Field stone church Marsow
The field stone church Marsow is a listed church building in the district Marsow of the municipality Vellahn in the district Ludwigslust-Parchim in Mecklenburg-Western Pomerania . It was built in the 14th century and is now part of the Mecklenburg parish of the Evangelical Lutheran Church in Northern Germany .
history
As early as 1194, Werner von Marsow was listed as a witness in Isfried's partition treaty . As a result, family members were named in various documents of the bishops of Ratzeburg and the counts of Schwerin . The village Marsow itself was first mentioned in the Ratzeburg tithe register from 1230. Marsow Church was built on a Romanesque site after 1341. According to the Church Visitation Protocol of 1534, Marsov did not have his own church master . Since the church lord von Vellahn received part of his income from Marsow, he was probably responsible there too. This is also supported by the fact that the Marsower Church was built as a branch church and thus belonged to the parish of Vellahn.
The patronage
After the Reformation , patronage became increasingly important, also thanks to the less strict handling of church regulations . The right of patronage was mostly a right in rem , which went hand in hand with the possession of a knightly estate , but it was also a personal and inheritable right. The patronage stalls in the altar area were a visible sign of patronage . The patron was not only responsible for maintaining the church, he also took care of the maintenance of the parish and school house. The patron not only had duties, he had the right to propose a candidate for the pastor's office . The appointment of a teacher, who mostly took over the function of organist and sexton , was also the responsibility of the patron.
The fiefdom Marsow was owned by the von Züle family from 1396 to 1726 . In 1724 Ernst Heinrich von Züle died without leaving an heir, so Marsow passed through inheritance to his brother Thomas Friedrich von Züle. In 1726 he gave his brother's widow, Anna Maria von Pentz, permission to sell the Marsow estate to Hofmeister Kurd von Lützow . Kurd von Lützow then also took over the church patronage and the resulting church construction charges . The patronage remained in the hands of the von Lützow family until 1798. Then Marsow was sold to the von Schilden family , who held the property until 1860. During their patronage, a family burial chapel was built on the north side of the church. After the death of the Prussian court master von Schilden , his heir and brother left the Rodenwalde and Marsow estates to the later court marshal Jaspar Friedrich von Bülow . So he also took over the patronage for the Marsower Church.
In 1871 the landlord died and his son Alexander von Bülow then took over responsibility for the property and the church patronage . So the preservation of the church continued to be ensured. In the same year the large family burial chapel was built at his instigation . The church's equipment also saw some changes, for example a harmonium and later an organ.
In 1901 Alexander von Bülow died and his son Henning took over his father's inheritance. From 1911 to June 1912 he had extensive renovation and renovation work carried out on the Marsower Church. On June 16, 1912, the renovated church was finally consecrated. The Rodenwalde and Marsow estates remained in the possession of the von Bülow family until 1930. The new owner was the German-born South African geologist Hans Merensky , who acquired the estate from Henning von Bülow.
With the expropriation of the landowners in 1945/46, the period of patronage was finally over.
Parish
In the branch church Marsow, services were held every 2 to 4 weeks . If there were no services in the branch church, the Marsowers went to the Vellahner church for Sunday services. In the early 18th century, eleven farmers, three kossats , three artisans and three cattle herders lived in Hof Marsow . Two of the Marsow farmers belonged to the parish of Vellahn and one of the church to Marsow. Some of the farmers were also in the service of Baron von Lützow .
Vellahner pastors
Names and years indicate the verifiable mention as pastor.
- 1325– Hinrich von Thun
- 1501–1534 Heinrich Merzmann, Pleban zu Vellahn
- 1626–1629 Jonas Warnke
- 1635–1640 Conrad Rokentrog (Reichentrog)
- 1641–1659 Johann Rossow
- 1659–1687 Johann Beverin
- 1688–1696 Paul Richter
- 1697–1707 Jonas Rentz
- 1708–1735 Gottfried Dolch
- 1737–1783 Friedrich Georg Siggelkow
- 1783–1833 August Wilhelm Friedrich Koch
- 1834–1854 Ludwig Theodor Justus Tarnow
- 1854–1889 Johann Tapp
- 1889–1906 Rudolf Karsten
- 1906–1928 Helmut Scheven
- 1928–1935 Bernhard Schmaltz
- 1935–1946 Rudolf Radtke
- 1946–1952 Helmut Rux
- 1952–1873 Hermann Koch from Pritzier
- 1992–2001 Dietrich Neumann
- 2003–2003 Katrin Kühl
- 2004–2009 Thomas Cremer
- 2011– Christian Lange
The church building
The appearance of the church changed significantly in 1911 and 1912. So there was no tower before and the gables were also without crowning decoration. Inside, the nave and the choir room were closed off with a flat wooden ceiling. The Gothic shield arches in the nave are remarkable , they date from the early days of church building and give the appearance of a vault. The entrance area on the west side, on the other hand, was subject to some changes before the renovation work, such as a large, partially walled, pointed arch portal. A field stone grave chapel of the von Schilden family on the north side was demolished at the end of the 19th century because it was dilapidated.
Nave and choir
The nave is accessed via the main portal on the west side. The retracted choir building is also accessible via the side entrance on the north side and the small front entrance porch on the south side.
The single-nave rectangular church was built from hewn field stones . It consists of a retracted rectangular choir and a nave that was vaulted with groin vaults. Both have gable roofs and there are buttresses at the corners of the east side of the choir . The west gable of the nave is adorned by five staggered blind niches , which are rounded off at the top with brick arches. In two of these blind niches there are also slotted windows that are provided with lead glazing. The east gable is also decorated with blind niches, these are graded towards the top of the gable. The east gable of the nave is also crowned by a small gable turret . A cross can be found on the roof of the choir as a crown .
The windows on the sides of the nave are provided with double-lane pointed arches and round windows, the framework of which is decorated on the inside with dew-rod ornamentation made in stone . In the long sides and the east gable of the choir there are also two-lane round-arched windows. In the middle of the long sides of the choir there is also a narrow, arched window. On the north side one of these window openings is lined with a bas-relief in which the coat of arms of the von Bülow family was incorporated.
Entrance porch
The front entrance porch on the west side was built from ashlar field stones and was only added during the renovation work in 1912. The entrance portal with its ogival tapering walls and the tympanum form the ornate center here.
The tympanum is adorned with a magnificent glass mosaic , in it Jesus is represented, flanked by the alpha and omega . The artistic design is based on Romanesque painting, which is characterized by symbolism . The decorative glass mosaic comes from the atelier of the German Glass Mosaic Society Puhl & Wagner . The lintel , a carved granite stone resting on consoles, is also remarkable .
Also noteworthy is the massive double wing door made of oak with its beautifully shaped forged fittings . This door is decorated with carving on the strike bar .
After passing through the portal you get to the small vestibule, where the two flanking slit windows provide natural light.
Also worth mentioning is the slightly protruding gable with its narrow, arched opening.
The gable roof forms the upper end of the porch.
tower
The tower, a rectangular gable tower , which protrudes from the west gable of the nave. This tower was built during the renovation work in 1911/12. The framework of the tower is provided with brick infills , whereby the infills were provided with finishing plaster at the time of their creation. Dew stick decorations adorn the corner posts of the square lattice tower. The gable tower was also equipped with an octagonal lantern , the wooden corner stems of which are now protected by copper covers with dove-stick decorations. The tower closes at the top with the bulbous hood, also known as the Welsche hood . Also noteworthy is the crowning of the hood, which is formed by the tower ball , weathercock and gold-plated cross.
Interior design and equipment
The nave is provided with two pointed arches on each side, which give the appearance of a vault approach. During the extensive renovation of the church in 1912, the choir and nave, which until then had been spanned by a flat beam ceiling, were vaulted with a Rabitz vault construction and a plastered ceiling.
altar
The altar resting on a wooden plinth forms the center of the choir room.
Major General Thomas Friedrich of Züle on Zühr founded in 1725 to the Baroque style made Altaraufsatz whose center a painted in oil crucifix formed. During the renovation in 1912, the painter Willi Schomann redesigned the pictorial area. Most of the ornamental representations still belong to the Baroque furnishings from the period of origin.
The frame and the carving are painted gold. The middle part of the triptych is decorated with the artistically made figurative representation of Christ on the cross , which is flanked at the foot of angel figures. A depicted halo of the sun forms the background. Rich ornamental carving rounds off the decorative appearance. What is remarkable here is the crowning of the figurative representation in the triptych, consisting of finely crafted scrollwork , which can also be found at the foot of the representation. In the pictorial representations of the altar wings painted on a damascus gold background, scenes of worship are shown. The personified representations are separated according to gender, who direct their gaze towards the crucifixion. The altar is crowned by a protruding wooden cornice. The predella is also decorated with filigree paintings, the center of which is the Christ monogram . The Christ monogram is flanked by the depiction of an angel with a trumpet and the evangelist Matthew , which are framed by vegetal ornamentation.
On the east wall behind it , there is also the pictorial representation of Jesus Christ surrounded by angels in the mandorla .
Also noteworthy is the devotional image from the 16th century, on the reveal of the choir arch on the south side, with the figurative representation of Jesus' blessing of children . The devotional image had its original place in the arched window niche on the north side of the choir.
pulpit
The baroque pulpit, an octagonal and curved wooden pulpit resting on a base with a canopy . The exterior of the pulpit is richly decorated with ornaments. The gold acanthus carving on the edges of the pulpit is remarkable . Also noteworthy are the red facings, which are filled with vegetable carvings.
The corresponding pulpit canopy is also richly decorated with baroque decorative elements. Below the pulpit hood there is a symbolic halo made of wood with a dove. The figurative representation of the pigeon gives the impression that it is floating under the halo .
The pulpit and canopy are painted in light gray and green, while the glare surfaces are reddish in color.
Painting
The interior of the church was painted in 1911 by the native Parchimer and painter Willi Schomann as a free artistic achievement. The choir walls were also given a new look during the renovation. The paintings show the evangelists , scenes from the life of Jesus, the Lord's Supper and other biblical scenes. The ornate paintings with vegetal ornamentation and geometric ornament ribbons complete the interior. The complete and detailed painting of the choir vault is astonishing, dominated by the ornament of the thistle, which symbolically indicates redemption and martyrdom .
On the choir arch , looking from the nave, in addition to the splendid vegetal and geometric ornaments, the evangelists are depicted, on the left are Mark and Luke , on the right are Matthew and John , which are inscribed with Gothic uncial script at the foot . The choir arch on this side is crowned with the depiction of the enthroned Jesus Christ, who is flanked by two angels with trumpets .
On the side of the choir, the arch is crowned by the representation of Jerusalem . On the north side of the choir arch the portrait of John the Baptist with his cross staff . Opposite him, on the south side of the choir arch, is the representation of Maria Magdalena .
The artistic representations in the choir area are also remarkable. There you can find the Sermon on the Mount of Jesus of Nazareth on the south side and Moses speaking to the people of Israel on Mount Sinai on the north side .
On the north side, flanking the two-lane choir window, Moses and the Ten Commandments . Opposite on the south side, flanking the single-lane choir window, there is the Last Supper of Jesus and the depiction of the betrayal of Judas (Mt 26: 14-25).
Above the choir window on the east side, behind the altar, there is also the representation of Jesus Christ in the mandorla , surrounded by angels. In connection with the depictions of the believers flanking the altar, they show the Ascension of Christ . Unfortunately, this area of the paintings is badly damaged.
The ornate design with floral and geometric ornaments continues on the window reveals of the nave windows and the choir windows. The dew stick decorations on the framework of the windows are also colored and provided with wavy ribbons.
The ceiling area of the eight-sided lantern of the bell tower is adorned with an ornate painting. The black and white heart-shaped linden leaf tendrils on a red background form the picturesque conclusion.
Stained glass
The von Bülow family donated the colorful choir windows and the windows of the nave in 1910 and 1912. The famous glass painter Fritz Geiges from Freiburg im Breisgau was responsible for the artistic design of the windows . He created ornate Christian picture cycles and coats of arms on the matt white basic glasses.
Choir window
The two-lane chancel window on the east side shows in both lanes a double-stemmed thistle, rising up and branching, as a symbol of the Passion of Christ . In the branches of the twining thistle there are baskets with eggs, as a Christian symbol of life, and thistle finches , which symbolize the sacrificial death of Jesus Christ, sit on the branches . The gold initials of the founder v. B. (for von Bülow) and two signature disks by the glass painter in the lower fields, F. Geiges, fecit in and Freiburg i./Br. 1912 .
In the choir windows on the north side the birth of Christ is depicted ( Lk 2,7), followed by Joseph and Mary with the baby Jesus on their journey to Egypt ( Mt 2,14). Further representations show the three kings Caspar, Melchior and Balthasar with the baby Jesus (Mt 2,11) and the baptism of Jesus ( Mk 1,9), which forms the end of the picture cycle.
Scenes from the Passion of Christ adorn the south-facing windows of the choir. The depiction of the angel handing the chalice to Jesus on the Mount of Olives opens the cycle of images (Lk 22:43). The following depictions show Jesus carrying the cross ( Jn 19:17) and the crucifixion group . The cycle of images is completed by the resurrection of Jesus Christ .
The blue-colored flat glass pieces of the choir windows were also filled with filigree glass paintings in the form of acanthus leaf tendrils.
Also worth mentioning are the round windows in the courtyard of the choir windows, which were provided with colored glazing and diamond patterns. However, they are walled up inside.
In addition to the Bülow coat of arms in the choir windows, there are inscription fields with foundation dedications. “ In memory of our parents, Court Marshal Jaspar von Bülow and Adele von Buelow, née von Könemann, donated by Fritz Karl-August and Jaspar von Bülow AD MCMX.” And in the choir window opposite, “ In memory of our foster parents, Minister of State Alexander v. Bülow and Leopoldine von Bülow born. v. Gaps donated by Fritz Karl-August von Bülow AD MCMX. (1910) ". On the right side of Bülow's coat of arms and the dedication, there are also the coats of arms of the wives, the von Lücken family and the von Könemann family.
Ship window
In the nave, the windows are adorned with coats of arms hanging on coiled cords and connected to one another , which in turn are framed by branch tendrils with oak leaf ornamentation .
The window on the south side bears the coat of arms of the Lords of the Church of Marsov. In this window you can find the coats of arms of the families, starting from the bottom and then ascending; von Schilden , von Bülow , von Pentz , von Lützow , von Marsow and von Züle .
The window on the north side bears the marital coats of arms , again starting from the bottom and then ascending; Henning von Bülow and Madeleine Countess Bassewitz , Alexander von Bülow and Leopoldine von Lücken , Jaspar von Bülow and Henriette von Jasmund .
In the windows flanking the west gallery there is brightly colored glazing and braided ribbon ornamentation.
Also worth mentioning are the round windows in the courtyard of the ship windows , which were provided with colored glazing and simple braided ribbon ornament.
organ
For many years a harmonium was used to provide musical accompaniment to church services . That only changed with the purchase of an organ.
Around 1900, Alexander von Bülow donated an organ to the church , which he was able to purchase from organ builder Marcus Runge in Schwerin. It was an organ built by Friedrich Friese III in 1887, made in his Schwerin workshop. Around 1910 Henning von Bülow commissioned the Hagenower organ builder Runge to install the organ that had been in storage for years. In the course of the installation, some changes and additions had to be made. The organ received a pedal register on a pneumatic wind chest . The missing case and the organ front were made directly in the Marsower church from oak and oak veneer . This is how the symmetrical organ front with carved wood ornamentation was created.
However, the tin prospectus pipes soon fell victim to the " tin donation " of the First World War and were confiscated in 1917. They became the property of the Reich Military Service.
The Marsower Friese organ is not only an ornate part of the interior of the church, it also serves to guide and guide the singing of the parishioners as well as to elevate and guide the choir singing . In September 2013 the organ was restored by the organ builder Johann Gottfried Schmidt from Rostock and made playable. The organ consecration was celebrated on the afternoon of October 3, 2013 . The beautiful organ has been played regularly ever since.
Disposition
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Gallery and stalls
The west gallery rests on massive wooden columns, which are provided with spiral fluting. The shape of the supporting column segments resembles the Romanesque cube capitals, which are also richly decorated with ornamentation. The parapet with its columns, which are fluted , is remarkable . In the fields of the parapet there is also the motif of the quatrefoil .
The patronage stalls preserved are made of oak. The von Bülow family's coats of arms are incorporated into the backrests, which are framed by foliage. The curly cheeks of the choir stalls and the fold-up seats are also adorned with vegetable carvings. The ornate inlay work at the foot of the choir stalls is also remarkable . The church stalls were made by the Zarrentiner master carpenter Fritz Wind.
Baptismal font
The baptismal font from 1834 is made of gray marble . In the small, arched, profiled surfaces of the basin, Mary was depicted with the child , as further representations, the personification of the elements and the liberal sciences. The figurative representations were framed by Latin inscriptions . A corresponding baptismal font was also decorated with the personification of the continents and the seasons.
The pedestal is decorated with the Lamb of God Agnus Dei , behind the head the halo , in the background the upright victory flag, which symbolizes the victory over death. Above the figurative representation, the dedication with the date of foundation of the baptismal font, Marsow MDUCCXXXIV (1834). The edge of the baptismal font is bordered by a quote from the Bible: “ I give them eternal life; and they will never perish, and no one will snatch them out of my hand ” (John 10:28).
The current appearance of the baptismal font differs from the condition described above in 1898. The representations in the profiled surfaces of the basin are no longer available today.
Bells
The Marsov Church owed its bells to the von Züle family . Ernst Heinrich von Züle donated two bells in 1713. The largest bell (Ø 88 cm) came from 1714 and was cast by the Rostock bell foundry Vites Siebenbaum. It bore the inscription " SOLI DEO GLORIA" as well as the family coat of arms and the initials of the Hanoverian cavalry master Ernst Heinrich von Züle and his wife Anna Maria von Pentz on Camin . The second, somewhat smaller bell (Ø 56 cm) also bore the legend and the family coat of arms of the donors. The smallest bell (Ø 31 cm), however, was without inscriptions, it is said to come from the village of Doitin, which no longer existed in the 18th century.
Until the renovation in 1911, the three bells hung in their belfry in the roof of the church. As sound holes the introduced into the roof served drag dormers , which were removed after the tower construction. Today the sound arcades in the tower ensure the necessary spread of the bell sound .
The bells have been hanging in the gable tower since the extensive renovation in 1911/12.
One of the two bells that exist today, a steel bell , was cast in Apolda , Thuringia , in 1957 .
The ringing of bells has been operated electrically since July 2015.
Inventory from 1898
- The large silver-gilded chalice and paten , donated in 1831 by the Oberhofmeister von Schilden, were manufactured by court goldsmith Hossauer from Berlin.
- Silver Oblate nschachtel with Ährenkranz and Christusmonogramm including symbols Alpha and Omega decorated, 1,832 donated by the chief steward of shields.
- Three silver jugs, from 1833, 1837 and 1841.
- Silver baptismal font , donated in 1835 by the head forester von Schilden, with a memorial inscription, the Lützow coat of arms is framed by the inscription: “ LU v. L., GEB. JULY 2, 1751, GEST. MARCH 2, 1828 ".
- Two pewter altar candlesticks with a cross in a circle as a town sign and a star as a maker's mark with the signature “ FLS ” from 1663. The signature can be assigned to the Schwerin pewter caster Caspar Mewes.
Current condition
The church has been extensively restored since 2005. The previous restoration work was made possible by the support of the German Foundation for Monument Protection and the Rudolf August Oetker Foundation as well as the numerous donations from private individuals. Thanks to the discovery of the colored wall painting designs by Willi Schomann, these could also be restored. The organ was also restored in 2013. Also noteworthy is the commitment of the friends' association, founded in 2001, which is committed to the preservation and restoration of the church.
A visit to the church in the outside area is possible at any time, after prior agreement by telephone, a tour of the inside area is also possible. On the day of the open monument , the church is open to all interested visitors.
Burial chapel of the von Bülow family
Opposite the west side of the church, the von Bülow family had a burial chapel built from square stone in 1871. The well-known court building officer Hermann Willebrand was commissioned with the planning and construction . He designed an imposing chapel in the shape of a cross basilica that ends with a gable roof . Initially ten crypts were created inside, with the addition to the north, this number increased accordingly.
The central point is the ogival entrance portal with the tapering walls . Above is the tympanum, a white sandstone into which the ornate Bülow coat of arms was incorporated, which in turn is framed by vegetal ornamentation. The door lintel resting on consoles is made of the same white sandstone and bears a verse from the Bible as an inscription: “ I am the resurrection and the life. Whoever believes in me will live even if he dies soon ( John 11:25) ” . The double-winged wooden entrance door with its ornate wrought iron fittings is remarkable. The interior of the burial chapel is accessible via the vestibule behind the door.
The two-lane pointed arch windows in the nave were provided with colored glazing and diamond patterns. A rose window was also installed in the extension that was later added to the north side . Also noteworthy is the large, brightly colored rose window on the back of the transept . The altar was set up under this ornate window .
The opposite side entrances of the nave are closed by double-leaf wooden doors. Noteworthy are the decorative elements of the north and south gables, in the form of hexagrams .
On the gable peaks of the nave were three stone finials the crown, only two of which bore in place. The gable of the transept, on the other hand, was crowned by a gable cross .
Today a large memorial plaque in the entrance area of the churchyard commemorates the family members buried in Marsow.
Others
August 1813
The time of the Wars of Liberation is also worth mentioning . In the days from 19 to 21 August 1813, the village of Marsow, which was occupied by French troops, became the scene of heavy fighting, which terrified the parish. French artillery and infantry of General Davout met the Russian-German Legion under General Wallmoden . So there were several battles in and around Marsow, which were ultimately won by Wallmoden's troops.
literature
- Friedrich Schlie : The art and history monuments of the Grand Duchy of Mecklenburg-Schwerin . The district court districts of Hagenow, Wittenburg, Boizenburg, Lübenheen, Dömitz, Grabow, Ludwigslust, Neustadt, Crivitz, Brüel, Warin, Neubukow, Kröpelin and Doberan. III. Tape. Schwerin 1899, p. 90–93 ( digitized from the Internet Archive [accessed July 23, 2015]).
- Georg Dehio : Handbook of the German art monuments, Mecklenburg-Western Pomerania. Munich, Berlin 2000, ISBN 978-3-422-03081-7 , p. 338.
- ZEBI u. START e. V. (Ed.): Village and town churches in the Parchim parish. Edition Temmen, Bremen a. Rostock 2001, ISBN 978-3-86108-753-3 , p. 35.
- Hugo von Pentz: Marsow. In: Katharina Baark (ed.): Album of Mecklenburg goods in the former Wittenburg office. Helms, Schwerin 2001, ISBN 978-3-935749-81-7 , p. 77.
- Reinhard Kuhl: 19th century glass paintings, Mecklenburg-Western Pomerania, churches. Berlin-Brandenburg Academy of Sciences a. Edition Leipzig, Leipzig 2001, ISBN 978-3-361-00536-5 , p. 135 f.
- Elke Kuhnert: Marsow, district Ludwigslust, village church, wall paintings. In: KulturERBE in Mecklenburg and Western Pomerania. Volume 4. Schwerin 2008, p. 179 f.
- Daniel Parello: From Helmle to Geiges: a century of historicist glass painting in Freiburg. Stadtarchiv Freiburg (Ed.), Freiburg 2000, ISBN 978-3-00-006521-7 , pp. 135-168.
swell
Printed sources
- Mecklenburg record book (MUB)
- Mecklenburg Yearbooks (MJB)
- Hans-Joachim Kohl: Woodworms don't like music. In: Mecklenburgische and Pommersche Kirchenzeitung. No. 42 (2013), p. 9.
- Lightweight construction for the church: how the village church in Marsow was redesigned. In: German Foundation for Monument Protection (Hrsg.): Monuments, the magazine for monument culture in Germany. Volume 18, Bonn 2008, p. 32 f.
Unprinted sources
- State Church Archives Schwerin (LKAS)
- LKAS, OKR Schwerin, Specialia Abt. 3. No. 451 Marsow, chapel, churchyard, lands 1834–1998.
- LKAS, OKR Schwerin, Specialia Abt. 4. No. 721 Vellahn, daughter church Banzin, Marsow 1765–1907.
- Parish archives Cammin with Marsow, No. 19 first mentioning document from 1194 (photocopy), No. 64 Churchyard Marsow. No. 69 Marsow, wall paintings and burial chapel by Bülow. No. 75 parish archives, old files. No. 118 architectural drawings and plans of church buildings.
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State Main Archive Schwerin (LHAS)
- Holdings: (5.12-9 / 2) 3892–3898, District Office Hagenow: Marsow.
- Holdings: (11.3-1 / 3) 489, family history: estate, collection of Pentz, Marsow.
- LHAS 05.12-07 / 01 Mecklenburg-Schwerin Ministry for Education, Art, Spiritual and Medical Matters
- LHAS 5.12-4 / 2 Department of Agriculture, Domains and Forests. No. 4857 Rodenwalde estate with ancillary Marsow estate, 1930–1937.
- Inventory: (5.12-9 / 2) 8664, District Office Hagenow: Establishment and administration of the Melköfer Fund for the financing of the clerical building loads in Vellahn, assets of the authorities of Vellahn, Brahlstorf, Dammereez, Banzin, Kloddram, Ruhethal, Garlitz, Marsow and Düssin , Duration: 1903–1943.
- Inventory: (3.1-1) Article XIX 334, Mecklenburg Land estates with the narrow committee of the knights and landscape of Rostock: The curate of the children of the wailand captain von Schilden intended to lay down some peasants at Goldenbow and Marsow, running time: 1794.
- Holdings: (2.25-3) 1099, Superintendentur Schwerin: Church building and church chairs, also contains: Banzin and Marsow, running time: 1706–1831.
Web links
- Literature about field stone church Marsow in the state bibliography MV
- State Main Archive Schwerin online search
- Foundation for the Preservation of Church Monuments . Retrieved March 20, 2017.
- Bülow's burial chapel in Marsow . Retrieved March 20, 2017.
- Corpus Vitrearum Freiburg . Retrieved March 20, 2017.
Individual evidence
- ↑ MUB I. (1863) No. 154., p. 153, ( digitized ).
- ↑ GMC Masch: History of the Diocese of Ratzeburg . Friedrich Asschenfeld, Lübeck 1835, p. 96, ( digitized version ).
- ↑ a b c d e Friedrich Schlie : The art and history monuments of the Grand Duchy of Mecklenburg-Schwerin , III. Band, Schwerin 1899, pp. 90-93, ( digitized version ).
- ^ Ludwig Hellwig: The tithe register of the diocese of Ratzeburg. The locations of the tithe register. In: MJB No. 69 (1904), p. 308, p. 323, p. 347, ( digitized version ).
- ^ Foundation KiBa, Feldsteinkirche Marsow. Retrieved September 5, 2016 .
- ^ M. Dietrich Schröder: Mecklenburg Church History of Papist Mecklenburg . Printed by Andreas Sebastian Winckler, Wismar 1739. digitized ). P. 343, (
- ↑ M. Dietrich Schröder: Church history of the Evangelical Mecklenburg from the year 1518 to 1742 . First part. EE Raths Buchdrucker, Rostock 1788, p. V .
- ↑ a b F. von Meyenn: Documented history of the von Pentz family . First volume. Printed by the Bärensprungsche Hofbuchdruckerei, Schwerin 1891, p. 150 ff . ( Digitized version ).
- ^ Jacob Friedrich Joachim von Bülow: Family book of the von Bülow . Ed .: Paul von Bülow. Publishing house of the Royal Secret Upper Hofbuchdruckerei (R. Decker), Berlin 1858, p. 200 .
- ^ A b Landesverein des Bundes Heimatschutz (Ed.): Mecklenburg - Journal of the Heimatbund Mecklenburg. 7th year. No. 4 . Schwerin 1912, p. 115 ff .
- ^ Franz Schildt: The community Vellahn at the beginning of the 18th century. In: MJB No. 47 (1882), pp. 242-250, ( digitized version ).
- ^ Mecklenburg - Atlas of Bertram Christian von Hoinckhusen (around 1700). (PDF; 1.1 MB) LAiV, p. 51 , accessed on September 12, 2016 .
- ↑ Gustav Willgeroth : The Mecklenburg-Schwerin Parishes since the Thirty Years' War. Wismar 1925.
- ↑ Friedrich Schlie: The estate and branch church village Marsow. 1899, pp. 90-93.
- ↑ Evangelical Lutheran Regional Church Mecklenburg (Ed.): Church Official Gazette No. 8/9 . September 28, 1962, p. 39 ( kirchenrecht-nordkirche.de [PDF]).
- ↑ Evangelical Lutheran Regional Church Mecklenburg (ed.): Church Official Gazette No. 3 . March 30, 1971 ( kirchenrecht-nordkirche.de [PDF]).
- ^ Georg Dehio : Handbook of the German Art Monuments, Mecklenburg-Western Pomerania. Deutscher Kunstverlag, Munich / Berlin 2000, p. 338.
- ↑ a b Festschrift for the consecration of the church on June 16, 1912, listing the companies and craftsmen involved in the renovation.
- ^ Elke Kunert: Marsow, village church, wall paintings. 2008 p. 179.
- ^ Wolfgang Utecht: Church treasures in the exhibition. SVZ Mecklenburg-Magazin, July 3, 2020, p. 21.
- ^ Special exhibition on the Mecklenburg church painter Willi Schomann. (PDF) p. 2 , accessed on September 10, 2016 .
- ↑ Fritz Geige's estate (1853–1935) glass negatives. (PDF) Glass window, Marsow, church, detail, draft: No. 260–274 (choir window) and 2364–2382 (coat of arms window). Freiburg City Archives , accessed on September 30, 2016 .
- ^ A b c Reinhard Kuhl: 19th century glass paintings, Mecklenburg-Western Pomerania, churches . Berlin-Brandenburg Academy of Sciences and Humanities and Edition Leipzig, Leipzig 2001, p. 135 .
- ↑ Otto Titan Heffner: Large general book of arms, third volume, sixth derivation, Mecklenburg nobility, Verlag von Bauer and Raspe, Nuremberg 1858, plate 6, plate 11.
- ↑ Reinhard Kuhl: Marsow, ev. Village church. 2001, p. 136.
- ^ Grand Ducal Statistical Office (ed.): Grossherzoglich Mecklenburg-Schwerinscher Staatskalender 1897. Verlag der Bärensprungschen Hofbuchdruckerei, Schwerin 1897, p. 261 .
- ^ Grand Ducal Statistical Office (Ed.): Grossherzoglich Mecklenburg-Schwerinscher Staatskalender 1891. Verlag der Bärensprungschen Hofbuchdruckerei, Schwerin 1891, p. 261 .
- ↑ Marcus Runge took over after the death of Friedrich Friese III. 1896 his organ building workshop in Schwerin, Kirchstrasse 1.
- ↑ Malchow Organ Museum, Marsow Organ. Retrieved September 4, 2016 .
- ↑ Rostock organ builder Johann-Gottfried Schmidt checks historical instrument . In: SVZ, October 9, 2014, accessed on September 4, 2016.
- ↑ The Superintendent of Schwerin ran the Marsow church as a " daughter church with organ " from 1910 , cf. Grand Ducal Mecklenburg-Schwerin State Calendar 1910. Verlag der Bärensprungschen Hofbuchdruckerei, Schwerin 1910, p. 263.
- ↑ MARSOW: After an expensive restoration, the acceptance takes place. In: SVZ, September 25, 2013, accessed on September 4, 2016 .
- ^ Festival of the organ consecration, October 3, 2013. (PDF) Retrieved September 4, 2016 .
- ↑ The artistic style was based on the work of the artist Caspar Enderlein .
- ↑ Wolf Lüdeke von Weltzien: von Zühle 1254-1752. 1992, p. 253.
- ^ Franz Schildt: The submerged villages of Meklenburg-Schwerins . In: MJB No. 59 (1891), p. 219, ( digitized version ).
- ↑ a b c d Friedrich Schlie: The art and history monuments of the Grand Duchy of Mecklenburg-Schwerin , III. Volume, Schwerin 1899, p. 92
- ↑ Bells ring at the push of a button . Retrieved September 4, 2016.
- ↑ a b Friedrich Schlie: The art and history monuments of the Grand Duchy of Mecklenburg-Schwerin , III. Volume, Schwerin 1899, p. 93
- ^ Pastor Helge Adolphsen is celebrating his 70th birthday at the Michel . In: Hamburger Abendblatt of October 11, 2010 , accessed on September 7, 2016.
- ↑ Carefully complete the missing painting. SVZ.de, accessed on September 7, 2016 .
- ^ Katharina Hennes: dry rot threatens the church | svz.de. Retrieved September 7, 2016 .
- ↑ Elke Kuhnert: Cultural Heritage in Mecklenburg and Western Pomerania . Marsow, district Ludwigslust, village church, wall paintings. Ed .: State Office for Culture and Monument Preservation. tape 4 . Digital Design GmbH Schwerin, Schwerin 2008, ISBN 978-3-935770-27-9 , p. 179 .
- ↑ Katharina Hennes: Original breaks surfaced | svz.de. Retrieved September 7, 2016 .
- ↑ Katharina Hennes: Last act: the Friese organ is being renovated | svz.de. Retrieved September 7, 2016 .
- ↑ Feldsteinkirche Marsow Open Monument Day on September 11, 2016. Retrieved on September 4, 2016.
- ^ Draft of Bülow's grave chapel by Hermann Willebrand . Retrieved September 4, 2016.
- ^ Barthold von Quistorp : History of the Northern Army in 1813. First volume. Verlag ES Mittler und Sohn, Berlin 1894, pp. 333–336.
Coordinates: 53 ° 25 ′ 23.5 ″ N , 10 ° 55 ′ 49.6 ″ E