The adventures of Tintin - The Secret of the Unicorn

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Movie
German title The adventures of Tintin - The Secret of the Unicorn
Original title The Adventures of Tintin
Country of production United States , New Zealand
original language English
Publishing year 2011
length 107 minutes
Age rating FSK 6
JMK 6
Rod
Director Steven Spielberg
script Steven Moffat ,
Edgar Wright ,
Joe Cornish
production Steven Spielberg,
Peter Jackson ,
Kathleen Kennedy
music John Williams
camera Janusz Kamiński
cut Michael Kahn
occupation
synchronization

The Adventures of Tintin - The Secret of the Unicorns (Original title: The Adventures of Tintin ) is a computer-animated adventure film in 3D by Steven Spielberg from 2011 . The film is based on the comic series Tintin by author and illustrator Hergé .

action

While strolling through the flea market, the young reporter Tim discovers a model of a ship from the 17th century that he buys from the dealer. But no sooner has he got the unicorn in his hands than a plump American man appears, who excitedly warns him of the dangers that he has been burdening himself with by buying it. But Tim is not put off by this or by the goatee-bearded Ivan Ivanovich Sakharin, the owner of Mühlenhof Castle , who would also like to buy the three-master from him.

As soon as Tim has parked the unicorn at home, Struppi knocks the ship to the ground while chasing a cat. Tim complains that the middle mast has broken off, but does not notice how a metal sleeve rolls out of the mast onto the floor, which Struppi only pushes deeper under the cupboard with his excited groping. In a library, Tim finds out about the real unicorn on which the ship model is based, and in the process uncovered vague hints of a secret that entwined this ship, its models and the ship's last captain, Sir Francis Hadoque.

Back home, Tim quickly finds out that his model has been stolen from him. He suspects his property is in the hands of Sakharin, so he gains access to Mühlenhof Castle at night. Inside the building, Tim discovers a second copy of the ship model, which he initially believes to be his stolen one, but is surprised by the lord of the castle Sakharin and his butler Nestor. Sakharin tells his uninvited visitor about the "curse of the Haddocks", to which Mühlenhof once belonged, and tries to find out from Tim what he already knows about the whole thing. When Tim later returns to his apartment, he finds all the rooms devastated; this makes it clear to him that there must have been something valuable in the three-master. So he looks under the cupboard and discovers the metal sleeve that hides a strip of parchment with a cryptic message. The American (actually a secret agent named Barnabas Dawes) is standing at the front door, but no sooner is he facing Tim than he is literally riddled with shots from a passing vehicle. With his last bit of strength, Dawes taps the letters on a newspaper with bloody fingers; Tim composes the Armenian word Karaboudjan from this .

The next morning Tim entrusts his friends from Interpol, Schulze and Schultze , with the case, but shortly afterwards Tim's wallet, in which the parchment is located, is stolen by a pickpocket who the two police officers have been after for a long time. Subsequently, Tim is kidnapped by Sakharin's accomplices to the port and onto the freighter Karaboudjan , but Struppi is able to follow the kidnappers and secretly go to the ship. On the ship, Tim is expected by Sakharin, who unsuccessfully demands the return of the parchment. Tim is locked in the cargo hold, where Struppi frees him from his chains. Since the ship is already on the open sea, Tim dares to escape through the porthole, ending up one floor higher in the cabin of Captain Haddock , who is constantly being filled with alcohol by the new ship owner Sakharin and thus kept in check. When Tim learns that Haddock is the only living descendant of Hadoque and asks him about the secret of the unicorn models, he unfortunately finds that the captain has completely forgotten this secret because of his alcoholism . They decide to flee together, and in the hail of bullets from the gallows, the new friends escape in a dinghy .

On the ship, Tim found evidence of a third model of the unicorn , which is owned by Sheikh Omar Ben Salaad in the Moroccan port city of Bagghar . It attempts before using the dinghy Karaboudjan to get there, but by accident of temporarily drunken Haddock they end first as castaways until the seaplane of Karaboudjan she tracks and begins to shoot. Tim can force the plane to land and hijack it, and he, Struppi and Haddock continue the journey on the plane, but due to a storm front they got into and Haddock's drunkenness they crash land in the middle of the Sahara . Landed on dry land in two senses, Haddock fell into delirium and remembers the story of the unicorn's last journey . This story reveals that the unicorn fell victim to an attack by the pirates Rackhams the Red, who were after the treasures that Francis Hadoque was secretly carrying. The entire crew was murdered, but Hadoque was able to free himself, defeat Rackham in a duel and sink the ship so as not to leave the treasure in the hands of the pirates.

Tim and Haddock are rescued by a patrol at a nearby military station, and after Haddock can recall the whole story, he realizes why Sakharin is after the secret of the unicorn : not only for the treasure, but also - as more direct Descendants of Rackham - in revenge on the line of Hadoques. Together they go to Bagghar to the palace of Ben Salaad, who has exhibited his unicorn model in a bulletproof glass cabinet. There they meet Schulze and Schultze, who had meanwhile caught the pickpocket, and they give Tim back his wallet and parchment.

Sakharin has arranged an open-air concert by the "Milanese nightingale" Bianca Castafiore in Salaad's palace, who unconsciously shatters the glass in the showcase with the high notes of her aria, and so Sakharin can send his falcon to retrieve the scroll from the third model ship that is still wanted steals. After a turbulent chase through the streets of Bagghar, while Tim discovers that the three parchments, placed one on top of the other, reveal their secret, Sakharin manages to escape with all three parchments. He is leaving Morocco with the Karaboudjan , and Tim is about to give up. But Haddock can successfully challenge him to fight, and finally Tim comes up with the idea of ​​tracking down the ship with the help of Interpol.

To the surprise of most of those involved, the SS Karaboudjan returns to its home port, but there Sakharin Fiechter and his people are already expected by Tim & Co. In the subsequent skirmish, Haddock and Sakharin continue the old feud between their ancestors, first with loading cranes, then with handguns. In distress, Sakharin threatens to burn all three parchments; But Tim can save the precious leaves, and Haddock gets the personal satisfaction of handing Sakharin over to the police. With all three parchments in their possession, Tim and Haddock find out that they reveal certain coordinates when placed one on top of the other. The coordinates lead back to Mühlenhof Castle, and in the cellar you will find the part of the treasure that Hadoque was able to save after the unicorn explosion in a stone globe , but also a clue to the location of the ship - the incentive for Tim and Haddock, to start another adventure together ...

background

The film was shot using the performance capture method .

Since a phone call with Hergé in the spring of 1983, Spielberg had been planning to bring Tintin's adventures to the cinema. After Hergé's death in the same year, Spielberg had received the film rights from Hergé's widow. Hergé himself has a cameo as the street painter who Tim draws in his characteristic manner when the film begins.

For the time being, Melissa Mathison was hired to draft scripts for a real-life film. The project was not implemented until decades later. After the script had been revised to such an extent that it could be implemented, Spielberg commissioned Peter Jackson's production company Weta to test how the interaction between a real actor and a digital dog works. He was so enthusiastic about the result that he abandoned his original plan to produce Tintin as a real film, in order to instead make an animated film with performance capture technology in collaboration with Jackson as co-producer and co-writer rotate. Peter Jackson explained that you tossed a coin and let chance decide which of the two would produce and direct the film. For the next film, roles are to be swapped and Jackson will take over the direction. The plan is to bring an adventure trilogy by Tintin to the cinema. Filming began in February 2009 and lasted 32 days.

The script is mainly based on the three comic books The Crab with the Golden Scissors , The Secret of the "Unicorn" , and Rackham's Treasure of the Red . Sakharin, originally just a friendly secondary character from The Secret of the Unicorn , is given an extended role as the descendant of Rackham and also takes on the role of the Vogel-Faull brothers as owners of Mühlenhof Castle.

The world premiere took place on October 22, 2011 in Brussels . In Germany, the film opened on October 27, 2011. In the USA, the film only opened on December 21, 2011.

Actor and dubbing

The German synchronous editing was done by Berliner Synchron AG Wenzel Lüdecke . The dialogue book was written by Alexander Löwe and the dialogue was directed by Dietmar Wunder .

Jamie Bell at the Paris premiere. The real premiere took place in Brussels.
role actor German voice
Tim Jamie Bell Nicolás Artajo
Captain Haddock Andy Serkis Lutz Schnell
Ivan Ivanovich Sakharin Daniel Craig Dietmar miracle
Schultze Simon Pegg Alexander Doering
Schulze Nick Frost Uwe Büschken
Aristide Klemm-Halbseid Toby Jones Hasso Zorn
Tom Mackenzie Crook Peter Lontzek
Allan Daniel Mays Dennis Schmidt-Foss
Omar Ben Salaad Gad Elmaleh Tayfun Bademsoy
Barnaby Joe Starr Eberhard Haar
Lieutenant Delacourt Tony Curran Peter Flechtner
pilot Cary Elwes Michael Iwannek
pilot Phillip Rhys
Lookout on the "unicorn" Ron Bottitta

The voice actor Lutz Schnell lent his voice in the Tintin radio plays and in the TV cartoon series Tim. In the film he dubbed Haddock.

Reviews

The criticism was very divided about the film. On the same day, a pro and a contra criticism appeared in the world .

About action, plot and dialogues

The film is not lacking in show values, it shows "in its best approaches [...] that exuberant curiosity" that was missing in the last Indiana Jones film. In the action scenes, Spielberg dispensed with a "thunderstorm" and enabled the viewer to mostly keep an overview, the chases were "more or less entertaining", but the numerous senseless sequences of damage to property were "neither overly successful in terms of animation technology nor particularly original" , but at least "entertaining at times". The director was "a few times too often" inspired by his own films and their chases. During the sea battle with pirates, “unpleasant memories” of Spielberg's Hook (1991) rose. The two action sequences towards the end are “visually impressive without question”, but were too much for the viewer.

On Spiegel Online , David Kleingers stated that the film is not lacking in funds, but that it leaves “a strange feeling of perplexity. Because the visible desire to satisfy all expectations as possible leads to an indecisive balancing act between faithfulness to the work and the necessities of a contemporary dramaturgy. ”Kleingers considered it legitimate that the film embraced the“ cultural stereotypes and a colonial worldview with corresponding racist representations “I don't want to reproduce the early comic books and invent my own plot. But: “While Tim is meticulously hit with his unbroken idealism, Captain Haddock simply remains too tame” because he lacks “the anarchic, unpredictable element” of the original figure. The connection between Spielberg and Hergé, each a master in his field, could have turned into a summit, Andreas Platthaus from the Frankfurter Allgemeine Zeitung had hoped. “But when the master narrator Spielberg takes the punch line from the master narrator Hergé, little remains of both championship. Only one of them is to blame for it. "

The dialogues were criticized several times. Exhausting and flat, they served to "verbalize what the actors are unable to express due to a lack of mimic repertoire." Occasionally, the film seems "chatty, since Tim in particular keeps talking to himself". The "moments in which Tim shares his thoughts with Struppi (and the reader) are unsuitable for the cinema."

About the animation process and the implementation of templates

The world critic Matthias Heine declared the “fears of the global tintinologist community of the Hollywood machine” to be unfounded: “The loving respect with which Spielberg approaches the original could hardly be greater, but he does not make the mistake of being in awe freeze. And the dreaded technology overkill does not happen. ”The“ film-historical rank ”of the production lies in being“ the first 3D film for thinking people ”. Those characters from the comic series who “have always had the greatest psychological depth - Struppi and Captain Haddock - do well with the additional possibilities of expression obtained through 3D. You gain a few more nuances of character. "

According to Daniel Kothenschulte from the Frankfurter Rundschau , it is “the best adventure film in a long time”, on par with Spielberg's most beautiful films and a “worthy successor” to the Indiana Jones series, “a marvel of the 'cinema of attractions' genre”. Motion capturing has now been further developed, and after a few minutes at the latest it is no longer perceived as unnatural. "For the first time you no longer have the feeling that you are dealing with a bad compromise between real and animated films but with an independent film aesthetic." And: "Only the digital image machines can fill what Hergé has outlined with his clear line: the reality of fantasy. ”Kothenschulte pointed out the“ loving ”transitions from scene to scene:“ In the next shot, a roaring sea becomes a small puddle and the back of a hand becomes the Sahara. ”Elke Vogel from Tagesspiegel also commented on this the “impressive” animation and the “great hit” figures that “look extremely real. For example, you can see Tim's pubescent skin imperfections or the waving whiskers ”by Haddock. “Quite wonderful: the bulbous-nosed, stupid police officers Schulze and Schultze.” The taz reviewer Michael Pekler wrote, “The extremely reduced facial expressions of the characters (which at most have mustaches or bulbous noses on their faces) function as a transfer of Hergé's so-called lignes claire technology excellent. "

By growing was the meeting of George Seeßlen in time . He found the Tim produced in the film "more alive" than the drawn one. In the first part of the film "[Spielberg] delights Tintin with something that Hergé had banned from his work, by immersing himself in the picturesque, in all imaginable colors of darkness and ambiguity ." In the second part, the characters appeared "in" clear "contrast to the perfectly and finely simulated phenomena of nature". In the third part there would be chases. “It just doesn't form a unit. In contrast to the comic Tintin , the film Tim is not, but it happens . If you don't see him moving, self-doubt and despondency begin; From the 'void', Tim has not become a person, but rather: a post-identical actor for whom time and space […] can only be imagined as arbitrary. ”By mixing elements from different decades, Tim acts“ in a non-time, and all the historical depths, this transformation from a follower of fascism into a humanist fighter for justice (whether we take it completely from Hergé-Tim or not) has miraculously disappeared. "

Rüdiger Suchsland came to the conclusion in the film-dienst : "The overall picture shows an ambivalent finding: visually, the film cannot satisfy the fans of the original, despite all the purely technical mastery." Instead of the "stylish, puristic optics" of the comic series show the film figures that were reminiscent of dolls: "Heads and hands appear oversized, the noses more bulbous than in the original". Platthaus ( FAZ ) also emphasized the difference “between the revolutionary art of drawing by the Belgian and the motion capturing technique with which the American works. The first is alive even though it is rigid, the second seems lifeless, although everything is moving. ”And according to the Spiegel , Spielberg is trying“ to outdo Hergé's nostalgic magic with computer tricks. ”The result is“ a brilliantly staged, but sometimes soulless high-tech- Spectacle: Tim's dead eyes should disturb even loyal fans. "

In Die Welt , Sascha Lehnartz , a fanatic who grew up with the comic books, said, “who admire the work of the master Hergé primarily because of its 'ligne claire', its elegance and subtlety, will leave the cinema […] with a bad feeling: with the feeling of having witnessed a 106-minute digital desecration, or at least a brutal kidnapping. There is a scene in 'The Secret of the Unicorn' in which two darklings are chloroforming Tim and putting him in a box. That's about what Steven Spielberg and Peter Jackson did to him. "After the opening credits," everything becomes bulbous and tumb. A paradoxical effect arises: While the characters in Hergé's comic, despite their two-dimensionality, seem to quickly take on human qualities for the reader and - as Spielberg says - 'grow on the heart', even the well-intentioned viewer is denied even a hint of Develop empathy for their three-dimensional replicants. The more human-like they look, the more grotesque they appear. ”According to Fritz Göttler of the Süddeutsche Zeitung , the director is attacking the comic heroes and transporting them to a dead no man's land. There they become “monstrous figures, who, despite all the speed to which the dramaturgy forces them, cannot hide their plasticine clumsiness. They are neither human nor fantasy, they don't know any place or time that belong to them […]. ”In the first Indiana Jones film thirty years ago,“ the spirit of Tintin is much more vital ”, unfortunately Spielberg has had for many years "Forgot to dream".

Awards

price category Prize winners / nominees result
Academy Awards Best music John Williams Nominated
Alliance of Women Film Journalists Best animated film Nominated
Annie Award Best animated film Nominated
Best animated effects in an animated film Kevin Romond Won
Best music John Williams Won
Best script Steven Moffat , Edgar Wright and Joe Cornish Nominated
Art Directors Guild Fantasy film Nominated
BAFTA Award Best animated film Steven Spielberg Nominated
Best visual effects Joe Letteri Nominated
BMI Film & TV Awards Best music John Williams Won
Chicago Film Critics Association Best animated film Nominated
Critics' Choice Movie Awards Best animated film Nominated
Dallas-Fort Worth Film Critics Best animated film Nominated
Empire Awards The art of 3D Won
Florida Film Critics Circle Best animated film Won
Golden Globe Award Best animated film Steven Spielberg Won
Golden Trailer Award Best animation / family film Nominated
Best advertising (pre-show) Nominated
Grammy Award Best music John Williams Nominated
Houston Film Critics Society Best animated film Nominated
Best Original Score John Williams Nominated
IGN Best of 2011 Best animated film Nominated
Best Actor Andy Serkis Nominated
Los Angeles Film Critics Association Best animated film Nominated
New York Film Critics Online Best animated film Won
Oklahoma Film Critics Circle Best animated film Won
Online Film Critics Society Best animated film Nominated
Phoenix Film Critics Society Best animated film Nominated
Producers Guild of America Award Best animated film producer Peter Jackson , Kathleen Kennedy and Steven Spielberg Won
Satellite Awards Best animated film Won
Best script Steven Moffat, Edgar Wright and Joe Cornish Nominated
Saturn Awards Best animated film Nominated
Best director Steven Spielberg Nominated
Best music John Williams Nominated
Best production design Kim Sinclair Nominated
Best cut Michael Kahn Nominated
Best special effects Scott E. Anderson , Matt Aitken , Joe Letteri, Matthias Menz, and Keith Miller Nominated
St. Louis Gateway Film Critics Association Awards Best animated film Won
Tokyo Anime Awards 2013 Best foreign film Won
Toronto Film Critics Association Best animated film Won
Utah Film Critics Association Best animated film Nominated
Visual Effects Society Best visual implementation in an animated film Jamie Beard, Joe Letteri, Meredith Meyer-Nichols, Eileen Moran Nominated
Best character in an animated film Tim - Gino Acevedo, Gustav Ahren, Jamie Beard, Simon Clutterbuck Nominated
Outstanding environment in an animated film Bagghar - Hamish Beachman, Adam King, Wayne Stables, Mark Tait Nominated
Docks - Matt Aitken, Jeff Capogreco, Jason Lazaroff, Alessandro Mozzato Nominated
Pirate battle - Phil Barrenger, Keith F. Miller, Alessandro Saponi, Christoph Sprenger Nominated
Outstanding camera in an animated film Matt Aitken, Matthias Menz, Keith F. Miller, Wayne Stables Nominated
Washington DC Area Film Critics Association Best animated film Nominated
Women Film Critics Circle Best family film Nominated
World Soundtrack Academy Best soundtrack of the year John Williams Nominated
Composer of the year Nominated

literature

conversation

Review mirror

positive

Rather positive

Mixed

Rather negative

negative

Sequels

Spielberg and Jackson planned The Secret of the Unicorn as the beginning of a three-part film. The sequential episodes The Seven Crystal Balls and The Temple of the Sun should serve as the basis for the film called Prisoners of the Sun , again Andy Serkis and Jamie Bell should appear as speakers for the main characters. Initially, the second part was announced for 2015, but due to Jackson's other commitments, including the filming of The Hobbit , production was postponed several times.

Web links

Individual evidence

  1. ↑ Release certificate for The Adventures of Tintin - The Secret of the Unicorn . Voluntary self-regulation of the film industry , October 2011 (PDF; test number: 129 813 K).
  2. ↑ Age rating for The Adventures of Tintin - The Secret of the Unicorn . Youth Media Commission .
  3. ↑ Interview with Steven Spielberg about the film
  4. ↑ Belgium's comic legacy is in Spielberg's hands
  5. ↑ Spielberg and Jackson let coin decide
  6. ↑ Steven Spielberg: Love letters to the writers
  7. ↑ German synchronous index | Movies | The adventures of Tintin - The Secret of the Unicorn. Retrieved December 18, 2018 .
  8. ↑ a b c Michael Pekler: Not man, not child . In: taz , October 26, 2011
  9. ↑ a b c d David Kleingers: Drink more, Captain Haddock! . In: Spiegel Online , October 24, 2011
  10. ↑ a b c d Rüdiger Suchsland: The adventures of Tintin and Struppi - The secret of the unicorn 3D. Film mirror, archived from the original on October 27, 2011 ; accessed on June 12, 2018 (English, original website no longer available).
  11. ↑ a b c Sascha Lehnartz: Spielberg's digital desecration of the Hergé classic . In: Die Welt , October 26, 2011
  12. ↑ a b Der Spiegel , No. 43, October 24, p. 134, not drawn: Struppi, fass!
  13. ↑ a b Matthias Heine: The first 3D film for thinking people . In: Die Welt , October 26, 2011
  14. ↑ a b Andreas Platthaus: What did Spielberg do with Hergé's stroke of genius? . In: Frankfurter Allgemeine Zeitung , October 26, 2011, p. 35
  15. ↑ Daniel Kothenschulte : The Reality of Fantasy . In: Frankfurter Rundschau , October 23, 2011
  16. ↑ Elke Vogel: Homage with a bang . In: Der Tagesspiegel , October 20, 2011
  17. ↑ Georg Seeßlen : Dandelion! . In: Die Zeit , October 27, 2011
  18. ↑ Fritz Göttler: From the dream of immortality . In: Süddeutsche Zeitung , October 26, 2011
  19. ^ Nominees for the 84th Academy Awards. Academy of Motion Picture Arts and Sciences , accessed December 13, 2012 .
  20. ^ Alliance of Women Film Journalists Awards 2011. Retrieved September 22, 2014 .
  21. ^ 'Tintin,' 'Puss in Boots,' 'Cars 2' among nominees for top Annie Award. Los Angeles Times , December 5, 2011, accessed December 12, 2011 .
  22. ^ Gregg Kilday: Art Directors Nominate Movies as Different as 'Harry Potter' and 'The Girl with the Dragon Tattoo'. In: The Hollywood Reporter . January 3, 2012, accessed January 15, 2012 .
  23. ↑ Glen Levy: BAFTA 2012 Nominations: The Artist, Tinker Tailor Lead the Way. In: Time . January 17, 2012, accessed January 17, 2012 .
  24. ^ Phil Gallo: Backbeat: Rolfe Kent Receives Career Achievement Honor at BMI Film and TV Awards. In: Billboard . Prometheus Global Media , May 17, 2012, accessed December 9, 2012 .
  25. ↑ 17th Annual Critics' Choice Movie Awards (2012). Critics' Choice Awards, December 13, 2011, accessed December 13, 2011 .
  26. ↑ Helen O'Hara: Jameson Empire Awards 2012 Winners! In: Empire . March 26, 2012, accessed December 9, 2012 .
  27. ↑ Golden Globes Awards 2012 - Nominations. Golden Globes Awards, December 15, 2011, accessed December 15, 2011 .
  28. ^ The 13th Annual Golden Trailer Awards . Golden Trailers Award , 2012, archived from the original on May 24, 2012 ; accessed on June 13, 2018 (English, original website no longer available).
  29. ↑ Brian Brooks: 'The Hunger Games' And 'The Muppets' Top Grammy Awards Movie Nominees. In: Movieline . PMC , December 6, 2012, accessed December 7, 2012 .
  30. ↑ Guy Lodge: 'The Artist' leads with 7 Houston film critics nods. In: HitFix. December 11, 2011, accessed December 12, 2011 .
  31. ^ IGN Awards 2011. IGN, accessed September 22, 2014 .
  32. ^ IGN Award for Best Animated Movie 2011. IGN, accessed September 22, 2014 .
  33. ^ IGN Award for Best Movie Actor 2011. IGN, accessed September 22, 2014 .
  34. ↑ LAFCA. LAFCA, accessed November 8, 2012 .
  35. ↑ Kristopher Tapley: 'Tree of Life' leads with 7 nods from Online Film Critics Society. In: HitFix . December 26, 2011, accessed September 22, 2014 .
  36. ^ Phoenix Film Critics Society 2011 Award Nominations . Phoenix Film Critics Society , archived from the original on January 11, 2012 ; accessed on June 13, 2018 (English, original website no longer available).
  37. ^ Phoenix Film Critics Society 2011 Awards . Phoenix Film Critics Society , archived from the original on February 20, 2012 ; accessed on June 13, 2018 (English, original website no longer available).
  38. ↑ PGA ANNOUNCES THEATRICAL MOTION PICTURE AND LONG-FORM TELEVISION NOMINATIONS FOR 2012 PGA AWARDS. producersguild.org, Jan. 3, 2011, archived from the original on May 30, 2012 ; Retrieved January 5, 2011 .
  39. ↑ 2011 Winners | International Press Academy. Pressacademy.com, accessed November 8, 2012 .
  40. ^ Matt Goldberg: Saturn Award Nominations Announced; HUGO and HARRY POTTER Lead with 10 Nominations Each. In: Collider. February 29, 2012, accessed March 1, 2012 .
  41. ↑ Wolf Children, SAO, Kuroko's Basketball Win Tokyo Anime Awards. In: Anime News Network. March 24, 2013, accessed March 28, 2013 .
  42. ↑ 'Tintin' and HBO's 'Boardwalk Empire' lead Visual Effects nominations. In: Los Angeles Times . January 9, 2012, accessed January 12, 2012 .
  43. ^ Winners, Losers and Nerds at the Visual Effects Society Awards. In: Speakeasy. Retrieved February 21, 2012 .
  44. ↑ 2011 WAFCA Awards - The Washington DC Area Film Critics Association (WAFCA). Dcfilmcritics.com, accessed November 8, 2012 .
  45. ↑ 'Iron Lady' and 'Kevin' Top Women Film Critics' Awards. In: indieWire . December 19, 2011, accessed January 6, 2012 .
  46. ^ History . World Soundtrack Academy , 2012, archived from the original on January 11, 2013 ; accessed on June 13, 2018 (English, original website no longer available).
  47. ↑ Josh Wigler: Peter Jackson Will Direct 'Tintin' Sequel After 'The Hobbit' Is Finished . MTV. October 26, 2011. Archived from the original on October 28, 2011. Retrieved on October 26, 2011.
  48. ↑ The Adventures of Tintin: Prisoners of the Sun on IMBD
  49. ↑ Peter Jackson opens up about major complications while shooting The Hobbit trilogy . Polygon . November 19, 2015. Accessed March 31, 2016.
  50. ↑ Chitwood, Adam: Producer Kathleen Kennedy Talks JURASSIC PARK 4, a 3D Re-Release for JURASSIC PARK, and the TINTIN Sequel . Collider.com. December 4, 2011. Retrieved January 7, 2012.
  51. ↑ Steven Spielberg reveals Peter Jackson's next movie won't be Tintin . In: The New Zealand Herald . July 30, 2016. Retrieved July 28, 2016.
Tintin feature films
cinemamovies

Tintin and the secret of the golden fleece (1961) | Tintin and the blue oranges (1964) | The Adventures of Tintin - The Secret of the Unicorn (2011)

Cinema and television films

Tintin in the Temple of the Sun (1969) | Tim and the Shark Lake (1972)