Art year 1870

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◄◄1866186718681869Art year 1870  | 1874  |
Overview of the Art Years
Further events

Art year 1870
Musikverein building Vienna, keystone laying on March 1st, drawing by Vinzenz Katzler
The Vienna Musikverein building built by Theophil von Hansen is opened with a festive concert.

Events

Franco-German War

architecture

The Brooklyn Bridge under construction
Musikverein building 1870, drawing by Vinzenz Katzler

sculpture

Marcello: Pythia
  • Adèle Colonna exhibits her most famous busts of Pythia and Abyssinian Chief under the pseudonym Marcello at the Salon de Paris .

painting

On July 31, the painter Adolph von Menzel witnessed a crowd cheering on the Prussian king on Berlin's boulevard Unter den Linden at the beginning of the Franco-Prussian War - and kept the scene in the oil painting the departure of King Wilhelm I the following year Army on July 31, 1870 .

Effet de neige à Petit – Montrouge

Edouard Manet paints the landscape Effet de neige à Petit-Montrouge . The 59.7 × 49.7 cm picture, painted in oil on canvas, shows a wintry view of Petit-Montrouge , a district in the 14th arrondissement of Paris . Manet created this painting as a national guard during the siege of Paris in the Franco-Prussian War . Unlike the history painters of his time, Manet does not show a heroic battle in this picture, but the gloomy mood of a day of war. The picture reflects Manet's hopelessness with regard to the military situation, his perceived loneliness and the privations he suffered. It is one of the few landscape paintings in the artist's oeuvre and one of the first works that Manet paints in the wild.

Henri Fantin-Latour, Un atelier aux Batignolles

Henri Fantin-Latour paints in oils on canvas Un atelier aux Batignolles . The 204 × 273.5 cm picture shows the painter Édouard Manet , surrounded by colleagues and admirers, in a studio in the artists' quarter Quartier des Batignolles . Next to Manet is the art critic, journalist, poet, composer, painter and sculptor Zacharie Astruc . Behind the two stand from left to right the painters Otto Scholderer and Pierre-Auguste Renoir , the art critic and writer Émile Zola , Renoir's friend and patron Edmond Maître, and the painters Frédéric Bazille and Claude Monet . The young generation of painters depicted in the painting was largely known in Paris at the end of the 1860s, but so far without any notable success with the public and critics. In the Un atelier aux Batignolles , Fantin-Latour tries to portray the painters, also known as “Bande à Manet”, as serious artists and members of the bourgeoisie . Fantin-Latour's painting style is traditional and is reminiscent of 17th century Dutch paintings. With this painting he tries to underline the seriousness of his painter friends and to avoid any appearance of rebellion, but he does not succeed in achieving this effect. The success for the painter friends only arose at the end of the 1870s.

Museums and exhibitions

Born

Date of birth saved

Exact date of birth unknown

Died

Bazille's studio on Rue Condamine (1870)

See also

Portal: Fine Arts  - Overview of Wikipedia content on the subject of fine arts

Web links

Commons : Art 1870  - Collection of Images, Videos and Audio Files
Commons : Photographien 1870  - Collection of images, videos and audio files