Grammy Award for Best Ethnic or Traditional Folk Recording
The Grammy Award for Best Ethnic or Traditional Folk Recording , in German "Grammy award for the best ethnic or traditional folk album", is a music prize that was awarded from 1960 to 1986 by the American Recording Academy . The award went to musicians for music titles or albums from the field of folk music .
History and background
Since 1959, the Grammy Awards are presented annually in numerous categories by the Recording Academy in the United States to recognize artistic achievement, technical competence, and overall excellence regardless of album sales or chart position.
One of these categories is the Grammy Award for Best Ethnic or Traditional Folk Album . The award was given from 1960 to 1986. During this time, the name of the award has changed slightly a few times:
- From 1960 to 1961 the award was called the Grammy Award for Best Performance - Folk
- From 1962 to 1967 she was a Grammy Award for Best Folk Recording called
- From 1968 to 1970 the award was called the Grammy Award for Best Folk Performance
- 1971 and from 1973 to 1974 the title was Grammy Award for Best Ethnic or Traditional Recording (including traditional blues)
- In 1972 and from 1975 to 1982 the award was called the Grammy Award for Best Ethnic or Traditional Recording
- And from 1983 to 1986 the Grammy Award for Best Ethnic or Traditional Folk Recording was awarded
In 1987 the award was split into two new awards: the Grammy Award for Best Traditional Folk Album and the Grammy Award for Best Contemporary Folk Album .
Winners and nominees
year | winner | nationality | title | Nominees | Picture of the winner (s) |
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1960 | The Kingston Trio |
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The Kingston Trio at Large |
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1961 | Harry Belafonte |
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Swing Dat Hammer |
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1962 | Belafonte Folk Singers |
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Belafonte Folk Singers at Home and Abroad | ||
1963 | Peter, Paul and Mary |
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If I had a hammer |
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1964 | Peter, Paul and Mary |
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Blowin 'in the wind |
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1965 | Gale Garnett |
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We'll Sing in the Sunshine | ||
1966 | Harry Belafonte and Miriam Makeba |
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An Evening with Belafonte / Makeba |
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1967 | Cortelia Clark |
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Blues in the Street | ||
1968 | John Hartford |
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Gentle on My Mind | ||
1969 | Judy Collins |
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Both sides now |
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1970 | Joni Mitchell |
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Clouds |
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1971 | T-bone walker |
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Good feelin ' |
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1972 | Muddy Waters |
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They Call Me Muddy Waters |
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1973 | Muddy Waters |
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The London Muddy Waters Sessions |
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1974 | Doc Watson |
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Then and Now |
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1975 | Doc Watson and Merle Watson |
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Two Days in November |
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1976 | Muddy Waters |
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The Muddy Waters Woodstock Album |
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1977 | John Hartford |
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Mark Twang | ||
1978 | Muddy Waters |
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Hard again |
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1979 | Muddy Waters |
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I'm ready |
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1980 | Muddy Waters |
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Muddy "Mississippi" Waters Live |
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1981 | Different artists;
Norman Dayron (producer) |
Rare blues | |||
1982 | BB King |
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There Must Be a Better World Somewhere |
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1983 | Queen Ida |
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Queen Ida & the Bon Temps Zydeco Band on tour | ||
1984 | Clifton Chenier & His Red Hot Louisiana Band |
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I'm here | ||
1985 | Elizabeth Cotten |
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Elizabeth Cotten Live! | ||
1986 | Rockin 'Sidney |
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My Toot Toot |
Web links
- Official website of the Grammy Awards - Recording Academy, Los Angeles (English)
- Winners Best Folk Performance or Best Folk Recording at grammy.com (English)
- Winners Best Traditional Folk Album incl. Best Ethnic or Traditional Folk Recording / Best Ethnic or Traditional Folk Recording at grammy.com (English)
Individual evidence
- ^ Grammy Awards. Retrieved April 26, 2019 .
- ^ The Official Site of the Grammy Awards - Overview. Retrieved April 26, 2019 .
- ^ Winners Best Folk Performance or Best Folk Recording. Retrieved April 26, 2019 .
- ↑ Winners Best Traditional Folk Album incl. Best Ethnic or Traditional Folk Recording / Best Ethnic or Traditional Folk Recording. Retrieved April 26, 2019 .