run boy Run
| Movie | |
|---|---|
| Original title | run boy Run |
| Country of production |
Germany , France , Poland |
| original language |
German , Polish , Yiddish , Russian |
| Publishing year | 2013 |
| length | 107 minutes |
| Age rating | FSK 12 |
| Rod | |
| Director | Pepe Danquart |
| script |
Heinrich Hadding , Pepe Danquart |
| production |
Pepe Danquart , Uwe Spiller |
| music | Stéphane Moucha |
| camera | Daniel Gottschalk |
| cut | Richard Marizy |
| occupation | |
| |
Lauf Junge Lauf is a German - Polish - French co-production by the director and producer Pepe Danquart from 2013. The film adaptation is based on the novel Lauf, Junge ,lauf by Uri Orlev from 2000, the true story from the life of Yoram Fridman tells. The script was written by Heinrich Hadding and Pepe Danquart. The premiere of the film drama took place on November 5, 2013 at the Cottbus Film Festival .
action
Almost nine years old, Srulik is the youngest of five children of a Polish baker from Błonie . During the Second World War, his Jewish family was interned in the Warsaw ghetto about 25 kilometers to the east . In the summer of 1942, when the mass deportations began, he managed to escape from the ghetto by hiding on the horse and cart of a Polish farmer who was transporting rubbish from the ghetto.
Srulik takes refuge in the forests of the Puszcza Kampinoska at the gates of Warsaw . From now on he is on his own without his two brothers, his two sisters and his parents. He lives on what he can collect and catch in the woods or steal from the fields and farms of the surrounding farms. He succeeds in joining a group of children who are also hiding in the woods, into which the German soldiers rarely venture out of fear of Polish partisans . When the children encounter German soldiers, however, Srulik loses touch with the group.
One day, while on the run from the Gestapo , Srulik sought protection under a bridge. There he meets his father, who is also on the run from the German soldiers. From his father, who grasps the seriousness of the situation and is afraid for his son's life, Srulik receives an urgent request. He implores his son that he must survive the war. To do this, he must deny his origins, discard his name and hide his belief. He should do everything possible to survive, but deep down, never forget that he is a Jew . When Srulik confirmed that he understood everything his father asked him to do and suggested that he immediately call himself Jurek Staniak, the father asked him to seek refuge in the woods by running without stopping or turning around. When Srulik runs off, his father also leaves the hiding place under the bridge to flee in the opposite direction into the open field and to attract the attention of the German soldiers. The soldiers open fire on Srulik's father, who is fatally hit in the field, while Srulik reaches the protective forests on the other side of the bridge undetected.
In order not to freeze to death in the severe winter of 1942/43, Srulik decides to knock at a farmhouse and ask for help. He collapses in front of the door. Srulik is taken in and nursed back to health by the single Polish farmer Magda Janczyk, whose husband and sons have joined the partisans. When he wakes up after several days of feverish dreams, she asks him what his name is. Srulik, whose first name is the nickname Israel, pretends to be Jurek Staniak because he is afraid of being recognized as a Jew and being brought back to the ghetto . Magda Janczyk sees through him, but takes him to her heart and therefore helps him to rehearse a new identity credibly: He is a Catholic orphan boy who lost his parents in the turmoil of the war. She teaches him Christian prayers and gives him a necklace with a cross as a pendant and a rosary. Magda Janczyk urges Srulik not to show herself at the window and outside the house. One winter morning, she discovers footprints around her house and suspects that Srulik was discovered. She equips him with warm clothes and sends him away with the request to ask other farmers for work for a meal and to move on.
Following their advice, Srulik meets a helpful farming family who risk giving him work and accommodation. He spends a quiet time with the other boys on the farm: he is integrated into the farm family and makes himself useful with a lot of work. One day a boy is seen to have his circumcised member. In order not to be denounced and extradited to the Germans, he moves back into the woods with a dog that he nursed back to health during his time on the farm. The dog is shot casually by partisans, but for Srulik it is a deep loss. On his further escape he meets Polish farmers who pretend to want to help him and who finally hand them over to the Gestapo for a reward. Srulik is locked up in a small SS camp. During interrogation by an SS officer, the latter suspected that the circumcised boy was a Jew. Srulik gives a credible assurance that this is not a religious circumcision, but a necessary surgical procedure due to an inflammation. The SS officer is impressed by the intelligence with which the boy cleverly haggles for his life, but nevertheless decides to kill him. Before that happens, Srulik manages to escape over the roofs of the SS camp back into the woods. There he stays in the water, as he learned from his father, to shake off the dogs with which the soldiers have attached themselves to his heels. Eventually the soldiers give up looking for the boy whose trail they lost in the swamps.
At one of the next farms that Srulik calls to ask for work, he meets the same SS officer again, who is the lover of the landowner, Mrs. Herman. He claims that the boy actually belongs to him, but that he would not assert his claims, but give him to his lover. On this farm Srulik works in the grain harvest. During the harvest, his right arm gets into a threshing machine, which crushes his hand. He is taken to the hospital and prepared for the operation. But when the surgeon sees that Srulik has been circumcised, he refuses to perform the operation. Instead, Srulik is left in a bed in the hospital hallway. When the chief doctor sees the boy the next day, he is shocked and undertakes the operation himself. At this point, however, he is no longer able to save the boy's hand, so he has to amputate his right arm at the level of the elbow.
When Srulik wakes up after the operation, he is horrified and his will to live seems to have disappeared. The next time will be a challenge for the nuns who take care of him. Only the visits of the landlady can cheer him up a little. When her lover is transferred and can no longer guarantee Srulik's safety, she helps him to escape.
Once again he is looking for work for meals and accommodation, but finds that the now missing arm is in the way of being hired as a worker. Instead, he relies on the willingness of the devout rural population to help and continues to decorate his experienced history in order to obtain food.
When he realizes that he cannot survive this way, he turns to Magda Janczyk again. She allows him entry into her house, but has to hide him when SS soldiers search her house. After they fail to find Srulik, they set Magda's house and the surrounding buildings in the small village on fire. Srulik survives hiding under the wooden floor of the cellar. Magda frees him from the ruins of her house and advises him to move east from now on, in the hope of being able to reach the approaching Russian army.
After almost three years on the run, he arrives at the Kowalski family farm. The blacksmith gives him work and forges him tools with which he can also do his work with one arm. He not only shows him that Srulik can do full-fledged work without a second arm, but also gives the now twelve-year-old a new home by taking him into his family. Finally Srulik comes to rest after the long escape and he can be a child again with the blacksmith's daughter after the childhood he was robbed of.
After the end of the war, the Kowalskis' court is visited by Mosche, a representative of a Jewish children's home, who is looking for Jewish orphans scattered in the country. These are initially to be brought to an orphanage in Warsaw to later relocate to Israel. Srulik has now completely absorbed his new identity as the Catholic Jurek Staniak. Accordingly, he sees in Moshe an intruder who tries to tear him out of his new family and second home. Srulik only becomes accessible to Mosche at the moment when he begins to speak to him in Yiddish. As a result, Srulik realizes that he has promised his father that he will never forget that he is Jewish.
Finally, Srulik agrees to accompany Mosche into a new life in which he can shed his life-saving identity of Jurek Staniak and be Srulik again.
background
Pre-production
As early as 1990, Fridman was approached by Yad Vashem delegates with the request to document his life story for posterity. Like many Holocaust survivors, Fridman was reluctant to talk about his own experiences of the war. Only Fridman's wife Sonja was able to convince her husband to tell his life story in order to be able to pass it on to the following generations.
The screenplay by Pepe Danquart and Heinrich Hadding adapted the novel Lauf, Junge ,lauf by Uri Orlev , which is based on the true events from the life of Yoram Fridman.
The film is a co-production of the Berlin bittersuess pictures, together with Ciné-Sud Promotion, A-Company Filmproduktion, BA Produktion and Quinte Film. The budget was 6.5 million euros. To finance the script, including translations, of which twelve versions were made, as well as for travel and research, Danquart made an advance payment of around 150,000 euros from his own funds. The German and French film funding supported the production. The Polish film subsidy, which originally also wanted to participate in the production, ultimately withdrew from the production. The sponsors include the Filmförderungsanstalt (FFA) , Medienboard Berlin-Brandenburg (MBB) , FilmFernsehFonds Bayern (FFF) , Deutsche Filmförderfonds (DFFF) , Mitteldeutsche Medienförderung (MDM) , Eurimages , Center national du cinéma et de l ' image animée (CNC) and HessenInvestFilm . The film received 250,000 euros in funding from Hesse. Danquart appreciated the underlying novel, which he read in one night and then applied for the film rights, but at the same time pointed out that the film would be difficult to implement: “We worked on the film for three years without knowing whether you can make it. ” In addition to Danquart's request, other directors applied for the film rights. Yoram Fridman had film material sent to him by interested directors in order to get an idea of a possible film adaptation of his life story and ultimately decided on a cinematic implementation by Danquart. According to Fridman's own statements, he was betting that the Germans' sense of guilt today could contribute significantly to the fact that the production would not produce a clichéd and kitschy film, as he feared in a US production from Hollywood .
The casting for the 60-role film took place in Germany, France and Poland, with the participants in France primarily from Polish-Jewish communities, while in Poland they came primarily from the two cities of Warsaw and Wroclaw . The main role could only be cast after a Europe-wide casting of 700 children two weeks before the start of shooting, as a boy selected at an early stage would have been too old at the start of the shooting. The role was given to Andrzej and his twin brother Kamil Tkacz , who were ten years old when the film was set. Since children are allowed to stand in front of the camera for a maximum of four to five hours a day on the film set, it made sense to cast an identical pair of twins in the main role. In addition, a wide range of emotions could be called up from the two young actors who had no acting training, as the twins differed significantly in behavior. While Kamil was rather calm, reserved and quite emotional, Andrzej, who appeared more like a daredevil, was able to take on the role of the protagonist in film scenes in trees and on the run from the Gestapo. Director and producer Pepe Danquart , who himself has a twin brother, said he was able to put himself in the shoes of the two actors who - as he expected - showed a cooperative and by no means rivalry in front of and behind the camera. To prepare for and introduce the themes of World War II , the young actors watched the film productions Schindler's List from 1993 and The Pianist from 2002. The two boys were familiar with the historical background of the scenes they were supposed to play because of their own family history familiar. For example, her Jewish great-grandfather had to hide during the war and her great-grandmother supported the partisans at the age of 13. Andrzej stood in front of the camera in the morning and was replaced by Kamil in the afternoon. According to the twin brothers, mix-ups on set only occurred when the shooting schedule was changed.
Filming
The start of filming was originally planned for 2010. After several postponements, filming finally started on August 15, 2012. On October 20, 2012, filming was completed with the recordings in the Franconian Open Air Museum in Bad Windsheim .
In Germany the film was u. a. Filmed in Munich , in a Hessian hospital and in the Thuringian Forest , which served as a backdrop for the Polish forests of the Puszcza Kampinoska . In addition, the film was shot in a hospital in Beelitz and the Reinhardswald . Film recordings with dilapidated houses as a backdrop were recorded in the Prignitz in Brandenburg. The scenes that show historic farms were in Bavaria in open-air museums added and the Franconian Open Air Museum, rather than recreate this backdrop historically accurate to relieve the budget. The interior shots that play in Polish farmhouses were also made in Bad Windsheim. The film was also shot in Zörbig in Saxony-Anhalt . Further recordings, which take place in the Polish winters of World War II, were made in snow-sure regions of Lithuania and Latvia . On the Belarusian-Polish border, the film was filmed in villages that have looked largely unchanged since the 1920s and 1930s. In addition, recordings were made in Wroclaw , where the location scouts found streets that were suitable for recording the scenes taking place in the Warsaw ghetto , as their buildings corresponded to the optics of the 1940s. Here u. a. Reconstructed from Fridman's native village Błonie , where he lived at ulica Warszawska 18. At the time the film was made, there were no more Jews living in Błonie.
The film was shot in the original languages of the roles involved. To support the authenticity of the film, the recordings were made in German , Polish , Yiddish and Russian .
During the filming, Yoram Fridman visited Germany for the first time since the end of the Second World War.
For the young actors in the lead role, school lessons have been moved to the film set . In addition, at least one parent was always present. An interpreter was also always present to enable communication with the twins.
For the scenes towards the end of the film, in which the protagonist is missing his right arm after an amputation, a silicone prosthesis visible in the film was used, while the actor - depending on the setting of the scene - had his own arm on his chest or back was tied.
A total of 50 days of shooting were used to produce the film, which stretched over several seasons.
Marvin Hesse, a student of Pepe Danquart, produced a 60-minute making-of that accompanied the filming of the film Run Young Run and addressed the central question "How do you get a true story onto the screen?"
post-production
The original plan was to take up the chronological narrative form of the underlying novel. In post-production the decision was made against this narrative technique and for dramaturgical reasons the stylistic device of flashbacks was used several times instead .
The post-production with film editing took over a year. In particular, as is common with films set in past eras, elements atypical of the time had to be removed from the film material. For example, antennas have been retouched to avoid anachronisms . In addition, only four tanks were available for the shooting, which were virtually duplicated for the final cut. Together with Yoram Fridman, the decision was made to let the film end at the fork in the road, where he decided to have himself taken to the Jewish orphanage, where he attended school and completed an apprenticeship, which he completed with a scholarship-supported university study followed by mathematics to eventually work as a math teacher. Scenes that took place in this orphanage had been filmed beforehand, but for dramaturgical reasons they were not included in the final cut. Nor was it shown how Fridman and Mosche visit the Kowalski family again to say goodbye. The film ends with scenes in which Yoram Fridman can be seen together with his wife, two children and six grandchildren in Israel on the beach in Tel Aviv , where Fridman did not emigrate until 1962. The decisive factor in the decision to leave Poland was an anti-Semitic graffito in the toilet of the college where Fridman worked.
Thus, the representation largely corresponds to the true events from Fridman's life. Only the scene in which Srulik leaves the Warsaw ghetto hidden on a horse-drawn carriage is fictional, as it shows his mother looking for him, which did not take place in this form. In addition, Fridman never claimed that Hitler personally severed his arm.
publication
On November 5, 2013, the film celebrated its world premiere at the Cottbus Film Festival , where it was awarded the Audience Award.
The film was shown on January 8, 2014 in Warsaw at the Museum of the History of Polish Jews as part of the official gala world premiere, which Yoram Fridman and his family attended. In addition, were Uri Orlev and Charlotte Knobloch present. Before the actual evening event, there was a preview for schoolchildren from Warsaw and Berlin, accompanied by a panel discussion with the schoolchildren as well as book author Uri Orlev, Yoram Fridman, director Pepe Danquart, the two young leading actors and Charlotte Knobloch.
The film under the title Biegnij, chłopcze, biegnij was shown in Polish cinemas on January 10, 2014 in 140 cinemas, where it was well received by the public. In the version shown in Poland, the original multilingual sound can be heard and all scenes are subtitled in Polish. Around 120,000 viewers saw the film in Polish cinemas by mid-April 2014. At the Atlanta Jewish Film Festival , the film was honored with standing ovations by around 2000 viewers . The film was shown on April 2, 2014 at the Jewish Film Festival in Berlin and Potsdam. From April 7, 2014, school demonstrations took place nationwide, accompanied by appropriate material for teaching.
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From April 11, 2014 to April 27, 2014, Pepe Danquart presented the film in ten German cities. The official theatrical release in Germany took place on April 17, 2014. This weekend the film reached number 20 in the German weekend cinema charts. On April 24, 2014 the film was finally shown in 60 German cinemas. In Hungary, the film premiered on May 7, 2014 at the Puskin Mozi in Budapest . At this film premiere, Pepe Danquart was present at the invitation of the Goethe Institute . The theatrical release in Hungary took place on May 8, 2014. In France the film is marketed under the title Cours sans te retourner , while it is distributed worldwide under the name Run Boy Run .
Soundtrack
On April 11, 2014, the soundtrack for the film by Stéphane Moucha was released with 37 tracks and a total playing time of 62:41 minutes. The soundtrack was recorded in Skopje by the Macedonian Radio Orchestra under Moucha's direction .
| No. | title | Duration |
|---|---|---|
| 1. | Snow Fields Opening Part 1 | 1:07 |
| 2. | Storm Opening Part 2 | 1:30 |
| 3. | Farm attack | 1:19 |
| 4th | Children's picnic | 1:48 |
| 5. | Action | 0:31 |
| 6th | Alone in the forest | 1:44 |
| 7th | Mrs. Janczyk's Lullaby | 2:15 |
| 8th. | Out of the ghetto | 1:57 |
| 9. | Leaving Mrs. J | 1:05 |
| 10. | Winter at Wröbels | 2:08 |
| 11. | Pee competition | 0:48 |
| 12. | Azor | 2:22 |
| 13. | Scared in basement | 1:28 |
| 14th | Vision of Blonie | 1:08 |
| 15th | Escape from Gestapo Headquarters | 1:30 |
| 16. | Hiding and running | 1:36 |
| 17th | Hiding in water | 1:11 |
| 18th | In the Fields with Pavel | 1:15 |
| 19th | Srulik's Accident | 0:55 |
| 20th | Corridor Nightmare | 1:22 |
| 21st | Suffering in hospital | 1:54 |
| 22nd | Srulik Is Recovering | 1:31 |
| 23. | Escape from Hospital | 2:11 |
| 24. | River trip | 2:26 |
| 25th | Potato Field | 0:33 |
| 26th | Soldiers in House | 1:37 |
| 27. | Burned House | 1:26 |
| 28. | From farm to farm | 2:54 |
| 29 | Water play | 1:24 |
| 30th | Communion | 1:21 |
| 31. | Moshe Arrives | 1:20 |
| 32. | Game is over | 2:01 |
| 33. | Back to Blonie | 1:50 |
| 34. | Shabbat | 1:05 |
| 35. | Father's Death | 2:16 |
| 36. | Tel Aviv | 1:51 |
| 37. | End credits run boy run | 5:02 |
German dubbed version
The German dubbing was done at Film- & Fernseh-Synchron (FFS) in Berlin . In this, the scenes in which the Yiddish language is spoken towards the end of the film are provided with German subtitles. Since Andrzej Tkacz, who played these scenes, does not speak Yiddish, he had to study the texts for days.
| actor | German speaker | role |
|---|---|---|
| Andrzej Tkacz | Vincent Borko | Srulik Fridman / Jurek Staniak |
| Kamil Tkacz | Vincent Borko | Srulik Fridman / Jurek Staniak |
| Grażyna Szapołowska | Christin Marquitan | Mrs. Staniak |
| Jeanette Hain | Jeanette Hain | Mrs. Hermann |
| Zbigniew Zamachowski | Achim book | Hersch Fridman |
| Przemyslaw Sadowski | Robert Glatzeder | Kowalski |
| Olgierd Łukaszewicz | Axel Lutter | Dr. Zurawski |
| Elisabeth Duda | Susanne von Medvey | Magda Janczyk |
| Lukasz Gajdzis | Leonhard Mahlich | Pavel |
| Itay Tiran | Sascha Rotermund | Mosque |
| Rainer Bock | Rainer Bock | SS officer |
reception
The film was received extremely positively by the German-speaking critics.
The reviews in German film magazines were mostly positive. In the issue of Filmwerk 25/2013 it was read that the film was “a moving ode to the courage and strength of a child who does not lose hope” .
The editorial staff of Cinema judged, “The film lives from the portrayal of the Polish twins Andrzej and Kamil Tkacz, who make the martyrdom of little Srulik / Jurek painfully palpable” , which resulted in “a mature work about the victory of humanity in inhuman times” . Although "the structure [...] is necessarily episodic" , a "highly emotional staging style" brings "the individual parts of the narrative together seamlessly" . Overall, the editorial staff of Cinema awarded four out of five possible points, which rated the film as an “emotional survival drama that largely avoids kitschy Hollywood sentimentalities” .
At epd Film , where Lauf Junge Run was compared with Agnieszka Hollands feature film Hitlerjunge Salomon from 1990, there was a mixed review. “When it comes to the cinematic implementation of the child's struggle for survival, one sometimes misses inspiration,” said Manfred Riepe from epd Film. Although the protagonist is "presented convincingly" , but since "the emotional dismay is always preprogrammed" , "the background music", according to Riepe, "could have been more subtle" . “Tension arises when the perspective widens,” it continues. "An SS man who is not a monster's decal and a young doctor who breaks his professional oath for career reasons: The film gets under your skin here, but such moments remain rare," Riepe concludes his film review. In summary, he awarded three out of five possible points.
Critical words could also be read in the film service's film review. The film “focuses less on the main character's internal conflicts than on the adventure aspect of the story” . "In doing so, [he] is squandering the chance to tell about the singularity of the Holocaust beyond the boy's fate," continues to read. “The film cannot convince in the choice of formal means either,” concludes the short review of the film-dienst.
Mostly positive reviews were to be read in German daily newspapers and magazines, including FAZ , taz , WAZ , Welt , Tagesspiegel , Stuttgarter Nachrichten , Badische Zeitung , Rheinische Post as well as Focus and Merkur .
Klaus Brill from the Süddeutsche Zeitung is of the opinion that the film is told “meticulously” and authentically. Yoram Fridman is quoted as saying: “I experienced all the scenes exactly like that,” who qualifies, “not one to one, but 90 percent plus it was exactly like that” . The result is "a captivating and moving story" . “Not a single minute is superfluous,” is Brill's assessment. The fact that the film thematizes the behavior of the Polish population towards their Jewish compatriots makes "the film a delicate subject for a Polish audience " , as was the case with the 2012 film Pokłosie . “The boys are played by the Warsaw twins Andrzej and Kamil Tkacz with a charisma of authenticity that is hard to beat” , praises Brill. As an example, “the range of human hardship and willingness to help a Jewish child in times of war is demonstrated” .
Katrin Hildebrand from Merkur compared the film, which was staged in “traditional style without extravagance” , with Ida , a film by Paweł Pawlikowski from 2013.
The film received a mixed criticism from Spiegel Online , which on the one hand found words of praise for the documentary-looking epilogue, the "seamless transition" was "remarkable" , but on the other hand criticized the narrative speed, which is characterized by the "event- focused action efficiency" which compressed over two and a half years to a good 100 minutes of feature length.
The German radio stations also gave the film good reviews, for example Deutsche Welle , RBB , Kulturradio , WDR 5 , Deutschlandfunk and Hessischer Rundfunk .
The film was also positively discussed in cinematic online portals, such as the film gazette.
"With a lot of feeling and humanity, the protagonist's odyssey serves as a focal point for a broader panorama," says Christian Horn of the film starts . Danquart does not " lapse into clumsy black-and-white painting and only occasionally strikes a bit too pathetic tones" . “With the gaze of a documentary filmmaker, Pepe Danquart always grounds his story in historical reality” , “sees human failure on both sides of the coin and is not afraid of uncomfortable images” . The protagonist is shown “as a pure child's soul” and succeeds in “ attracting the sympathy of the audience” . Horn drew the comparison with literary figures like Oliver Twist and Huckleberry Finn . Continues to beat Horn of critical voices, because "so convincing the Road Movie drama between moments of calm and dramatic escalations changes so unnecessary act occasional flashbacks to those already made clear facts repeated and the flow of history is disturbed." "The ugly Sides also includes the sometimes annoying music by Stéphane Moucha (" The Lives of Others "), which is laid over the entire film as a never-ending, richly ornamental soundscape, " says Horn. These are "only small weak points in a war drama worth seeing, in which the portrayal of the twins Andrzej and Kamil Tkacz stands out, who embody Srulik in a credible and emotionally moving way" . The film is “an overall successful war drama” that shows “the horrors of war from the perspective of a Jewish child - sometimes a bit pathetic, but nonetheless emotionally touching” . Horn awarded the film 3.5 out of 5 points.
The editors of Kino.de call the portrayal of the twins Andrzej and Kamil Tkacz "brilliant" . Danquart sticks to the literature and "does without additional dramaturgical barriers, he sticks to the given framework, which is so exciting and moving enough" , is praised. “At the center of the action is the identity conflict ” , while “quiet sequences in the forest […] alternate with disturbing action scenes, handheld camera settings with tripod shots for long shots” . "Without pessimism and whitewashing, but with great narrative power and deep emotional foundation, this harrowing and life-affirming drama depicts the fate of a child in an inhuman time, arouses feelings without drifting into sentimentality," the evaluation concludes. The film received five out of five points.
Awards
The German Film and Media Assessment (FBW) gave the film the rating of “particularly valuable”, according to which run boy run was “an impressive film full of strength and hope about the victory of humanity” .
In 2013 the film received the audience award at the Cottbus Film Festival .
For the German Film Prize , which was awarded on May 9, 2014, Daniel Gottschalk was nominated in the category of best camera / image design , Matthias Müsse in the category of best production design and Juliane Hübner and Kitty Kratschke in the category of best make-up image . In all three categories, the nominees had to admit defeat to the film Das sinstere Tal , which was awarded in seven of the nine nominated categories.
Web links
- Official website
- Running Boy running in the Internet Movie Database (English)
- Run boy run at filmportal.de
Individual evidence
- ↑ Release certificate for run boy run . Voluntary self-regulation of the film industry , April 2014 (PDF; test number: 140 612 K).
- ↑ a b c d e f g h i j k l m n o p Badische Zeitung : Danquart's new film project at the PH: A Difficult Birth , Freiburg, Frank Zimmermann, May 5, 2012
- ↑ a b taz : Film start "Run boy, run": Flinke Wechsel , Barbara Schweizerhof, April 16, 2014
- ↑ a b c d e f g h i Frankfurter Allgemeine Zeitung : World premiere in Warsaw: Some children have survived , Warsaw, Hannah Lühmann, January 10, 2014
- ↑ a b c Bayern 2 : "Run boy run!": Yoram Friedman - his childhood was the template for the film ( Memento from May 3, 2014 in the Internet Archive ), Clemens Verenkotte, April 17, 2014
- ↑ a b c d WDR : "Lauf Junge Lauf" - shocking film epic about an escape from the Nazis ( memento of the original from May 3, 2014 in the Internet Archive ) Info: The archive link was automatically inserted and not yet checked. Please check the original and archive link according to the instructions and then remove this notice. , west.art , April 15, 2014, 10:30 p.m.
- ↑ a b c d e f Deutsche Welle : Film - Moving Cinema Drama: "Run Young Run" , Jörg Taszman, April 16, 2014
- ↑ a b German Film and Media Assessment (FBW) : FBW press text , accessed on April 26, 2014
- ↑ a b c run boy run at crew united . Retrieved April 28, 2014.
- ↑ Hessian Ministry for Science and Art: Press release: Art and Culture Minister Boris Rhein - Hessen funds the film "Lauf Junge Lauf" with 250,000 euros , (PDF; 538 kB), Wiesbaden, April 11, 2014
- ↑ a b c d e f g h i j k l m n o p q r s t u v w x y z aa Schloßtheater Münster : Question time after the screening of the film with Pepe Danquart , April 25, 2014
- ↑ a b c d e f g Kino.de : Filmkritik , mk, accessed on April 27, 2014
- ↑ a b c d e f g h i j k l m n o p q r Süddeutsche Zeitung : Holocaust film "Run boy run": Child in times of war , Warsaw, Klaus Brill , January 10, 2014
- ↑ a b Topics of the day : Film "Lauf Junge Lauf": The story of an escape ( Memento from April 18, 2014 in the Internet Archive ), NDR , Julie Kurz, 10:15 pm, April 14, 2014
- ^ A b c d e Rheinische Post : Cinema release "Lauf Junge Lauf": Holocaust from a child's perspective , dpa , April 17, 2014
- ↑ a b c d e f g h i j Focus : "Film: Run boy run" about an escape from the ghetto , dpa, October 21, 2012
- ↑ a b c d e f g h Der Tagesspiegel : Feature film “Run young run”: Fleeing from the Gestapo , Jolinde Hüchtker, April 17, 2014
- ↑ a b c Rundfunk Berlin-Brandenburg : Lauf Junge Lauf , Krzysztof Czajka, Kowalski & Schmidt, January 19, 2014
- ↑ a b c RBB : "Run boy run" , Krzysztof Czajka, Kowalski & Schmidt, March 30, 2014
- ↑ a b Internet Movie Database : Filming Locations , accessed April 26, 2014
- ↑ a b c d e f g h i j k Stuttgarter Nachrichten : Kino: Lauf Jungelauf - A story that shakes up , Brigitte Jähnigen, Stuttgart, April 16, 2014
- ↑ a b Mitteldeutsche Zeitung : "Run boy run": Shooting in Zörbig completed , Zörbig, Kathleen Bendick, September 17, 2012
- ↑ Abanton-Kino Hamburg: Lauf Junge Lauf: Based on a true story , accessed on May 3, 2014
- ↑ a b c Badische Zeitung : Warschauer Ghetto: "Run Young Run" - the new film by Pepe Danquart , Heidi Ossenberg, April 15, 2014
- ↑ a b c d e f g h epd Film : Run Young Run , Manfred Riepe, April 14, 2014
- ↑ a b c d e f g The world : "Run boy run" - How a brave boy escaped the Warsaw Ghetto , January 13, 2014, Gerhard Gnauck
- ↑ a b WAZ : Drama: “Run boy run” - As a Jew between Nazis in Warsaw , Essen, Uwe Mies, April 16, 2014
- ↑ a b c d Internet Movie Database : Launch dates , accessed April 26, 2014
- ↑ Jewish Film Festival Berlin and Potsdam: Run Young Run ( Memento of the original from May 3, 2014 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. , accessed April 28, 2014
- ↑ laufjungelauf-derfilm.de: school supplies , accessed on April 26, 2014
- ↑ Laufjungelauf-derfilm.de: Lauf Junge Lauf: Cinema tour with director Pepe Danquart , (PDF; 469 kB), accessed on April 26, 2014
- ↑ Inside Kino: TOP 20 Germany: Weekend 16 from April 17-20 , 2014 , accessed on May 2, 2014
- ↑ Laufjungelauf-derfilm.de: Startkinos , (PDF; 1.13 MB), accessed on April 26, 2014
- ↑ a b c Goethe-Institut : Run, boy, run! , accessed May 8, 2014
- ↑ laufjungelauf-derfilm.de: Soundtrack , accessed on April 26, 2014
- ↑ a b run boy run. In: synchronkartei.de. German synchronous file , accessed on April 26, 2014 .
- ↑ a b c Cinema : Run Young Run (2013) , accessed on May 1, 2014
- ↑ a b c d film service : Lauf Junge Lauf , accessed on May 1, 2014
- ↑ a b Merkur : Escape from the Ghetto - "Run Jung Lauf": A true story , Munich, Katrin Hildebrand, April 17, 2014
- ^ Spiegel Online : Holocaust drama "Run young run": History, hunted , Matthias Dell, April 17, 2014
- ↑ Kulturradio : Film: “Run young run” ( Memento of the original from May 3, 2014 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. , Carsten Beyer, April 17, 2014
- ↑ WDR 5 : Von Polen und Deutschen: The film “Lauf Junge Lauf” works on a difficult story ( memento of the original from May 3, 2014 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. , Mareike Ilsemann, April 15, 2014
- ↑ Deutschlandfunk : War Drama: Escape from the Ghetto , Culture Today, Josef Schnelle, April 17, 2014
- ↑ Hessischer Rundfunk : “Lauf Junge Lauf” , hr-iNFO Filmcheck, casc, April 16, 2014
- ↑ Filmgazette: Run Young Run: Between Treason and Solidarity , Wolfgang Nierlin, accessed on May 1, 2014
- ↑ a b c d e f g h i j Filmstarts : Filmkritik , accessed on April 27, 2014
- ↑ Internet Movie Database : Nominations and Awards , accessed April 26, 2014
- ↑ Tagesspiegel : Lola Awards in Berlin: All award winners at a glance , culture, accessed on May 10, 2014
