “Ob.-Ing. Johannes Moritz, W15 Xantener Straße 18, garden house 4th floor. “.
168. ↑ Ludwigkirchstrasse 6 . In: Berliner Adreßbuch , 1936, IV., P. 1332. “The house owners are the merchants Gebr. Stettner from Berlin, twelve tenants and the LK Lichtspiele. // Merchant Horst Klee, Charlottenburg Leibnitzstrasse 87 // Merchant Kurt Mietusch, Charlottenburg Wilmersdorfer Strasse 95 ”.
169. ^ LK In: Berliner Adreßbuch , 1943, I., S. 1958. “Company registered by commercial court 'Kurt Mietusch Lichtspielbetriebe', seat: W15 Emser Straße 40-46; Apartment: Charlottenburg Wilmersdorfer Straße 95 // Ludwigkirchstraße 6: R. Niebusch, cinema // Pariser Straße 44: Mietusch & Klee, Lichtspieltheater // Charlottenburg Wilmersdorfer Straße 95: cinema owner K. Mietusch, Lichtspieltheater KH von Riffelmann and another 31 tenants. ”.
170. ↑ Map of Berlin 1: 5000 (K5 - color edition)
171. ↑ berlin.de/ba-charlottenburg-wilmersdorf: Stolpersteine ​​Ludwigkirchstrasse 6
172. ^ Bergheimer Strasse . In: Berliner Adreßbuch , 1930, IV. (Wilmersdorf district), p. 1433. "Bergheimer Platz: ← Laubacher Strasse → Marienkirche // Bergheimer Strasse: ← Bergheimer Platz → ← Laubacher Strasse → construction sites ← Südwestkorso → construction sites ← Bergheimer Platz → / / 1931/6284: Bergheimer Straße (1 and 3: Post Berlin-Friedenau) ← Bergheimer Platz → 1 and 3: Owner of the Catholic Collective Association Friedenau, administrator, caretaker Sawatzki, house 1: Kaplan Mahlich, pastor Menzel, Prof. Meßmann, house 3: Government builder Alys, House 5 and 7: Heimstättensiedlung (Siegburger Straße 2/3) with 15 tenants each. ← Southwest Corso ?, opposite side still undeveloped. ”.
173. ↑ Parish hall & rectory
174. ↑ Berlin 1: 5000: Land on Laubacher Platz
175. ↑ Motion picture theater . In: Berliner Adreßbuch , 1934, II., P. 329.
176. ↑ Keidel . In: Berliner Adreßbuch , 1938, I., p. 1267. “Kinobesitzer Paul Keidel, SW61 Hagelberger Strasse 61”.
177. ↑ Bergheimer Strasse 1 . In: Berliner Adreßbuch , 1939, I., S. 1327. "Left page: 1 and 3: Owner: Kathalischer Sammlungverein Friedenau, Rheingau-Lichtspiele GmbH, in addition Schallehn & Co. Lichtspiele, as well as therapeutic gymnastics Ackermann, attendant Marx, Kaplan Hillar, Pastor Menzel, sexton Sawatzki. 1939/2532: Werner Schallehn Lichtspieltheater, Lankwitz Corneliusstraße 2a, registered by the commercial court: Schallehn & Co. Lichtspiele Bergheimer Straße 1. 1939/1737: Merchant Max Leschonski, O34 Warschauer Straße 66 “.
178. ↑ The Kinematograph 201/1910
179. ↑ Because of the east-west Gasteiner Strasse, only the "north-west corner" was to be considered. National maps: Berlin around 1910
180. ^ National maps: Map of Berlin 1: 5000 (K5 - color edition) . For street names, compare the city maps from previous years on histomap-berlin.de: Search for 10717 Uhlandstraße> 90
181. ^ National maps: Damage to buildings 1945
182. ↑ 1910/5919: Uhlandstrasse 89/90: construction sites ← Lauenburger Strasse → ← Gasteiner Strasse → // 1911/6144: 89/90 also Lauenburger Strasse 4/5: tenement architect Roch ← Lauenburger Strasse → ← Gasteiner Strasse → // 1913 / 6175: 89/90 also Lauenburger Strasse 4/5: tenement architect Roch ← Lauenburger Strasse → ← Gasteiner Strasse?
183. ↑ Uhlandstrasse 89.90 / Lauenburger Strasse 5 . In: Berliner Adreßbuch , 1912, V., p. 803. "Owner P. Meßmer, manager porter Dziomba, tenant: butcher shop Hönigk, cleaning dealer Lorenz, master builder Naumann, boarding house Isidora Perquerel, architect Roch, specialist doctor Salomon, Theater owner Felix Wespe. // 1913/6175: Change among tenants: Deutsche Bank moved into a branch. The privateer Hönatsch, civil engineering contractor Lange, director W. Rott Pianomagazin, no longer among the tenants Wespe, the plasterer, as well as master builder Naumann and architect Roch, has also moved in. // 1912/3347: Theater owner Felix Wespe: Uhlandstraße 89/90 ground floor, apartment Lauenburger Straße 18 garden house, 2nd floor. // 1913/3412: Merchant Felix Wespe: Wilmersdorf Augustastraße 7. see Roland-Lichtspiele Fritz Wespe. // 1913/2575: Roland-Lichtspiele Fritz Wespe (registered in the commercial court) Wilmersdorf Augustastraße 7, owner Felix Wespe. ".
184. ↑ Project at Architects Autzen & Reimers
185. ^ Map of Berlin 1: 5000 (K5 - color edition): Rüdesheimer Lichtspiele
186. ↑ Homburger Strasse 12 . In: Berliner Adreßbuch , 1916, V., p. 508. “? Spessartstrasse → ← Aßmannshausener Strasse → 12, on this Aßmannshausener Strasse 13: owner of the building business Fröhlich, nine tenants. Construction sites ← Hochheimer Strasse → “(1917/730: master builder Walter Fröhlich, Homburger Strasse 12 // 1919/695 + 1921/785: Walter Fröhlich building materials and construction company, Homburger Strasse 12 3rd floor // 1925/6084 The house owner is a businessman Lewinstein from Königsberg and Kaufmann Fröhlich his tenant.).
187. ↑ ^{a b} Building damage 1945: Homburger Straße
188. ↑ Apartment building Aßmannshauser Strasse 13, Homburger Strasse 26
189. ↑ Entries in the Berlin address book: 1929/6808: The house owner of Hombacher Strasse 12 is the cigarette manufacturer Massary from Berlin, Walter Fröhlich is still a tenant. Aßmannshausener Strasse 13 still belongs to Homburger Strasse. // 1931/3368: Engineer Josef Steinberg lives on Augustastraße 7. Merchant Georg Steinberg, Wilmersdorf Homburger Straße 12. Walter Fröhlich is no longer a tenant. // 1931/6305: At Homburger Straße 12 of A. and B. Schlochauer from Charlottenburg, 18 tenants are listed: including Rüdesheimer Lichtspiele, businessman G. Steinberg. // 1934/5033: The owner of Homburger Straße 12 is the reindeer Schluchtenberg from Tempelhof Parkstraße 2, although merchant G. Steinberg still lives, the Rüdesheimer Lichtspiele are not listed separately.
190. ^ Database of Jewish businesses in Berlin 1930–1945
191. ↑ film echo 5/1957
192. ↑ compare: Histomap Berlin . Map 4145 from 1943 and 1950: Blissestraße 34, 36, 38/40.
193. ↑ from: Michael Roeder: Weblog Klausenerplatz
194. ↑ Pictures of the Savoy street situation 1957 and 2013, cash desk and hall
195. ^ Daily newspaper "Der Westen": "Ufa opens on Tuesday, December 14, 1943, in Wilmersdorf, Wilhelmsaue 112, the new Ufa-Theater Wilhelmsaue with the Bavaria film 'The Journey into the Past'."
196. ↑ "Entertainment is also important in terms of state policy [1942], if not decisive for the war." Quote from J. Goebbels on February 8, 1942.
197. ↑ Further information in the web text: Streets and squares: Wilhelmsaue 112 - cinema for two days
198. ↑ First Church of Christ, Scientists (Meetinghouse and Church of Christian Science)
199. ↑ Uhlandstrasse 83/84 . In: Berliner Adreßbuch , 1911, V., p. 745. “In the tenement of the Franzkowiak freight forwarder there are 15 tenants, including the cinema owner Josef Umlauf. 1905/4481: ← Güntzelstrasse → 74, 75 apartment buildings; 76, 77: construction sites; 78: Gerard building officer; 79/80, 81/82: apartment buildings; 83–87: Rentier Wrede construction sites; 88: apartment building; 89/90: Zimmerplatz ← Lauenburgerstrasse → ← ← Garsteinerstrasse → “.
200. ↑ Cinema owner Josef Umlauf, Uhlandstrasse 83-84: 1911/6154 + 1912/6352 / The following year he moved: 1913/6187: Umlauf, Mannheimer Strasse 43
201. ^ Berliner Strasse . In: Berliner Adreßbuch , 1910, V. (Dt.-Wilmersdorf), p. 657. “? Babelsberger Strasse → 163/164: Property by sculptor Schirmer, 165: Gärtner Rüster ← Schöneberger Feldmark → ← Grunewaldstrasse → // 1911/6118 , 1912/6311 ".
202. ↑ A new large cinema and café . In: Berliner Börsen-Courier, January 29, 1912, No. 47
203. ↑ Berliner Strasse 166 . In: Berliner Adreßbuch , 1913, V. (Berlin-Wilmersdorf), p. 502.
204. ↑ ^{a b} Berliner Börsen-Courier: A cinematograph tax in Schöneberg . December 23, 1911, No. 601. / Berliner Börsen-Courier: [www.earlycinema.uni-koeln.de/documents/view/175 The Schöneberg cinematograph tax approved] . February 21, 1912, No. 87. // “An increase in the cinema entrance fees in Schöneberg resulted in the Schöneberg cinematograph tax. Most of the tax is passed on to the public. The surcharge for the cheapest seats is ten pfennigs and goes up to 40 pfennigs. "
205. ↑ Berliner Börsen-Courier: Berlin's new tax plans of November 2, 1912, No. 516: "These suburbs, especially Wilmersdorf, are pursuing an outspoken policy of pulling the rich taxpayers out of Berlin."
206. ↑ Berliner Strasse 166 . In: Berliner Adreßbuch , 1914, V., p. 516. “1914/1869: company registered by the commercial court“ Lichtspielhaus Wittelsbach am Bayrischen Platz Sattler & Eisner ”for Wilmersdorf Berliner Strasse 166 // 1914/631: Director Dave S. Eisner in Wilmersdorf Berliner Straße 166 // 1914/2719: businessman Oscar Sattler, Schöneberg Salzburger Straße 7 1st floor “.
207. ^ Berliner Börsen-Courier: The resistance against the film convention broken . October 26, 1912, no.505
208. ↑ Friedrichstrasse 235 . In: Berliner Adreßbuch , 1918, III., P. 250. "Friedrich-Wilhelm-Passage (also Wilhelmstrasse 13): House owners: Stiegler's heirs: 14 companies in the film industry including National-Film GmbH, plus seven other tenants // 1919 / 3794: 226 owned by the Borchardt heirs: Sattler & Eisner Filmvertrieb and Centra-Filmvertieb GmbH, and other other commercial tenants ”(Dave Eisner called himself“ film manufacturer ”in 1918. Oskar Sattler was a businessman).
209. ↑ Cinematographic Concepts . In: Berliner Adreßbuch , 1919, V., p. 533.
210. ↑ Wittelsbach Theater Joseph Streletzky . In: Berliner Adreßbuch , 1920, I., S. 3116. “Company registered by the commercial court at Berliner Straße 166 // 1920/2810: Theater director Josef Streletzky, Wilmersdorf Jenaer Straße 16. // 1920/5494: Owner of Berliner Straße 166 is Josef von Streletzky, who runs his theater here, game and poultry millers, jams zapernick ”(1921/5819 Streletzky house owner and theater director.).
211. ↑ by Streletzky . In: Berliner Adreßbuch , 1930, I., p. 3379. "Theater director Josef von Streletzky, apartment Jenaer Straße 16 and JvStreletzky & Co., seat Wilmersdorf Jenaer Straße 16" (businessman Dave S. Eisner, W 30 Münchener Straße 14 Erdg. / Oscar Sattler Export, Schöneberg Erfurter Strasse 2 2nd floor / In Bayerischer Platz 2 is Oskar Aberbach's café and restaurant.).
212. ↑ In the address book the indistinctly legible spelling is Zinische, Cines follows from other sources .
213. ↑ Berliner Strasse 166 . In: Berliner Adreßbuch , 1922, IV., P. 1224. “Owner: Dt. (?) Zinische Ges. From Berlin; Tenants: Wild Reydert, Wittelsbach Theater, zäpernick jam. // 1922/3301: Residents: Banker Josef von Strelitzky, Jenaer Strasse 16. 1922/558: Deutsche Cines-Gesellschaft mbH, Films, SW48 Friedrichstrasse 11 1st floor // 1922/1983: Architect Georg Lischka, Schöneberg Martin-Luther- Straße 46 “(at times the owner of the neighboring property is listed as the owner).
214. ↑ According to information on Kino Wiki
215. ↑ The Kinomatograph 767/30. October 1921
216. ↑ There was a Cito publishing company and Cito-Film GmbH, but the relationship with Cines remains open. Lemma . In: Berliner Adreßbuch , 1923, I., p. 500. "Deutsche Cines-Gesellschaft mbH, Films, Friedrichstrasse 11 I. // 1923/493: Cito-Verlagsgesellschaft mbH, NW 6 Karlstrasse 31 Hinterhaus Erdg. // 1924/417 Cito Film GmbH purchasing office Friedrichstrasse 250 // Cito-Verlagsgesellschaft mbH, NW 6 Karlstrasse 31 Hinterhaus Erdg. ".
217. ^ Resident of Berlin . In: Berliner Adreßbuch , 1926, I., p. 1473. “Managing Director Frieda Kanowski, born. Koschik, SW68 Zimmerstrasse 50 “.
218. ↑ Berliner Strasse 166 . In: Berliner Adreßbuch , 1926, IV., P. 1408. “← Babelsberger Straße → 163/164 to Babelsberger Straße 52, 165: House of Mrs. Grochtmann: Magistrat-Rat Grochtmann, 166: Owner Wittelsbach-Palast, with flowers Maurisio, Jams zäpernick ← Schöneberger Feldmark → ← ← Grunewaldstrasse → // 1925/6068: Berliner Strasse 166: owner Mrs. Grochtmann from no. 165; User: Wittelsbach Theater, Food Rehdert, Jams zäpernick ”.
219. ↑ filmportal.de: Special features . Germany 1929, feature film
220. ↑ Berliner Strasse 166 . In: Berliner Adreßbuch , 1934, IV., P. 1277. "Owner is Fritz Staar, the cinema owner, Atrium Lichtspiele".
221. ^ National maps: Damage to buildings 1945: Berliner Straße 166
222. ↑ Motion picture theater . In: Berliner Adreßbuch , 1941, p. 448.
223. ↑ Head size 14 by 17 meters . In: Der Spiegel . No. 24 , 1950 ( online ).
224. ↑ The addresses given refer to the current data. The former cinema addresses are noted in the text. According to the district reform of 2001, regardless of historical locations and assignments.
225. ↑ from: Karl-Heinz Dittberner: Grunewald - Small story (s)
226. ^ National maps: Damage to buildings 1945 Lassenstrasse
227. ↑ In www.allekinos.com reference is made to the book Kinoarchitektur in Berlin , which mentions both the temporary name Pax and 1960 as the year of closure. "[...] but I have no final [sic!] Confirmation for that either ."
228. ↑ Kino Wiki: about Johannes Betzel
229. ↑ Pictures of the buildings by Rainer Hoffmann on allekinos.com
230. ^ Westfälische Strasse 35 . In: Berliner Adreßbuch , 1912, V., p. 805.
231. ↑ Otto Saewe . In: Berliner Adreßbuch , 1913, I., p. 2650.
232. ↑ Many corner houses in Berlin from the years around 1900 have a sloping street corner with the entrance door on the house area formed in this way (at least on the ground floor).
233. ↑ Damage to buildings in 1945
234. ^ National map series Berlin 1: 5000: Westfälische Strasse 35
235. ↑ Der Kinematograph No. 982, Dec. 13, 1925
236. ↑ Kurfürstendamm . In: Berliner Adreßbuch , 1926, IV., P. 1435. “152: The owner is Orenstein & Koppel Signalbau. With 18 tenants: two managing directors, five clerks and one authorized signatory. ← Cicerostraße → 153–156: Construction sites, ← Albrecht-Achilles-Straße? ”.
237. ↑ Auction of apartment furnishings MF: Kurfürstendamm 152 (corner house on Lehniner Platz); October 2, 1928
238. ↑ Thurmann . In: Berliner Adreßbuch , 1927, I., p. 3507. “Paul Thurmann & Co. GmbH, Lichtspiele Charlottenburg Kurfürstendamm 71 (Post Halensee)” (in the previous year: Merchant Paul Thurmann, Charlottenburg, Roscherstraße 1, third floor).
239. ↑ Joachim-Friedrich-Strasse . In: Berliner Adreßbuch , 1929, IV., P. 1452 (1929/1458 Part I, p. 1449: Kaufmann Julius Huppert, W 30 Schwäbische Strasse 20).
240. ↑ Cinema data at Kino Wiki . "In 1931 they were called camera light plays for a short time."
241. ↑ War damage at Lehniner Platz
242. ↑ National maps building age : here light brown for year of construction 1962–1974
243. ^ Georg-Wilhelm-Strasse . In: Berliner Adreßbuch , 1913, V., p. 508. “3–4: Construction sites, 5: Owner Handelsgesellschaft für Immobilienwerte GmbH. Among the 35 tenants several real estate companies and in particular the "Lichtspiele Georg Wilhelm GmbH" and managing director Moeck // 6, 7–11, 12: tenement houses, 13: construction site ← Heilbronner Straße? "(According to Kino Wiki for 1918: (probably also) Mercedes -Film GmbH.).
244. ↑ entry in the Berlin address 1915/1852: The architect of the Wittelsbach-air theater in Berliner Straße 166 was for the play of light Wittelsbach GmbH.
245. ↑ 1927: no suitable entry under Georg-Wilhelm-Straße 5.
246. ↑ Moeck . In: Berliner Adreßbuch , 1913, I., p. 2066. "Managing Director Friedrich Moeck, Georg-Wilhelm-Strasse 5, rear building ground floor".
247. ^ Georg-Wilhelm-Strasse 5 . In: Berliner Adreßbuch , 1919, V., p. 491. "Apartment building 5: The owner is businessman P. Wolf, among the 25 tenants M. Seidenbeck, Lichtspiele." (No longer included in the following address book.).
248. ↑ Kino Wiki: Kinodaten 1917/1918 under Berlin-Halensee
249. ^ National maps: Damage to buildings in 1945 at Henriettenplatz
250. ↑ ^{a b} Building damage 1945: near Kurfürstendammbrücke
251. ^ Peter-Alexander Bösel: The Kurfürstendamm: Berlins splendid boulevard. P. 46/47. Online in Google Book Search
252. ↑ Kurfürstenpark . In: Berliner Adreßbuch , 1919, V. (Berlin-Wilmersdorf), p. 506.
253. ↑ residents . In: Berliner Adreßbuch , 1919, I., p. 2881.
254. ↑ ^{a b} Kurfürstendamm . In: Berliner Adreßbuch , 1920, V., p. 525. “70-89 Charlottenburg Post Halensee, 90-164 Berlin-Wilmersdorf, 1-69 and 165-264 see Berlin. ← Halenseer Eisenbahnbrücke → ← Bornstedter Strasse → 119/120: Owner: Kaufmann G. Nathan Berlin, User: Lichtspielhaus Kurfürstenpark; Direction M. Nahl (businessman Joseph Nahl, Wilmersdorf, Nestorstrasse 4 IV), director H. Schieler // 121/122: Restaurant Kaiser Wilhelm-Garten by innkeeper H. Gerling from Grunewald, among the five tenants innkeeper R. Hebold and innkeeper E . Schmidt. ← Bornimer Straße → “(1918/5532 V. Teil Wilmersdorf p. 510: The owner of 119.120 is the reindeer W. Meyer from Kurfürstendamm 9 and used by Kurfürstenpark Halensee F. Pallas GmbH in liquidation, resident is the innkeeper Ferdinand Pallas. In the neighboring house Kronprinzendamm 1 lived the film director K. Matull-Wangemann.).
255. ↑ Kurfürstendamm 119.120 . In: Berliner Adreßbuch , 1927, IV., P. 1446. “The property belonged to the merchant G. Nathan, the manager is the merchant Finkenstein. In addition to the innkeeper and cook as residents, the Kurfürstenpark Lichtspiele, the Academic Dance Society and the Marlie ß Club are located. "
256. ↑ Kurfürstendamm 119/120 . In: Berliner Adreßbuch , 1938, IV., P. 1347. "The owner is the widow Nathan from Schlüterstrasse 45, and among the 23 tenants is the cinema owner Willy Hein, also an artist school, large petrol station and car repair shop."
257. ↑ Kurfürstendamm . In: Berliner Adreßbuch , 1943, IV., P. 1285. "Halenseer Eisenbahnbrücke / Bornstedter Straße / 119/120: Owner is retired Ministerialrat Ch. Blank from Hubertusbader Straße 23 as well as lawyer and notary Köhler, administrator is Dr. Schmidt and Blank property management Kurfürstendamm 38.39. There are 20 tenants listed, including the movie theater owner Willy Hein and the usher L. Schröder. ”(Kurfürstendamm in Grunewald: Post Berlin-Halensee, Wilmersdorf administrative district: 1–9 and 238 to the end is Budapester Strasse, 10–89 and 182–237 : Charlottenburg, 90–118 and 129a – 181: Wilmersdorf).
258. ↑ ^{a b} National map series Berlin 1: 5000: Kurfürstendammbrücke
259. ↑ Kurfürstendamm 122 . In: Berliner Adreßbuch , 1928, IV., P. 1455. “? Falkenberger Strasse → ← Halenseer Eisenbahn-Brücke → ← Bornstedter Strasse → 119/120 / 121: The property is owned by the property company: Hebold electrician, master plumber Klinger / 122: owner Mrs. Uickmann from Grunewald: Innkeeper K. Freitag, Rote Mühle Filmpalast. ← Bornimer Strasse? ”.
260. ^ Karl-Heinz Dittberner: Stories from Grunewald
261. ↑ Kurfürstendamm 121/122 . In: Berliner Adreßbuch , 1943, IV., P. 1285. "Owner of Casa AG Immobilien from Gillstrasse 3, users: car brake service, car light workshop, mechanical workshop, innkeeper Krüger and residents."
262. ^ Building age 1950–1961
263. ↑ Damage to buildings 1945: south side of Kurfürstendamm / Johann-Georg-Straße
264. ↑ The Film Week 12/1951
265. ^ National maps: Age of buildings
266. ↑ Turkish Embassy Berlin
267. ↑ Warnemünder Straße 8 . In: Berliner Adreßbuch , 1943, IV., P. 1304. "belongs to Misdroyer Straße 62: there owner: Engelhardt-Brauerei AG, O 17 Krachtstraße 9/10, among seven tenants also innkeeper E. Müller."
268. ^ Location of the property and war damage to the Dedy building
269. ↑ The film week 31/1951
270. ↑ Pictures of the former Dedy 1975, condition 2008 and demolition 2011. Image rights: Hans-Joachim Andree
271. ↑ Reports from the film and television industry from the Berliner Arbeitskreis Film e. V .: Aldi eradicates Schmargendorf cinema history . June 17, 2011
272. ↑ The initial or temporary designation "Kammerspiele Schmargendorf" is used in Kino Wiki and allekinos.com ( memento of the original from January 19, 2017 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. called, but remains unoccupied for the time being. 
273. ↑ Berlin 1: 5000 location of Breite Strasse 33
274. ↑ Breite Strasse . In: Berliner Adreßbuch , 1926, IV., P. 1393. “? Friedrichshaller Strasse → ← Spandauer Strasse → ← Hundekehlestrasse → ← Warnemünder Strasse → 26–32 houses / 33 and 34 owner H. Balz (from no. 34): 33 with seven tenants, 34: owner of the innkeeper P. Balz / 35–37 owned by E. Balz, 38: community school owned by the Wilmersdorf magistrate, church ← Kirchstrasse? ”(A. Balz is listed with the profession of owner for the following year. The inn is included with Hermann Balz, owner Paul Balz for Nt. 34.).
275. ^ Reichskino address book Volume 7 - December 1927 Distribution District I, East Germany
276. ↑ Morgenpost : Looking for traces in Schmargendorf : The Breite Straße was "an unpaved sandy path around which one-story farmhouses are grouped [until] around the former village meadow [...] the small farmhouses on the south side were demolished to widen the street."
277. ↑ Ruhlaer Strasse . In: Berliner Adreßbuch , 1935, IV., P. 1252. "? Hundekehlestrasse → 1 belongs to Hundekehlestrasse 20 / 2-6: Owner: Seltmannsche Erben, manager: innkeeper W. Seltmann from Hundekehlestrasse 20, user: Germania Lichtspiele / Hundekehlestrasse 20 : Owners are the innkeeper Seltmann and the plumber E. Franz, users: seven tenants including innkeeper Seltmann ”.
278. ^ Building damage 1945: Ruhlaer / Hundekehlestrasse
279. ↑ Loading card plant: War damage on Hohenzollerndamm / Marienbader Straße / Roseneck
280. ^ Marienbader Strasse, east side . In: Berliner Adreßbuch , 1943, IV., P. 1300. "? Hundekehlestrasse → 1/2, 3: bourgeois apartment buildings, 4: belongs to Ruhlaer Strasse 25/5, 6, 8: apartment buildings by builder Gundler, 7 does not exist / 9: The owner is the voluntary death benefit for professional colleagues with 15 tenants / 10: Construction site ← Hohenzollerndamm → “.
281. ↑ The new film 82/1956
282. ↑ allekinos.com : Pictures by Knut Steenwerth: cinema building and hall from “Film-Echo / Filmwoche united with Filmblätter”, as well as by Rainer Hoffmann: “Melodie” from around 1963 and the state of construction as a beverage Hoffmann.
283. ^ Berlin 1: 5000: Hohenzollerndamm / Cunostraße
284. ^ Postcard view from the 1950s
285. ↑ Hall after renovation in 1953 (source: film sheets 4/53)
286. ↑ Administration building Hohenzollerndamm

Remarks

• The Berlin address books are named according to the year of issue, since the editorial deadline for the supplements is given around the turn of the year up to January, the year information relates to the year preceding the issue. In the above text or in the comments, the numbers (#) in the digital.zlb.de directory may be given after the year in the Berlin address book. The entry “construction site” in the address book does not indicate the current construction site, but rather existing construction land. In some years only the residents, but not rented companies, are included in the street section. Companies registered by commercial courts are marked in Latin / bold letters in the residents' area.
• Changed previous street names are given in italics to distinguish them from existing ones.

1. ↑ From the Berlin address books 1911/6135 + 1912/6331 + 1913/6164 shows that the west side of the Mannheim road was undeveloped. The multi-family house (20 tenants) by sculptor Otto Wohlfahrt stood on property 30 at the corner of Mecklenburgische Strasse; it was given up in 1911. The eastern plots around Mecklenburgische Strasse (now with Paretzer Strasse) to Wilhelmsaue were parceled building land and will be re-numbered from 1912 onwards, with Strelitzsche Strasse being newly incorporated. The sculptors Wohlfahrt built new buildings at Uhlandstrasse 80 and 81 in 1911; from 1912 they belong to the merchant Pinkus from Berlin who moved into 80 in 1914. The sculptor Fritz Wohlfahrt lives in Uhlandstrasse 81, which is also where the cinema is. The owner of the cinema, Josef Umlauf, has moved from Uhlandstrasse 83/84 to Mannheimer Strasse 43, where apartment buildings 40-44 between Wilhelmsaue and Berliner Strasse were built before 1910. Noteworthy is the sculptor Otto Wohlfahrt who had his workshop in S 59 (Neukölln side) Kottbusser Damm 92 in 1914/3557. The Neukölln Kukuk-Lichtspielhaus has been located here since 1913 .
2. ↑ ^{a b c d} Fritz Staar (* May 16, 1877, † 1957) was a cinema entrepreneur from Berlin-Wilmersdorf. In 1918, the Berlin cinema owner Friedrich Staar took over what was then Potsdam Residenz-Lichtspiele. He was the first to set up a kiosk for the ticket takers. On March 26, 1929, the unification of all Potsdam cinema theaters under the management of Staar is announced. Since 1929 the Arkadia -Lichtspiele (Be-Ba-Lichtspiele) in Wilmersdorf belong to the "Fritz Staar film theater company". From 1930 the "Berliner Lichtspieltheater AG" took over the Wilmersdorfer Kino: Atrium (Beba-Palast) from Fritz Staar. From 1933 Staar ran the Babylon Kinovariete on Bülowplatz. In 1934 the Onkel-Tom-Kino was built by Fritz Staar and since 1937 he became the owner of the Meraner Lichtspiele (Royal). 1952 “Fritz Staar joins the senior group of German movie theater owners. He was 75 on May 16. He has worked tirelessly in the industry for 43 years. ”In 1953, he took over the Lumina film theater in Zehlendorf and the Maxim film theater in Neukölln. In 1957 his wife Eva Staar continued to run the “Fritz Staar Film Theater Company” and Eva and Ingeborg Staar. In 1960 this company became the owner of the Palast-Kino Stern (Ufa im Stern) to which Fritz Staar already owned the rights through UFA.
3. ↑ ^{a b} Property history at Babelsberger Strasse 52 / Berliner Strasse 163/164
   • The corner house, which existed in the 2010s, was built from 1910 to 1918 based on documents from FIS brokers . The neighboring house 165 was built between 1870 and 1899. The corner property has an area of ​​1425 m², 960 m² built on five floors plus an attic.
   • The 1900 address book names building land for Babelsberger Strasse from Erfurter zur Badenschen to Berliner Strasse. In the Berliner Straße in Schöneberger Feldmark, 163 and 164 belong to the widow Wenzel, 163 is a construction site and there are 164 sculptors Jaeckel. 165 belongs to Kaufmann Schulz as the only resident.
   • Address book 1905 (1905/4474 /): In Babelsberger Strasse before and from Badensche Strasse: construction sites to Berliner Strasse (1906: 40 was Villa Neumann, 1908 as No. 51, 1909 demolition). The two properties at Berliner Straße 163 and 164 belong to the sculptor Schirmer, who lived in 164. From 1906 to 1909, sculptor Kuhl used No. 164. From 1908 onwards, Babelsberger Strasse 52 is combined with Berliner Strasse 163 and 164 (from 1909: 163/164).
   • Address book 1910 (1910/5895 /): For the corner property of the sculptor R. Schirmer (only) master craftsman Rodrian is registered as a user, also in 1911, 1912. Sculptor Robert Schirmer (1910/2472 /): Atelier for decorative plastic, judicial expert in the district of the Kammergericht and Regionalgericht I, II, III; Owner of W50 Schaperstraße 32 Hochparterre and Wilmersdorf Berliner Straße 163/164.
   • Address book 1913 (1913/6138 /): New building by Schirmer on Babelsberger Strasse 52 / Berliner Strasse 163/164. Schirmer is the owner but no longer the user of the property. In 1914 there were seven tenants (one pharmacist, six merchants), from the following year 10–15 tenants are listed for the corner house. Next to the apartments there were obviously commercial spaces, such as the cinema or the metal goods factory "Converta" on the corner lot.
   • Schirmer is still the property owner in 1923/6054. In 1924 the sculptor Schirmer was no longer among the Berlin residents. The property utilization company from Berlin was the property owner until 1928/6568. The change of ownership to Mrs. Frieda Karpowitz from Charlottenburg (from 1940 abroad) is documented in 1929/6786. At the same time, Fritz Staar, Lichtspiele, was registered for the first time; from the following year 1930/6575 to Arkadia-Lichtspiele.
4. ^ While in the address book the Berliner Straße 163/164 is assigned to the Babelsberger Straße 52, in the cinema address book the address was in contrast Berliner Straße 163/164, sometimes with the corner Babelsberger Straße as an addition.
5. ↑ ^{a b} The actor Charles Willy Kayser (1881–1942) was actively involved in movie theaters and film advertising. As a versatile supporting actor he was often active as a film actor, so there was also the opportunity to work in the film theater industry. In the 1920s he owned the Schöneberg Astoria-Lichtspiele at Potsdamer Straße 89, where Peter Kluge ran the cinema. He worked with the cinema entrepreneur Hans Vieweg. “The Frankenburg: under this name, the active management Karl Rudolph opened a new, large cinema variety in the Große Frankfurter Straße. The theater, delightfully furnished by the architect Katzmann, can hold 1,000 people. The opening performance brought a performance of the great Noto-Film-Operetta 'Miss Venus' which had a huge success, which reached its climax through the personal appearance of Ada Svedin and Charles Willy Kayser. ”From The Kinematograph 769/6 from November 1921. It was named for (mostly smaller) cinemas with 150 to 200 seats for the "Charles Willy Kayser-Lichtspiele" in Berlin-Wilmersdorf (1927 to around 1935) Gasteiner Straße 26, which Hans Vieweg (and Herbert Peter probably as partners) ran. For 1928 the name "Charles Willy Kayser-Lichtspiele" existed at Gasteiner Straße 26. In 1928 the name "Charles Willy Kayser Kammer-Lichtspiele" was also given at Uhlandstraße 75. In addition to H. Wodak, Charles Willy Kayser is named for the “New Philharmonic Light Games” in Berlin on SO 16, Köpenicker Straße 96/97 with a Welte cinema organ.
6. ↑ The Eva-Lichtspiele are said to have converted to sound film very early in the 1930s. Smaller houses found it difficult to afford the high costs of purchasing the “sound film equipment”. The Wilmersdorfer cinema entrepreneur Fritz Staar, owner of several cinemas in Wilmersdorf, did not consider the sound film to be very reliable at that time and therefore only suitable for large houses with several thousand seats. And the Artist Lodge and the German Musicians Association even protested against the sound film with leaflets and warned of the dangers of the new technology. “Sound film is kitsch” “Sound film is economic and intellectual murder!” It was said among other things. According to Popular Family Cinema, 2013 celebrates its 100th birthday
7. ↑ Opitz: “I got a lot of help, especially from my father, who is a sprightly pensioner and a craftsman through and through. He fixed what it took. The appearance of the cinema wasn't great when I took over. No matter where you looked, nothing was invested for ten or twenty years. And that caught the eye of the visitors and they stayed away. We, the whole team, have painted, cleaned, given the cinema a new screen and improved the sound technology. Thousands of euros were raised just to restore the usual standard. […] The cinema does not belong to any chain, we cannot choose which films we want. You have to try to get to the distributors to get the films that fit the house. "
8. ↑ The land border between Wilmersdorf and Schöneberg was a little to the west of Bamberger Straße ( Planstraße 51 ), which was laid out around 1900, and from this detached Kufsteiner Straße in 1906. When the land was fixed, the suburbs were 40 meters deep to the west of the streets. This corridor line lay on property 165, the Wilmersdorfer property Berliner Straße 166, built in 1912, stepped onto Schöneberger corridor and delimited the width of Grunewaldstraße 52 / corner of Kufsteiner Straße. In 1934, the demand came to lead district boundaries along the building block boundary, the street was used and implemented in the district reform of 1938. The street course of the Bamberger / Kufsteiner Strasse came to the administrative district IX Wilmersdorf, the district border to the administrative district Schöneberg was placed on the eastern street line. The Schöneberg property at Grunewaldstrasse 52 became Berliner Strasse 167 in Wilmersdorf, this district boundary has remained since then.
9. ↑ The Wittelsbach café was located in the front building on the north of Bayerischer Platz between Aschaffenburger and Landshuter Straße. Bayerischer Platz was north on Grunewaldstrasse: In the 1914/6080 address book - plots 7–10 belong politically to Schöneberg, postal address to W 30 Post Schöneberg: ← Grunewaldstrasse → 7 go. Grunewaldstraße 56 ← Meraner Straße → 8 go. Innsbrucker Straße 1 ← Innsbrucker Straße → 9 go. Innsbrucker Strasse 58 ← Salzburger Strasse → 10 go to Grunewaldstrasse 57 ← Grunewaldstrasse → // On 1914/4130: in Berlin W30 are: ← Speyerer Strasse → tenement house 1 ← Landshuter Strasse → tenement house 2 also Aschaffenburger Strasse 12 and Landshuter Strasse 19 / 20 with the Café Wittelsbach from J. Schubert & Comp., House owner director Gersmann from Schwanebeck ← Aschaffenburger Straße → apartment buildings 3, 4, 5, apartment building 6 sa Schöneberg Grunewaldstraße 47 ← Grunewaldstraße → / 7-10 Schöneberg / apartment building 11 sa Grunewaldstraße 46, Apartment buildings 12 and 13/14 ← Spreyerer Straße?

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