Now come, the Gentile Savior, BWV 61

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Bach cantata
Now come, the Gentile Savior
BWV: 61
Occasion: 1st Advent
Year of origin: 1714
Place of origin: Weimar
Genus: cantata
Solo : STB
Choir: SATB
Instruments : Fg 2Vl 2Va Bc
text
Erdmann Neumeister
List of Bach cantatas

Come on now, the Heiden Heiland ( BWV 61) is a church cantata by Johann Sebastian Bach . He composed it in Weimar in 1714 for the 1st Advent , December 2nd, 1714.

Story and words

In the year he was appointed concertmaster at the court of Johann Ernst von Sachsen-Weimar, Bach wrote the cantata for the first Sunday of Advent and performed it for the first time on December 2, 1714 in the castle church. The prescribed readings were Rom 13 : 11-14  LUT and Mt 21 : 1-9  LUT , the entry of Jesus into Jerusalem. The lyricist Erdmann Neumeister takes over the first stanza of Martin Luther's Nun komm, der Heiden Heiland , the main song of the 1st Advent, for the opening chorus and uses the swan song of the last stanza of Philipp Nicolai's How beautifully the morning star shines as the final chorale . The third sentence contains the request for a “blessed new year”, since the new church year begins on the first Sunday in Advent . In sentence 4 Neumeister quotes from Rev 3:20  ESV “See, I stand at the door and knock. If someone hears my voice and opens the door, I will come in and have the Lord's Supper with him, and he with me ”. The poet combines the motifs of Jesus' entry into Jerusalem and his return (from Revelation) with the personal request for entry into the heart of the believer.

Bach performed the cantata again in his first year in Leipzig on November 28, 1723.

Occupation and structure

Like other cantatas from Weimar, the cantata is small with three soloists, soprano , tenor and bass , four-part choir, two violins , two violas and basso continuo .

  1. Coro: Come on, the Gentile Savior
  2. Recitativo (tenor): The Savior has come
  3. Aria (tenor): Come, Jesus, come to your church
  4. Recitativo (bass): See, I'm at the door
  5. Aria (soprano): Open yourself, my whole heart
  6. Chorale: Amen, amen, come you beautiful crown of joy

music

The church year begins with the 1st Advent . On this occasion, Bach wrote the opening chorus as a chorale fantasy in the form of a French overture that slowly - quickly ( fugato ) - slowly follows the sequence . The French king used to go to a performance for the overture; Bach paid homage to another king. Two lines of the chorale melody are processed in the first slow section, the third line is designed as a moving fugato, the last line again slowly. The melody of line 1 appears first in the continuo and is then performed by all voices one after the other to the solemn dotted rhythm in the orchestra. Line 2 is embedded in the orchestral setting in four parts, while the instruments in the fast section play colla parte , line 4 is similar to line 2.

The recitative begins secco, but continues as an arioso , imitating tenor and continuo. The tenor aria is accompanied by all violins and violas in unison . Movement 4, the quotation from the Bible, is entrusted to the bass as the Vox Christi , the knocking is expressed through pizzicato of the strings. The answer is a personal soprano prayer, which is only accompanied by the continuo, with a middle section marked adagio . In the final chorale, the violins play a jubilant fifth part to the four-part choir.

Recordings

LP / CD
DVD

literature

  • Alfred Dürr: Johann Sebastian Bach: The Cantatas. Bärenreiter, Kassel 1999, ISBN 3-7618-1476-3 .
  • Werner Neumann : Handbook of the cantatas JSBachs . Breitkopf and Härtel, Wiesbaden 1947, 5th edition 1984, ISBN 3-7651-0054-4 .
  • Hans-Joachim Schulze: The Bach Cantatas: Introductions to all of Johann Sebastian Bach's cantatas (Edition Bach Archive Leipzig). Evangelische Verlags-Anstalt, Leipzig; Carus, Stuttgart 2006, ISBN 3-374-02390-8 (Evang. Verl.-Anst.), ISBN 3-89948-073-2 (Carus).
  • Christoph Wolff, Ton Koopman : The world of Bach cantatas . Metzler, Stuttgart and Weimar 2006, ISBN 978-3-476-02127-4 .

Web links