Cologne contributions to music research

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The Cologne Contributions to Music Research (KBMf) is one of the oldest still published music book series in Germany . It was founded in 1938 by the Cologne musicologist Theodor Kroyer as a primarily monographic series and has been published by Gustav Bosse Verlag , since 2004 under the name of Cologne Contributions to Musicology (KBMw).

The Cologne articles appear irregularly, sometimes in leaping years of publication, with 211 volumes under the old and so far 17 volumes under the new name (status: 2019). Outstanding research articles are published, mostly dissertations with the grades Summa cum laude or Magna cum laude by the Musicological Institute of the University of Cologne .

history

Volume 1: Willi Kahl

The series was founded in 1938 by the then emeritus musicologist Theodor Kroyer for publications of the Musicological Institute of the University of Cologne and opened with Willi Kahl's bibliography on the literature on Franz Schubert from 1828 to 1928. In 1941 Karl-Gustav Fellerer , whose own dissertation on German Gregorian chant appeared as volume 5 in the series, took over the editing. Due to the Second World War and the post-war period, the publication was interrupted after Volume 6, which was also published in 1941, until 1955. It was continued by Michael Schneider's dissertation on organ playing technique in Germany in the early 19th century . Fellerer remained the editor until 1971 and was replaced by his successor Heinrich Hüschen , who continued the series until 1984.

Due to the technical expansion of the musicological institute with the specialist areas of musical acoustics and systematic musicology by Jobst Fricke and music ethnology by Josef Kuckertz , more and more dissertations appeared in the series beyond the topics of historical musicology . Jobst Fricke founded the “Acoustic Series” within the KBMf, in which a total of 15 volumes appeared on topics from musical acoustics and systematic musicology. In addition, several edited volumes of symposia of the Cologne Institute were published in the series. Volumes 191 to 211 were published by Dietrich Kämper , who also worked at the institute .

From 2004 took Christoph von Blumroder and Frank Hentschel, the publication of the series and changed the series title, by the process-oriented concept of music research through more results-oriented of musicology replaced. The number of volumes was not continued. A reason for the new designation and counting has not been published. The Bosse-Verlag sees it as a continuation of the same series in which research articles by the Musicological Institute of the University of Cologne are published.

The Cologne contributions were initially published in Regensburg , and from 1993 onwards, due to the relocation of Gustav Bosse Verlag, to Kassel .

Volumes

Cologne contributions to music research

tape Author, editor title Publishing year annotation
1 Willi Kahl List of literature about Franz Schubert 1828–1928. 1938
2 Eduard Groeninger Repertoire studies on the polyphonic Notre Dame conductus. 1939
3 Margarete Reimann Investigations into the formal history of the French piano suite with special consideration of Couperin's “Ordres”. 1940
4th Bernhardt Martin Investigations into the structure of the "art of fugue". JS Bach 1941
5 Karl Gustav Fellerer German Gregorian chant in the Franconian Empire. 1941
6th Michael Schneider The organ playing technique of the early 19th century in Germany presented at the organ schools of the time. 1941
7th Rudolf Ewerhart The manuscript 322/1994 of the Trier City Library as a musical source. 1955
8th Grete Wehmeyer Max Reger as a song composer: A contribution to the problem of the word-tone relationship. 1955
9 Johannes Aengenvoort Sources and studies on the history of the Graduale Monasteriense with special reference to the Graduale Monasteriense impr. 1536 (Alopecius print). 1955
10 Helmut Kirchmeyer Igor Stravinsky - Contemporary History in Personality Basics and requirements for modern construction technology. 1958
11 Udo Unger The piano fugue in the twentieth century. 1956
12 Gudrun Busch C. Ph. E. Bach and his songs. 1957
13 Martin Blindow The chorale accompaniment of the 18th century in the Protestant Church in Germany. 1957
14th Joachim Roth The polyphonic Latin litany compositions of the 16th century. 1959
15th Gottfried Göller Vincent von Beauvais OP (around 1194 to 1264) and his music treatise in the Speculum doctrinale. 1959
16 Jobst Fricke About subjective difference tones of the highest audible tones and the adjacent ultrasound in musical hearing. 1960 Acoustic row 1
17th Friedhelm Onkelbach Lucas Lossius and his music theory. 1960
18th Annette Friedrich Contributions to the history of the secular women's choir in Germany in the 19th century. 1961
19th Khachi Khachi The Dastgāh: Studies on New Persian Music . 1962
20th - - - did not show up
21st Ursula Eckart-Baker French modernism from Claude Debussy to Pierre Boulez contemporary history as reflected in music criticism . 1962
22nd Diether Rouvel On the history of music at the Princely Waldeckschen Hofe in Arolsen. 1962
23 Josef Kuckertz Variation in shape in the Romanian colinden collected by Bartók . 1963
24 Dieter Schulte-Bunert The German Piano Sonata of the Twentieth Century a formal investigation of the German piano sonatas of the twenties. 1963
25th Marion red sleeves The musical concept of time since Moritz Hauptmann . 1963
26th Franz Müller-Heuser Vox humana a contribution to the investigation of the vocal aesthetics of the Middle Ages. 1963
27 Horst Braun Investigations into the typology of contemporary school and youth opera . 1963
28 Michael Härting The mass singing in the Braunschweiger Domstift St. Blasii (manuscript Lower Saxony State Archives in Wolfenbüttel VII B Hs 175). Sources and studies on the Lower Saxony choral history of the 13th and 14th centuries. 1963
29 Monika Lichtenfeld Investigations on the theory of twelve-tone technology with Josef Matthias Hauer . 1964
30th Eckhard Maronn Investigations into the perception of secondary sound qualities in the case of integer vibration relationships 1964 Acoustic row 2
31 Hans-Jakob Pauly The fugue in Dietrich Buxtehude's organ works . 1964
32 Heinz Wagener The accompaniment of Gregorian chant in the nineteenth century. 1964
33 Jürgen Braun The theme in the chamber music works of Maurice Ravel . 1966
34 Hermann Josef Burbach Studies on the music conception of Thomas Aquinas . 1966
35 Jürgen Wetschky The canon technique in the instrumental music of Johannes Brahms . 1967
36 Werner Puetz Studies of string quartet work with Hindemith , Bartók, Schönberg and Webern . 1968
37 Hugo Berger Investigations into the Psalm Differences. 1966
38 Günther Thomas Friedrich Wilhelm Zachow . 1966
39 Hans Ossing Investigations on the Antiphonale Monasteriense (Alopecius-Druck 1537); a comparison with the manuscripts of the Münsterland. 1966
40 Peter Fuhrmann Investigations into sound differentiation in the modern orchestra. 1966
41 Hanspeter Krellmann Studies on Ferruccio Busoni's arrangements 1966
42 Kurt-Erich Eicke The dispute between Adolph Bernhard Marx and Gottfried Wilhelm Fink over the theory of composition. 1966
43 Rudolf Heinemann Investigations into the reception of serial music . 1966
44 Erwin Hardeck Investigations into the piano songs of Claude Debussy. 1967
45 Eckart Wilkens Artists and Amateurs in the Persian Santoor Game : Studies on Creative Skills in Iranian Music. 1967 with booklet
46 Gerhard Schulte Investigations on the phenomenon of pitch impression with different vowel colors. 1967 Acoustic row 3
47 Siegfried Gmeinwieser Girolamo Chiti 1679-1759; an investigation into church music in S. Giovanni in Laterano. 1968
48 Bernward Wiechens The composition theory and the church music of Padre Martini 1968
49 Mohammad Taghi Massoudieh Āwāz-e-Šur for forming melodies in Persian art music 1968
50 Udo Sirker The development of the wind quintet in the first half of the 19th century. 1968
51 Josef Eckhardt The cello schools of JJF Dotzauer , FA Kummer and B. Romberg . 1968
52 Herbert Douteil Studies on Duranti's “Rationale divinorum officiorum” as a source of church music 1969
53 Ute Jung-Kaiser The music philosophy of Thomas Mann 1969
54 Klaus Wolfgang Niemöller Studies on music care and music lessons in German Latin schools from the end of the Middle Ages to around 1600. 1969
55 Martin Weyer The German organ sonata from Mendelssohn to Reger . 1969
56 Hubert Kupper Statistical investigations into the mode structure of Gregorian chant. 1970
57 Dorothea Beckmann Language and music in Anton Webern's vocal works are the construction of expression. 1970
58 Hermann Richard Busch Leonhard Euler's contribution to music theory. 1970
59 Barbara Schwendowius The solo viol music in France from 1650 to 1740, 1970
60 Ulrich Müller Investigations into the structure of the sounds of the clarin and valve trumpet . 1971 Acoustic row 4
61 Jan Reichow The development of a melody model in the genus Sikāh. 1971
62 Hans Peter Komorowski The “invention” in 20th century music. 1971
63 Theo Hundt Bartók's compositional technique in piano works. 1971
64 Ulrich mask Charles Ives in his chamber music for three to six instruments. 1971
65 Rudolf Klinkhammer The slow introduction to instrumental music of the Classical and Romantic periods, a special problem in the development of the sonata form. 1971
66 Jürgen Oberschelp The public musical life of the city of Bielefeld in the 19th century. 1972
67 Dieter Gutknecht Investigations into the melody of the Huguenot psalter. 1972
68 Brigitte Petrovitsch Studies in music for solo violin 1945–1970. 1972
69 Werner Düring Erlkönig settings: a historical and systematic investigation. 1972
70 Arsenio Garcia-Ferreras Juan Bautista Cabanilles : his life and work. (The tientos for organ) 1973
71 Manfred Reiter The twelve-tone technique in Alban Berg's opera Lulu . 1973
72 Hans-Jürgen Winterhoff Analytical studies on Puccini's " Tosca ". 1973
73 Volker Bungardt Josef Martin Kraus (1756-1792); a master of the classical piano song. 1973
74 Hubert master Investigations into the relationship between text and setting in Carlo Gesualdo's madrigals . 1973
75 Detlef Altenburg Studies of the history of the trumpet in the age of clarin music: 1500 - 1800 1973
76 Gerhard Heldt The German post-romantic violin concerto from Brahms to Pfitzner (origin and form). 1973
77 Hans Joachim Zingel Playing the harp in the baroque era. 1974
78 Gisela Blees The Cello Concerto around 1800 an examination of the cello concerts between Haydn's op.101 and Schumann's op.129. 1973
79 Ludolf Lützen The Violoncell-Transkriptionen Friedrich Grützmacher Investigations into the transcription in perspective and handling of the 2nd half of the 19th century. 1974
80 Wolfgang Voigt Investigations into the formation of formants in the sounds of the bassoon and dulcians . 1975 Acoustic row 5
81 Rodolf Vogler The music magazine " Signals for the musical world ": 1843 - 1900. 1975
82 Hans Reinhard Biock For assessing the intonation of context-related successive intervals. 1975 Acoustic row 6
83 Andreas Imhoff Investigations into the piano works of Bernd Alois Zimmermann (1918-1970). 1976
84 Friedemann Spleen A cappella theory and musical humanism with August Eduard Grell . 1976
85 Klaus Velten Schönberg's instrumentations of Bach and Brahms works as documents of his understanding of tradition. 1976
86 Stefanie Tiltmann-Fuchs Othmar Schoeck's song cycles for voice and orchestra Studies on the relationship between words and sounds. 1976
87 Marion Salevic Setting the Psalms of David to music in the 20th century. Studies in the German-speaking area. 1976
88 Raymund Weyers Arthur Schopenhauer's Philosophy of Music. 1976
89 Norbert Jers Igor Stravinsky's late twelve-tone works: (1958 - 1966). 1976
90 Gothard Bruhn On the Audibility of Chimes : Investigations into the Residual Sound Problem . 1980 Acoustic row 7
91 Hans Knoch Orpheus and Eurydice the ancient legend in the operas of Darius Milhaud and Ernst Krenek . 1977
92 Bernd Wegener César Franck's harmony 1976
93 Ursula Lienenlüke Songs by Richard Strauss based on contemporary poetry. 1976
94 Helmut Giesel Studies on the symbolism of musical instruments in the literature of the ancient and medieval Church: (from the beginnings to the 13th century). 1978
95 Peter Päffgen Lute and lute playing in the first half of the 16th century. Observations on the construction and playing technique. 1978
96 Michael Trapp Studies on Stravinsky's " Story of the Soldier " (1918): on the idea and impact of musical theater in the 1920s. 1978
97 Monika Fürst-Heidtmann The prepared piano of John Cage . 1979
98 Klaus Fischer The psalm compositions in Rome around 1600: (approx. 1570 - 1630). 1979
99 Ingeborg Dobrinski The solo piece for flute in the first half of the 20th century. 1981
100 Gabriele M. Steinschulte The Ward Movement studies for the realization of the church music reform Pope Pius X in the first half of the 20th century. 1979
101 Ulrich Tank Studies of Esterházy court music from around 1620 to 1790. 1981
102 Karl-Otto Plum Investigations into Heinrich Schenker's voice guidance analysis. 1979
103 Jerko Martinić Glagolitic chants of Central Dalmatia. 1978
104 Gerd Laube-Przygodda The Old Testament and New Testament musical praise of God in reception by Christian authors of the 2nd to 11th centuries. 1980
105 Martin Weber The orchestral works of Rudolf Kelterborn . 1980
106 Erika Weber-Ansat Arnold Mendelssohn (1855 - 1933) and his services to the renewal of Protestant church music. 1981
107 Ulrich Thieme Studies on the youthful work of Arnold Schönberg's influences and changes. 1979
108 Antonio A. Bispo Catholic church music in the province of São Paulo at the time of the Brazilian Empire: (1822 - 1889). 1980
109 Fritz Butzbach Studies for the Piano Concerto No. 1, F sharp minor, Op. 1 by SV Rachmaninov . 1979
110 Demetre Yannou The "History of Music" (1715) by Bonnet and Bourdelot. 1980
111 Eckhardt van den Hoogen Franz Schreker's orchestral works in their time were analytical studies. 1981
112 Lothar Prox Structural composition and structural analysis contribute to Wagner research. 1986
113 Ansgar Jerrentrup Development of rock music from the beginning to the beat. 1981
114 Miho Demovic Music and musicians in the Republic of Dubrovnik (Ragusa) from the beginning of the XI. Century to the middle of the XVII. Century. 1981
115 Bernd Enders Studies on the transparency and intonation assessment of chords. 1981 Acoustic row 8
116 Angelus Seipt César Franck's symphonic poems. 1981
117 Gudrun Stegen Studies on structural thinking in new music . 1981
118 Ernst-Joachim Danz Objectless Art Investigations into the musical aesthetics of Friedrich von Hausegger. 1981
119 Michael Fütterer The madrigal as instrumental music: attempt to reinterpret the Cinquecento madrigal in terms of performance and the history of ideas. 1982
120 Ulrich Mehler Dicere and cantare: on musical terminology and performance practice of medieval sacred drama in Germany. 1981
121 Carola Schormann Studies on the music history of the city of Lüneburg in the late 18th and 19th centuries. 1982
122 Paul Terse Studies on the use of the concert grand in the opera orchestra from around 1930 to around 1970. 1982
123 Frank Reinisch The French oratorio from 1840-1870. 1982
124 Norbert Dreßen Language and music with Luciano Berio . 1982
125 Ludger Lohmann Studies on articulation problems with keyboard instruments of the 16th - 18th centuries. 1982
126 Dietlind Möller Investigations into the symbolism of the musical instruments in Sebastian Brant's ship of fools . 1982
127 Leticia Varela-Ruiz The Music in the Lives of the Yaqui : Contributing to the Study of the Tradition of a Mexican Ethnic Group. 1982
128 Christof Hagemeister The formal scheme of the sonata in Russian instrumental music around 1800. 1982
129 Jochen Arbogast Style-critical studies on the piano works of the Thomaskantor Johann Kuhnau (1660 - 1722). 1983
130 Barbara Engelbert Wystan Hugh Auden (1907-1973); his aesthetic approach to opera and his work as a librettist . 1983
131 Josef Dahlberg Studies on the sacred choral music of Heinrich Lemacher (1891–1966) with special consideration of its liturgical function. 1983
132 Armindo Borges Duarte Lobo (156? - 1646); Studies on the life and work of the Portuguese composer. 1986
133 Birgit Heusgen Studies of Gustav Mahler's adaptation and addition to Carl Maria von Weber's opera fragment ' The Three Pintos '. 1983
134 Lutz Werner Hesse Studies on the work of the composer Ralph Vaughan Williams . 1983
135 Helmut Fleinghaus The music vision of Erasmus of Rotterdam . 1984
136 Walter Haass Studies of the “L'homme-armé” masses of the 15th and 16th centuries. 1984
137 Helga Schauerte-Maubouet Jehan Alain (1911–1940): the organ work; a monographic study. 1983
138 Bernd Scherers Studies of organ music by César Franck's students. 1984
139 Reinhard Josef Sacher Music as theater. Tendencies to transgress boundaries in music from 1958–1968. 1985
140 Manuel Gervink The symphony in Germany and Austria in the period between the two world wars. 1984
141 Dieter Braun Sound structures and their psychoacoustic evaluation in Zinken . 1984 Acoustic series 9, 2 volumes
142 Irmgard Knechtges-Obrecht Robert Schumann in the mirror of his late piano works. 1985
143 Peter Ludwig Studies of the motets of the students of Palestrina. 1986
144 Horst Walter Joseph Haydn - Tradition and Reception. 1985
145 Britta Schilling-Wang Virtuoso piano music of the 19th century using the example of Charles Valentin Alkan , (1813–1888). 1986
146 Matthias Green Rudolf Mauersberger , Studies on Life and Work. 1986
147 Slavko Topić Church hymns of the Bosnian Catholics. 1986
148 Hans Wolfgang Schneider Instrumental funeral music in the 19th and early 20th centuries presented on 18 piano compositions between 1797 and 1936. 1987
149 Klaus Dieter Hüschen Studies of the motets of Ernst Pepping 1987
150 Klaus Wolfgang Niemöller, Vsevolod P. Zaderack International Dmitri Shostakovich Symposium Cologne 1985 1986 Editing volume
151 Ralf Krause The church music by Leonardo Leo (1694 - 1744); a contribution to the musical history of Naples in the 18th century 1987
152 Rosemarie Tüpker I sing what I can't say On the morphological foundation of music therapy . 1988 Acoustic row 10
153 Ulrike Kapeller Research on John Sturt's Lute book. 1988
154 Hans-Joachim Wagner Study on “ Boulevard Solitude - lyrical drama in 7 images” by Hans Werner Henze . 1988
155 Klaus Wolfgang Niemöller; Wulf Konold Between the Generations, report on the Bernd Alois Zimmermann Symposium Cologne 1987 1989 Editing volume
156 Helen F. Samson The contemporary art music of the Philippines in the field of tension between national heritage and European influence. 1989
157 Rolf Klein The theory of intervals in German music theory of the 16th century. 1989
158 - - - did not show up
159 Ulrich Bartels Vowel and instrumental aspects in the music theory literature of the 1st half of the 17th century. Studies of musical performance practice in Germany during the early baroque period. 1989
160 Mohamed El-Khodary Investigations into the design of the rhythm and the relationship between norm and realization, illustrated by three interpretations of Chopin's polonaise in A major . 1989 Acoustic row 12
161 Esmat Abbas Tonal properties of the double bass , spectral analysis and historical investigations into the construction and the sound. 1989 Acoustic row 13
162 Albert Richenhagen Studies on the music conception of Hrabanus Maurus 1988
163 Anna Czekanowska Studies on the national style of Polish music. Research on Polish music from the Middle Ages to the 2nd half of the 20th century. 1990
164 Klaus Wolfgang Niemöller; Manuel Gervink Report on the International Symposium "Charles Ives and the American Music Tradition to the Present" 1988 Editing volume
165 Klaus Wolfgang Niemöller; Bram Gätjen; Manuel Gervink; Jobs Peter Fricke The language of music: Festschrift for Klaus Wolfgang Niemöller's 60th birthday on July 21, 1989: on behalf of all colleagues at the Musicological Institute of the University of Cologne. 1989 Editing volume
166 Richard Lorber The Italian cantatas by Johann David Heinichen : (1683 - 1729); a contribution to the history of music at the Dresden court in the first half of the 18th century. 1991
167 Lutz Glasenapp The guitar as an ensemble and orchestral instrument in new music with special consideration of the works of Hans Werner Henze. 1991
168 Anselm Hartmann Art and Church Studies of Franz Liszt's mass work. 1991
169 O-Yeon Kwon Kim The theory and practice of intonations in traditional Korean music as measured by the vaulted board zithers Kŏmun'go and K'ayagŭm. 1992 Acoustic row 14
170 Yukiko Sawabe New Music in Japan from 1950 to 1960: Styles and Composers. 1992
171 Ortrud Kuhn-Schliess Classicist tendencies in Maurice Ravel's piano works. 1992
172 Gero Schliess Igor Stravinsky's early songs. 1992
173 Mahmud Abdel-Aziz Form and content in the cello works by Dmitri Schostakowitsch. 1992
174 Regina Brandt Religious basics in Frank Martin's work . 1992
175 Klaus Wolfgang Niemöller Report on the International Symposium " Sergej Prokofjew - Aspects of his Work and Biography" Cologne 1991 1992
176 Dietmar Juergens The mass compositions of Friedrich Kiel . 1992
177 Bram Gätjen The sound of the harpsichord historical, acoustic and instrumental studies. 1995 Acoustic row 11
178 Arno Semrau Studies on the typology and poetics of opera in the first half of the 19th century. 1993
179 Hermann Muller On the theory and practice of indeterminate music, performance practice between experiment and improvisation. 1994
180 Wolfgang Auhagen Experimental studies on the auditory tonality determination in melodies 1994 Acoustic row 15
181 Thomas Giebisch Take-off as a compositional principle with Charles Ives . 1993
182 - - - did not show up
183 Susanne Cramer Johannes Heugel (approx. 1510–1584 / 85): Studies on his Latin motets. 1994
184 Stefan Einsfelder On the musical dramaturgy of Giuseppe Verdi's Otello . 1994
185 Julia van Hees Luigi Dallapiccola's stage work Ulisse Investigations into the work and its genesis. 1994
186 Andreas Puetz From Wagner to Scriabin . 1995
187 Monika Maria Burzik Source studies on European plucked instrument forms, method problems, art historical aspects and questions of naming. 1995
188 Klaus Wolfgang Niemöller, Uwe Pätzold, Kyo-chul Chung “Lux oriente” encounters of cultures in music research; Festschrift for Robert Günther on his 65th birthday. 1995 Editing volume
189 Susanne Gutsche The choir at Beethoven investigates the role of the choir in orchestral works from the Bonner Cantatas to the 9th Symphony. 1995
190 Lorenz Luyken "- to create a world out of nothing -": Studies on the dramaturgy in Jean Sibelius' late symphonic work . 1995
191 Isabel Eicker Children's plays addressed to children and albums composed on the theme of childhood in 19th century piano literature. 1995
192 Mi-yŏng Kim The ideal of simplicity in song from the Berliner Liederschule to Brahms. 1995
193 Kerstin Schüssler Frank Martins Musiktheater a contribution to the history of the opera in the 20th century. 1996
194 Udo Rademacher Vocal work on the threshold of new music: Studies on Alexander Zemlinsky's piano song . 1996
195 Martin Grempler Rossini e la patria Studies on the life and work of Gioachino Rossini against the backdrop of the Risorgimento. 1996
196 Franz Müller-Heuser Vox humana a contribution to the investigation of the vocal aesthetics of the Middle Ages. 1997
197 Norbert Brendt The piano suite between 1850 and 1925. 1997
198 Charlotte Reinke The polyphonic lamentations from their beginnings to around 1550. 1997
199 Huei Ming Wang Beethoven's violoncello sonatas and violin sonatas. 1997
200 Robert Nemecek Investigations into the early piano work of Pierre Boulez . 1998
201 Christian Detig German art German nation: the composer Max von Schillings 1998
202 Jing-Mao Yang The “Grieg motif” for recognizing Edvard Grieg's personal style and musical thinking . 1998
203 Gero Vehlow Studies in the history of music for harmonium . 1998
204 Markus Buchmann Personal Style in Jazz Improvisation: Studies on Oscar Peterson 1999
205 Anna Ficarlella The Late Style Category in 19th and 20th Century Piano Music: Studies on the Piano Practice by Ferruccio Busoni 1999
206 Henning Eisenlohr Composition as a decision-making process: Studies on the problem of form and content, illustrated using the example of Elliot Carter's "Trilogy for oboe and harp" (1992). 1999
207 Susanne Starke From “dubbio tonale” to “chiarificazione definitiva” the path of the composer Alfredo Casella. 2000
208 Guido Brink The final movements in Mozart's concerts. 2000
209 Jörg Igor Hillebrand Igor Markevitch : life, work and compositional work. 2000
210 Beate Thiemann The symphonies of Gian Francesco Malipieros . 2001
211 Paul Schendzielorz Studies in instrumental music by Gideon Klein . The Prague and Theresienstadt years in the context of music and contemporary history 2002

Cologne contributions to musicology

tape Author, editor title Publishing year annotation
1 Thomas Manfred Braun Karlheinz Stockhausen's music in the focus of aesthetic judgment 2004
2 Georg Sachse Speech melodies, mixed sounds, breaths 2004
3 Matthias Corvin Form concepts of the overture from Mozart to Beethoven 2005
4th Roland Pfeiffer The Opere buffe by Giuseppe Sarti (1729–1802) 2007
5 Karsten Lüdtke Con la sudetta sprezzatura 2006
6th Raphael Graf von Hoensbroech Felix Mendelssohn Bartholdy's unfinished oratorio Christ 2006
7th Christiane Strucken-Paland Cyclical principles in the instrumental works of César Franck 2009
8th Susanne Dinse The idea of ​​the popular in eighteenth-century music is illustrated by Joseph Haydn's symphonies 2008
9 Marcus Chr. Lippe Opera on the move: genre concepts in German-language music theater around 1800 2007 Editing volume
10 Christian Reinke The musical thought and comprehensibility as central music-theoretical concepts of Arnold Schönberg 2007
11 Simone Galliat Musical theater in upheaval 2009
12 Katerina Grohmann Karlheinz Stockhausen. Opera WEDNESDAY from LIGHT 2010
13 Julian Caskel Developing repetition 2010
14th Franziska Schuler Play as a compositional principle in György Kurtágs Játékok ( Games ) 2011
15th Younjung Lee "XII Burlesque for Piano" (1832/33) 2011
16 Wolfram Steinbeck, Christoph Blumröder, Julio von Mendívil Self-reflection in music / science: presentations at the Cologne Symposium 2007 2011 Editing volume
17th Iryna Krytska Karlheinz Stockhausen's PIANO PIECE XI (1956) 2015

Individual evidence

  1. ↑ Work supervised by Jobst Fricke. Website of the University of Vienna. Retrieved May 5, 2019
  2. ^ Cologne contributions to music research at WorldCat . Retrieved May 5, 2019
  3. ^ Cologne contributions to Gustav-Bosse-Verlag . Retrieved May 5, 2019

Web links

Cologne contributions to music research at the German National Library