Anthology 2
Anthology 2 | ||||
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Compilation album by The Beatles | ||||
Publication |
March 13, 1996 ( D ) , |
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Label (s) | Apple / EMI / Universal Music Group | |||
Format (s) |
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Mersey sound , rock 'n' roll , rock , pop |
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Title (number) |
45 |
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running time |
127 min 58 s |
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occupation |
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Studio (s) |
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Anthology 2 is the second compilation album of a total of three double albums by the British group The Beatles , which contains previously legally unreleased recordings. The album was released on March 18, 1996 in Great Britain, on March 19, 1996 in the USA and on March 13, 1996 in Germany.
Anthology 2 is the fourth album by the Beatles, which after their separation contains previously unreleased recording material.
prehistory
At the end of 1969, the Beatles' first long-playing bootleg record entitled Kum Back was sold illegally. The songs of the bootleg probably came from the acetate pressing of March 1969 of the then planned Get Back and later Let It Be album. In the 1970s, further recordings of the Let It Be sessions, BBC recordings and various recordings of Beatles concerts followed. Legally only the live album The Beatles at the Hollywood Bowl was released in May 1977.
In 1981 the sound engineer John Barrett, employed by Abbey Road Studios , was commissioned to catalog the recordings of the Beatles, in the process he discovered not only different versions of published songs but also previously unknown songs. Between July and September 1983, some of these songs were presented to an audience during a multi-media show at Abbey Road Studios . A music cassette containing some of the recordings ended up in the hands of bootleggers who then illegally published the material.
Geoff Emerick , a former Beatles sound engineer, first put songs together in 1984 for an album of unreleased Beatles material. In order to meet the tonal requirements of the 1980s, almost all tracks were shortened by cuts or fadeouts and remixed. The release date of the album named Sessions was definitely February 1985. Only then were the Beatles Paul McCartney , George Harrison and Ringo Starr , who were still alive , and the representatives of John Lennon, who died in 1980, informed about the Sessions project . The three Beatles immediately intervened against the publication and declared that they would like to discuss the format of the publication. A copy of a music cassette from the Sessions album also fell into the hands of bootleggers , whereupon the Sessions album was illegally distributed.
In 1988, the first bootleg series was released Ultra Rare Tacks Volume 1-6 by Swingin 'Pig presented, the other unknown studio versions of the Beatles in excellent sound quality. The release of the Bootlegs meant that a wider audience became aware that unreleased recordings of the Beatles existed.
The book by Mark Lewisohn : The Complete Beatles Recording Sessions: The Official Story of the Abbey Road Years from 1988 chronologically lists all of the Beatles' studio recordings in Abbey Road Studios between 1962 and 1970 and officially documented for the first time which songs were included were unpublished at the time.
The first unpublished recordings of appearances on BBC radio broadcasts then appeared on November 30, 1994 on the album Live at the BBC .
After all right-wing parties had reached an agreement, George Martin began on May 22, 1995, with the occasional support of Paul McCartney, George Harrison and Ringo Starr, to listen to around 600 recordings of the Beatles, to select them for the albums of the Anthology series, to edit them and to remix them. The decision was then made to release three double CDs that chronologically reflect the musical development of the Beatles.
The responsible producer of the album was George Martin, his assistant was Allan Rouse. The sound engineer was Geoff Emerick, while Mark Lewisohn helped find and select the songs for the album .
Emergence
The second double CD in the Anthology series contains recordings between February 16, 1965 and February 6, 1968. The album includes the following unreleased songs, which were recorded at Abbey Road Studios :
- If you've got trouble
- That means a lot
- 12-bar original
The album's recordings include live recordings, demos, and unused studio recordings of published songs (outtakes), as well as remixes of songs from 1995. Outtakes were made from the original recordings for the Help! , Rubber Soul , Revolver , Sgt.Pepper's Lonely Hearts Club Band, and Magical Mystery Tour .
When working on the anthology albums, the remaining three Beatles wanted to include the late John Lennon. When Yoko Ono gave them four earlier demo recordings of Lennon titled Grow Old with Me , Now and Then , Real Love and Free as a Bird , they revised the songs Free as a Bird in February 1994 and Real Love in February / March 1995 in Collaboration with Jeff Lynne digital and added newly recorded vocal and instrumental tracks. The four pieces date from 1977 to 1980, during which Lennon composed a lot on the piano in his apartment in the Dakota Building in New York and recorded his ideas on a cassette recorder. For the album Anthology 2 the song Real Love was used.
The album Anthology 2 entered the UK charts at number one a week after its release. It was the Beatles' 14th number one album in the UK. In the USA, Anthology 2 also reached first place in the US charts, making it the 17th number one album there. In May 1998, the album was multi-platinum in the US for four million copies sold. In Germany the album reached number four in the charts. The single Real Love / Baby's in Black (Live) was released from the album on December 12, 1995 , although the song Baby's in Black (Live) is not included on any of the three double CDs, it was only re-released in September 2016 released in a new mix by The Beatles at the Hollywood Bowl . The maxi single / EP Real Love also contains the songs Yellow Submarine (different version with a spoken introduction by Ringo Starr) and Here, There and Everywhere (remixing of recording takes 7 and 13). These two titles were also not used for the album.
Unused recording versions of the songs from the album Sgt.Pepper's Lonely Hearts Club Band were released on May 26, 2017 for the 50th anniversary on a double CD and a four-CD box.
Re-releases
- The album has been available for download from iTunes since June 11, 2011 . According to iTunes, the album was remastered . From April 4, 2016, the album was also available from other providers and streaming services.
- At the same time, the Anthology Box Set appeared on iTunes , containing the three double albums Anthology 1 , Anthology 2 and Anthology 3 for download.
Cover design
The design of the three corresponding album covers (placed side by side they create an overall picture) comes from Klaus Voormann , a friend of the Beatles from the Hamburg days in the early 1960s, and the photo-realist Alfons Kiefer. The cover design was supported by Richard Ward / The Team. The introduction to the 48-page illustrated CD booklet was written by Derek Taylor , the notes on the individual songs are by Mark Lewisohn .
Track list
CD 1
number | song | author | Lead vocals | length |
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1 | Real love | Lennon | Lennon / McCartney | 3:54 |
2 | Yes It Is | Lennon / McCartney | Lennon | 1:50 |
3 | I'm down | Lennon / McCartney | McCartney | 2:53 |
4th | You've Got to Hide Your Love Away | Lennon / McCartney | Lennon | 2:45 |
5 | If you've got trouble | Lennon / McCartney | Rigid | 2:48 |
6th | That means a lot | Lennon / McCartney | McCartney | 2:27 |
7th | Yesterday | Lennon / McCartney | McCartney | 2:34 |
8th | It's only love | Lennon / McCartney | Lennon | 1:59 |
9 | I Feel Fine [Live] | Lennon / McCartney | Lennon | 2:16 |
10 | Ticket to Ride [Live] | Lennon / McCartney | Lennon | 2:45 |
11 | Yesterday [Live] | Lennon / McCartney | McCartney | 2:43 |
12 | Help! [Live] | Lennon / McCartney | Lennon | 2:55 |
13 | Everybody's Trying to Be My Baby [Live] | Carl Perkins | Harrison | 2:45 |
14th |
Norwegian Wood (This Bird Has Flown) |
Lennon / McCartney | Lennon | 1:59 |
15th | I'm looking through you | Lennon / McCartney | McCartney | 2:54 |
16 | 12-bar original | Lennon / McCartney | Instrumental | 2:55 |
17th | Tomorrow Never Knows | Lennon / McCartney | Lennon | 3:14 |
18th | Got to Get You into My Life | Lennon / McCartney | McCartney | 2:54 |
19th | And Your Bird Can Sing | Lennon / McCartney | Lennon | 2:13 |
20th | Taxman | Harrison | Harrison | 2:32 |
21st | Eleanor Rigby (Strings only) | Lennon / McCartney | Instrumental | 2:06 |
22nd | I'm Only Sleeping (Rehearsal) | Lennon / McCartney | Lennon | 0:41 |
23 | I'm Only Sleeping (Take 1) | Lennon / McCartney | Lennon | 2:59 |
24 | Rock and Roll Music [Live] | Chuck Berry | Lennon | 1:39 |
25th | She's a Woman [Live] | Lennon / McCartney | McCartney | 2:55 |
CD 2
number | song | author | Lead vocals | length |
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1 | Strawberry Fields Forever | Lennon / McCartney | Lennon | 1:42 |
2 | Strawberry Fields Forever (Take 1) | Lennon / McCartney | Lennon | 2:35 |
3 | Strawberry Fields Forever (Take 7 & Edit Piece) | Lennon / McCartney | Lennon | 4:14 |
4th | Penny Lane | Lennon / McCartney | McCartney | 3:13 |
5 | A day in the life | Lennon / McCartney | Lennon | 5:05 |
6th | Good Morning Good Morning | Lennon / McCartney | Lennon | 2:40 |
7th | Only a Northern Song | Harrison | Harrison | 2:44 |
8th | Being for the Benefit of Mr. Kite! (Take 1 and 2) | Lennon / McCartney | Lennon | 1:05 |
9 | Being for the Benefit of Mr. Kite! (Take 7) | Lennon / McCartney | Lennon | 2:34 |
10 | Lucy in the Sky with Diamonds | Lennon / McCartney | Lennon | 3:06 |
11 | Within You Without You (Instrumental) | Harrison | Instrumental | 5:27 |
12 |
Sgt.Pepper's Lonely Hearts Club Band (Reprise) |
Lennon / McCartney | McCartney | 1:27 |
13 | You Know My Name (Look Up the Number) | Lennon / McCartney | Lennon / McCartney | 5:43 |
14th | I am the walrus | Lennon / McCartney | Lennon | 4:02 |
15th | The Fool on the Hill (Demo) | Lennon / McCartney | McCartney | 2:48 |
16 | Your mother should know | Lennon / McCartney | McCartney | 3:02 |
17th | The Fool on the Hill (Take 4) | Lennon / McCartney | McCartney | 3:45 |
18th | Hello, goodbye | Lennon / McCartney | McCartney | 3:18 |
19th | Lady Madonna | Lennon / McCartney | McCartney | 2:22 |
20th | Across the universe | Lennon / McCartney | Lennon | 3:29 |
Triple LP
page 1
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Page 2
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Page 3
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page 4
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page 5
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page 6
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Recording dates
No. | song | Recording dates | Producer / sound engineer | Studio / location | Further information | First publication of the original Beatles version |
---|---|---|---|---|---|---|
1 | Real love | 1979 (John Lennon), Feb. 1995 (Beatles) |
Jeff Lynne , John Lennon, Paul McCartney, George Harrison, Ringo Starr, Geoff Emerick , Jon Jacobs |
Dakota Apartments, New York (John Lennon); Hog Hill Studios, Sussex (Beatles) | The second song after Free as a Bird that the Beatles recorded after 1970; again based on a demo by John Lennon. | Anthology 2 |
2 | Yes It Is | Feb 16, 1965 | George Martin, Norman Smith |
Abbey Road Studio 2 | Recording takes 2 and 14 mixed together and take 14 remixed. | Single B-side of Ticket to Ride |
3 | I'm down | June 14, 1965 | George Martin, Norman Smith |
Abbey Road Studio 2 | Record take 1. | Single B-side of Help! |
4th | You've Got to Hide Your Love Away | Feb. 18, 1965 | George Martin, Norman Smith |
Abbey Road Studio 2 | The beginning of the song consists of recording take 1 and 2, the song itself is take 5, for the album Help! Record take 9 was used. | Help! |
5 | If you've got trouble | Feb. 18, 1965 | George Martin, Norman Smith |
Abbey Road Studio 2 | A previously unreleased song from the Help! Sessions | Anthology 2 |
6th | That means a lot | Feb. 18, 1965 | George Martin, Norman Smith |
Abbey Road Studio 2 | Another previously unreleased song from the Help! Sessions | Anthology 2 |
7th | Yesterday | June 14, 1965 | George Martin, Norman Smith |
Abbey Road Studio 2 | Recording take 1: The first version without overdubs . | Help! |
8th | It's only love | June 15, 1965 | George Martin, Norman Smith |
Abbey Road Studio 2 | Recording Take 2: An early version. | Help! |
9 | I feel fine | Aug 1, 1965 | no information | ABC Theater, Blackpool | Live recording in mono | Anthology 2 (live version) |
10 | Ticket to Ride | Aug 1, 1965 | no information | ABC Theater, Blackpool | Live recording in mono | Anthology 2 (live version) |
11 | Yesterday | Aug 1, 1965 | no information | ABC Theater, Blackpool | Live recording in mono | Anthology 2 (live version) |
12 | Help! | Aug 1, 1965 | no information | ABC Theater, Blackpool | Live recording in mono | Anthology 2 (live version) |
13 | Everybody's Trying to Be My Baby | Aug 15, 1965 | no information | Shea Stadium , USA | Live recording in mono | Anthology 2 (live version) |
14th | Norwegian Wood (This Bird Has Flown) | Oct 12, 1965 | George Martin, Norman Smith |
Abbey Road Studio 2 | Record take 1 | Rubber Soul |
15th | I'm looking through you | Oct 24, 1965 | George Martin, Norman Smith |
Abbey Road Studio 2 | Record take 1. | Rubber Soul |
16 | 12-bar original | Nov 4, 1965 | George Martin, Norman Smith |
Abbey Road Studio 2 | previously unreleased instrumental song from the Rubber Soul Sessions. | Anthology 2 |
17th | Tomorrow Never Knows | Apr 6, 1966 | George Martin, Geoff Emerick |
Abbey Road Studio 3 | Record take 1. | revolver |
18th | Got to Get You into My Life | Apr 7, 1966 | George Martin, Geoff Emerick |
Abbey Road Studio 2 | Test recording | revolver |
19th | And Your Bird Can Sing | Apr 20, 1966 | George Martin, Geoff Emerick |
Abbey Road Studio 2 | Recording Take 2: An earlier version, during the recording the Beatles burst out laughing. | revolver |
20th | Taxman | Apr 21, 1966 | George Martin, Geoff Emerick |
Abbey Road Studio 2 | Recording take 11 with partially different text passages | revolver |
21st | Eleanor Rigby (Strings only) | Apr 28, 1966 | George Martin, Geoff Emerick |
Abbey Road Studio 2 | Recording take 14: A new mix of the string accompaniment from 1995. | revolver |
22nd | I'm Only Sleeping (Rehearsal) | Apr 29, 1966 | George Martin, Geoff Emerick |
Abbey Road Studio 3 | Short part of the test recording. | revolver |
23 | I'm Only Sleeping (Take 1) | Apr 29, 1966 | George Martin, Geoff Emerick |
Abbey Road Studio 3 | Recording take 1 is acoustic in the instrumentation. | revolver |
24 | Rock and roll music | June 30, 1966 | no information | Budokan Hall , Tokyo | Live recording in mono | Anthology 2 (live version) |
25th | She's a woman | June 30, 1966 | no information | Budokan Hall, Tokyo | Live recording in mono | Anthology 2 (live version) |
26th | Strawberry Fields Forever (Demo Sequence) | Nov. 1966 | John Lennon | Kenwood, Weybridge Surrey (John Lennon's House) | Demo version | Single A-side |
27 | Strawberry Fields Forever (Take 1) | Nov 24, 1966 | George Martin, Geoff Emerick |
Abbey Road Studio 2 | Recording take 1 is still sparsely orchestrated. | Single A-side |
28 | Strawberry Fields Forever (Take 7 & Edit Piece) | Nov 29, Dec 9, 1966 |
George Martin, Geoff Emerick |
Abbey Road Studio 2 | While the original version of Strawberry Fields Forever begins with recording take 7 and ends with take 26, this version features the complete take 7 including an extended end sequence. | Single A-side |
29 | Penny Lane | 29. + 30. Dec. 1966, 4-6. Jan. 1967, 9. + 10. Jan. 1967, Jan. 12, 1967, Jan. 17, 1967 |
George Martin, Geoff Emerick |
Abbey Road Studio 2 and 3 | This version is a new mix from 1995 that came from several recording takes. | Single A-side |
30th | A day in the life | 19. + 20. Jan. 10, Feb. 1967 |
George Martin, Geoff Emerick |
Abbey Road Studio 1 and 2 | This version is a new mix from 1995 from recording takes 1, 2 and 6. | Sgt.Pepper's Lonely Hearts Club Band |
31 | Good Morning Good Morning | 8 + 16 Feb. 1967 | George Martin, Geoff Emerick |
Abbey Road Studio 2 and 3 | Recording take 8: A rockier version than the released album version. | Sgt.Pepper's Lonely Hearts Club Band |
32 | Only a Northern Song | 13. + 14. Feb. 1967, Apr. 20, 1967 |
George Martin, Geoff Emerick |
Abbey Road Studio 2 | In this version, the recording take 3 was combined with another vocals (also with partially different lyrics) from take 12. | Yellow Submarine |
33 | Being for the Benefit of Mr. Kite! (Take 1 and 2) | 14. + 20. Feb. 1967 | George Martin, Geoff Emerick |
Abbey Road Studio 2 | Two attempts at admission that were canceled. | Sgt.Pepper's Lonely Hearts Club Band |
34 | Being for the Benefit of Mr. Kite! (Take 7) | 14. + 20. Feb. 1967 | George Martin, Geoff Emerick |
Abbey Road Studio 2 | Recording take 7 with significantly fewer overdubs, recording take 9 was used for the album Sgt. Pepper's Lonely Hearts Club Band . | Sgt.Pepper's Lonely Hearts Club Band |
35 | Lucy in the Sky with Diamonds | 1st + 2nd March 1967 | George Martin, Geoff Emerick |
Abbey Road Studio 2 | This version is a new mix made in 1995 from recording takes 6, 7 and 8. | Sgt.Pepper's Lonely Hearts Club Band |
36 | Within You Without You (Instrumental) | 15. + 16. March 1967, March 22, 1967, Apr. 3, 1967 |
George Martin, Geoff Emerick |
Abbey Road Studio 2 | In this version, the vocals of George Harrison were mixed away in 1995. | Sgt.Pepper's Lonely Hearts Club Band |
37 | Sgt.Pepper's Lonely Hearts Club Band (Reprise) | Apr 1, 1967 | George Martin, Geoff Emerick |
Abbey Road Studio 1 | Recording take 5: An earlier version with a significantly different vocal style by Paul McCartney, recording take 9 was used for the album Sgt. Pepper's Lonely Hearts Club Band . | Sgt.Pepper's Lonely Hearts Club Band |
38 | You Know My Name (Look Up the Number) | May 17, 1967, 7th + 8th June 1967 to April 30, 1969 |
George Martin, Geoff Emerick |
Abbey Road Studio 2 | For the first time the complete version of the song and instead of mono , here in a stereo version . | Single B-side of Let It Be |
39 | I am the walrus | 5th Sep 1967 | George Martin, Geoff Emerick |
Abbey Road Studio 2 | Record take 16 without overdubs. | Magical Mystery Tour |
40 | The Fool on the Hill (Demo) | 6 Sep 1967 | George Martin, Geoff Emerick |
Abbey Road Studio 2 | A demo recording that Paul McCartney made alone. | Magical Mystery Tour |
41 | Your mother should know | 16 Sep 1967 | George Martin, Ken Scott |
Abbey Road Studio 3 | Recording take 27: An earlier version with a significantly different instrumentation and fewer overdubs, recording take 52 was used for the album Magical Mystery Tour . | Magical Mystery Tour |
42 | The Fool on the Hill (Take 4) | 25 Sep 1967 | George Martin, Ken Scott |
Abbey Road Studio 2 | Recording take 4: An earlier version with less overdubs, recording take 6 was used for the album Magical Mystery Tour . | Magical Mystery Tour |
43 | Hello, goodbye | 2nd + 19th Oct 1967 | George Martin, Ken Scott |
Abbey Road Studio 2 | Recording take 16: An earlier version with less overdubs, recording take 22 was used for the album Magical Mystery Tour . | Single-A-Side / Magical Mystery Tour |
44 | Lady Madonna | 3rd + 6th Feb 1968 | George Martin, Geoff Emerick, Ken Scott |
Abbey Road Studio 3 and 1 | This version is a new mix from 1995, taken from recording takes 3 and 4. | Single A-side |
45 | Across the universe | Feb. 3, 1968 | George Martin, Ken Scott |
Abbey Road Studio 2 | Recording Take 2: This is a previously unreleased version of the song. | No One's Gonna Change Our World (Benefit Compilation Album / Let It Be ) |
Unused audio recordings
The following lists deal with audio recordings of the Beatles that have not yet been published legally or that have been prevented from being published again for legal reasons, mostly by court decisions. Mixtures that differ from the published versions but are merely variations are not listed. Material that was not legally published was mostly distributed on so-called " bootlegs " , if available, whereby the sources mentioned here are not the titles of the various bootlegs, but the following books:
- The Complete Beatles Recording Sessions by Mark Lewisohn
- The Unreleased Beatles Music & Film by Richie Unterberger
Demo recordings 1966
The following listing of bootleg recordings made by the Beatles as individuals or as a group between 1963 and 1969 only covers tracks that were not released as the group 'The Beatles':
title | Recording date | Remarks | source |
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Down in Cuba | November 1966 | A Lennon composition that is partly more reminiscent of comedy, this title was broadcast as part of The Lost Lennon Tapes radio series | The Unreleased Beatles Music & Film - p. 159 |
Pedro the Fisherman | November 1966 | Another Lennon composition that is somewhat more reminiscent of comedy, this title was broadcast as part of The Lost Lennon Tapes radio series | The Unreleased Beatles Music & Film - p. 159 |
Stranger in My Arms | November 1966 | A third Lennon composition, again reminiscent of comedy, this title was broadcast on The Lost Lennon Tapes radio series | The Unreleased Beatles Music & Film - p. 159 |
EMI and Apple studio recordings from 1967
The vast majority of the Beatles' songs that were not published until 1970 appeared on the three anthology double albums. The following three songs were not considered for Anthology 2:
title | Recording date | annotation | source |
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Carnival of Light | Jan. 5, 1967 | Sound collages, a McCartney composition | The Complete Beatles Recording Sessions , p. 92 |
Untitled (no title) | May 9 / May 1 + 2 June 1967 | Sound collages | The Complete Beatles Recording Sessions , pp. 111/114/115 |
Shirley's Wild Accordion | October 12, 1967 | Instrumental title; it was released on October 5, 2012 as a bonus to the DVD / Blu-ray re-release of the film Magical Mystery Tour as background music to the previously unreleased scene Nat's Dream . | The Complete Beatles Recording Sessions , p. 128 |
Chart positions of the album
album | Release Date | Best placement in the charts | Label catalog no. | |||||||
---|---|---|---|---|---|---|---|---|---|---|
Type | title | GB | US | DE | GB | US | DE | GB | US | DE |
compilation | Anthology 2 | 18 Mar 1996 | 19 Mar 1996 | 13 Mar 1996 | 1 | 1 | 4th | Apple CDPCSP728 |
Apple 34448 |
Apple 8344482 |
Outcouplings
Singles
single | Release Date | Best placement in the charts | Label catalog no. | ||||||
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A side / B side | GB | US | DE | GB | US | DE | GB | US | DE |
Real Love / Baby's in Black (Live) | 4th Mar 1996 | 4th Mar 1996 | 4th Mar 1996 | 4th | 11 | 45 | Apple R6425 | Apple 58544 | Apple 7243 8 82647 2 3 |
Extended Plays (EPs)
EP | Release Date | Best placement in the charts | Label catalog no. | |||||||
---|---|---|---|---|---|---|---|---|---|---|
title | Songs A-Side / B-Side | GB | US | DE | GB | US | DE | GB | US | DE |
Real love | Real love ; Baby's in Black / Yellow Submarine ; Here, There and Everywhere | 4th Mar 1996 | 5th Mar 1996 | 4th Mar 1996 | - | - | - | APPLE R6425 |
APPLE CDP58544 |
APPLE 724388264624 |
Promotional publications
PhD LP
title | content | Publ. | Label catalog no. |
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The Beatles Anthology 2 | Page 1: Strawberry Fields Forever (Take 1) / I'm Down / I'm only Sleeping (Rehearsal) / I'm only Sleeping (Take 1) Page 2: Eleanor Rigby (strings only) / Only a Northern Song / Tomorrow Never Knows / Sgt. Pepper's Lonely Hearts Club Band (Reprise) | March 1996 | Capitol SPRO-11206/11207 |
Promotion CD
title | content | Publ. | Label catalog no. |
---|---|---|---|
Anthology 2 | You've Got to Hide Your Love Away / Yesterday / Help! / I'm Looking Through You / Taxman / Eleanor Rigby (strings only) / I'm Only Sleeping / Strawberry Fields Forever / I Am the Walrus / Across the Universe | March 1996 | Apple DPRO-11200 |
Promotion single
A promotional CD single containing only the song Real Love was released in the United States and the Netherlands .
Anthology highlights
14 June 2011 published iTunes , the download - compilation album Anthology Highlights including the following 23 songs, eight of which on Anthology 2 includes:
number | song | author | Lead vocals | length | album |
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1 | Free as a bird | Lennon / McCartney / Harrison / Starkey | Lennon / McCartney / Harrison | 4:23 | Anthology 1 |
2 | One after 909 | Lennon / McCartney | Lennon | 2:55 | Anthology 1 |
3 | That means a lot | Lennon / McCartney | McCartney | 2:26 | Anthology 2 |
4th | Leave My Kitten Alone | Lennon / McCartney | Lennon | 2:56 | Anthology 1 |
5 | If you've got trouble | Lennon / McCartney | Rigid | 2:48 | Anthology 2 |
6th | Can't Buy Me Love | Lennon / McCartney | McCartney | 2:10 | Anthology 1 |
7th | Mr. Moonlight | Lennon / McCartney | Lennon | 2:47 | Anthology 1 |
8th | Kansas City / Hey-Hey-Hey-Hey! | Lennon / McCartney | McCartney | 2:46 | Anthology 1 |
9 | Eight Day's a Week | Lennon / McCartney | Lennon / McCartney | 2:47 | Anthology 1 |
10 | I'm looking through you | Lennon / McCartney | McCartney | 2:53 | Anthology 2 |
11 | Yesterday | Lennon / McCartney | McCartney | 2:34 | Anthology 2 |
12 | Tomorrow Never Knows | Lennon / McCartney | Lennon | 3:14 | Anthology 2 |
13 | Strawberry Fields Forever | Lennon / McCartney | Lennon | 2:34 | Anthology 2 |
14th | Across the universe | Lennon / McCartney | Lennon | 3:30 | Anthology 2 |
15th | Something | Harrison | Harrison | 3:18 | Anthology 3 |
16 | Not Guilty | Harrison | Harrison | 3:22 | Anthology 3 |
17th | Octopus's Garden | Rigid | Rigid | 2:49 | Anthology 3 |
18th | All Things Must Pass | Harrison | Harrison | 3:04 | Anthology 3 |
19th | Come and Get It | McCartney | McCartney | 2:30 | Anthology 3 |
20th | Goodnight | Lennon / McCartney | Rigid | 2:38 | Anthology 3 |
21st | While My Guitar Gently Weeps | Harrison | Harrison | 3:27 | Anthology 3 |
22nd | The Long and Winding Road | Lennon / McCartney | McCartney | 3:41 | Anthology 3 |
23 | Real love | Lennon | Lennon / McCartney | 3:54 | Anthology 2 |
literature
- CD booklet
- The Beatles: The Beatles Anthology . ISBN 3-550-07132-9
- Mark Lewisohn: The Complete Beatles Recording Sessions: The Official Story of the Abbey Road Years . ISBN 0-600-61207-4 .
- Mark Lewisohn: The Complete Beatles Chronicle . ISBN 0-600-61001-2 .
- Richie Unterberger: The Unreleased Beatles: Music and Film. ISBN 0-87930-892-3 .
- Ian MacDonald: Revolution in the Head . ISBN 978-0-099-52679-7
- Alex Bagirov: The Anthology of the Beatles Records , ISBN 978-3-936300-44-4 .
Web links
- About Anthology 2 (UK)
- Information on Anthology 2 (Allmusic)
- Information on Anthology 2 , official site
Individual evidence
- ↑ The story of the bootleg kum back
- ^ Christoph Maus: The Beatles Worldwide . ISBN 978-3-9809137-1-3 . Pp. 360-361.
- ^ Rainer Moers, Claus-Dieter Meier, Matthias Bühring: The Beatles, Argument Verlag, 2000, ISBN 978-3-88619-698-2 .
- ↑ EMI press release of May 26, 1985
- ↑ Jim Berke city and Belmo: Black Market Beatles: The Story behind the lost Recordings. Burlington (Ontario): Collector's Guide Publishing, 1995. p. 91.
- ↑ Ultra Rare Tacks Volume 1
- ↑ Ultra Rare Tacks Volume 2
- ↑ Ultra Rare Tacks Volume 3 + 4
- ↑ Ultra Rare Tacks Volume 5 + 6
- ↑ Multi-platinum award
- ↑ Anthology 1 on iTunes
- ↑ Announcement of the remastered re-release of iTunes
- ↑ Announcement of the Anthology Box Set
- ↑ Information on Anthology Box Set
- ↑ USA promotion CD Real Love
- ↑ Netherlands promotion CD Real Love
- ↑ Anthology Highlights