Donald New Years Eve
Donald "Don" Sylvester (* 20th century ) is an American sound engineer and sound designer . Since the early 1990s, he has worked as a sound engineer in over 100 film productions and has been nominated and awarded several times for various film prizes. At the 2020 Academy Awards , he received an Oscar in the “Best Sound Editing” category for his work on Le Mans 66 - Against Every Chance .
life and career
Donald Sylvester spent the first few years of his life in New Jersey . The family moved to Atlanta , Georgia , when he was eleven , where the father got a new job. He studied journalism at the University of Georgia and completed his studies with a so-called ABJ , a Bachelor of Arts in Journalism , which is only awarded in this form by the University of Georgia. Sylvester was already interested in music in his childhood and youth and then tried his career with moderate success in the music industry, before he realized that the music business was not for him after all. During his college days he worked for the local college radio station WUOG .
It was only later that he came to film through his wife, a film editor , when they had been living in California for a long time . Sylvester's first noteworthy contribution was in 1988 as a special music consultant for the thriller Heart of Midnight with Jennifer Jason Leigh in the lead role. It wasn't until the early 1990s that Sylvester's slow breakthrough in the film industry followed. In the first few years he had always worked on the sound editing of other films, but never considered the projects "his". Only when he began to work seriously as a supervisor from around 2001 - he had already held this position regularly from the mid-1990s - did this change for him.
Over the decades, Sylvester has worked on countless productions that have been nominated for a wide variety of film prizes and have won just as many film prizes, not only on real-life films , but also on various animated films . The Internet Movie Database (IMDb) recorded the first noteworthy nominations of New Year's Eve for a renowned film award in 2001. This year, as part of a team of eleven, he was nominated for a Golden Reel Award in the category “Best Sound Editing: Sound Effects & Foley, Domestic Feature Film” for his work on the film U-571 . He received another Golden Reel nomination together with Tim Chau , Thomas Whiting , Nils C. Jensen , David Kern and Albert Gasser for their work on A Kingdom for a Lama in the category "Best Sound Editing: Animated Feature" .
In 2003 he was nominated for a Golden Reel Award in the category "Best Sound Editing in Domestic Features: Dialogue & ADR" for his work on Antwone Fisher together with Mildred Iatrou . In the following year he was nominated twice in this category: for X-Men 2 (together with John A. Larsen , Craig Berkey , Susan Dawes , Jim Brookshire and Laura Graham ), as well as for Master & Commander - Bis ans Ende der Welt ( together with Richard King , RJ Kizer , Hugo Weng , Michael Magill , Laura Graham, John A. Larsen and Susan Dawes). In 2006 Sylvester won his first major film award. At the presentation of the British Academy Film Awards 2006 , he and Paul Massey , Doug Hemphill and Peter F. Kurland received the award in the “Best Sound” category for Walk the Line . This year he was also nominated for his work on Walk the Line at the International Online Cinema Awards for an IOCA in the “Best Sound Editing” category. In 2007 Sylvester, who has been working as Supervising Sound Editor at 20th Century Fox / 20th Century Studios since the mid-1990s, founded Soundation, Inc. , a company that primarily focuses on editing activities in post-production and has been its president since it was founded is.
For the film Death Train to Yuma by director James Mangold , which for Sylvester himself is one of the best films he had worked on in the course of his career, he received a nomination for a Golden Reel Award in the category “Best Sound Editing: Sound Effects and Foley for Feature Film " (along with John Murray , Ted Caplan , Scott Curtis , Matthew Harrison , Steve Bissinger , Simon Coke , Dawn Fintor , Elizabeth Rainey and Alicia Stevenson ), however, came out empty-handed in the end. The film, which was nominated for two Oscars , among other things , received few film awards in general, but was nominated many times for various awards. After he had worked on numerous well-known and award-winning productions in the following years, nominations for any film awards were largely absent in the following years. It wasn't until 2017 that Sylvester was nominated again for a noteworthy prize; At the International Online Cinema Awards he received a nomination for a Halfway Award in the category "Best Sound Editing" for his work on Logan - The Wolverine , but in the end he had to face Julian Slater , who won the award for his work on Baby Driver , give up. For Logan - The Wolverine he was also in the following year together with Wayne Lemmer , Hamilton Sterling , Doug Jackson , Matthew Harrison , John Morris , John T. Cucci and Dan O'Connell for a Golden Reel Award in the category "Outstanding Achievement in Sound Editing : Sound Effects and Foley for Feature Film “ nominated.
The most successful film for Sylvester, considering the various awards, was the sports drama Le Mans 66, released in 2019, directed by James Mangold, at whose side Sylvester was already in Walk the Line , Death Train to Yuma , Knight and Day and Logan - The Wolverine had worked. For his work on the film, in which, in addition to the film editing, he was also one of the main people responsible for the noises, such as those of the racing cars, he was already awarded the 2019 Satellite Awards together with Paul Massey, David Giammarco and Steven Morrow received a Satellite Award in the "Best Sound (Editing & Mixing)" category. For the film, among other things, the sound of an original Ford GT40 , of which only 105 were produced between 1964 and 1969 and which was made available by a collector from Ohio for the sound recordings of the film, was used. After Sylvester, along with Paul Massey, David Giammarco and Steven Morrow, also received a Hollywood Film Award in the category "Sound of the Year" in 2019 , Sylvester received numerous other nominations in the following year.
These include nominations for a Gold Derby Award in the “Best Sound Effects Editing” category (together with David Giammarco, Paul Massey and Steven Morrow), for a LEJA Award in the “Best Sound” category (together with Richard Bullock junior, Paul Massey and Steven Morrow) or for an Awards Circuit Community Award in the “Best Sound” category (together with Paul Massey, David Giammarco and Steven Morrow). At the OFTA Film Awards 2020, Sylvester took second place in the category “Best Sound Effects Editing” - undecided with Gary Rydstrom and Brad Semenoff ( Ad Astra - To the Stars ). At the Golden Reel Awards 2020 he was with Polly McKinnon in the category "Outstanding Achievement in Sound Editing: Dialogue and ADR for Feature Film" , as well as with Jay Wilkinson , David Giammarco , Eric A. Norris , Anna MacKenzie , Dan O ' Connell , John T. Cucci , Andy Malcolm and Goro Koyama nominated in the category “Outstanding Achievement in Sound Editing: Sound Effects and Foley for Feature Film” . With a total of nine Golden Reel Award nominations in the course of his career, Sylvester was able to win a Golden Reel Award for the first time in the latter category. At the BAFTA Awards 2020 , Sylvester, who was nominated in the category "Best Sound" together with Paul Massey, David Giammarco and Steven Morrow, did not get beyond one nomination; The winner was the sound department of the film in 1917 . However, it was more successful for the experienced sound engineer at the Oscars 2020 , where he won in the category “Best Sound Editing” against Oliver Tarney and Rachael Tate ( 1917 ), Alan Robert Murray ( Joker ), Wylie Stateman ( Once Upon a Time in Hollywood ) , as well as Matthew Wood and David Acord ( Star Wars: The Rise of Skywalker ) prevailed and received the first Oscar in his career.
Filmography (selection)
- 2019: Le Mans 66 - Against Every Chance ( Ford v Ferrari ; as supervising sound editor )
- 2019: Sven (short film; as re-recording mixer and sound designer )
- 2018: The Hate U Give (as supervising sound editor )
- 2018: Love, Simon (as supervising sound editor )
- 2017: Logan - The Wolverine ( Logan ; as supervising sound editor )
- 2016: Mike and Dave Need Wedding Dates (as supervising sound editor )
- 2015: Love Is a Four-Letter Word (as supervising sound editor )
- 2015: No place without you ( The Longest Ride ; as supervising sound editor )
- 2014: Dogs in the Distance (short film; as re-recording mixer and sound designer )
- 2014: Planet of the Apes: Revolution ( Dawn of the Planet of the Apes ; as sound editor )
- 2014: Fate is a lousy traitor ( The Fault in Our Stars ; as re-recording mixer and supervising sound editor )
- 2013: Wolverine: Weg des Kriegers ( The Wolverine ; as supervising sound editor )
- 2012: Greg's Diary 3 - It wasn't me! ( Diary of a Wimpy Kid: Dog Days ; as supervising sound editor )
- 2011: Somos Wichi (as sound mixer )
- 2011: Greg's Diary 2 - Are there any problems? ( Diary of a Wimpy Kid: Rodrick Rules ; as supervising sound editor )
- 2010: Sister Hearts - Ramonas Wilde Welt ( Ramona and Beezus ; as ADR supervisor )
- 2010: Knight and Day (as supervising sound editor )
- 2010: A Life for Death ( You Don't Know Jack ; as ADR editor )
- 2009: Crazy About Steve ( All About Steve ; as supervising sound editor )
- 2009: Die Noobs - Small but mean ( Aliens in the Attic ; as supervising sound editor )
- 2009: I Love You Phillip Morris (as supervising ADR editor )
- 2008: From Within (as dialogue editor )
- 2007: Death train to Yuma ( 3:10 to Yuma ; as sound designer and supervising sound editor )
- 2006: Night at the Museum ( Night at the Museum , as foley editor )
- 2006: Apocalypto (as foley editor )
- 2006: Flicka - freedom. Friendship. Adventure. ( Flicka ; as supervising sound editor )
- 2006: Garfield 2 - Laziness Committed (as supervising sound editor )
- 2005: Walk the Line (as supervising sound editor )
- 2004: Fat Albert (as supervising sound editor )
- 2004: Garfield - Der Film ( Garfield: The Movie ; as supervising sound editor )
- 2003: Inseparable ( Stuck on You ; as ADR editor )
- 2003: Master & Commander - Until the End of the World ( Master and Commander: The Far Side of the World ; as ADR editor: Baja )
- 2003: X-Men 2 ( X2 ; as ADR supervisor )
- 2003: Daredevil (as ADR supervisor )
- 2003: Fully married ( Just Married ; as supervising sound editor )
- 2002: Antwone Fisher (as supervising sound editor )
- 2002: Like Mike (as ADR editor )
- 2002: My First Twenty Million ( The First $ 20 Million Is Always the Hardest ; as supervising sound editor )
- 2001: Dr. Dolittle 2 (as ADR supervisor and supervising sound editor )
- 2001: Monkeybone (as dialogue editor )
- 2000: A Kingdom for a Lama ( The Emperor's New Groove ; as sound editor )
- 2000: Men of Honor (as ADR supervisor )
- 2000: Sunset Strip (as dialogue editor )
- 2000: Loser - Losers are also lucky ( Loser ; as sound editor )
- 2000: U-571 (as foley editor )
- 2000: The Flintstones in Viva Rock Vegas ( The Flintstones in Viva Rock Vegas ; as foley editor )
- 2000: The Road to El Dorado ( The Road to El Dorado ; as foley editor )
- 2000: Supernova (as supervising foley editor )
- 1999: Anna and the King ( Anna and the King ; as ADR editor )
- 1999: Light It Up (as ADR editor )
- 1999: Insider ( The Insider ; as foley editor )
- 1999: Brokedown Palace (as ADR editor )
- 1999: Der 13te Krieger ( The 13th Warrior ; as sound editor )
- 1998: State of emergency ( The Siege ; as ADR editor )
- 1998: Stella's Groove: Men are half the battle ( How Stella Got Her Groove Back ; as foley editor )
- 1998: The X-Files - The Movie ( The X-Files ; as supervising foley editor )
- 1998: Dr. Dolittle (as foley supervisor )
- 1998: Relax… It's Just Sex (as supervising ADR editor )
- 1998: A Second Chance ( Hope Floats ; as foley editor )
- 1998: Love in every relationship ( The Object of My Affection ; as ADR supervisor )
- 1997: Hugo Pool (as foley editor )
- 1997: Scream 2 (as foley editor )
- 1997: Alien - Die Wiedergeburt ( Alien: Resurrection ; as foley supervisor )
- 1997: On a knife's edge - rivals on the edge ( The Edge ; as foley supervisor )
- 1997: 187 - One Eight Seven ( One Eight Seven , as foley supervisor )
- 1997: you want to tango? ( Out to Sea ; as foley supervisor )
- 1997: Volcano (as ADR editor )
- 1997: Star Maps (as supervising sound editor )
- 1996: A promise is a promise ( Jingle All the Way ; as foley supervisor )
- 1996: Extreme ... by all means ( Extreme Measures ; as supervising foley editor )
- 1996: Last Man Standing (as sound editor )
- 1996: Out of Control ( Chain Reaction ; as foley editor )
- 1996: Great White Hype - Eine KOMödie ( The Great White Hype ; as supervising foley editor )
- 1996: The great basketball kidnapping ( Celtic Pride ; as supervising foley editor )
- 1996: Mission: Free the pipe! ( Down Periscope ; as supervising foley editor )
- 1996: Dunston - Alone in the hotel ( Dunston Checks In ; as foley supervisor )
- 1995: Waiting to Exhale - Waiting for Mr. Right ( Waiting to Exhale ; as foley editor )
- 1995: Fair Game (as ADR editor )
- 1995: Crazy and on the run ( Bushwhacked ; as foley editor and foley supervisor )
- 1995: Das Netz ( The Net ; as foley editor )
- 1995: Power Rangers - Der Film ( Mighty Morphin Power Rangers: The Movie ; as foley editor and foley supervisor )
- 1995: Little Princess ( A Little Princess ; as foley editor and sound editor )
- 1995: Rob Roy (as foley editor )
- 1995: Tank Girl (as foley editor )
- 1995: Candyman 2 - The Blood Revenge ( Candyman: Farewell to the Flesh ; as ADR editor )
- 1995: The Usual Suspects ( The Usual Suspects ; as ADR editor )
- 1994: Santa Clause - A beautiful mess ( The Santa Clause ; as sound editor )
- 1994: Die kleine Superstrolche ( The Little Rascals ; as ADR editor )
- 1994: Explosiv - Blown Away ( Blown Away ; as foley supervisor )
- 1994: Shadow and the Curse of Khan ( The Shadow ; as foley editor )
- 1994: Flintstones - Die Familie Feuerstein ( The Flintstones ; as ADR editor )
- 1994: A genius freak ( With Honors ; as foley editor )
- 1994: Cops & Robbersons - That knocks down the strongest cop ( Cops and Robbersons ; as foley editor )
- 1994: My Girl 2 - Meine Große Liebe ( My Girl 2 ; as foley editor )
- 1993: Tombstone (as ADR editor )
- 1993: Josh and SAM (as foley editor )
- 1993: Mein Leben für dich ( My Life ; as foley editor )
- 1993: Judgment Night - Sentenced to Kill ( Judgment Night ; as ADR editor )
- 1993: Karen McCoy - The Cat ( The Real McCoy ; as foley editor )
- 1993: Night Train to Venice (as sound editor )
- 1993: Loaded Weapon 1 ( National Lampoon's Loaded Weapon 1 ; as ADR editor )
- 1992: Aladdin (as foley editor )
- 1992: F-117 A Stealth-War ( Interceptor ; as sound editor )
- 1992: FernGully - Christa and Zak's adventures in the rainforest ( FernGully: The Last Rainforest ; as foley editor )
- 1991: Freddy's Finale - Nightmare on Elm Street 6 ( Freddy's Dead: The Final Nightmare ; as assistant sound editor )
- 1988: Heart of Midnight - Im Herzen der Nacht ( Heart of Midnight ; as special music consultant )
Nominations & Awards
Nominations
- 2020 : BAFTA Award in the "Best Sound" category for Le Mans 66 - Against Any Chance (together with Paul Massey , David Giammarco and Steven Morrow )
- 2001: Golden Reel Award in the category "Best Sound Editing: Sound Effects & Foley, Domestic Feature Film" for U-571 (together with Jon Johnson , Miguel Rivera , Keith Bilderbeck , Angelo Palazzo , Guy Tsujimoto , Tim Gedemer , Brian W. Jennings , Sandy Gendler , Charles Maynes and Bruce Stubblefield )
- 2001: Golden Reel Award in the category "Best Sound Editing: Animated Feature" for A Kingdom for a Lama (together with Tim Chau , Thomas Whiting , Nils C. Jensen , David Kern and Albert Gasser )
- 2003: Golden Reel Award in the category "Best Sound Editing in Domestic Features: Dialogue & ADR" for Antwone Fisher (together with Mildred Iatrou )
- 2004: Golden Reel Award in the category "Best Sound Editing in Domestic Features: Dialogue & ADR" for X-Men 2 (together with John A. Larsen , Craig Berkey , Susan Dawes , Jim Brookshire and Laura Graham )
- 2004: Golden Reel Award in the category "Best Sound Editing in Domestic Features: Dialogue & ADR" for Master & Commander - Until the End of the World (together with Richard King , RJ Kizer , Hugo Weng , Michael Magill , Laura Graham , John A . Larsen and Susan Dawes )
- 2008: Golden Reel Award in the category "Best Sound Editing: Sound Effects and Foley for Feature Film" for Death Train to Yuma (together with John Murray , Ted Caplan , Scott Curtis , Matthew Harrison , Steve Bissinger , Simon Coke , Dawn Fintor , Elizabeth Rainey and Alicia Stevenson )
- 2018: Golden Reel Award in the category "Outstanding Achievement in Sound Editing: Sound Effects and Foley for Feature Film" for Logan - The Wolverine (together with Wayne Lemmer , Hamilton Sterling , Doug Jackson , Matthew Harrison , John Morris , John T. Cucci and Dan O'Connell )
- 2020: Golden Reel Award in the category "Outstanding Achievement in Sound Editing: Dialogue and ADR for Feature Film" for Le Mans 66 - Against Every Chance (together with Polly McKinnon )
- 2020: Gold Derby Award in the "Sound" category for Le Mans 66 - Against Any Chance (together with David Giammarco , Paul Massey and Steven Morrow )
- 2020: OFTA Film Award in the category "Best Sound Effects Editing" for Le Mans 66 - Against Any Chance (undecided with Gary Rydstrom and Brad Semenoff for Ad Astra - To the Stars (2nd place))
- 2006: International Online Cinema Award (IOCA) in the “Best Sound Editing” category for Walk the Line
- 2017: Halfway Award in the "Best Sound Editing" category for Logan - The Wolverine
- 2020: LEJA Award in the "Best Sound" category for Le Mans 66 - Against Any Chance (together with Richard Bullock junior , Paul Massey and Steven Morrow )
- 2020: Awards Circuit Community Award in the "Best Sound" category for Le Mans 66 - Against Any Chance (together with Paul Massey , David Giammarco and Steven Morrow )
Awards
- 2020 : Oscar in the “Best Sound Editing” category for Le Mans 66 - Against Every Chance
- 2006 : BAFTA Award in the "Best Sound" category for Walk the Line (together with Paul Massey , Doug Hemphill and Peter F. Kurland )
- 2019 : Satellite Award in the "Best Sound (Editing & Mixing)" category for Le Mans 66 - Against Any Chance (together with Paul Massey , David Giammarco and Steven Morrow )
- 2020: Golden Reel Award in the category "Outstanding Achievement in Sound Editing: Sound Effects and Foley for Feature Film" for Le Mans 66 - Against Every Chance (together with Jay Wilkinson , David Giammarco , Eric A. Norris , Anna MacKenzie , Dan O 'Connell , John T. Cucci , Andy Malcolm and Goro Koyama )
- 2019: Hollywood Film Award in the category "Sound of the Year" for Le Mans 66 - Against Any Chance (together with Paul Massey , David Giammarco and Steven Morrow )
Web links
- Donald Sylvester in the Internet Movie Database (English)
- Donald Sylvester on LinkedIn (English)
Individual evidence
- ↑ a b c d e f g h Interview with Supervising Sound Editor Donald Sylvester (Logan, Walk the Line, 3:10 to Yuma) (English), accessed on February 10, 2020
- ↑ Debut for 'last' GT40 , accessed on February 10, 2020
- ↑ SOUND: "Ford v Ferrari" Donald Sylvester, Paul Massey, David Giammarco & Steven A.Morrow (English), accessed on February 10, 2020
- ↑ THE 92ND ACADEMY AWARDS | 2020 (English), accessed on February 10, 2020
personal data | |
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SURNAME | New Year's Eve, Donald |
ALTERNATIVE NAMES | Sylvester, Don (short name); Sylvestor, Donald |
BRIEF DESCRIPTION | American sound engineer |
DATE OF BIRTH | 20th century |