List of the winners of the National Prize of the GDR III. Art and Literature Class (1960–1969)
This list represents the winners of the GDR National Prize in the III. Class for art and literature in the years 1960 to 1969. For the other decades and levels, see the list of winners of the GDR National Prize .
list
Listed by years |
1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 |
year | Award winners | Reason for award | annotation | |
---|---|---|---|---|
1960 ↑ |
Collective television series Weimar Pitaval | For their outstanding contribution to the creation of new scenic television documentaries, the majority of which convey deep, varied and convincing insights into the roots of imperialism, militarism and fascism in Germany to the broadest audience from all strata of the people through their form and content | ||
Friedrich Karl Kaul | Lawyer and writer | |||
Walter Jupé | Actor and author | |||
Wolfgang Luderer | Director | |||
Chamber singer Gerhard Frei | Bassist at the German State Opera Berlin | For his extraordinary achievements in realistically portraying key roles in operas, especially as Stelina in Krútňava , as Prince Chowanski in Chowanschtschina , as Caspar in Freischütz , as the Snail Herod in Armen Konrad and as a soloist in the performances of the Mansfeld Oratorio | ||
Hanns Nocker | Opera singer tenor at the Komische Oper Berlin | For his outstanding achievements in Othello and Hoffmann's stories , with which he gave convincing examples of the artistic unity of the singing and acting human design for music theater | ||
Rudolf Heinrich | Set designer and head of equipment at the Komische Oper, Berlin | For his imaginative design of the set for Othello and for his entire set design work at the Komische Oper, with which he played an essential part in the development of realistic music theater | ||
Eleanor Vesco | 1st ballet soloist at the German State Opera Berlin | For her outstanding artistic achievements as a solo dancer in the ballet of the German State Opera, in particular for the dance design of the title roles in Sleeping Beauty, Cinderella, Gajaneh, the returnee's wife in New Odyssey and Odette in Swan Lake | ||
Claus Schulz | 1st ballet soloist at the German State Opera Berlin | For his particularly outstanding creative achievements as a solo dancer of the German State Opera, in particular for the dance design of the poor in Gajaneh, the crier in New Odyssey and the fool in Swan Lake as well as for his successful appearance at the World Festival of Youth and Students in Bucharest, Warsaw and Moscow | ||
John Paul Thilman | Composer, full professor at the Carl-Maria-von-Weber-Hochschule für Musik in Dresden | For his extensive compositions, which in their popular musical language are exemplary for the new musical creation in the GDR, especially for his 4th symphony and his works for amateur symphony orchestras | ||
Max Seydewitz | General Director of the State Museums in Dresden | For his excellent work in the management of the Staatliche Kunstsammlungen Dresden , which brought the treasures of humanistic world art closer to the working people in an exemplary manner | ||
Werner Eggerath | State Secretary for Church Affairs | For his entire literary works, in particular for his new book Wassereinbruch, which represents an essential contribution to the socialist awareness of our people | ||
Harald Hauser | writer | For his artistic creation of burning national and international problems, especially for his dramatic work Weißes Blut, in its stage, radio and television version | ||
Collective to promote and support workers 'and peasants' theaters | for their share in the exemplary support of popular creativity in the field of dramatic art, especially in the rehearsal of the contemporary play Der Weg zum Wir in the SDAG Wismut's workers' theater and in the Schiller performances in the Friedrich Schiller workers' and farmers' theater in Bauerbach by members of Annaberger and Meininger Theaters that were groundbreaking for the development of workers 'and peasants' theater in the GDR | |||
Werner Wenzel | actor | |||
Mario Turra | actor | |||
Alexander Reuter | Director of the Meininger Theater | |||
1961 ↑ |
Rudolf Asmus | Bass-baritone at the Komische Oper Berlin | For his significant artistic achievements at the Komische Oper Berlin, which are exemplary for the unity of singing and acting | |
Hannes Fischer | Director and acting director at the Dresden State Theater | For his special achievements as director and drama director of the Dresden State Theater, through which he gave the repertoire of the Dresden theater a new and progressive content | ||
Collective of the children's television of the German television station | for their part in the artistic creation of the children's television of the DFF, which has a great influence on the upbringing of our children | The program Our Sandman , whose theme was composed by Richter, and various puppet figures, for which the Fülfe couple was responsible, were honored | ||
Heinz Fülfe | Puppeteer | |||
Ingeburg Fülfe | Puppeteer | |||
Wolfgang Richter | musical director and music editor for children's television in the GDR | |||
Hans Pischner | Harpsichordist and Deputy Minister for Culture | For his excellent interpretation of the works of Johann Sebastian Bach , Georg Friedrich Handel and other masters of the 17th and 18th centuries as harpsichordists | ||
Herbert Kegel | artistic director of the Leipzig Radio Choir , chief conductor of the Leipzig Radio Symphony Orchestra | For his significant achievements as general music director at the State Broadcasting Committee, in particular for maintaining socialist vocal symphonies in the GDR | ||
Gerd Natschinski | Composer, chief conductor of the Berliner Rundfunk entertainment orchestra | For his significant artistic achievements in the development of popular dance and light music in the GDR | ||
Albert Kapr | Professor of typeface and book design as well as rector at the University of Graphic and Book Art Leipzig . | For his significant achievements in the field of book design, which has contributed significantly to increasing the international reputation of book art in the GDR | ||
Wilhelm Rudolph | Freelance painter, wood cutter and graphic artist, Dresden | For his life's work with special appreciation for his realistic portrait painting | ||
Walther Victor | Writer, Weimar | For his great services in popularizing classical German literature, especially for his popular reading books and writings for young people | ||
Collective of the cabaret Die Distel | for their part in shaping the thistle into a popular, political-satirical cabaret as an effective weapon in the fight for peace and socialism against militarism and war | |||
Erich Brehm | first head of thistle, author | |||
Ellen Tiedtke | Ensemble member | |||
Gustav Müller | Founding member of Distel, moderator of Da laughs the bear | |||
Gerhard E. Shepherd | Ensemble member | |||
Helmut Schneller | author | |||
Ingrid Ohlenschläger | Ensemble member | |||
Rudolf von Hradezky-Hilberg | ||||
1962 ↑ |
Reinhold Lingner | Professor of garden design at the HUB, landscape and garden architect | for his pioneering work to create a socialist garden culture and for the scientifically based landscape diagnosis of the GDR | |
Hans Nadler | Head of the Institute for Monument Preservation in Dresden | For his artistically and scientifically significant monument preservation work, especially for the exemplary regeneration of historic city centers and the restoration of cultural monuments destroyed by the war, especially in Bautzen, Görlitz and Dresden | ||
Walter Womacka | Painter, Berlin | For his realistic painterly work, especially for the design of the glass window in the Sachsenhausen memorial | what is meant is the triptych in the Hall of Nations | |
Wolfgang Joho | Writer, editor-in-chief of the magazine neue deutsche literatur , Kleinmachnow | For his novels, in which contemporary themes are designed with folk storytelling | ||
Maximilian Scheer | freelance travel journalist, Berlin | For his entire oeuvre, especially his masterful reports, which are written with thorough knowledge and passionate support for democracy and socialism | ||
Collective Gewandhaus Quartet Leipzig | for her participation in the masterful interpretation of classical chamber music as well as in promoting the new music creation of the GDR | |||
Gerhard Bosse | Primarius, concertmaster of the Gewandhaus Orchestra | |||
Karl Suske | second violinist | |||
Dietmar Hallmann | viola | |||
Friedemann heirs | violoncello | |||
Werner Enders | Tenor at the Komische Oper Berlin | For his vocal and dramatic achievements as a character tenor at the Komische Oper in Berlin | ||
Hanne-Lore Kuhse | Soprano at the Leipzig Opera House | for her outstanding achievements as an opera and concert singer, especially in the design of Wagner roles, with which she achieved great success at home and abroad | ||
Hermann Lüddecke | Choir director at the Komische Oper Berlin | for his share in the artistic successes of the Komische Oper through the training and management of the collective of choir soloists | ||
1963 ↑ |
Karl Erich Müller | Freelance painter and graphic artist, Halle | for his panel paintings, his graphic cycles and book illustrations, which are significant achievements of our socialist-realistic visual arts | |
Kurt Zimmermann | Freelance book illustrator, mainly Soviet children's and youth literature, Berlin | For his combative, graphic sheets and his trend-setting achievements in socialist-realistic illustrations and book design | ||
Fritz Maenicke | Restorer and sculptor, Magdeburg | For his internationally recognized achievements in the restoration of medieval sculptures, especially at Magdeburg and Naumburg Cathedral | ||
Horst Drinda | Actor, Berlin | For his realistic interpretation of important roles in classic and contemporary works, especially Grigori Gaj in the play Mein Freund, with which he created a convincing example of the representation of the socialist image of man | ||
Gisela May | Actress and Diseuse, Berlin | For her great acting performances on stage in film, radio and television and her interpretation of political chansons and poems | ||
Chamber singer Christa-Maria Ziese | Soprano at the Leipzig Opera | For the realistic interpretation of opera characters, especially in works by Richard Wagner and Richard Strauss; it is characterized by an excellent combination of high vocal skills and artistic expression | ||
Carl Riha | Opera director at the Karl-Marx-Stadt opera house | for his outstanding realistic staging of classical and contemporary musical works | ||
Bernhard Seeger | freelance writer, Potsdam | for his literary work, especially for the novel "Herbstrauch" and a series of radio plays that are artistic testimonies to the socialist transformation process in the country | the novel was significantly influenced by Scholokhov's " new territory under the plow " | |
1964 ↑ |
Hans Baltzer | Illustrator, Berlin | for his folk illustrations in books for young people and for his posters, with which he exemplifies aesthetic education, especially of young people | later illustrator of the first edition of the primer |
Gerhard Geyer | Freelance sculptor and graphic artist, Halle | for his portraits of workers and the portraits of outstanding personalities of the workers' movement, who are exemplary in the portrait art of socialist realism | ||
Bert Heller | freelance painter, Berlin | for his painterly and graphic work as well as his wall designs, book illustrations and stage sets | ||
Erika Pelikowsky-Heinz | Theater actress at the Deutsches Theater Berlin | for her acting achievements on stage, on radio and television, with which she sets standards for the level of our socialist acting | ||
Martin Ritzmann | Tenor at the German State Opera Berlin | for the realistic interpretation of opera characters, which is characterized by a deep intellectual and musical penetration of the roles | ||
Horst Schönemann | Director and chief stage director at the Maxim-Gorki-Theater Berlin | for his directorial work on new works of contemporary socialist drama, his development of new forms of socialist community work at the theater and his active participation in popular artistic creation | ||
Collective of the DEFA feature film For eyes only | for the artistic design of a topic of particular topicality in the film | |||
Harry Thürk | Author, Weimar | |||
János Veiczi | Director and co-author, Berlin | |||
Collective fool's gold | for the play "Katzengold", created and staged in exemplary community work, in which new ethical problems of work and the face of socialist people take on artistic form | |||
Horst Salomon | Author, Gera | |||
Wolfgang Pintzka | Director, Gera | |||
Harald Jopt | Actor, Gera | |||
Bert Brunn | Actor, Gera | |||
Jurij Brezan | Sorbian writer, Bautzen | for the contribution he has made to the development of Sorbian and German socialist literature with his previous literary work, in particular with the Felix Hanusch trilogy | ||
Erik Neutsch | Writer and journalist, Halle | for his novel Spur der Steine , in which he opens up new literary territory and shapes the process of spiritual and moral maturation into conscious socialist people | the film was canceled shortly after its premiere and disappeared in the archive | |
Erwin Strittmatter | Writer, Dollgow | for his novel "Ole Bienkopp", in which he uses poetic power to create problems and contradictions in the development of socialist agriculture in our republic | ||
Max Walter Schulz | Writer, Holzhausen | for his work “We are not dust in the wind”, with which he has created a socialist educational novel, drawing on the humanistic traditions of German literature | ||
Christa Wolf | Writer, Kleinmachnow | for her literary work, in particular for the Moscow novella and for the story The Divided Heaven , in which deep personal decisions are made on the national question of the fate of the German people | The filming of “The Divided Sky” was banned several times in the GDR | |
Günter Kochan | Composer, Berlin | for his symphonic and chamber music works of the last few years, in which he has successfully endeavored to make a clear socialist-realistic statement in instrumental music | ||
Egon Morbitzer | Soloist, first violinist of string quartets, 1st concertmaster of the Staatskapelle Berlin | for his convincing interpretation of works from classical and contemporary violin literature | ||
Wilhelm Weismann | Composer and musicologist, Leipzig | for his compositional work, which represents an essential enrichment of contemporary vocal and instrumental music in various genres | ||
1965 ↑ |
Willi Neubert | Painter, Thale | for his significant work as a painter, especially for “steelworkers” and “chess players” as well as for the mural on the new print shop of freedom in Halle | |
René-Benjamin Besson | Chief director at the Deutsches Theater Berlin | for his important productions at the Deutsches Theater , in particular “The Dutch Bride” by Strittmatter , The Peace by Aristophanes / Hacks , Tartüff by Moliére The beautiful Helena von Offenbach / Hacks Der Drache by Jewgenij Schwarz | ||
Gerhard Bienert | Actor, Berlin | for decades of significant acting | Bienert lived in West Berlin | |
Chamber singer Ludmila Dvořáková | Soprano at the German State Opera Berlin | for her impressive interpretations as an opera singer, especially as Octavian in Der Rosenkavalier , as Elisabeth in Don Carlos and as Isolde in Tristan und Isolde | ||
Chamber singer Hans Kraemer | Bass at the Leipzig Opera | for his achievements as an opera and concert singer, especially in the roles of Kutusow in Krieg und Frieden , Ochs von Lerchenau in “Der Rosenkavalier” and Pogner in Die Meistersinger von Nürnberg | ||
Jean Kurt Forest | Composer and musician, Stahnsdorf | for his operatic work, with which he influenced and significantly enriched the development of socialist musical theater | ||
Helmut Sakowski | Writer, Neustrelitz | for his dramatic work for stage and television, especially for his shaping of interesting conflicts in the socialist change of people in the countryside | ||
Augusta Wieghardt-Lazar | Writer, Dresden | for her literary oeuvre, especially for her memorable children's books, in which she illustrates the cruelty of exploitation, oppression and racism and inspires young readers for the socialist social order | ||
Annerose Schmidt | Concert pianist, Leipzig | for her impressive achievements as a concert pianist, with whom she achieved great success at home and abroad | ||
1966 ↑ |
Rolf Kleinert | Chief conductor of the Berlin Radio Symphony Orchestra | for his services to the promotion of contemporary music creation and his many years of successful work as an orchestra conductor | |
Hans Dieter Mäde | General manager of the Karl-Marx-Stadt theater | for his productions at the municipal theaters of Karl-Marx-Stadt, characterized by artistic quality and partisan penetration, especially for Hamlet by Shakespeare , Das Krankenzimmer by Aljoschin , Don Carlos von Schiller and Krach in Chioggia by Goldoni | ||
Benno Pludra | Writer, Berlin | for his artistically excellent books for children and young people, in which he poetically and sensitively tells of the love for the socialist homeland, of the respect for people and their work | ||
Hilmar Thate | Actor at the Berliner Ensemble | for his great achievements as an actor, especially as Givola in Arturo Ui , as Jan Capet in Days of Commune and Aufidius in Coriolan | ||
Group of employees of the children's theater of the GDR | for their share in the exemplary achievements in the field of children's theater with which they helped shape the development of socialist theater for young people | |||
Ilse Rodenberg | Director of the Theater of Friendship , Berlin | |||
Hans-Dieter Schmidt | Director of the Young World Theater , Leipzig | |||
Rolf Büttner | Director of the Young Generation Theater , Dresden | |||
Otto Kähler | Head of equipment at the theater of friendship, Berlin | |||
1967 ↑ |
Collective of the television documentary Fighters and Winners | for his part in the artistically, journalistically and scientifically outstandingly designed television series about the struggle of the German working class up to their final victory in the GDR | ||
Wolfgang Boettner | Author at the DEFA studio for feature films | |||
Bruno Kleberg | Director at DEFA -Studio for feature films | |||
Rolf Sperling | Cameraman at the DEFA studio for feature films | |||
Collective of the television game Patience of the Bold | for his part in the television game Patience of the Bold, created with artistic persuasiveness, which provides an example of our contemporary drama with the shaping of human problems in the socialist forward development | |||
Benito Wogatzki | Author at the DEFA studio for feature films | |||
Lothar Bellag | Director at DEFA -Studio for feature films | |||
Wolf Kaiser | Actor at the DEFA studio for feature films | |||
a collective of artistic directors of the song and choir movement of the youth | for his continuous work in the song and choir movement of young people in achieving high artistic achievements | |||
Manfred Grüttner | Potsdam University of Education | |||
Fritz Höft | Berlin | |||
Manfred Rost | Berlin | |||
Theo Balden | Sculptor and graphic artist, Berlin | for his artistic oeuvre, which is supported by convincing partisan and socialist-realistic statements | ||
Fritz Bennewitz | Acting director at the German National Theater in Weimar | for his achievements as drama director and director at the German National Theater Weimar, for the expressive interpretation of works of classical heritage and socialist realism | ||
Martin Flörchinger | Actor, Berlin | for his great achievements as a character actor, as an impressive interpreter of figures of socialist drama | ||
Götz Friedrich | Director at the Komische Oper Berlin | for his work as an opera director and his scientific work for a realistic music theater | ||
Chamber singer Sigrid Kehl | Singer at the Leipzig Opera House | for her artistic achievements, with which she has made a significant contribution to the national and international reputation of the Leipzig Opera | ||
Chamber singer Peter Schreier | Singer at the German State Opera Berlin | for his high artistic achievements as a Mozart interpreter and as an opera, oratorio, concert and lieder singer of international renown | ||
Chamber singer Reiner Süß | Singer at the German State Opera Berlin | for his masterful interpretations, which combine convincing performance with high musicality, especially in the role of Puntila | ||
Joachim Werzlau | freelance composer, Berlin | for his continuous, extensive songwriting and his longstanding services to the development of the singing movement | ||
1968 ↑ |
Collective Ulbrich Quartet of the Staatskapelle Dresden | for his share in the masterful interpretation of musical works, especially the music of the GDR, as well as for his representative work abroad | ||
Rudolf Ulbrich | 1st violin | |||
Wolfgang Bülow | 2nd violin | |||
Joachim Zindler | viola | |||
Clemens Dillner | violoncello | |||
Lilo and Gerhard Hardel | Writer, Strausberg | for their thematically valuable and excellently designed children's and youth books, with special appreciation of the biographical stories about important personalities of the German labor movement | ||
Rudolf Bohm | Author at DFF, Berlin | for his television films about the fighters of the National Committee Free Germany, which are of great effect for the education of socialist internationalism and patriotism | ||
Chamber singer Annelies Burmeister | Singer at the German State Opera Berlin | for her artistic achievements as an opera singer, especially in the design of large roles with which she has made a significant contribution to the international success of the German State Opera | ||
Gustav Schmahl | Concertmaster at the Berlin Radio Symphony Orchestra | for his significant achievements as violin soloist and first concertmaster with the Berlin Radio Symphony Orchestra and for his services to the maintenance of socialist music creation | ||
Peterpaul Weiss | Commercial artist, artistic director of the Museum for German History Berlin | for his significant services to the development of commercial graphics, especially for his excellent design of political posters and important political-historical exhibitions | ||
1969 ↑ |
Collective evening greeting of the children's television of the State Committee for Television at the Council of Ministers of the GDR | for his part in the lively organization of the evening greeting on children's television, which provides valuable help in the upbringing and education of our young generation | ||
Gerhard Behrendt | Director and puppet maker | |||
Wolfgang Richter | composer | |||
Heinz Schröder | Puppeteer | |||
Friedgard Short | Puppeteer | |||
Harald Serowski | Trick scene creator | |||
Heinz Fülfe | Puppeteer | |||
a group of translators of Soviet literature | for their translations from Russian, which play a major role in the widespread dissemination of political and fictional literature from the Soviet Union in our republic | |||
Otto Braun | Institute for Marxism-Leninism at the Central Committee of the SED | |||
Günter Jäniche | ||||
Erich Müller | ||||
Maria Rikwin | ||||
Georg Schwarz | ||||
Collective Handel research and care | for his share in the important achievements in the field of Handel research and care | |||
Walther Siegmund-Schultze | Professor with chair and deputy director of the German and Art Studies section at the MLU Halle | |||
Johanna Rudolph | Art scholar | |||
Christa Gottschalk | Actress at the Leipzig City Theaters | for her artistically convincing and memorable interpretation of major roles in classical and socialist drama | ||
Kurt Masur | General Music Director, Chief Conductor of the Dresden Philharmonic | for his many years of high achievements as a conductor in the socialist musical life of the GDR and his services to the promotion of popular artistic creation | ||
Alfred Muller | Actor at the VEB DEFA studio for feature films | for his artistically convincing, high acting achievements, especially as the actor of Karl Marx in Mohr and the Ravens of London | ||
Emmy Koehler-Richter | Dance teacher at the Leipzig City Theaters | for her intensive and determined ensemble work, which brought the Leipzig Opera House great artistic ballet successes, especially for the promotion of contemporary ballet creation | ||
Wilhelm Schmied | Painter and graphic artist, Sangerhausen | for his convincing design of the people in our society and their relationships to their socialist homeland as well as for his work as a visual artist in Halle-Neustadt | ||
Rosemarie Schuder | Writer, Berlin | for her historical novels, especially for The Enlightened, in which a historically significant phase of the revolutionary traditions of our people is artistically designed | ||
Eva Schulze-Knabe | Painter, Dresden | for her artistic work, which has been dedicated to the struggle of the working class and the shaping of the socialist image of man for decades |
Prize amounts
year | Prize amount in marks |
---|---|
1960 | 275,000 |
1961 | 250,000 |
1962 | 225,000 |
1963 | 200,000 |
1964 | 400,000 |
1965 | 225,000 |
1966 | 125,000 |
1967 | 275,000 |
1968 | 150,000 |
1969 | 250,000 |
total | 2,375,000 |
Remarks
- ↑ For documentary reasons, the original historical descriptions used by the SED newspaper Neues Deutschland are presented here. However, these can be flawed, tendentious, outdated or politically extreme. If in doubt, corrections and alternative descriptions should be made in the "Comments" column.