Friedrich Schwinge

from Wikipedia, the free encyclopedia
Friedrich Schwinge, 1903. Photo by Wilhelm Dreesen , Bomann Museum , Celle
The painter and the children , gouache , 1899
Landscape with dunes , gouache, 1901
Evening mood , also evening mood in the heather , oil on canvas, 1902 or 1904
Giek- Ewer , watercolor , Museum of Hamburg History
Outdoor painters , pupils of Friedrich Schwinge, 1886, watercolor
Self-portrait in the garden , gouache

Friedrich Wilhelm Andreas Schwinge (born March 30, 1852 in Hamburg ; † October 22, 1913 there ) was a German landscape and marine painter from the Düsseldorf School of Painting .

Life

Friedrich Schwinge was born as the son of the greengrocer Hermann Diedrich (also Diederich ) Schwinge and his wife Caroline Maria Dorothea, née Hansen, in Hamburg. Soon after his birth, the family moved to Ottensen to a thatched farmhouse on the corner of Papenstrasse (now part of Ottensener Hauptstrasse ) and Rothestrasse . After attending school in Ottensen, out of love for art, he completed an apprenticeship as a wood cutter .

By chance and for lack of suitable work, he first became a tenor on small stages until he worked as an operetta tenor and actor at the Mädicke Theater in Kiel . Every free time he practiced painting and drawing and from 1877 copied paintings in the old Kiel art gallery , including a market square in Italy by Albert Flamm , a moonlight picture by Sophus Jacobsen , an idyll from England by Max Schmidt and the forge in winter by Hermann Kauffmann . For an art lover he copied The Guidance of Empress Eudoxia and her children ( Eudocia and Placidia ) by the Vandal King Geiserich by Gustav Spangenberg . Because of his good performance, he was awarded the Hegewischianum Scholarship for 1879. He also made a portrait of the art collector and founder of the Thaulow Museum in Kiel, Gustav Ferdinand Thaulow , which was well received. During this time the poet Johann Meyer was a friend, supporter and advisor to him.

From 1879 to 1884 Schwinge studied at the Düsseldorf Art Academy with Johann Peter Theodor Janssen , Eugen Dücker , Hugo Crola and Heinrich Lauenstein . He received a scholarship from the academy for study purposes, which he used diligently. In 1882 the Schleswig-Holstein Art Association bought its oil painting Im Kiefernwald for the raffle of works by Schleswig-Holstein artists at the exhibition of paintings and sculptures by Schleswig-Holstein artists in the old Kiel art hall .

Schwinge settled in Hamburg in mid-1884. On June 2, 1886, he married the widowed Fernanda Georgine Wilhelmine Brügmann, née Durchbach (born November 14, 1852 in Hamburg) in Ottensen, who brought her son Edgar Brügmann into the marriage. He died on October 6, 1898 at the age of 23 years and 9 months. From 1884 to 1885 Friedrich Schwinge lived on Neuer Wall 46 in Hamburg-Neustadt , from 1885 to 1893 at Dammtorstraße 6 in Hamburg-Neustadt, from 1893 to 1898 on Alster 29 in Hamburg-St. Georg and from 1898 to 1901 at Hartungstrasse 1 in Hamburg-Rotherbaum . The Hülfs-Comité Neustadt-Nordertheil V. District , which was created because of the cholera epidemic in 1892 , raffled a gouache of the Hamburg harbor that Friedrich Schwinge had painted and donated to the committee. In October 1894 in the Hamburg Convent Garden and January 1895 in the Berlin Passage-Panoptikum , so-called "wandering light pictures" by H. Heitmann von Heitmann & Sohn were shown, which were 8 cm high and painted on glass by Friedrich Schwinge. They were projected onto a 6 m² screen by means of hydrogen light . The motifs of Schwinge's photographs ranged from a river landscape near Dordrecht to a section of the Elbe near Hamburg, Hamburg motifs, North Sea motifs , various fjords and local forest motifs. For the vegetation hall of the International Horticultural Exhibition in 1897 ( Planten un Blomen ) in Hamburg he created a vegetation gallery consisting of ten dioramas with natural foregrounds and painted backgrounds. He was supported by the painter Robert Gleich (1859–1912), the sculptor Max Meißner (1859–1942) and his pupil Ellenberg. The idea for the vegetation gallery came from the engineer Carl Georg Rodeck (1876–1935). In addition to depictions of a German heather landscape, a Mexican plateau, a New Zealand fern landscape , an alpine dump, a jungle, a park and a Japanese landscape, there was also a representation of a garden by the Erfurt horticultural company J. C Schmidt , the flowers, blossoms and trees for the Diorama delivered. The dioramas were awarded a large gold medal at the exhibition .

In 1886 the Kunstverein in Hamburg bought the watercolor Von der Elbe for Schwinge's annual club raffle , which the lawyer and later mayor Werner von Melle won. For the exhibition lottery of the Great Art Exhibition of 1894 of the Kunstverein in the Hamburger Kunsthalle , Schwinge bought the watercolor at Dordrecht at the exhibition . At the Great Art Exhibition in 1896, the von Schwinge Art Association bought the painting Cows in the Heath for the exhibition lottery. From 1896 Schwinge was listed in the membership list of the Kunstverein as a member with a family membership card, from 1902 without a family membership card, but his wife Fernanda Schwinge joined the Kunstverein. On April 12, 1897, Friedrich Schwinge was elected to the committee of the association, which was responsible for the period from 1894 to 1898, to replace the late pastor Georg Heinrich Röpe . The committee formed the permanent representation of the association members. From 1898, Schwinge was a member of the association's board of directors and thus also of the committee. In that year, the association bought the gouache In Blooming Heath from him for the association raffle , which the mayor Johann Georg Mönckeberg won. In 1899, the Schwinge Association bought the gouache Im Haferfeld for the raffle, in which he himself won the watercolor The City of Cromer on the English coast by the Glasgow painter John Terris (1865–1914). In that year he was also a member of the exhibition commission of the permanent exhibition, which was still in rooms under the stock exchange arcades of the Chamber of Commerce on Adolphsplatz , but a year later on Neuer Wall 14. 1900 the association bought Schwinge's painting Trüber Tag in der Heide for the raffle that the Senator Otto Eduard Westphal won, in 1901 the gouache An Obstacle won by the merchant Adolph Vorwerk (1839–1919, son of the merchant Georg Friedrich Vorwerk ) and in 1902 the painting Kuhgespann . In the raffle of 1903 he won a carbon print of a work by the baroque painter Guido Reni with the title Ecce homo ! . In 1904 Friedrich Schwinge resigned from the board of directors in accordance with the statutes, but still sat on the committee like all former members of the board.

Fernanda Schwinge, with whom he had their son Kurt, who later became an amateur filmmaker, was no longer on the membership list of the Kunstverein from 1904 onwards. On May 1, 1904, the divorce of Friedrich and Fernanda Schwinge, which was negotiated on March 11, 1904 at the Hamburg Regional Court , became final. On August 5, Friedrich Schwinge officially married Martha Christine Margarethe Hüttmann (born April 14, 1878 in Hamburg), the daughter of a Hamburg coal merchant, who was 25 years his junior in Hamburg.

For the World Exhibition in Paris in 1900 , Friedrich Schwinge created a number of watercolors in 1899 (watercolors heightened with gouache) at the Ohlsdorf cemetery in Hamburg. 14 watercolors and additional photos by Georg Koppmann were used at the exhibition to understand the formation of the terrain and the landscaping for a relief plan of the cemetery, which was produced under the direction of Wilhelm Cordes and as part of the collective exhibition there of the Association of German Garden Artists from the Hamburg Cemetery Deputation in the palace de l ' Horticulture was issued. The cemetery was awarded a Grand Prix for this presentation at the World Exhibition . The Japanese government was interested in the exhibits and offered items of Japanese origin for exchange. The director of the Museum für Kunst und Gewerbe Hamburg and member of the jury for the world exhibition, Justus Brinckmann , conducted the negotiation. Since the Hamburg cemetery deputation wanted to part with the relief plan and the photos, but not from the watercolors, there was no exchange. Instead, the relief plan, the watercolors and the photos were taken from the German city exhibition in Dresden in 1903 , from the exhibition of the Association of German Cemetery Officials in Berlin in 1907, from the Hygiene Exhibition in Berlin in 1907 , from the General Urban Development Exhibition in Berlin in 1911 exhibited again at the International Hygiene Exhibition in Dresden and in 1912 in Antwerp .

On November 28, 1900 rocker gave the Galerie Heinemann in Munich two paintings moon and forest stream in Commission . On November 12, 1901, she bought the paintings On the Swedish Coast (also Swedish Coast ) and Norwegian Coast from him . The latter was sold on December 22, 1901 to the Duchess Marie of Saxe-Coburg and Gotha . On December 2, 1901, he commissioned the gallery with two paintings of the Norwegian coast. On December 28, 1905, he sold her the paintings Early Spring and In the Month of March .

From 1901 to 1903 Schwinge lived at Innocentiastraße 28 in Hamburg-Harvestehude and from 1903 to 1906 at Grindelallee 13 in Harvestehude. For the Hamburg town hall he created landscape paintings of the Hamburg forest villages . For the twin screw steamer Germany , which was completed at the beginning of January 1900, on behalf of HAPAG he painted landscape pictures with animals in the style of the Delft School as panels for the wall paneling of the grill room . In 1905 he painted the palace gardens of Schwerin Palace with the grand ducal palace in the background for the dining room of the twin screw steamer Crown Princess Cecilie, which was completed in 1907, on behalf of Norddeutsche Lloyd . In December 1905 the painting was exhibited in the shop window of the Heymannhaus at Neuen Wall 42 in Hamburg. For the twin screw steamer König Friedrich August , completed in 1906 , he also created murals on behalf of HAPAG . In 1906 Schwinge moved to Werderstrasse 30 in Harvestehude, where he lived until his death. The Schwinges had a single maid as a maid . Friedrich Schwinge also gave lessons over the years. Among his students, mainly female students, were Clarita Beyer , Helene Lübbers-Wegemann (1875-1958), Emmi Walther , Mary Warburg , Geo Wolters , the painter, writer and journalist of the Altonaer Nachrichten Gustav Proppe (* 1870) and Agnes von Holten (1868–1949), who married her future teacher Karl Otto Matthaei in 1905. In her memoirs she wrote:

“Soon after leaving school I started copying in the Kunsthalle in Hamburg and then took lessons from Friedrich Schwinge, who had a large number of students. He mainly painted watercolors and gouaches and looked for his motifs in the heather near Hamburg. In the spring, a small study trip was made in the Hamburg area, and it was very funny in the evenings, as there were lots of young people, often twenty schoolgirls, living together at the time. "

One place where Schwinge and his students held a colony every summer was Köster's Tivoli in Cranz on the Elbe, which Hermann Köster and his wife Irene, née Fock, maintained. In one of the guest rooms there were two paintings that Schwinge had painted, two portraits of old great-grandfather Köster and an old woman who once worked at Tivoli.

In 1903, 1905 and 1909 Schwinge donated works for the tombola of the artist and press ball in the Sagebielschen establishment at the Große Drehbahn and was involved in the decoration in 1911 and 1912 with the painters Paul Storm and Eduard Sack (1857–1913) of the ballrooms for the artist and press ball .

For the club raffle of the art association of rocker 1907 bought the oil painting April landscape and two photogravures entitled Heide solitude , 1908 tempera paintings April landscape , the wife of the city council George Henry Lütgens won, and in 1909 the watercolor Waldinneres . In September and October 1910, Schwinge exhibited a chromoplastic representation of a heath village in the Kunstverein , which still exists today. In March 1911, he presented the Museum of Arts and Crafts in Hamburg two Chromoplastische representations of the Alster and the Elbhohe on which the Bismarck Memorial stands, from which he for the International Exhibition of Travel and Tourism in the exhibition halls at Berlin Zoo draws and were issued there by the building deputation Hamburg . For the 1911 Children's Aid Day on May 24, 1911, he designed at least one postcard motif. He also signed 200 of the cards for a good cause. From February 1913 he painted around nine pictures on behalf of HAPAG to decorate the dining room of the passenger steamer Imperator , which at the time was considered the largest ship in the world and which left on June 11 for its maiden voyage . Schwinge's name and works now appeared more and more frequently in auction catalogs, for example in April 1912 at the estate auction of the sculptor Reinhold Begas , who owned two spring paintings by Schwinge.

From August 14, 1913, it became known through newspapers that around 15 to 20 paintings, including six landscapes by Friedrich Schwinge, had been stolen from the Hamburg art salon Alsterthor at Hermannstrasse 5 in Hamburg-Altstadt . On August 15, the owner of the Alsterthor O. Krone art salon was on his way to the town hall to provide more information about Schwinge's paintings. In front of the art dealer Louis Bock & Sohn , Große Bleichen 34, he met his former house servant Georg Franck, who had a large package with him and was now trying to flee. But Krone held him tight until a policeman came and took him into custody. The package contained three paintings, while Georg Franck admitted that he had already sold two paintings by Schwinge. He refused to say anything about the whereabouts of Schwinge's missing paintings. It turned out that Franck was also the unknown thief the police had been looking for weeks because he had committed various thefts of Schwinge's paintings. Krone had already offered a reward of 100 marks for catching the thief.

Friedrich Schwinge died of a myocardial infarction on October 22, 1913 in his apartment at the age of 61 . In the evening, a family service was held there. On October 23, the funeral service took place in Chapel 8 of the Ohlsdorf cemetery . This was followed by the burial, grave site AC6 (29-36) . Family members, artists, members of the Schlaraffia Harmonia , members of the Otto Ernst table , secretary of the Hamburger Kunsthalle AWF Müller, Hofrat Theodor Brodersen as a representative of the Kunstverein in Hamburg and the singer Annie Bookholtz, who wrote the songs Be quiet to the Lord, came to the funeral service and burial from Elias by Felix Mendelssohn Bartholdy and When I should once should part from O head full of blood and wounds by Paul Gerhardt sang, accompanied by an organ. In addition, a funeral speech was given by theater director Lothar Mayring , who had leased the Ernst Drucker Theater from Ernst Drucker between 1908 and 1915 . The painter and sculptor Karl Spethmann (1888–1944) created a group of shepherds that was to be set up at the grave, but was then bought by the city of Altona for the Altona horticultural exhibition in 1914 and set up in the Altona city park (now the rose garden ). From November 1, 1913 , a commemorative exhibition took place in the art dealer Louis Bock & Sohn , Große Bleichen 34, in which 84 works from Schwinge's estate were exhibited, all of which were also for sale.

In addition to being a member of the Kunstverein in Hamburg , Schwinge was also a member of the Hamburger Künstlerverein , a member of the General German Art Cooperative , a corresponding member of the Watercolorist Club of the Cooperative of Visual Artists Vienna . and member of Schlaraffia Harmonia , a registered Hamburg association that still exists today. In Schlaraffia he had the rank of knight . Based on his professional activity, he used the name Ritter Rembrandt there .

On April 3, 1927, three days after Friedrich Schwinge's 75th birthday, members of the Schlaraffia Harmonia and friends and admirers of Schwinge met in Chapel 8 of the Ohlsdorf cemetery to go to Schwinge's grave. After members of the Schlaraffia Harmonia there sang the song Himmelsruh und Frieden gib den Eternlich von Hellwig, the chief laraffe and architect Ernst Vicenz gave a speech that the sick Wilhelm Weygandt originally wanted to give. After the speech, a rectangular bronze plate with a portrait relief of Schwinges in profile was unveiled, which was created by the sculptor Emmerich Oehler (1881–19 ??) and donated by Schlaraffia Harmonia . The plate was on a high boulder of granite mounted, which was surrounded by a plurality of small boulders. One boulder had the full name incorporated into it, "Friedrich Wilhelm Andreas Schwinge". The plate was signed “E. Oehler 1927 ". Above the portrait sat an eagle owl , a Schlaraffischen symbol for wisdom, humor and virtue, on a banner that carried the Latin motto of Schlaraffia: "In arte voluptas", which translates as "There is pleasure in art". Under the portrait the plate bore the inscription "The Schlaraffia Harmonia their dear unforgettable knight Rembrandt". After words of thanks from Friedrich Schwinge's son Kurt Schwinge and the hymn to the night of the pilgrim quartet , the celebration came to an end. The slab or the whole stone seems to be no longer traceable.

In 1993 the Schwingeweg in Hamburg-Groß Flottbek was named after Friedrich Schwinge .

Until 2009 there was a permanent exhibition of the Harburg City Museum on Harburg's history, housed in the old Harburg fire station , in which a large model of the heath village by Friedrich Schwinge was shown, which was also exhibited in the Kunstverein in 1910. Further works can be found in the collections of the Schleswig-Holstein State Library , the Hamburger Kunsthalle , the Altona Museum , the Museum of Hamburg History , the Archaeological Museum Hamburg - Stadtmuseum Harburg / Helms-Museum , the International Maritime Museum Hamburg , the Ohlsdorf Cemetery of which a watercolor, nine of the 14 existing ones, hangs in the entrance area above the entrance door of the cemetery museum, the Lüneburg Museum , the Bomann Museum in Celle, the Herzog Anton Ulrich Museum in Braunschweig, the Friedrich Schwinge collection of the Schwinge relative and Artist Ralf Schwinge (* 1990) in Seevetal and the Volmer Collection Foundation in Wuppertal with 41 Schwinge's sketchbooks from the years 1887 to 1912, three notebooks and, among other things, Schwinge's Schlaraffen-Pass.

Exhibitions (selection)

  • 1882: Exhibition of paintings and sculptures by Schleswig-Holstein artists, to commemorate the 25th anniversary of the Kunsthalle in Kiel - oil paintings The Ukleisee and Im Kiefernwald
  • 1883: Permanent exhibition of the Kunstverein in Hamburg in the Hamburger Kunsthalle - motif from the Lüneburg Heath
  • 1884: July. Art exhibition in the art dealer Louis Bock & Sohn , Große Bleichen 34, Hamburg - A larger Harz landscape
  • 1884: November. Art exhibition in the art dealer Louis Bock & Sohn , Große Bleichen , Hamburg - painting autumn evening , Wesfälische Mühle
  • 1885: September. Art exhibition in the art dealer Louis Bock & Sohn , Große Bleichen , Hamburg - Two paintings: A lot from the Kellersee and a tree with water at Malente . From the end of September: watermill
  • 1886: February. Permanent exhibition of the Kunstverein in Hamburg in the new stock exchange extension - two paintings: A winter evening and a swamp and water-rich landscape with pastures and wood collectors
  • 1886: Art exhibition at the art dealer Louis Bock & Sohn , Grosse Bleichen , Hamburg - 2 Ölgememälde, including In Flensburg .
  • 1886: Anniversary exhibition of the Royal Academy of the Arts in the state exhibition building in Berlin - oil painting Sturm auf der Heide
  • 1886: October. Permanent exhibition of the Kunstverein in Hamburg in the stock exchange extension - at the edge of the forest
  • 1886: Exhibition in the art and trade hall in Altona - a large series of watercolors , mainly from the Elbe and its banks
  • 1889: Exhibition of the Hamburg artists at the Hamburg trade and industry exhibition , Sievekingsplatz at the corner of Holstenwall - painting: An Elbe motif and landing bridge near Altona
  • 1890: Exhibition of the water color club of the cooperative of visual artists Vienna in the Künstlerhaus Vienna - 6 watercolors: The Elbe steamer "Italia" in the dock (Hamburg), Von der Elbe , Landungsbrücke St. Pauli , The Elbe near Krautsand , The Elbe near Hamburg , view of Neumühlen near Hamburg
  • 1890: Galerie Eduard Schulte , Berlin - 38 watercolors, landscapes of the island of Rügen
  • 1890: Art exhibition in the art dealer Louis Bock & Sohn , Große Bleichen , Hamburg - A large number of watercolors with landscapes from Hamburg's surroundings, Reinbek , the Lüneburg Heath, Holland , Scheveningen and Scotland
  • 1891: Galerie Eduard Schulte, Berlin - two large gouaches ("apparently parts from the mouth of the Elbe ")
  • 1891: International exhibition organized by the Association of Berlin Artists on the occasion of its 50th anniversary in the Glaspalast , the exhibition building of the state exhibition park at the Lehrter Bahnhof in Berlin - watercolor Elbe near Hamburg
  • 1892: Exhibition of watercolor painter clubs of the Association of Visual Artists Vienna Künstlerhaus Vienna - 4 Watercolors: Scheveningen , beach in Scheveningen , In Dingwall in Scotland , Heide
  • 1893: Exhibition of the watercolorist club of the cooperative of visual artists Vienna in the Künstlerhaus Vienna - 7 watercolors. Lüneburg Heath: morning mood , on the morning stalk , from the Lüneburg Heath , blueberry picker at breakfast . Norway: Tokheim ( Sørfjord ) , An der Jæderen , sawmill in Tokheim
  • 1894: Large art exhibition of the Kunstverein in Hamburg in the Hamburger Kunsthalle - watercolor at Dordrecht (maybe more)
  • 1894: Art exhibition in the art dealer Louis Bock & Sohn , Große Bleichen , Hamburg - paintings with motifs from Norway and the heath
  • 1895: Exhibition of the Watercolor Club of the Cooperative of Fine Artists Vienna in the Künstlerhaus Vienna - 2 watercolors: Unterlüß , Aus der Lüneburg Heath
  • 1895: International exhibition of the Kunstverein in Hamburg in the Hamburger Kunsthalle
  • 1896: Exhibition of the Watercolorist Club of the Cooperative of Fine Artists Vienna in the Künstlerhaus Vienna - 3 watercolors: Motif near Schulau an der Elbe , From the banks of the Elbe , surf
  • 1896: Large art exhibition of the Kunstverein in Hamburg in the Hamburger Kunsthalle - painting cows in the heath (maybe more)
  • 1897: International horticultural exhibition ( Planten un Blomen ), Hamburg, vegetation hall - vegetation gallery, consisting of 10 dioramas with landscape replicas
  • 1897: Exhibition of dedication sheets for the 70th birthday of the director of the Deutsche Seewarte Georg von Neumayer in the Museum für Kunst und Gewerbe Hamburg - 6 watercolors by Schwinges, dedicated by officers of the Seewarte
  • 1898: Spring exhibition of the Kunstverein in Hamburg in the Hamburger Kunsthalle - Sold: Elbe motif
  • 1898: Exhibition of the watercolorists' club of the cooperative of visual artists Vienna in the Künstlerhaus Vienna - 2 watercolors: fishing boats on the Elbe , autumn (heather motif)
  • 1898: Exhibition of Hamburg artists , Kunstverein in Hamburg , Hamburger Kunsthalle
  • 1898: Permanent exhibition of the Kunstverein in Hamburg in the extension of the stock exchange - children's dance
  • 1898: Christmas exhibition of the Kunstverein in Hamburg in the extension to the stock exchange - Sold: Early spring , Am Steg (gouache)
  • 1899: Exhibition of the watercolorist club of the cooperative of visual artists Vienna in the Künstlerhaus Vienna - 2 gouache sketches : Heidelischen , Syringen
  • 1899: Spring exhibition of the Kunstverein in Hamburg , Hamburger Kunsthalle - Sold: Homecoming
  • 1899: December. Permanent exhibition of the Kunstverein in Hamburg at Neuen Wall 14 - Feldweg
  • 1900: Spring exhibition of the Kunstverein in Hamburg , Hamburger Kunsthalle - at least two works: gouache horse pond and watercolor children in the blackberries
  • 1900: World Exhibition Paris - 14 watercolors from the Ohlsdorf cemetery
  • 1900: October. Kunstverein in Hamburg am Neuen Wall , in the small hall of the permanent exhibition - summer studies from Rothenburg ob der Tauber and the Lüneburg Heath
  • 1900: Christmas exhibition at the Kunstverein in Hamburg on Neuer Wall - late afternoon in the heath
  • 1901: Hamburg artist , Louis Bock & Sohn art dealer , Große Bleichen , Hamburg - lot from Rothenburg ob der Tauber
  • 1901: Exposition des beaux-arts of the Heinemann gallery in the Palais des Beaux Arts on Promenade des Anglais 13, Nice - painting Mondnacht and Waldbach
  • 1901: Eduard Schulte Gallery, Berlin
  • 1901: Salon Banger , Wiesbaden - Landscapes
  • 1901: Permanent exhibition of the Kunstverein in Hamburg am Neuen Wall - 45 gouaches with sea and coastal motifs from Norway as well as motifs from the Lüneburg Heath
  • 1902: Galerie Del Vecchio , Leipzig
  • 1902: Exposition des beaux-arts of the Heinemann gallery in the Palais des Beaux Arts on Promenade des Anglais 13, Nice - paintings Norwegian coast and Swedish coast
  • 1902: March. Permanent exhibition of the Kunstverein in Hamburg am Neuen Wall - five winter pictures
  • 1902: From November. Solo exhibition within the permanent exhibition of the Kunstverein in Hamburg am Neuen Wall , in the small hall of the permanent exhibition - a series of landscape oil paintings and gouaches from the heath and the Elbe
  • 1903: German city exhibition , Dresden - 14 watercolors from the Ohlsdorf cemetery
  • 1903: Exhibition in the art dealer Louis Bock & Sohn , Große Bleichen , Hamburg - forest, heather and marine pictures
  • 1903: Christmas exhibition at the Kunstverein in Hamburg am Neuen Wall - In the small room he showed the results of his study trip to the Lüneburg Heath, including works with Raphaelis pencils
  • 1904: March. Permanent exhibition of the Kunstverein in Hamburg am Neuen Wall - A few heathland landscapes
  • 1904: mid-November to December 10th. Solo exhibition within the permanent exhibition of the Kunstverein in Hamburg am Neuen Wall , in the small hall of the permanent exhibition - studies and paintings
  • 1904: December. Carl Stendler, Alsterdamm 17, Hamburg - evening near Schulau , one motif from the Elbe and one from the Lüneburg Heath
  • 1904: Christmas exhibition of the Kunstverein in Hamburg , Hamburger Kunsthalle
  • 1905: Large exhibition of the Kunstverein in Hamburg in the Hamburger Kunsthalle - several pictures. Sales: heathland and evening mood
  • 1905: Exhibition of the Association of German Cemetery Officials , Berlin - 14 watercolors from the Ohlsdorf cemetery
  • 1905: Exhibition of Hamburg artists , Carl Stendler art dealer, Alsterdamm , Hamburg - a number of tempera paintings , forest and heather motifs
  • 1905: Galerie Heinemann, Munich - painting Swedish coast and coast of Norway
  • 1905: From October. Permanent exhibition of the Kunstverein in Hamburg am Neuen Wall - three new landscape paintings
  • 1906: Exhibition of the wall paneling of the dining room of the twin screw steamer Crown Princess Cecilie in the shop window of the Heymannhaus at Neuer Wall 42 - painting of the palace gardens of the Schwerin Palace
  • 1906: February. Permanent exhibition of the Kunstverein in Hamburg am Neuen Wall - 4 landscapes from the coast of Sweden and the Lüneburg Heath
  • 1906: May. Permanent exhibition of the Kunstverein in Hamburg am Neuen Wall - A collection of paintings from Sweden's coast and the Lüneburg Heath
  • 1906: Special exhibition of the Hamburg local association of the General German Art Cooperative , organized by the Hamburg Art Association
  • 1906: Galerie Heinemann, Munich - painting Swedish coast and coast of Norway
  • 1906: Galerie Heinemann, Munich - paintings early spring and in the month of March
  • 1907: March. Permanent exhibition of the Kunstverein in Hamburg am Neuen Wall - 5 paintings
  • 1907: Hygiene exhibition , Berlin - 14 watercolors from the Ohlsdorf cemetery
  • 1907: Special exhibition of the Hamburg artists organized by the Kunstverein in Hamburg - a painting
  • 1907: November, December. Permanent exhibition of the Kunstverein in Hamburg at Neuer Wall - 17 paintings, including on Rabenberg (tempera) road to the village , spring morning , the beginning of spring , village street in the heather , cherry blossom , Evening , in April
  • 1907: December. Art dealer Louis Bock & Sohn , Große Bleichen , Hamburg
  • 1908: February. Permanent exhibition of the Kunstverein in Hamburg am Neuen Wall - 3 paintings
  • 1908: Anniversary exhibition of the Hamburg Artists' Association on the occasion of its 75th anniversary, organized by the Kunstverein in Hamburg - 3 heathland landscapes
  • 1908: Art exhibition in the art dealer Carl Stendler, Ferdinandstraße 2, Hamburg - some oil paintings and watercolors from the Elbe and the Heide
  • 1908: November. Permanent exhibition of the Kunstverein in Hamburg am Neuen Wall - 13 paintings
  • 1909: October. Permanent exhibition of the Kunstverein in Hamburg am Neuen Wall - 7 paintings
  • 1909: November. Art Salon Hugo Harnisch at Gänsemarkt 6-10, Hamburg - About 28 paintings with motifs including Heide evening sun , forest paths in the heath , morning sun , early spring , from the Lühe , twilight , the brook , forest entrance , in Tannenhof , Early Spring
  • 1909: December. Permanent exhibition of the Kunstverein in Hamburg am Neuen Wall - a large autumn painting
  • 1909: Galerie Heinemann, Munich - paintings early spring and in the month of March
  • 1910: March. Permanent exhibition of the art association in Hamburg am Neuen Wall - 10 paintings, winter landscapes
  • 1910: General Urban Development Exhibition , Berlin - 14 watercolors from the Ohlsdorf cemetery
  • 1910: September. Permanent exhibition of the Kunstverein in Hamburg am Neuen Wall - 14 paintings
  • 1910: September and October. Permanent exhibition of the Kunstverein in Hamburg am Neuen Wall - Chromoplastic representation of a heath village
  • 1910: Exhibition of the Hamburger Künstlerverein organized by the Kunstverein in Hamburg - 2 paintings
  • 1910: December. Permanent exhibition of the Kunstverein in Hamburg am Neuen Wall - 10 paintings and two pen drawings
  • 1910: Galerie Heinemann, Munich - paintings early spring and in the month of March
  • 1911: Museum of Arts and Crafts Hamburg - 2 chromoplastic representations . A model of the Alster and one of the Elbhöhe, on which the Bismarck monument stands
  • 1911: International exhibition for travel and tourism in the exhibition halls at the Berlin Zoological Garden - 2 chromoplastic representations : a model of the Alster and one of the Elbhöhe, exhibited by the Hamburg building deputation
  • 1911: International Hygiene Exhibition , Dresden - 14 watercolors from the Ohlsdorf cemetery
  • 1911: Solo exhibition in the art dealer Louis Bock & Sohn , Große Bleichen , Hamburg
  • 1911: November. Permanent exhibition of the Kunstverein in Hamburg am Neuen Wall - 24 paintings
  • 1911: December. Permanent exhibition of the Kunstverein in Hamburg am Neuen Wall - 5 paintings
  • 1911: Galerie Heinemann, Munich - paintings early spring and in the month of March
  • 1912: February. Permanent exhibition of the Kunstverein in Hamburg am Neuen Wall - 7 paintings
  • 1912: March to April. Art dealer Louis Bock & Sohn , Große Bleichen , Hamburg - charcoal drawings and two gouaches
  • 1912: Exhibition in Antwerp - 14 watercolors from the Ohlsdorf cemetery
  • 1912: May. Art dealer Louis Bock & Sohn , Große Bleichen , Hamburg - approx. 50 colored charcoal drawings
  • 1912: May, June. Permanent exhibition of the Kunstverein in Hamburg am Neuen Wall - 11 paintings, including An der Schwentine , Am Bach , Waldweiher , Frühling , Im Walde , Sommerstudie , Waldweg , Sonnenblumen
  • 1912: May, June. Exhibition of works of art from Altonaic private property and the Altonaer Künstlerverein , Donner-Schloss in Donners Park , Altona - watercolor Lower Elbe and two charcoal drawings
  • 1912: October. Permanent exhibition of the Kunstverein in Hamburg am Neuen Wall - 8 paintings
  • 1912: November, December and January, February 1913. Kunstsalon Alsterthor , Hamburg, Hermannstrasse 5 - The Heidedorf model and paintings

Posthumously

  • 1913: November. Friedrich Schwinge commemorative exhibition, Louis Bock & Sohn art dealer , Große Bleichen , Hamburg - 84 works from the estate, including Auf der Heide , Heidetal , views of forest and heath , Old Mill in the Heide , Evening in the Heide , Old Baumkate , In the beech forest , at the garden fence , at the Lühe , at the flowering time , at the spring time
  • 1914: Kunsthandlung Louis Bock & Sohn , Große Bleichen , Hamburg - 4 older paintings: On the Elbe from 1859, summer , moonrise and the watercolor Baltic Sea beach
  • 1914: Painting exhibition at Rudolph Karstadt , Karstadt Mönckebergstrasse , Hamburg - Among other things, heather pictures, a mood on the Elbe and returning home in a snowstorm
  • 1914: Joint exhibition with the sculptor Guglielmo Bracony (1828–1921), AE Schulze art dealer, Altona, Königstrasse 142
  • 1916: Solo exhibition in the art department of the Hermann Tietz department store (today Alsterhaus ) on Jungfernstieg , Hamburg - works from the Schwinges estate. In addition to domestic work, there are also glacier pictures from 1887 from the Hardangerfjord
  • 1917: July, August. Galerie Commeter , Hamburg - atmospheric landscapes from the heath, from the beach and from Altenwerder
  • 1917: October, November. Solo exhibition, art dealer Louis Bock & Sohn , Große Bleichen , Hamburg
  • 1918: Galerie Commeter, Hamburg - six landscapes from Schwinge's estate, including gray winter day , hoar frost and the two larger watercolors Norwegian fjord and landscape on the Lower Elbe
  • 1925: Galerie Heumann, Stadthausbrücke 3, Hamburg - painting landscape with sheep
  • 1932: Galerie Commeter, Hamburg - A small exhibition of his works on the occasion of his 80th birthday
  • 1933: Hamburg artists around the turn of the century , Galerie Commeter, Hamburg
  • 1934: RSG exhibition Strength through Joy - The Heath Village Model
  • 1936: Galerie Commeter, Hamburg - paintings
  • 1937: The Low German painter , Galerie Commeter, Hamburg
  • 1937: Oevelgönne, Neumühlen, Ottensen in the old days , Altonaer Museum
  • 1941: Galerie Commeter, Hamburg - A small exhibition of his works
  • 2005: 13:13 , exhibition by the Helms Museum in the Harburger Bahnhof art association

Works (selection)

signature
Dimensions: width × height

  • 1886: Elbe landscape near St. Margarethen , watercolor on paper, 54.7 × 36.7 cm - Schleswig-Holstein State Library , Kiel
  • 1886: The Elbe in front of the Altonaer Landungsbrücken , watercolor on paper, 53.6 × 35.2 cm - Altonaer Museum , Hamburg
  • 1895: View over the Elbe , watercolor and white body paint on paper, 37.6 × 26.6 cm - Schleswig-Holstein State Library, Kiel
  • 1899: View of Chapel 4 , scene at the Ohlsdorf cemetery in Hamburg, mixed media: watercolor and gouache - Friedhofsmuseum , Friedhof Ohlsdorf, Hamburg
  • 1899: South pond with wrought iron bridge , Ohlsdorf cemetery, mixed media : watercolor and gouache - cemetery administration, Ohlsdorf cemetery, Hamburg
  • 1899: Rose garden , also rosarium , at Südteich, Ohlsdorf cemetery, mixed media: watercolor and gouache - cemetery administration, Ohlsdorf cemetery, Hamburg
  • 1899: Rose garden , also Rosarium , at Südteich, Ohlsdorf cemetery, with Necker , Storm and Hammond-Norden tombs in the background, mixed media: watercolor and gouache - cemetery administration, Ohlsdorf cemetery, Hamburg
  • 1899: Five more paintings with views of the Ohlsdorf cemetery, mixed media: watercolor and gouache - Friedhofsverwaltung, Friedhof Ohlsdorf, Hamburg
  • 1909: Aus der Heide , gouache - Archaeological Museum Hamburg - Stadtmuseum Harburg / Helms-Museum (Helms-Museum)
  • 1910: The Heideweg , oil on cardboard - Bomann Museum , Celle
  • 1910: Large heather village model - Archaeological Museum Hamburg - City Museum Harburg / Helms Museum
  • 1 ???: Forest path , painting, 36 × 22.8 cm - Hamburger Kunsthalle
  • 1 ???: Giek-Ewer , watercolor - Museum for Hamburg History

Missing works

  • 1882: Heide im Gewitter , oil on canvas, 84 × 57 cm - Formerly in Zernin . Lost since 1945. Listed at the Lost Art coordination office for the loss of cultural assets . Lost Art ID: 390787
  • 1902: Forest interior , oil on canvas, 105 × 70 cm - Formerly in Zernin. Lost since 1945. Listed at the Lost Art coordination office for the loss of cultural assets . Lost Art ID: 390775

  • Heath in a thunderstorm

  • Forest interior

Publications

  • Georg Wislicenus: Our war fleet. Presented to the German people in words and pictures , with 20 chromolithographs in a calico folder by Friedrich Schwinge (4 lithographs and cover), Carl Saltzmann and Willy Stöwer . Brockhaus, Leipzig 1895

literature

  • Swing, Friedrich. In: Exhibition of paintings and sculptures by Schleswig-Holstein artists, in memory of the 25th anniversary of the Kunsthalle in Kiel , 1882, p. 34 (digitized version)
  • Kunstverein in Hamburg (ed.): Annual reports of the Kunstverein Hamburg 1886–1894 , Grefe & Tiedemann , Hamburg, PDF-S. 6, 93. (PDF file)
  • Kunstverein in Hamburg (ed.): Annual reports of the Kunstverein Hamburg 1895–1899 , Grefe & Tiedemann , Hamburg, PDF-S. 53, 69, 75, 87, 95, 104, 112, 120, 122, 128, 136. (PDF file)
  • The General Horticultural Exhibition. In: Neue Hamburger Zeitung , January 24, 1897, p. 5 (digitized version)
  • A tour of the press through the horticultural exhibition. In: Hamburgische Börsen-Halle , April 26, 1897, p. 1 (digitized version)
  • General horticultural exhibition in Hamburg. I. In: Altonaer Nachrichten. May 1, 1897, p. 3 (digitized version)
  • Kunstverein in Hamburg (ed.): Annual reports of the Kunstverein Hamburg 1900–1904 , Grefe & Tiedemann , Hamburg, PDF-S. 7, 10, 17, 27, 32, 33, 47, 52, 53, 55, 57, 67, 71, 72, 86, 92, 93, 95, 104. (PDF file)
  • From the Paris World's Fair . In: Altonaer Nachrichten. September 13, 1900, p. 6 (digitized version)
  • Kunstverein in Hamburg (ed.): Annual reports of the Kunstverein Hamburg 1905–1909 , Grefe & Tiedemann , Hamburg, PDF-S. 6, 8, 14, 26, 27, 29, 35, 48, 49, 51, 52, 54, 58, 70, 71, 74, 76, 80, 92, 96, 97. (PDF file)
  • From Hamburg's art salons. In: Altonaer Nachrichten. November 28, 1907, p. 7 (digitized version)
  • From Hamburg's art salons. In: Altonaer Nachrichten. December 15, 1907, p. 5 (digitized version)
  • Swing, Friedrich. In: Dressler's Art Yearbook 1907 (2nd 1907), p. 187 ( digitized version )
  • Kunstverein in Hamburg (ed.): Annual reports of the Kunstverein Hamburg 1910–1914 , Grefe & Tiedemann , Hamburg, PDF-S. 7, 9, 16, 19, 20, 25, 36–38, 48, 54. (PDF file)
  • For the International Travel Exhibition…. In: Hamburgischer Correspondent , January 18, 1911, p. 10 (digitized version)
  • For the International Travel Exhibition…. In: Hamburger Anzeiger , January 20, 1911, p. 4 (digitized version)
  • The Schwingesche cityscapes. In: Hamburgischer Correspondent , March 12, 1911, p. 9 (digitized version)
  • Gustav Proppe: From Hamburg art salons. In: Altonaer Nachrichten. October 8, 1911, p. 9 (digitized version)
  • Schwinge, Friedrich Wilhelm. In: Ernst Rump : Lexicon of visual artists in Hamburg, Altona and the surrounding area , Otto Bröcker & Co., Hamburg 1912, p. 126. (digitized version)
  • Gustav Proppe: From Hamburg art salons. In: Altonaer Nachrichten. March 21, 1912, evening edition, p. 1 (digitized version)
  • Gustav Proppe: From the Hamburg art salons. In: Altonaer Nachrichten. March 28, 1912, pp. 1–2 (digitized version)
  • Gustav Proppe: From Hamburg art salons. In: Altonaer Nachrichten. May 8, 1912, evening edition, p. 1 (digitized version)
  • Gustav Proppe: From Hamburg art salons. In: Altonaer Nachrichten. June 4, 1912, p. 7 (digitized version)
  • Gustav Proppe: From Hamburg art salons. In: Altonaer Nachrichten. October 9, 1912, p. 2 (digitized version)
  • Gustav Proppe: From Hamburg art salons. In: Altonaer Nachrichten. January 30, 1913, p. 10 (digitized version)
  • The painting thief…. In .: Altona news. August 15, 1913, p. 3 (digitized version)
  • About the theft of paintings ... (swing pictures). In: Altonaer Nachrichten. August 16, 1913, p. 3 (digitized version)
  • Gustav Proppe: Friedrich Schwinge †. In: Altonaer Nachrichten. October 22, 1913, p. 2 (digitized version)
  • Friedrich Schwinge. In: Hamburgischer Correspondent , October 22, 1913, p. 3 (digitized version)
  • Funeral service. In: Hamburgischer Correspondent , October 23, 1913, p. 38 (digitized version)
  • Gustav Proppe: In memory of Friedrich Schwinges. In: Altonaer Nachrichten. October 27, 1913, evening edition, p. 1 (digitized version)
  • Gustav Proppe: In memory of Friedrich Schwinges. In: Altonaer Nachrichten. October 30, 1913, evening edition, pp. 1–2 (digitized version)
  • Gustav Proppe: From Hamburg art salons. Memorial exhibition: Friedrich Schwinge. In: Altonaer Nachrichten. November 7, 1913, p. 1 (digitized version)
  • Gustav Proppe: From Hamburg art salons. In: Altonaer Nachrichten. December 16, 1913, p. 6 (digitized version)
  • Burglary. In: Altonaer Nachrichten. July 14, 1914, p. 8 (digitized version)
  • Gustav Proppe: In memoriam Friedrich Schwinge. In: Altonaer Nachrichten. July 21, 1914, p. 1 (digitized version)
  • Gustav Proppe: On Friedrich Schwinge's day of death. In: Altonaer Nachrichten. October 20, 1914, pp. 8–9 (digitized version)
  • Gustav Proppe: From Hamburg's art salongs. In: Altonaer Nachrichten. November 26, 1916, pp. 1–2 (digitized version)
  • Gustav Proppe: A forgotten heath village. In: Altonaer Nachrichten. September 1, 1926, p. 5 (digitized version)
  • Gustav Proppe: A forgotten heath village. In: Altonaer Nachrichten. October 19, 1926, p. 5 (digitized version)
  • Gustav Proppe: In memoriam Friedrich Schwinge. For his 75th birthday. In: Altonaer Nachrichten. March 30, 1927, p. 5 (digitized version)
  • In memory of Friedrich Schwinge. (With a photo of the tombstone.) In: Hamburger Nachrichten , April 4, 1927, p. 8 (digitized version)
  • Friedrich Schwinge in memory. In: Hamburgischer Correspondent , April 4, 1927, p. 3 (digitized version)
  • Gustav Proppe: Honor for Friedrich Schwinge. In: Altonaer Nachrichten. April 5, 1927, p. 7 (digitized version)
  • Gustav Proppe: In memoriam Friedrich Schwinge. In: Altonaer Nachrichten. April 21, 1932, p. 2 (digitized version)
  • Gustav Proppe: Reunion with the Schwingescher Heidedorf. In: Altonaer Nachrichten. December 6, 1934, p. 7 (digitized version)
  • Schwinge, Friedrich Wilhelm . In: Hans Vollmer (Hrsg.): General lexicon of fine artists from antiquity to the present . Founded by Ulrich Thieme and Felix Becker . tape 30 : Scheffel – Siemerding . EA Seemann, Leipzig 1936, p. 391 .
  • Gustav Proppe: reunion with Friedrich Schwinge. In: Hamburger Latest Zeitung , April 10, 1941, p. 6 (digitized version)
  • Schwinge, Friedrich Wilhelm. In: Volker Detlef Heydorn : Painter in Hamburg. Volume 3: 1966-1974 . Ed .: Professional Association of Visual Artists, Hamburg. Hans Christians Verlag, Hamburg 1974, ISBN 3-7672-0290-5 , p. 142.
  • Barbara Scharf: The Ohlsdorfer Friedhof as a reflection of large exhibitions. In: Journal of the Association for Hamburg History , No. 78, 1992, pp. 140–157 (digitized version ) (PDF file)
  • Anne-Catherine Krüger: Swing, Friedrich Wilhelm. In: The new rump. Lexicon of the visual artists of Hamburg . Ed .: Rump family. Revised new edition of Ernst Rump's lexicon; supplemented and revised by Maike Bruhns , Wachholtz, Neumünster 2013, ISBN 978-3-529-02792-5 , p. 420.

Web links

Commons : Friedrich Schwinge  - Collection of images, videos and audio files

Individual evidence

  1. ↑ Schwinge, Friedrich. In: Exhibition of paintings and sculptures by Schleswig-Holstein artists, in memory of the 25th anniversary of the Kunsthalle in Kiel , p. 34.
  2. ↑ Gustav Proppe: Who still knows the old Altona? In: Altonaer Nachrichten. August 31, 1932, p. 6.
  3. ^ Gustav Proppe: The powder explosion before Neumühlen 1622. In: Altonaer Nachrichten. September 10, 1938, p. 6.
  4. ↑ Gustav Proppe: In memory of Friedrich Schwinges. In: Altonaer Anzeiger , October 27, 1913, p. 1.
  5. ↑ Finding aid of the Art Academy Düsseldorf (link at the bottom of the page). Registered for the school years 1879 up to and including 1883 (which probably went to 1884)
  6. ↑ Result of the raffle for works in Schleswig-Holstein. Artist. In: Altonaer Nachrichten. September 9, 1882, p. 6.
  7. ↑ a b art exhibition. In: Hamburger Nachrichten , July 3, 1884, p. 9.
  8. ↑ Hamburg State Archives : Marriage Register 1874-1920, Ottensen 1886 (viewed at ancestry.de ). The divorce was also subsequently noted on the marriage entry.
  9. ^ Obituary notice from Friedrich Schwinge and his wife for their son Edgar. In: Hamburger Nachrichten , October 7, 1898, p. 6.
  10. ↑ Hamburg State Archives: Death entry of December 7, 1898 in the death register, Hamburg 03, 1898, Volume 05, No. 2035 (viewed at ancestry.de )
  11. ↑ Announcement : "Friedrich Schwinge from Düsseldorf now lived: Neuerwall 46, 2nd Etg." In: Hamburger Nachrichten , September 13, 1884, p. 10.
  12. ^ Entry in the Hamburg address book from 1885 without job title
  13. ↑ Entry in the Hamburg address book from 1886 with job title (other addresses also from the address books)
  14. ↑ Announcement of the raffle. In: Hamburger Nachrichten , January 20, 1893, p. 8.
  15. ↑ With a novelty. In: Hamburger Nachrichten , October 19, 1894, p. 4.
  16. ↑ Passage-Panoktikum. In: Volks-Zeitung , January 4, 1895, p. 2.
  17. ↑ The Passage Panopticon. In: Berliner Tageblatt , January 6, 1895, p. 6.
  18. ^ The General Horticultural Exhibition. In: Neue Hamburger Zeitung , January 24, 1897, p. 5.
  19. ^ A tour of the press through the horticultural exhibition. In: Börsen-Halle , April 26, 1897, p. 1.
  20. ^ Oskar Schwindrazheim : International Horticultural Exhibition. I. (Conclusion). In: Der Kunstwart , Volume 10, Issue 20, Second July Issue 1897, p. 318.
  21. ↑ Friedrich Schwinge. In: Hamburgischer Correspondent , October 22, 1913, p. 3.
  22. ↑ Annual reports of the Kunstverein Hamburg 1886–1894 , Kunstverein in Hamburg, PDF-S. 6, 93.
  23. ^ Annual reports of the Kunstverein Hamburg 1895–1899 , Kunstverein in Hamburg, PDF-S. 53, 59, 69, 75, 95, 104, 122, 128.
  24. ↑ Lapwing: Hobby horse - ridden like a master. In: Altonaer Nachrichten. March 24, 1937, p. 5.
  25. ↑ Annual reports of the Kunstverein Hamburg 1900–1904 , Kunstverein in Hamburg, PDF-S. 17, 37, 57, 67, 104.
  26. ↑ Hamburg State Archives: Marriage Register 1874-1920, Hamburg 03, 1904 Volume 03 (viewed at ancestry.de ).
  27. ^ The Central Cemetery in Hamburg-Ohlsdorf and Weifs .: Association of German garden artists. In: Die Gartenkunst , 1900, pp. 133, 79.
  28. ↑ Exposition Universelle de 1900 - Catalog officiel de la Section Allemande. , P. 238.
  29. ↑ 1900 Ohlsdorf writes history. on friedhof-hamburg.de
  30. ↑ Barbara Scharf: The Ohlsdorfer Friedhof in the mirror image of large exhibitions. In: Journal of the Association for Hamburg History , No. 78, 1992, pp. 145, 148, 149, 153.
  31. ^ Friedrich Wilhelm Schwinge in the Heinemann Gallery (research), German Art Archive in the Germanic National Museum , Nuremberg
  32. ↑ The decorative equipment of the steamer "Deutschland". In: Hamburger Nachrichten , July 6, 1900, p. 9.
  33. ↑ In the shop window of ID Heymann…. In: Hamburgischer Correspondent , December 17, 1905, pp. 10-11.
  34. ↑ Search Ad Alone girl of Mrs. Friedrich rocker. In: Hamburger Anzeiger. August 24, 1910, p. 9.
  35. ↑ Gustav Proppe 65 years old. In Altona news. January 12, 1935, p. 6.
  36. ^ Archives of the district of Cuxhaven (ed.): Otterndorf, 600 years of city history on the North Sea , Otterndorf 2000, ISBN 978-3-934100-00-8 , p. 369 (Snipped-Ansich at Google Books )
  37. ↑ With the Cranzer Motor Night. In: Altonaer Nachrichten. August 15, 1925, p. 5.
  38. ↑ The Mönstedt painting…. In: Altonaer Nachrichten. February 8, 1903, p. 2.
  39. ↑ For the raffle of the artist and press festival. In: Neue Hamburger Zeitung , January 24, 1905, p. 9.
  40. ↑ Artists and press festival. In: Hamburger Anzeiger. February 18, 1909, p. 4.
  41. ^ Artists and Press Ball 1911. In: Altonaer Nachrichten. January 22, 1911, p. 3.
  42. ^ Press ball 1912. In: Altonaer Nachrichten. February 4, 1912, p. 12.
  43. ^ Annual reports of the Kunstverein Hamburg 1905–1909 , Kunstverein in Hamburg, PDF-S. 70, 54, 76.
  44. ^ Annual reports of the Kunstverein Hamburg 1910–1914 , Kunstverein in Hamburg, PDF-S. 9.
  45. ^ The Schwingen cityscapes. In: Hamburgischer Correspondent , March 12, 1911, p. 9.
  46. ↑ Gleanings from the Children's Aid Day. In: Hamburgischer Correspondent , May 26, 1911, p. 5.
  47. ^ Art and Science. In: Altonaer Nachrichten. February 17, 1913, p. 3.
  48. ^ Auctioning of the artistic estate of Reinhold Begas. In: Berliner Börsenzeitung , April 18, 1912, p. 7.
  49. ↑ Stolen paintings. In: Altonaer Nachrichten. August 14, 1913, p. 3.
  50. ↑ The painting thief. In: Atonaer Nachrichten , August 15, 1913, p. 3.
  51. ↑ On the theft of paintings. In: Altonaer Nachrichten. August 16, 1913, p. 3.
  52. ↑ Friedrich Schwinge †. In: Altonaer Nachrichten. October 22, 1913, p. 2.
  53. ↑ Friedrich Schwinge. In: Prominent A to Z . On: friedhof-hamburg.de
  54. ↑ Funeral service. In: Hamburgischer Correspondent , October 23, 1913, p. 7.
  55. ↑ In memory of Friedrich Schwinge. In: Altonaer Nachrichten. October 30, 1913, p. 7.
  56. ↑ or 1958 according to the National Library
  57. ^ Gustav Proppe: Spethmann exhibition in the Altonaer Museum. In: Altonaer Nachrichten. March 31, 1918, p. 2.
  58. ↑ Schwinge estate. In: Neue Hamburger Zeitung , November 5, 1913, p. 7.
  59. ↑ Gustav Proppe: From Hamburg art salons. Memorial exhibition: Friedrich Schwinge. In: Altonaer Nachrichten. November 7, 1913, p. 1.
  60. ^ Former members in the list of members of the Hamburger Künstlerverein. In: Gustav Pauli , Peter Hirschfeld, Karl Wilhelm Tesdorpf, Hans Leip : Hundred Years of Hamburg Art. 1832-1932. Verlag Br. Sachse, Hamburg 1932, p. 47.
  61. ↑ Membership list 1899 of the art cooperative. Schwinge, F., painter under Hamburg
  62. ^ Membership list of the aquarellists club 1893. In: Catalog of the exhibition of the aquarellists club of the cooperative of visual artists Vienna , p. 4.
  63. ^ Website of Schlaraffia Harmonia
  64. ^ Friedrich Schwinge in memory. In: Hamburgischer Correspondent , April 4, 1927, p. 3.
  65. ↑ In memory of Friedrich Schwinge. In: Hamburger Nachrichten , April 4, 1927, p. 8 (with photo)
  66. ^ Gustav Proppe: Honor for Friedrich Schwinge. In: Altonaer Nachrichten. April 5, 1927, p. 7.
  67. ↑ (770) * SCHWINGE, Friedrich. On: fof-ohlsdorf.de
  68. ↑ Rita Bake : A Memory of the City. Streets, squares, bridges named after women and men , Volume 3, as of December 2017, p. 1081 ( PDF file )
  69. ↑ Carola Hoffmeister, Anke Küpper: Baedeker Travel Guide Hamburg , Mair Dumont, 2018, ISBN 978-3-575-42514-0 .
  70. ^ Schwinge, Friedrich Wilhelm at the Volmer Collection Foundation
  71. ↑ More detailed description of the bundle on kettererkunst.de
  72. ↑ Exhibition catalog Kiel 1882, p. 34.
  73. ↑ Kunsthalle. In: Altonaer Nachrichten. August 27, 1883, p. 2.
  74. ↑ art exhibition. In: Hamburger Nachrichten , November 4, 1884, p. 13.
  75. ↑ art exhibition. In: Hamburger Nachrichten , September 7, 1885, p. 1.
  76. ↑ art exhibition. In: Hamburger Nachrichten , September 27, 1885, p. 2.
  77. ^ Permanent exhibition of the Kunstverein in the new stock exchange extension. In: Hamburger Nachrichten , February 22, 1886, p. 1.
  78. ↑ art exhibition. In: Hamburger Nachrichten , May 22, 1886, p. 11.
  79. ^ Exhibition catalog Berlin 1886, p. 199.
  80. ↑ In the permanent exhibition of the art association…. In: Hamburger Nachrichten , October 23, 1886, p. 10.
  81. ↑ In the art and trade hall…. In: Altonaer Nachrichten. November 30, 1886, p. 1.
  82. ^ Exhibition of the Hamburg artists. In: Hamburger Nachrichten , June 24, 1889, p. 1.
  83. ↑ Swing Friedrich. In: Catalog of the exhibition of the aquarellists club of the cooperative of visual artists Vienna , 1890, pp. 11, 15, 18, 19.
  84. ^ AR: Collections and Exhibitions. In: Art Chronicle , New Series , Volume 1, 1889/1890, No. 14, January 13, 1890, pp. 214–215.
  85. ↑ The Empress Friedrich…. In: Berliner Börsen-Zeitung , December 9, 1890.
  86. ↑ art exhibition. In: Hamburger Nachrichten , November 2, 1890, p. 1.
  87. ^ AR: Collections and Exhibitions. In: Art Chronicle , New Series , Volume 2, 1890/1891, No. 19, March 19, 1891, p. 330.
  88. ^ Entry  - Internet Archive , exhibition catalog 1891, Glaspalast Berlin, p. 75.
  89. ↑ Swing Friedrich. In: Catalog of the exhibition of the aquarellists club of the cooperative of visual artists Vienna , 1892, pp. 5, 14, 21, 22.
  90. ↑ Swing Friedrich. In: Catalog of the exhibition of the Watercolorist Club of the Vienna Artistic Cooperative , 1893, pp. 7, 10, 15–17, 24.
  91. ↑ art exhibition. In: Hamburger Nachrichten , November 24, 1894, p. 11.
  92. ↑ Swing Friedrich. In: Catalog of the exhibition of the Watercolorist Club of the Cooperative of Visual Artists Vienna , 1895, p. 20.
  93. ^ Wilhelm Schölermann: The international exhibition of the Hamburger Kunstverein. In: Art Chronicle , New Series , Volume 6, 1894/1895, No. 26, May 23, 1895, p. 402.
  94. ↑ Swing Friedrich. In: Catalog of the Xth exhibition of the Watercolorist Club of the Cooperative of Visual Artists Vienna , 1896, No. 107, 110, 112.
  95. ^ Permanent exhibition in the Museum of Art and Industry. In: Neue Hamburger Zeitung , March 7, 1897, p. 2.
  96. ^ Spring exhibition of the art association in the art gallery in Hamburg. In: Altonaer Nachrichten. March 29, 1898, p. 2.
  97. ↑ Schwinge Friedrich In: Exhibition of the Watercolorist Club of the Cooperative of Visual Artists Vienna , 1898, p. 25.
  98. ^ CR: Exhibition of Hamburg artists in the Kunsthalle in Hamburg. In: Art Chronicle , New Series, Volume 9, 1897/1898, No. 24, May 5, 1898, p. 387.
  99. ^ In the art association, stock exchange extension in Hamburg,…. In: Altonaer Nachrichten. October 21, 1898, p. 6.
  100. ^ Exhibition of the art association. In: Altonaer Nachrichten. December 25, 1898, p. 2.
  101. ↑ Swing Friedrich. In: Exhibition of the Watercolorist Club of the Vienna Fine Arts Cooperative. 1899, pp. 33, 35 ( Textarchiv - Internet Archive ).
  102. ↑ Spring exhibition of the Kunstverein in the Hasmburger Kunsthalle. In: Altonaer Nachrichten. April 11, 1899, p. 2.
  103. ^ BW: Art and Science. In: Hamburger Anzeiger , December 3, 1899, p. 29.
  104. ^ BW: Spring exhibition of the Kunstverein in Hamburg. In: Hamburger Anzeiger. April 3, 1900, p. 1.
  105. ^ Spring exhibition of the Hamburger Kunstverein. In: Neue Hamburger Zeitung , April 12, 1900, p. 5.
  106. ↑ Kunstverein, Neuer Wall 14, in: Altona messages. October 19, 1900, p. 2.
  107. ↑ Christmas exhibition. In: Neue Hamburger Zeitung , December 20, 1900, p. 5.
  108. ↑ Hamburg artist. In: Hamburger Nachrichten , February 3, 1901, p. 2.
  109. ^ Galerie Heinemann, catalogs: catalog H1901_0112 , p. 27.
  110. ^ Art and Science. In: Berliner Börsen-Zeitung , April 14, 1901, p. 8.
  111. ^ The Rhineland , October 1901, p. 91.
  112. ↑ In the art association…. In: Neue Hamburger Zeitung , November 14, 1901, p. 15.
  113. ^ Art Association. In: Neue Hamburger Zeitung , November 18, 1901, p. 5.
  114. ↑ Leipzig. In: collections and exhibitions. In: Kunstchronik , New Series, Volume 13, 1901/1902, No. 20, March 27, 1902, p. 318.
  115. ^ Galerie Heinemann, catalogs: catalog H1902_0112 , p. 21.
  116. ^ Art Association. In: Neue Hamburger Zeitung , March 16, 1902, p. 3.
  117. ^ Art exhibition Louis Bock & Son. In: Hamburger Nachrichten , March 12, 1903, p. 13.
  118. ^ Art and Science. In: Altonaer Nachrichten. Evening edition, December 10, 1903, p. 3.
  119. ^ FR: # Kunstverein Hamburg. In: Altonaer Nachrichten. March 9, 1904, p. 5.
  120. ^ Art and Science. In: Neue Hamburger Zeitung , December 22, 1904, p. 2.
  121. ↑ Opened exhibitions. In: Die Werkstatt der Kunst , 4th year, issue 12, December 19, 1904, p. 159.
  122. ^ Large exhibition of the art association in the Hamburger Kunsthalle. In: Altonaer Nachrichten. April 14, 1905, p. 2.
  123. ↑ p. 315 Opened exhibitions. In: Die Werkstatt der Kunst , 4th year, issue 24, March 13, 1905, p. 159.
  124. ↑ gallery Heinemann, catalogs: catalog H1905_0304 , p 22, Catalog H1905_0505 , S 20, catalog H1905_0608 , p 20, Catalog H1905_1010 , p 25, Catalog H1905_1011 , S. 27th
  125. ^ Art and Science. In: Altonaer Nachrichten. October 4, 1905, p. 6.
  126. ↑ At the Kunstverein Neuer Wall 14, in: Altona messages. February 18, 1906, p. 2.
  127. ^ In the art association. In: Altonaer Nachrichten. May 17, 1906, p. 2.
  128. ^ Art, science, theater and music. In: Hamburgischer Correspondent , May 16, 1906, p. 10.
  129. ^ Galerie Heinemann, catalogs: catalog H1906_0202 , p. 21, catalog H1906_0303A , p. 18.
  130. ^ Galerie Heinemann, catalogs: catalog H1906_0405 , p. 19, catalog H1906_0505 , p. 19, catalog H1906_0608 , p. 19.
  131. ^ Bm .: From Hamburg's art salons. In: Altonaer Nachrichten. November 28, 1907, p. 7.
  132. ^ Bm .: From Hamburg's art salons. In: Altonaer Nachrichten. December 15, 1907, p. 5.
  133. ^ Anniversary exhibition of the Hamburg Artists' Association. In: Hamburg Correspondent. March 8, 1908.
  134. ↑ Art Exhibition Carl Stendler, Ferdinandstr. 2. In: Altonaer Nachrichten. September 15, 1908, p. 3.
  135. ^ Collective exhibition by Friedrich Schwinge. In: Hamburgischer Correspondent , November 7, 1909, p.
  136. ↑ From Hamburg's art galleries. In: Hamburgischer Correspondent , November 14, 1909, p. 17.
  137. ^ GI .: Christmas exhibition in the Hamburger Kunstverein. In: Altonaer Nachrichten. December 12, 1909, p. 5.
  138. ^ Galerie Heinemann, catalogs: Catalog H1909_0608 , p. 24.
  139. ^ In the art association. In: Altonaer Nachrichten. March 11, 1910, p. 3.
  140. ↑ Galerie Heinemann, catalogs: catalog H1910_0112A , p. 24, catalog H1910_0112B , p. 26, catalog H1910_0203 , p. 22, catalog H1910_1111A , p. 26.
  141. ↑ Gustav Proppe: From Hamburg art salons. In: Altonaer Nachrichten. October 8, 1911, p. 9.
  142. ^ Galerie Heinemann, catalogs: catalog H1911_0101C , p. 20, catalog H1911_0305 , p. 21, catalog H1911_0608 , p. 25.
  143. ↑ Gustav Proppe: From Hamburg art salons. In: Altonaer Nachrichten. March 21, 1912, evening edition, p. 1.
  144. ^ Gustav Proppe: From the Hamburg art salons. In: Altonaer Nachrichten. March 28, 1912, pp. 1-2.
  145. ↑ Gustav Proppe: From Hamburg art salons. In: Altonaer Nachrichten. May 8, 1912, evening edition, p. 1.
  146. ↑ Gustav Proppe: From Hamburg art salons. In: Altonaer Nachrichten. June 4, 1912, p. 7.
  147. ↑ Exhibition catalog Altona, 1912, pp. 39, 45, 72.
  148. ↑ Gustav Proppe: From Hamburg art salons. In: Altonaer Nachrichten. October 9, 1912, p. 2.
  149. ^ Advertisement from the Alsterthor Art Salon. In: Altonaer Nachrichten. December 8, 1912, p. 15 (and November 24, 1912, p. 12)
  150. ↑ Gustav Proppe: From Hamburg art salons. In: Altonaer Nachrichten. January 30, 1913, p. 10.
  151. ↑ From Hamburg art salons. In: Altonaer Nachrichten. March 19, 1914, p. 10.
  152. ↑ Painting exhibition at Rudolph Karstadt, Mönckebergstrasse. In: Neue Hamburger Zeitung , November 21, 1914, p. 10.
  153. ^ Gustav Proppe: In memoriam Friedrich Schwinge. In: Altonaer Nachrichten. July 21, 1914, p. 1.
  154. ↑ Gustav Proppe: From Hamburg's art salongs. In: Altonaer Nachrichten. November 26, 1916, pp. 1-2.
  155. ↑ Gustav Proppe: From Hamburg art salons. In: Altonaer Nachrichten. August 2, 1917, p. 2.
  156. ↑ Gustav Proppe: From Hamburg art salons. In: Altonaer Nachrichten. October 28, 1917; P. 5.
  157. ↑ Opened exhibitions. In: Die Werkstatt der Kunst , 17th year, issue 7, November 12, 1917, p. 59.
  158. ^ Gustav Proppe: Galerie Commeter. In: Altonaer Nachrichten. February 12, 1918, p. 2.
  159. ↑ Gustav Proppe: From Hamburg art salons. In: Altonaer Nachrichten. December 10, 1925, p. 9.
  160. ↑ Gustav Proppe: In memorium Friedrich rocker. In: Altonaer Nachrichten. April 21, 1932, p. 2.
  161. ^ Exhibition of Hamburg artists around the turn of the century. In: Altonaer Nachrichten. November 3, 1933, p. 2.
  162. ^ Gustav Proppe: Reunion with the Schwingesches Heidedorf. In: Altonaer Nachrichten. December 6, 1934.
  163. ↑ The Commeter Gallery…. In: Hamburger Anzeiger. May 5, 1936, p. 7.
  164. ^ Carl Albert Lange : Exhibitions That Require Seven Mile Boots. In: Hamburger Anzeiger. June 3, 1937, p. 2.
  165. ^ Exhibition of pictures in the Altona Museum. In: Altonaer Nachrichten. November 11, 1937, p. 7.
  166. ^ Gustav Proppe: Reunion with Friedrich Schwinge. In: Hamburger Latest Zeitung , April 10, 1941, p. 6.
  167. ^ Exhibition 13:13 on the website of the Harburger Bahnhof art association
  168. ↑ Figure , p. 14.
  169. ↑ Image on bpk-bildagentur.de
  170. ↑ Heide im Gewitter at Lost Art , Lost Art ID: 390787.
  171. ↑ Waldinneres at Lost Art , Lost Art ID: 390,775th
personal data
SURNAME Swing, Friedrich
ALTERNATIVE NAMES Schwinge, Friedrich Wilhelm Andreas (full name)
BRIEF DESCRIPTION German painter
DATE OF BIRTH March 30, 1852
PLACE OF BIRTH Hamburg
DATE OF DEATH October 22, 1913
Place of death Hamburg