British Academy Film Awards 1965
The 18th British Academy Film Awards honored the best films of 1964 . The film awards were presented by the British Academy of Film and Television Arts (BAFTA).
| Movie | N | A. |
|---|---|---|
| Dr. Strange or: How I Learned to Love the Bomb | 7th | 4th |
| Bedroom dispute | 7th | 4th |
| Becket | 7th | 3 |
| On a cloudy afternoon | 4th | 1 |
| King and Country - For King and Fatherland | 4th | 0 |
| Shots in Batasi | 3 | 1 |
| The house in the chalk garden | 3 | 0 |
| Charade | 2 | 1 |
| The yellow Rolls-Royce | 2 | 0 |
| Lilies in the field | 2 | 0 |
| 23 Skidoo | 2 | 0 |
Award winners and nominations
Best movie
Dr. How I learned to love the bomb: Strangelove (or Dr. Strangelove: How I Learned to Stop Worrying and Love the Bomb) - Director: Stanley Kubrick
- Becket - Director: Peter Glenville
- Bedroom dispute (The Pumpkin Eater) - Director: Jack Clayton
- The Train - Directed by John Frankenheimer
Best British Film
Dr. How I learned to love the bomb: Strangelove (or Dr. Strangelove: How I Learned to Stop Worrying and Love the Bomb) - Director: Stanley Kubrick
- Becket - Director: Peter Glenville
- King and Country - For King & Country - Director: Joseph Losey
- Bedroom dispute (The Pumpkin Eater) - Director: Jack Clayton
United Nations Award
Dr. How I learned to love the bomb: Strangelove (or Dr. Strangelove: How I Learned to Stop Worrying and Love the Bomb) - Director: Stanley Kubrick
- The Blue Squadron (A Distant Trumpet) - Director: Raoul Walsh
- Lilien auf dem Felde (Lilies of the Field) - Director: Ralph Nelson
- 23 Skidoo - Director: Julian Biggs
Best Foreign Actor
Marcello Mastroianni - Yesterday, Today and Tomorrow (Ieri, oggi e domani)
- Cary Grant - Charade
- Sterling Hayden - Dr. Strangelove or: How I learned to love the bomb (or Dr. Strangelove: How I Learned to Stop Worrying and Love the Bomb)
- Sidney Poitier - Lilies of the Field (Lilies of the Field)
Best Foreign Actress
Anne Bancroft - Bedroom dispute (The Pumpkin Eater)
- Ava Gardner - The Night of the Iguana (The Night of the Iguana)
- Shirley MacLaine - The Girl Irma la Douce (Irma la Douce) and Always with Another (What a Way to Go!)
- Kim Stanley - On a gloomy afternoon (Séance on a Wet Afternoon)
Best British Actor
Colin Welland - On a cloudy afternoon (Séance on a Wet Afternoon) and gunshots in Batasi (Guns at Batasi)
- Tom Courtenay - King and Country - For King & Country
- Peter O'Toole - Becket
- Peter Sellers - Der Rosarote Panther (The Pink Panther) and Dr. Strangelove or: How I learned to love the bomb (or Dr. Strangelove: How I Learned to Stop Worrying and Love the Bomb)
Best British Actress
- Edith Evans - The Chalk Garden (The Chalk Garden)
- Deborah Kerr - The Chalk Garden (The Chalk Garden)
- Maureen Stapleton - On a gloomy afternoon (Séance on a Wet Afternoon)
Best Young Actor
- Elizabeth Ashley - The Insatiable (The Carpet Baggers)
- The Beatles - Yeah Yeah Yeah (A Hard Day's Night)
- Lynn Redgrave - The First Night (Girl with Green Eyes)
Best British Screenplay
Harold Pinter - Bedroom dispute (The Pumpkin Eater)
- Edward Anhalt - Becket
- Bryan Forbes - On a gloomy afternoon (Séance on a Wet Afternoon)
- Peter George , Stanley Kubrick , Terry Southern - Dr. Strangelove or: How I learned to love the bomb (or Dr. Strangelove: How I Learned to Stop Worrying and Love the Bomb)
Best camera (black and white film)
Oswald Morris - Bedroom dispute (The Pumpkin Eater)
- Denys N. Coop - King and Country - For King and Fatherland (King & Country)
- Douglas Slocombe - shots in Batasi (Guns at Batasi)
- Gerry Turpin - On a gloomy afternoon (Séance on a Wet Afternoon)
Best camera (color film)
- Jack Hildyard - The Yellow Rolls-Royce (The Yellow Rolls-Royce)
- Arthur Ibbetson - The Chalk Garden (The Chalk Garden)
- Nicolas Roeg - Nothing But the Best
- Freddie Young - the seventh dawn (The 7th Dawn)
Best production design (black and white film)
Ken Adam - Dr. Strangelove or: How I learned to love the bomb (or Dr. Strangelove: How I Learned to Stop Worrying and Love the Bomb)
- Maurice Carter - shots in Batasi (Guns at Batasi)
- Richard Macdonald - King and Country - For King & Country
- Edward Marshall - Bedroom dispute (The Pumpkin Eater)
Best production design (color film)
- Ken Adam - James Bond 007 - Goldfinger (Goldfinger)
- Ernest Archer - Zulu
- Carmen Dillon - The Chalk Garden (The Chalk Garden)
Best Costumes (Black & White Film)
Motley Theater Design Group - Bedroom dispute (The Pumpkin Eater)
- Beatrice Dawson - Of Human Bondage (Of Human Bondage)
- Julie Harris - Desire (Psyche 59)
Best Costumes (Color Film)
- Beatrice Dawson - Die Strohpuppe (Woman of Straw)
- Anthony Mendleson - The Yellow Rolls-Royce (The Yellow Rolls-Royce)
- Anthony Mendleson - The Viking Raid (The Long Ships)
Best short film
Eskimo artist Kenojuak (Eskimo Artist: Kenojuak) - Director: John Feeney
- Mekong (Mekong: A River of Asia) - Director: John Armstrong
- Muloorina - Director: David Cobham
- 23 Skidoo - Director: Julian Biggs
Best documentary
Nobody Waved Good-bye - Director: Don Owen
- Portrait of Queenie - Director: Michael Orrom
- The Life of Billy Walker - Director: Stephen Hearst
- Twelve Million (Alleman) - Director: Bert Haanstra
Best animated film
The Insects - Director: Jimmy T. Murakami
Best specialized film
Electric Train Driver: Driving Techniques - Passenger Trains - Director: Ken Fairbairn
- And Gladly Would He Learn - Director: Rodney Giesler
- The Circarc Gear - Director: Richard Q. McNaughton
- Germany: A Regional Geography - Director: Clive Rees