British Academy Film Awards 1967
The 20th British Academy Film Awards honored the best films of 1966 . The film awards were presented by the British Academy of Film and Television Arts (BAFTA).
| Movie | N | A. |
|---|---|---|
| protest | 6th | 3 |
| The spy who came in from the cold | 5 | 3 |
| The seducer sends his regards | 5 | 1 |
| The blue max | 4th | 1 |
| Who's Afraid of Virginia Woolf? | 3 | 3 |
| arabesque | 3 | 1 |
| The Quiller Memorandum - Danger from the Dark | 3 | 0 |
| Doctor Zhivago | 3 | 0 |
| Georgy girl | 3 | 0 |
| Bunny Lake has disappeared | 2 | 0 |
| The pawnbroker | 2 | 1 |
| The Russians are Coming! The Russians are Coming! | 2 | 0 |
| Khartoum | 2 | 0 |
| Last greetings from Uncle Joe | 2 | 0 |
| The War Game | 2 | 2 |
| Viva Maria! | 2 | 1 |
Award winners and nominations
Best movie
Who's Afraid of Virginia Woolf? (Who's Afraid of Virginia Woolf?) - Director: Mike Nichols
- Doctor Zhivago (Doctor Zhivago) - Director: David Lean
- Protest (Morgan: A Suitable Case for Treatment) - Director: Karel Reisz
- The Spy Who Came in from the Cold (The Spy Who Came in from the Cold) - Director: Martin Ritt
Best British Film
Who's Afraid of Virginia Woolf? (Who's Afraid of Virginia Woolf?) - Director: Mike Nichols
- Georgy Girl - Director: Silvio Narizzano
- Protest (Morgan: A Suitable Case for Treatment) - Director: Karel Reisz
- The seducer sends his regards (Alfie) - Director: Lewis Gilbert
United Nations Award
The War Game - Director: Peter Watkins
- The Pawnbroker (The Pawnbroker) - Director: Sidney Lumet
- The Russians are Coming! The Russians are Coming! (The Russians Are Coming, the Russians Are Coming) - Director: Norman Jewison
- Panorama (Episode: Vietnam - People and War) - Director: Jo Menell
Best foreign leading actor
Rod Steiger - The Pawnbroker (The Pawnbroker)
- Jean-Paul Belmondo - Eleven o'clock at night (Pierrot le fou)
- Sidney Poitier - Dreaming Lips (A Patch of Blue)
- Oskar Werner - The Spy Who Came in from the Cold (The Spy Who Came in from the Cold)
Best foreign leading actress
- Brigitte Bardot - Viva Maria!
- Joan Hackett - The Clique (The Group)
- Simone Signoret - Murder included in the fare (Compartiment tueurs)
Best British Lead Actor
Richard Burton - The Spy Who came in from the cold (The Spy Who Came in from the Cold) and Who's Afraid of Virginia Woolf? (Who's Afraid of Virginia Woolf?)
- Michael Caine - The seducer sends his regards (Alfie)
- Ralph Richardson - Doctor Zhivago (Doctor Zhivago) , Khartoum and Last Greetings from Uncle Joe (The Wrong Box)
- David Warner - Protest (Morgan: A Suitable Case for Treatment)
Best British Lead Actress
Elizabeth Taylor - Who's Afraid of Virginia Woolf? (Who's Afraid of Virginia Woolf?)
- Julie Christie - Doctor Zhivago (Doctor Zhivago) and Fahrenheit 451
- Lynn Redgrave - Georgy Girl
- Vanessa Redgrave - Protest (Morgan: A Suitable Case for Treatment)
Best Young Actor
Vivien Merchant - The seducer sends his regards (Alfie)
- Alan Arkin - The Russians are Coming! The Russians are Coming! (The Russians Are Coming, the Russians Are Coming)
- Frank Finlay - Othello
- Jeremy Kemp - The Blue Max (The Blue Max)
Best script
David Mercer - Protest (Morgan: A Suitable Case for Treatment)
- Kevin Brownlow , Andrew Mollo - It Happened Here
- Bill Naughton - The Seducer sends his regards (Alfie)
- Harold Pinter - Das Quiller Memorandum - Danger from the Dark (The Quiller Memorandum)
Best camera (black and white)
Oswald Morris - The Spy Who Came in from the Cold (The Spy Who Came in from the Cold)
- Denys N. Coop - Bunny Lake Is Missing (Bunny Lake Is Missing)
- Kenneth Higgins - Georgy Girl
- Gilbert Taylor - When Katelbach comes ... (Cul-de-sac)
Best camera (color)
Christopher Challis - Arabesque (Arabesque)
- Otto Heller - The seducer sends his regards (Alfie)
- Jack Hildyard - Modesty Blaise - The Deadly Lady (Modesty Blaise)
- Douglas Slocombe - The Blue Max (The Blue Max)
Best cut
Tom Priestley - Protest (Morgan: A Suitable Case for Treatment)
- Thelma Connell - The seducer sends his regards (Alfie)
- Frederick Wilson - Arabesque (Arabesque)
- Frederick Wilson - The Quiller Memorandum - The Quiller Memorandum
Best production design (black and white)
Tambi Larsen - The Spy Who Came in from the Cold (The Spy Who Came in from the Cold)
- Don Ashton - Bunny Lake Is Missing (Bunny Lake is Missing)
- Edward Marshall - Life at the Top
- Tony Woollard - Georgy Girl
Best production design (color)
Wilfred Shingleton - The Blue Max (The Blue Max)
- Maurice Carter - The Quiller Memorandum - Danger from the Dark (The Quiller Memorandum)
- John Howell - Khartoum
- Ray Simm - Last Greetings from Uncle Joe (The Wrong Box)
Best costumes
Julie Harris - Protest (Morgan: A Suitable Case for Treatment)
- Christian Dior - Arabesque (Arabesque)
- John Furniss - The Blue Max (The Blue Max)
- Nicholas Georgiadis - Romeo and Juliet (Romeo and Juliet)
Best short film
The War Game - Director: Peter Watkins
- Sudden Summer - Director: Richard Taylor
- The River Must Live - Director: Alan Pendry
- The Tortoise and the Hare - Director: Hugh Hudson
Best documentary
Goal! The World Cup - Directed by Ross Devenish , Abidin Dino
- Buster Keaton Rides Again - Director: John Spotton
- I'm Going to Ask You to Get Up Out of Your Seat - Director: Richard Cawston
- Thirty Years After (Episode: Matador) - Director: Kevin Billington
Best specialized film
Exploring Chemistry: The Nuffield Approach to the Teaching of Chemistry - Directed by Robert Parker
- The Radio Sky - Director: Michael Crosfield
- Visual Aids - Director: Richard Need