Franz von Suppè

Franz von Suppè ( pronunciation : [ zuˈpɛː ] or [suˈpɛː]) (born April 18, 1819 in Spalato (Split) , Dalmatia ; † May 21, 1895 in Vienna ) was an Austrian composer who is considered the creator of the Viennese operetta. According to the entry in the baptismal register, which erroneously reproduces Suppè without any accent, his full real name is: Francesco Ezechiele Ermenegildo de Soup. Suppè left an oeuvre with over 200 works for the stage, including three operas and 26 operettas performed , of which theOvertures to Poets and Peasants and Light Cavalry are particularly well known. His operetta Boccaccio is still part of the standard repertoire of German-speaking theaters.

Franz von Suppè's portrait from 1851 with his signature, which he wrote like his father Suppè . Lithograph by Gabriel Decker

Life

Franz von Suppè in the circle of Carl Binder , Anton M. Storch , Heinrich Proch and Emil Titl, lithograph by Josef Kriehuber (1852).

On the occasion of Franz von Suppè's 200th birthday, research by Suppè researcher Andreas Weigel revealed that essential aspects of Suppè's biography and genealogy , which had previously been regarded as certain, were flawed, questionable and in need of correction for over a century. For example, as early as 1838, Suppè dedicated his setting of Schiller's poem “An Emma” to his future wife Therese Merville , which is why he could not have met her until 1841 (as has been unanimously passed down). There was just as little biographical information about the first wife as about their three children (Anna, Peter, Therese) and their relatives with Adolf von Boog , Philippine von Edelsberg , Arthur Schnitzler or Rosa and Karl Streitmann . In addition, the maiden name of Suppès mother, Jandowsky , was wrongly passed down as Landovsky in all biographies for a century , which is why the origin of Suppès maternal ancestors from the Moravian Brno and Bavarian Munich remained hidden. Suppès alleged medical or law studies (in Bologna , Padua or Vienna) are inventions, his paternal ancestors, supposedly from Belgium or the Austrian Netherlands or Cremona , come from Rijeka , Karlobag and Senj , and his second wife Sofie Strasser , who is probably the librettist of his operetta Pique Dame (1864), he met in 1860 (not until 1864). The question that remains unanswered is why Suppè - like his two wives - usually made himself a year younger (against his better judgment) by specifying April 18, 1820 as the basis for his publicly celebrated birthdays, although it can be proven that it was 1819 was born.

To the Italian spelling of the family name

Franz v. Suppès signature (1851)

By Robert Franz Müller took place, Vladimir Haklik and Andreas Weigel refutation of the alleged Belgian and Austrian-Dutch descent, the French spelling "Suppe" was due, has to re-return to the Italian spelling of the family name with Accent Grave , Suppè out which can be read in Suppès autographs , in official documents and certificates, such as Suppès last official registration form. In his dissertation in 1941, Julius Kromer himself named the composer as a “key witness” for the officially documented Italian spelling of the family name: “In his letters and notebooks, on self-written sheet music and textbooks, there is only one name and one signature: Suppè. That is the composer's unequivocally declared will, which we alone have to observe and which we have documented hundreds of times over. "

This Italian spelling is the way that Suppé's father spelled the family name when he officially signed the official announcements published in the Zara Official Gazette as the district secretary. In addition, Vladimir Haklik refers to historical files that Suppè's grandfather personally signed with “Suppè”. Even the marriage entry of Franz von Suppès great-great-grandparents Georg and Antonia Suppè from February 9, 1722 proves the Italian spelling of the family name, which means that this spelling of the family name is officially guaranteed for well over a century (marriage entry from 1722, registration slip from 1887 ).

Accordingly, Suppè did not write his family name with an Italian accent grave, in order to be considered Italian, but because his ancestors have verifiably spelled their family name that way since 1722 and he through his great-great-grandfather, who was born in Grobnik around 1700, and his who was born in Rijeka around 1700 Great-great-grandmother had Italian ancestors. The home of the Suppè family had been the Adriatic coastline between Rijeka and Makarska since at least 1700, where Italian was the official language and this remained long after Suppè's move to his mother's hometown, Vienna, long after Suppè had moved in 1835. The widespread spelling Suppé with accent Aigu is just as flawed as the spelling without any accent.

Adolescent years and musical training

Franz von Suppè as a 27-year-old with a so-called Greißlerbart . Lithograph by Gabriel Decker

Contrary to what is rumored in the Suppè biographies by Otto Keller (1905), Julius Kromer (1941), Otto Schneidereit (1977), Ingrid Scherney (2005) and Hans-Dieter Roser (2007), Suppé's paternal ancestors did not come from Belgium or the Austrian Netherlands still Cremona , but from Rijeka , Karlobag , Senj and Makarska . Suppè grew up in Zadar, where he attended the first of two humanity classes until he moved to Vienna. Suppè is said to have sung in the church choir of Zadar Cathedral at the age of eight, and its later choirmaster Giovanni Cigalla is said to have given him his first musical knowledge. Suppè is said to have received flute lessons from Kapellmeister Giuseppe Ferrari. Suppè is said to have acquired fundamental compositional knowledge at an early age through both teachers . At the age of sixteen (1835) he composed his first major work, a mass in F major, which he revised forty years later and published as Missa Dalmatica .

After the early death of Suppès father (1796–1835), Suppès mother (1787–1875), a native of Vienna, moved back to their hometown together with their sixteen-year-old son Franz in September and October 1835, where they lived on Alsergrund . Suppès biographers report that both of them lived with their mother's father in Wieden in 1835, and that he had a decisive influence on Suppès' education by vehemently opposing his musical preference. However, Andreas Weigel was able to prove that Suppès 'Viennese grandfather died in 1803, which is why he was unable to influence Suppès' educational and life path. In Vienna, Suppè was enrolled at the “Polytechnic Institute” (today: Vienna University of Technology ) , but broke off this training in May 1836. The medical course mentioned in the biographical literature is - as the inquiry in the archives of the University of Vienna has shown - fictitious. The Viennese music historian Robert Franz Müller mentioned this as early as 1926 and also proved that Suppès law studies in Padua are also fictitious, but Suppè briefly attended the Schottengymnasium in 1837/38 , which in 2019 based on the "Catalog from the school years 1837/38" has been verified. To finance his music studies, he gave Italian lessons.

Working as a composer

The obituary in the Wiener Zeitung of May 23, 1895.

Suppès tomb in Vienna's central cemetery.

In 1836 Suppè began to study as a private student with the Kapellmeister Ignaz von Seyfried . On August 15, 1836, Seyfried's birthday, the composition student Suppè completed another mass. He then worked on his first opera Virginia . He submitted this fragmentary student work, based on a libretto by Ludwig Holt, to his teacher Seyfried again as a piano reduction for assessment on August 15, 1837.

After completing his private music studies (May 1840), Suppè was hired by director Franz Pokorny as Kapellmeister and composer at the Theater in der Josefstadt in September 1840 , but from 1841 to 1844 he was transferred to Pokorny's Theater in Pressburg and Ödenburg , from where he started in 1844 Theater in der Josefstadt returned. Subsequently, Suppè worked between 1845 and 1862 at the Theater an der Wien , 1862/63 at the Quai-Theater and between 1863 and 1882 at the Carltheater as a composer and conductor. On the occasion of Franz Pokorny's death, Suppè composed the Requiem in D minor , which was premiered on November 22, 1855 at a memorial service in the Piarist Church of Maria Treu (Vienna) .

As a composer, Franz von Suppè was very productive. He wrote stage music for over 190 antics and other stage works, including the comedy Dichter und Bauer (1846) by Karl Elmar . In contrast, his orchestral and chamber music received little attention.

Suppè kept one peculiarity throughout his life: he always wrote down his scores in an “Italian order”; H. the violins and violas above, then flutes, oboes, clarinets. Horns trumpets, bassoons, trombones, timpani, percussion, violoncellos and double basses. Some contemporary prints - and also reprints - have changed this arrangement according to current practice; others kept it.

Inspired by the successes of Jacques Offenbach's operettas in Vienna, he composed his first one-act operetta Das Pensionat in 1860 and in the following years founded the Viennese operetta based on the local folk theater . After several small stage works, he created his second full-length operetta work Fatinitza in 1876 . His greatest triumph was the performance of the comic opera Boccaccio in Vienna in 1879 .

Franz von Suppè was buried in a grave of honor in the Vienna Central Cemetery , Group 32A, No. 31. The solemn unveiling of the tomb created by Richard Tautenhayn with the simultaneous burial of the exhumed body in a metal sarcophagus took place on May 30, 1897.

Franz von Suppè memorial in Gars am Kamp

Permanent exhibition: Franz von Suppè room in the Zeitbrücke Museum

Franz von Suppès lived and worked in Gars am Kamp

The “ Zeitbrücke Museum ” in Gars am Kamp shows in its Franz von Suppè memorial some exhibits that were already presented between 1896 and 1908 in the “Suppè Museum” operated by Suppès' widow in his country house in Gars . Most of the exhibits come from the time after Suppès death or from the three or four houses that he and his widow owned after 1879 in Gars, which was first his summer retreat from 1876 to Suppès death (1895) and later his second home . Accordingly, in addition to the “Suppè memorial room”, Gars also has Suppès Landhaus, which he acquired thanks to the income from his commercially successful operettas “Fatinitza” (1876) and “Boccaccio” (1879) from the regional master builder Leopold Wieser, who incidentally also built the “Zeitbrücke Museum”, which Kremser Strasse (No. 40 and 41) was able to build. At the beginning of 1902, Suppè's widow Sofie donated the collection from her Garser “Suppè Museum” to the “Museum of the City of Vienna” (today: “ Wien Museum ”) for the establishment of a “Suppè Room”, which displayed the culturally valuable exhibits in 1908 Gars and presented it according to the dedication between 1912 and 1932. Since this Suppè estate entrusted to the “City of Vienna” has since been kept in their archives, depots and magazines, the Franz von Suppè memorial in the Zeitbrücke Museum is currently the only public permanent exhibition on Suppè in Europe.

On the occasion Suppes 200th birthday in 2019, the "Time Bridge Museum" does in one of Anton Ehrenberg pieces depot Suppes privately owned and Andreas Weigel curated additional special selected archive and shown, from the collection of the Wien Museum and the Austrian National Library come and made available to the general public for the first time since 1932. Following the exhibition, Andreas Weigel's richly illustrated Suppè monograph was published, in which, thanks to newly developed sources and archival material neglected by Suppè research, documented biographical facts were presented and discussed for the first time, including much that has so far been published about Suppè's life and work, have fundamentally corrected.

Awards and honors

The memorial plaque on the house where he died at Opernring 23.

• 1861: Ducal Saxon silver medal for art and science
• 1870: Great gold medal for art and science (Kingdom of Württemberg)
• 1881: Citizen of the City of Vienna
• 1885: Knight's Cross of the Franz Joseph Order for his march "O you my Austria"
• 1891: Honorary citizen of Gars
• 1895: Dedication of his grave as an honor grave ; Decision of the Vienna City Council on May 22nd.
• 1896: Name of the Suppé-Promenade in Gars; Decision of the municipal council of May 27th.
• 1898: Name of the Suppégasse in Vienna- Ober Sankt Veit
• 1912: Suppé room; Opening in the Museum of the Municipal Collections in the Old Town Hall in Vienna . The memorial room existed until 1932, then the holdings were moved to the archive.
• 1924: Unveiling of the memorial plaque on the house where he died at Opernring 23
• 1995: commemorative stamp of the Austrian Post for the 100th anniversary of the death

The plan for the construction of a memorial, which emerged in the mid-1930s, was never carried out.

Trivia

Franz von Suppès "O du mei Oesterreich", sheet music title from around 1880.

Alleged debut as a professional opera singer

It can be read again and again that Suppè even made his debut as a singer in the role of the buffalo doctor Dulcamara in Gaëtano Donizetti's “ The Love Potion ” , which invites the widespread misunderstanding that Suppè would have sung all the roles of “Doctor Dulcamara”: “In fact, Suppè sang on May 2, 1842 [...] at his workplace in the Bratislava City Theater between two small plays, together with the amateur Eleonora Erba-Odescalchi, the duet "Quanto amore" from Donizetti's "Liebestrank". "

Suppè-grandson wins important Supreme Court judgment

In 1907, Suppès grandson Oscar Edelsperger achieved through a judgment of the “ Supreme Court ” that his marriage to Rosalia Baß, which he entered into in Buenos Aires on August 26, 1904, was also recognized as a legally valid marriage in his fatherland Austria , although his wife was Jewish At that time, marriages between Christians and Jews were forbidden in Austria.

Suppès grandchildren: Persecuted as “half-Jews”

During the Nazi era, Suppès works were not banned in the Third Reich , as is sometimes claimed due to a journalistic shortening, but they probably received less attention because the grandchildren, who for the most part had sound musical training themselves, did not directly identify themselves as “half-Jews” and publicly committed to the work of their grandfather. Rather, Suppès granddaughters in Vienna were attacked as " half-Jews " and threatened in life and limb because their father, Suppès son Peter, was married to the Jew Pauline Markbreiter, who was also the aunt of the writer Arthur Schnitzler (1862-1931), who and whose work was hated by the Nazis.

“I only have your love” authorship

The text of the hit operetta “Have I only your love” does not come from the two “Boccaccio” librettists Camillo Walzel alias Friedrich Zell and Richard Genée , but from Heinrich von Littrow's poem “Liebe und Treue”, which was written in his 1857 The book of poems “Aus der See” was published and two decades later Suppè set it to music for “Boccaccio”.

Suppès supposed Berlin quote

The wording of the Berlin hit song "You are crazy my child, you have to go to Berlin / where the crazy ones are / there you belong" is arbitrarily attributed to Franz von Suppè, who could possibly be named as a composer because the melody of the hit song from his “ Fatinitza ” march.

Light cavalry overture

Suppès works are and have been repeatedly adapted, edited and quoted by posterity, with the popular "light cavalry" overture being used artistically particularly often:

• In Walt Disney's animated film Symphony Hour (1942), Mickey Mouse conducts Suppès' Overture Light Cavalry. Donald Duck , Goofy , Klarabella Kuh and Rudi Ross are the musicians, while Kater Karlo acts as a sponsor.
• The Viennese cabaret artist Hugo Wiener edited the melody, provided it with a text, whereupon the song by Cissy Kraner was recorded under the title Feuchte Riuckallerie (After Divorce) .
• Frank Zappa's song Jesus Thinks You're a Jerk from the album Broadway the Hard Way (1988) quotes a passage from Suppès Leichte-Kavallerie- Overture, which Zappa himself pointed out.
• A passage of the overture is played in the Frankfurt Waldstadion as the goal music of Eintracht .

More suppèana

• The overtures of the operettas Leichte Kavallerie, or The Daughters of Puszta and Poets and Peasants , were often used as film music
• The music cabaret artist Walter Hedemann has written several overtures for his ensemble Pädagogian Harmonists , including Die Leichte Kavallerie, Dichter und Bauer and Die Schöne Galathée.
• The melody of Freddy Breck's hit Rote Rosen (1973) is based on motifs from Suppès Dichter-und-Bauer overture.

Movies

Films about soup

• I only have your love - Austria - 1953 - music film about Suppès life. The song and film title "I only have your love" comes from the operetta Boccaccio . The tenor Heesters presents u. a. “The world has beautiful women”, his partner Gretl Schörg sings next to the title song “Man sings again waltz songs” and in a duet with Heesters “This delight, this bliss” - Director: Eduard von Borsody , leading actor: Johannes Heesters (Franz von Suppè) , Gretl Schörg (Sophie Strasser), Helmut Qualtinger

Films based on works by Suppè

• Stolen Kisses - USA - 1929 - Comedy based on an unknown work by Suppè
• Boccaccio - Italy - 1940 - based on the operetta of the same name

Works

Stage works of musical theater

This includes the operas and operettas created by Suppè . All premieres without specific location information took place on Vienna stages.

Factory name	genre	Date of first performance	Place of premiere	libretto	file	annotation
Virginia	Opera	-	-	Ludwig Holt	2	Composed in 1837. No performance provable
Gertrude della valle	Opera	-	-	G. Brazzanovich	3	Opera tragedia lirica. Composed in 1840. Unfinished
The country girl	Opera	August 7, 1847	Theater an der Wien	Adapted from Karl Elmar	3	Great opera
The boarding school	operetta	November 24, 1860	Theater an der Wien	? [Initials: CK, possibly Suppè itself] after Les Visitandines by Louis-Benoît Picard and François Devienne	1	Funny operetta
The card beater	operetta	April 26, 1862	Theater on Franz-Josefs-Kai	? [Initials: NN]	1	Revised as Queen of Spades in 1864
Ten girls and no man	operetta	October 25, 1862	Theater on Franz-Josefs-Kai	Wilhelm Friedrich	1	-
Nice fellow , or Madame Potifar's picture	operetta	April 18, 1863	Theater on Franz-Josefs-Kai	Josef Braun	1	Funny operetta
The Corps of Vengeance	operetta	March 5, 1864	Carltheater	Ludwig Harisch	1	-
Queen of Spades	operetta	June 20, 1864	Thalia Theater, Graz	S. Strasser	1	New version of Die Kartschlägerin
Franz Schubert	operetta	September 20, 1864	Vienna	Hans Max	1	Using Schubert's compositions
Dinorah, or The Turner Trip to Hütteldorf	Opera	May 4, 1865	Carltheater	Julius Caesar	3	Curious opera
The beautiful Galathée	operetta	June 30, 1865	Meysels Theater , Berlin	Poly Henrion	1	Comical-mythological operetta based on the opéra comique Galathée by Jules Barbier , Michel Carré and Victor Massé as a parody of an opera by Giacomo Meyerbeer
Light Cavalry , or The Daughters of the Puszta	operetta	March 24, 1866	Carltheater	Carl Costa	2	Funny operetta
Free spirits	operetta	October 23, 1866	Carltheater	Carl Costa	2	Funny operetta
Bandit pranks	operetta	April 27, 1867	Carltheater	Ludwig Bender after a French subject by B. Boutonnier	1	Also: comic opera
The woman master	operetta	January 20, 1868	Carltheater	Carl Costa	3	-
Tantalus pains	operetta	October 3, 1868	Carltheater	?	?	According to The Freeloader by Louis Angely
Isabella	operetta	November 5, 1869	Carltheater	Josef Weyl	?	-
Lohengelb, or The Virgin of Dragant (tragacanth)	operetta	November 30, 1870	Carltheater	Carl Costa , Moritz Anton Grandjean	3	Goes to Johann Nepomuk Nestroy's parody of Richard Wagner's Lohengrin back
Canebas [or Cannebas]	operetta	November 2, 1872	Carltheater	Josef Doppler	1	-
Twenty-five girls and no man	operetta	April 15, 1873	Vienna	Carl Treumann	?	Ties to the operetta Ten Girls and No Man from 1862
Fatinitza	operetta	January 5, 1876	Carltheater	Camillo Walzel , Richard Genée	1	-
The devil on earth	operetta	January 5, 1878	Carltheater	Karl Juin , Julius Hopp	3	-
Boccaccio	operetta	February 1, 1879	Carltheater	Camillo Walzel , Richard Genée	3	-
Donna Juanita	operetta	February 21, 1880	Carltheater	Camillo Walzel , Richard Genée	3	1925 rearranged by K. Pauspertl as The Great Unknown
The Gascogner	operetta	March 22, 1881	Carltheater	Camillo Walzel , Richard Genée	3	-
The heart leaflet	operetta	February 4, 1882	Carltheater	Carl Albert Tetzlaff	3	-
The trip to Africa	operetta	March 17, 1883	Theater an der Wien	M. West, Richard Genée , OF Berg	3	-
The sailor's homecoming	Opera	May 4, 1885	Hamburg	Anton Langer	2	Romantic opera
Bellmann	Opera	February 26, 1887	Theater an der Wien	West, Ludwig Held	3	Weird opera
The hunt for happiness	operetta	October 27, 1888	Carltheater	Richard Genée , Bruno Zappert	3	-
The model	operetta	October 4, 1895	Carltheater	Viktor Léon , Ludwig Held	3	Posthumous work completed by Julius Stern and Antonio Zamara

Musical accompaniment for theater works

This category primarily includes comedies ( antics , vaudevilles , farces, etc.) for which Suppè composed musical frameworks. All premieres without specific location information took place on Vienna stages.

Factory name	genre	Date of first performance	Place of premiere	libretto	file	annotation
Funny young, sad in old age, or The consequences of upbringing	Funny painting with songs	March 5, 1841	?	C. Wallis	3	-
The bet for a heart, or artistic sense and love for women	?	March 10, 1841	Theater in the Josefstadt	Karl Elmar	?	-
Mute, eloquent and in love	?	May 1, 1841	Theater in Ödenburg-Sopron	Franz Xaver Told	?	-
The storming of Saida	Comical-romantic spectacle	September 10, 1841	Arena in Baden	Franz Xaver Told	?	Music by Suppè, A. Titl and K. Binder.
The Pfeilschütz in Lerchenfeld, the wedding at the new building and the will in Josefstadt	?	October 27, 1841	Theater in the Josefstadt	Franz Xaver Told	?	Music: Soup and two interludes by Josef Lanner
The Comedian, or A Lesson in Love	?	December 14, 1841	Theater in the Josefstadt	Karl Elmar	?	-
The mulatto	?	February 12, 1842	Theater in Pressburg	Based on a comedy by Theodor Hell	?	-
The green ribbon	?	July 2, 1842	Theater in the Josefstadt	Karl Elmar , Heinrich von Levitschnigg , Johann Heinrich Mirani , J. Seydl, W. Vogel and Franz Xaver Told	?	-
Rococo	?	July 26, 1842	Theater in Pressburg	A. Bäuerle	?	-
Nella, the sorceress, or The Masked Ball on Hohengiebel	?	May 11, 1842	Theater in the Josefstadt	Karl Elmar	?	-
A midsummer night's dream	?	August 31, 1842	Theater in the Josefstadt	Text freely adapted from Shakespeare 's play of the same name by E. Straube	?	-
The bracelet	?	September 8, 1842	Theater in the Josefstadt	Friedrich Kaiser	?	Music by Michael Hebenstreit and an interlude by Suppè
The hammer smith from Steyermark, or the consequences of a country party	Rural farce with songs	October 14, 1842	Theater in the Josefstadt	Josef Kilian Schickh	2	-
One morning, one noon and one evening in Vienna	Comedy with songs	February 26, 1844	Theater in the Josefstadt	Franz Xaver Told	?	-
Marie, the daughter of the regiment	Vaudeville	June 13, 1844	Theater in the Josefstadt	F. Blum, after Jean-François Bayard and Jules-Henri Vernoy de Saint-Georges	2	Music by different composers, Suppè composed the two finals
The shopkeeper and his clerk	farce	September 28, 1844	Theater in the Josefstadt	Friedrich Kaiser	2	First premiere possibly on October 16, 1844
Dagger and Rose, or The Danube Girl	?	November 30, 1844	Theater in the Josefstadt	Franz Xaver Told	?	-
For the first time in the theater	?	December 31, 1844	Theater in the Josefstadt	Friedrich Kaiser	?	-
The champagne cure, or hatred of life and remorse	?	February 2, 1845	Theater in the Josefstadt	Karl Gruber	?	-
The miller from Burgos	Vaudeville	March 8, 1845	Theater in the Josefstadt	Joseph Kupelwieser	2	-
The nabob	?	May 9, 1845	Theater in the Josefstadt	Karl Haffner	?	-
The industrial exhibition I	?	August 1, 1845	Theater in the Josefstadt	Friedrich Kaiser	?	-
she is married	Comedy with songs	November 7, 1845	Theater an der Wien	Friedrich Kaiser	3	-
Haide's son	Romantic-funny picture of life	??. ??. 1846	Vienna	Friedrich Kaiser	3	-
The goose guard, or Hans and Gretchen	Romantic comedy	February 11, 1846	Theater an der Wien	Adapted from a text by G. Ball	?	-
Poet and farmer	Comedy with songs	August 24, 1846	Theater an der Wien	Karl Elmar	3	Complete version only in 1900.
Caricatures	Posse	??. ??. 1847	Vienna	Friedrich Kaiser	2	-
The journey to Grätz, or the robbers on the Semmering	Local sway	??. ??. 1847	?	Schickh	3	-
The school of the poor, or two million	?	October 26, 1847	Theater an der Wien	Friedrich Kaiser	?	-
Martl, or The Portiunculatag in Schnabelhausen	Farce with music	December 16, 1848	Theater an der Wien	Alois Berla	3	Parody of Friedrich von Flotows Martha
Here a blacksmith, there a blacksmith, another blacksmith and another blacksmith	Posse	December 30, 1848	Theater an der Wien	Karl Elmar and JN Vogel	3	-
The devil's bridal trip, or bad enemy and good friend	Farce with songs	January 30, 1849	Theater an der Wien	Karl Elmar	3	-
Gervinus, the fool of Untersberg, or A Patriotic Wish	Farce with songs	July 1, 1849	Theater am Braunhirschengrund	Alois Berla	3	-
Deborah	Folk drama with music	September 13, 1849	City Theater Koenigsberg	Salomon Hermann Mosenthal	4th	-
Submissive and independent, or before and after a year	Comedy with songs	October 13, 1849	Theater an der Wien	Karl Elmar	3	-
's Alraundl	Romantic fairy tale with songs	November 13, 1849	Theater an der Wien	Anton von Klesheim	3	-
Citizen and soldier, or love for the fatherland	Character image	??. ??. 1850	Vienna	Johann Josef Bohm	3	-
Gentil Bernhard, or The Art of Loving	Vaudeville	??. ??. 1850	Vienna	?	5	With Adolf Müller , Ida Schuselka-Brüning
Love for the people, or money - work - honor	Character image	March 18, 1850	Theater an der Wien	Karl Elmar	3	-
The stupid's got lucky, or great pranks	Posse	June 29, 1850	Theater an der Wien	Alois Berla	3	-
Lady Valentine, or women robber and wanderer	Singspiel	January 9, 1851	Theater an der Wien	Karl Elmar	?	3
The industry exhibition or travel adventure in London	Posse	May 25, 1851	Theater an der Wien	Leopold Feldmann	3	Occasional bobs
The fir houses	Dramatic poem with music	February 27, 1852	Theater an der Wien	Heinrich von Levitschnigg	?	-
The maid Mahm from Gmunden, or she has to take one	Sway	??. ??. 1852	Vienna	Josef Nikola	3	-
The example	Rural painting	??. ??. 1852	Vienna	Franz Nissel and Sigmund Schlesinger	3	-
The tombstone maker	Character image	??. ??. 1852	Vienna	Ludwig Wysber	3	Local posse
A felt as a prasser	Posse	??. ??. 1852	Vienna	Leopold Feldmann and Theodor Flamm	3	Local posse
bad luck	Posse	July 31, 1852	Five house	Alois Berla	3	Local posse
Coming home from the wedding [or Coming home from the wedding]	Posse	January 8, 1853	Theater an der Wien	Leopold Feldmann	3	Carnival farce
The odyssey for happiness	fairy tale	April 24, 1853	Theater an der Wien	Karl Elmar	?	Romantic-funny magical fairy tale
The female hunters	?	July 30, 1853	Five house	Leopold Feldmann	3	-
The amber witch	?	January 5, 1854	Theater an der Wien	Heinrich Laube	?	-
Drum and trumpet	?	April 1, 1854	Theater an der Wien	Karl Elmar	?	-
Where is the devil?	Farce with songs	06/28/1854	Theater an der Wien	Johann Grün after Eduard Breier	3	-
The Bründl at Sievering, or a look into the future	?	April 14, 1855	Theater an der Wien	H. Merlin	?	-
Lord Byron	?	June 8, 1856	Theater an der Wien	Heinrich von Levitschnigg	?	-
Paragraph III	Romantic-comic Singspiel	January 8, 1858	Vienna Court Opera	Moritz Anton Grandjean	3	-
The worker and his family	Image of life	April 10, 1858	Theater an der Wien	Anton Langer	3	-
The Kathi von Eisen	Posse	July 19, 1858	Theater an der Wien	Alois Berla	3	Local posse
A carnival bundt cake	burlesque	??. ??. 1859	Vienna	-	2	Just the foreplay. Quodlibet burlesque
Something to laugh about, or no politics	Posse	??. ??. 1859	Vienna	Leopold Feldmann	3	-
A Viennese	Image of life	??. ??. 1859	Vienna	Theodor Flamm	3	-
A Jewish family	Original character picture	??. ??. 1859	Vienna	Johann Heinrich Mirani	4th	-
The forest devil, or the fex from Hell Valley	Funny character image	??. ??. 1859	Vienna	Alois Berla and Wilhelm Tesko	3	-
The magic box, or Ten years too late	Posse	December 19, 1859	Theater an der Wien	Karl Elmar	3	Fairytale farce
Master Winter	Funny fairy tale	??. ??. 1860	Vienna	Alois Berla	3	-
The world is mine	Character image	??. ??. 1860	Vienna	Friedrich Kaiser	3	-
A hole in hell	Posse	??. ??. 1861	Vienna	Johann Schönau	2	Magic farce. Just the foreplay?
The political cobbler	Folk piece	??. ??. 1861	Vienna	OF Berg	3	-
A Mardi Gras Thursday in Venice	Mime divertissiment	??. ??. 1861	Vienna	Giovanni Golinelli (choreography)	2	-
The Hell Candidate	fairy tale	??. ??. 1861	Vienna	Blank, Bernhofer	3	Funny fairy tale
Viennese moth	Image of life	??. ??. 1861	Vienna	Ludwig Gottsleben	3	-
A swindler	Character image	??. ??. 1861	Vienna	Johann Heinrich Mirani	3	-
Journey through the fairy tale world	Dramatic arc of images	??. ??. 1861	Vienna	Anton Bittner	3	Premiere possibly not until 1862
The child prodigies from California	Funny fairy tale	??. ??. 1861	Vienna	Karl Elmar	?	-
Bädeker's travel guide	Sway	??. ??. 1862	Vienna	Georg Belly	1	With Karl Ferdinand Konradin
The master cousin	Posse	??. ??. 1863	Vienna	Alois Berla	2	-
Something for old bachelors	Posse	??. ??. 1863	Vienna	Blank	3	With Adolf Müller sen. and Julius Hopp
Ghosts everywhere	Posse	??. ??. 1863	Vienna	Anton Langer	1	-
The father-in-law from Krems	Posse	??. ??. 1864	Vienna	Anton Langer	3	-
The Christkindl	Image of life	??. ??. 1864	Vienna	Anton Langer and Ludwig Gottleben	4th	-
The husband in the cotton	Posse	??. ??. 1865	Vienna	?	1	From the French
The old box	Image of life	??. ??. 1865	Vienna	OF Berg	3	-
The last guilder	Posse	??. ??. 1866	Vienna	OF Berg	2	Folk antics
The suicide	Posse	??. ??. 1866	Vienna	Blank	1	With Karl Kleiber
A patriotic servant	Posse	??. ??. 1866	Vienna	OF Berg	3	-
It is annexed	Occasional piece	??. ??. 1866	Vienna	?	1	-
Bad means, good ends	Posse	??. ??. 1868	Vienna	Friedrich Kaiser	3	-
Juliska	Dramatic poem	??. ??. 1869	Vienna	Karl Schram	4th	-

Stage works based on Suppès works

• Die Pariserin, or Das heimliche Bild, operetta, premiered on January 26th 1898 in the Carltheater in Vienna, arranged from the operetta Die Frau Meisterin , libretto: Viktor Léon, Ludwig Held
• The Great Unknown, Operetta, 1925, based on the operetta Donna Juanita
• Die goldene Gans, Operetta, 1926, arranged with music by Suppè
• Dichter und Bauer, Operetta (new version based on the comedy of the same name from 1846) - 1936

Concert works

• Victory of the Austrian folk anthem, tone painting, op.45
• Viennese jubilation overture
• Overture to Mozart (based on original music by Mozart)

Marches, waltzes and polkas

• O du mein Österreich, march by Ferdinand Preis (Trio von Suppè)
• Entry march from Prince Liliput , march
• Herrjegerle polka
• Coletta waltz
• In the Hinterbrühl, march
• Tyrolean dance and fresh cheese
• Le Voyage en Afrique, French polka
• L'Orientale, Polish mazurka
• Bellmann March, March from the Bellmann operetta
• Novel chapter, French polka
• Glückswalzer, waltz from the operetta The Hunt for Happiness
• A high and German master (Archduke Wilhelm-Marsch)
• Danza delle Chizzotte
• Love waltz, waltz from the operetta Lohengelb, or the Virgin of Dragant

Songs

• Österreichisches Reiterlied, op.41 (dedicated to Field Marshal Radetzky; text: Otto Prechtler)
• Quiet, tired wanderer
• Take Care (Sing Praise to Wine), 1890
• Tell's chapel
• Confession (nothing else?)
• Rural Moral , humorous song, dedicated to the "Hesperus Society"; Aug. Cranz, Hamburg, 1890.
• The forget-me-not , poem by Anna Grobecker, dedicated to Heinrich Sontheim; Aug. Cranz, Hamburg, 1890.
• Iberian serenade , poem by Anna Grobecker; dedicated to Heinrich Sontheim; Aug. Cranz, Hamburg, 1890.
• Captured , text by L. Holt, published 1839.
• 's Dierndl as a concert singer , poem in Austrian dialect by Franz Ullmayer, dedicated to Katharina Schiller; F. Glöggl, Vienna, 1857.
• 's Deanderl ám Bach , poem in Austrian dialect by Anton Baron von Klesheim, dedicated to Mathilde Helwig; op. 32 No. 1; Tobias Haslinger's widow, Vienna, 1848.
• Was is a Wundá , poem in Austrian dialect by Anton Baron von Klesheim, dedicated to Mathilde Helwig; op. 32 No. 2; Tobias Haslinger's widow, Vienna, 1848.

Church music

• Missa Dalmatica , Mass in F major, premier September 13th 1835 in the Church of St. Francis in Zadar
  • The sixteen-year-old Franz von Suppè composed this mass as his first sacred vocal work, the manuscript of which he completed on August 24, 1835 after the death of his father. The mass in F major was probably premiered shortly after Suppè moved to Vienna with his mother. With this fair, the young Suppè gained access to Ignaz Xaver Ritter von Seyfried's music theory lessons. In 1876 Suppè revised his youth mass, composed additional parts and published them under the title Missa Dalmatica .
• Great Mass in C major for solos, choir and orchestra
  • Suppè composed this mass as a student of Ignaz von Seyfried in Vienna. It was premiered on August 15, 1836 in Vienna.
• Mass in C minor for soloists, choir and orchestra
  • The mass was also completed under Seyfried's care in 1839 and premiered in Vienna in 1840. It is considered lost.
• 6. Psalm “Lord, do not punish me” - great instrumental psalm for soloists, choir and orchestra, completed in 1839.
• Missa pro defunctis , Requiem in D minor for soloists, choir and orchestra.
  • Suppè composed the Requiem in memory of Franz Pokorny, the director of the Theater an der Wien . Pokorny had committed Suppè to his house in 1845 and supported the young theater music director in many ways. The work was premiered as part of a memorial service on November 22, 1855 in the Piarist Church of Maria Treu in Vienna
• The judgment of the dead - oratorio for solos, choir and orchestra. (1860)
  • Suppè uses the sequence (No. 1–7) of the Requiem, precedes it with a prelude and, between the choir parts, solo recitatives and arias based on texts by Otto Prechtler.

literature

• Ferdinand Groß: Franz von Suppé. Biographical sketch by Ferdinand Groß. October 15, 1867, Retrieved December 25, 2018 . 
• Anton August Naaff : With the composer of Boccaccio. A summer memory from Anton August Naaff. In:  Die Lyra , October 1, 1884, pp. 1–2 (online at ANNO ). Part II. In:  Die Lyra , November 1, 1884, pp. 1–2 (online at ANNO ). Part III. In:  Die Lyra , December 15, 1884, pp. 2-4 (online at ANNO ). (The author uses both spellings in his articles: Suppé and Suppè )
  
  
  
• Franz Josef Brakl : Modern game opera. With twelve supplements (portraits and manuscripts). G. Franz, Munich / Leipzig 1886. Contains a portrait (pp. 102–113) and a catalog raisonné of the composer's “theater compositions” (pp. 114–125).
• Otto Keller: Franz von Suppé. The creator of the German operetta . (PDF) Richard Wöpke, Leipzig 1905 (PDF file for download).
• Robert Franz Müller:  From the boy Franz v. Soup. News from old land law acts. In:  Neues Wiener Journal , March 17, 1926, p. 3 (online at ANNO ).
• Julius Kromer: Franz von Suppè. Life and work. A contribution to the history of the operetta in Vienna. Unprinted dissertation , University of Vienna, 1941
• Otto Schneidereit : Franz von Suppé. A Viennese from Dalmatia . VEB Lied der Zeit Musikverlag, Berlin 1977.
• Ingrid Scherney: Franz von Suppè - versatile composer and author of the Viennese operetta . Museumsverein Gars am Kamp, Gars am Kamp 2005, ISBN 3-9501180-4-7 .
• Hans-Dieter Roser: Franz von Suppé: Work and Life . Edition Steinbauer, Vienna 2007, ISBN 978-3-902494-22-1 . on-line
• Andreas Weigel: Suppè-Jahr 2019: Exhibition and book publication on Franz von Suppè with a fundamentally newly researched biography of the composer, certified on the basis of official documents. December 21, 2018, accessed December 22, 2018 . 
• Andreas Weigel: Franz von Suppè (1819–1895). Man. Myth. Musician. Honorary citizen of Gars. Accompanying publication to the anniversary exhibition of the Zeitbrücke Museum Gars. With contributions by Andreas Weigel, Anton Ehrenberger , Ingrid Scherney and Christine Steininger. (Gars am Kamp) 2019. ISBN 978-3-9504427-4-8 .

Lexica entries

• Suppé, Franz de Paula , in Constant von Wurzbach , Biographisches Lexikon des Kaiserthums Oesterreich , Volume 40, Vienna 1880.
• Christian Glanz, Mathias Spohr:  Suppè, Franz von. In: MGG Online (subscription required).
• Peter Branscombe, Dorothea Link:  Suppé [Suppè], Franz (von). In: Grove Music Online (English; subscription required).
• Felix Czeike (Ed.): Suppè, Franz de Paola v .. In:  Historisches Lexikon Wien . Volume 5, Kremayr & Scheriau, Vienna 1997, ISBN 3-218-00547-7 , pp. 399-400 ( digitized version ).
• Franz von Suppé in the Vienna History Wiki of the City of Vienna
• Alexander Rausch and Christian Fastl: Family Suppè (incorrectly also Soupé, Soup Demelli). In: Oesterreichisches Musiklexikon online ; accessed on August 27, 2020.

Web links

Commons : Franz von Suppé  - album with pictures, videos and audio files

• Literature by and about Franz von Suppè in the catalog of the German National Library
  (entry for Suppé, Franz von with reference to other spellings of the surname)
• Sheet music and audio files by Franz von Suppé in the International Music Score Library Project
• List of works by Franz von Suppè on Klassika.info
• Franz von Suppé in the Internet Movie Database (English)
• Uwe Aisenpreis: One morning, one noon, one evening in Vienna . Informative private website about Franz von Suppé.
• Sandra Hrašćanec: Franz von Suppé. The Dalmatian father of the Viennese operetta. German translation of a Croatian article published in 2014 on Vladimir Haklik's Suppè research.
• Andreas Weigel : Suppè-Jahr 2019: Exhibition and book publication on Franz von Suppè with a fundamentally newly researched biography of the composer, certified on the basis of official documents. December 21, 2018 . 
• Andreas Weigel: Biographical summary for the exhibition “200 years of Franz von Suppè”. Short biogram for the anniversary exhibition of the Zeitbrücke Museum.
• Andreas Sperlich: "O you my Austria". About Franz von Suppès popular song composition “O du mein Österreich”.

Individual evidence

1. ↑ See Otto Keller, Franz von Suppé, p. 15, and Otto Schneidereit, Franz von Suppé, p. 10.
2. ^ Andreas Weigel: Franz von Suppè (1819–1895). Man. Myth. Musician. Honorary citizen of Gars. Accompanying publication to the anniversary exhibition of the Zeitbrücke Museum Gars. With contributions by Andreas Weigel, Anton Ehrenberger , Ingrid Scherney and Christine Steininger. (Gars am Kamp) 2019. ISBN 978-3-9504427-4-8 .
3. ^ Andreas Weigel: Franz von Suppès short biogram for the anniversary exhibition of the Zeitbrücke Museum.
4. ↑ Andreas Weigel: For the 200th birthday: Basic correction of Franz von Suppès biography.
5. ↑ Andreas Weigel: Suppès much earlier acquaintance with his later wife Therese Merville.
6. ^ Andreas Weigel: All kinds of correction needs in Franz von Suppé biographies.
7. ↑ ^{a b c} Andreas Weigel: Hats off to the Viennese homeland researcher Robert Franz Müller. Reference to Robert Franz Müller's (1864–1933) biographically informative article “Vom Junge Franz v [on] Suppè. News from old land law acts ”.
8. ↑ ^{a b} Andreas Weigel: To Franz von Suppès invented Belgian grandfather.
9. ↑ Findings on the relationship between Franz von Suppè and his second wife Sofie Strasser. A correction.
10. ^ ^{A b} Andreas Weigel: Findings on the relationship between Franz von Suppè and his second wife Sofie Strasser. A correction.
11. ↑ ^{a b} Andreas Weigel: Press release from the “Zeitbrücke Museum” on the Suppè year 2019. Outlook on the Garser Suppè exhibition and accompanying publication.
12. ^ Julius Kromer: Franz von Suppè. Life and work. A contribution to the history of the operetta in Vienna . (Vienna) 1941. Music collection of the Austrian National Library. Signature: 712026-C MUS MAG. P. 10f.
13. ^ " Editto " from "Foglio Ufficiale d'Annunzii della Gazzetta di Zara." January 13, 1835, p. 1.
14. ^ Scan of the marriage entry of Franz von Suppè's great-great-grandparents Georg and Antonia Suppè. February 9, 1722.
15. ↑ Andreas Weigel: "Suppé or Suppè?" On the spelling of the family name Suppè.
16. ↑ Around 1830, Austrian grammar school education consisted of six school levels : four grammatical classes (lower school levels) and two humanity classes (upper school levels). The first grammatical class was thus the lowest and the second humanity class the highest level of the grammar school.
17. ↑ Andreas Weigel: The false certainty of the previous Suppè biography.
18. ↑ Andreas Weigel: Suppè researcher Vladimir Haklik on Franz von Suppès connection with the Vienna University of Technology.
19. ^ Andreas Weigel: Franz von Suppè, short-term student at the Schottengymnasium in Vienna.
20. ↑ See also the obituary. In:  Die Presse , May 23, 1895, p. 8 (online at ANNO ).
21. ^ A monument to Suppé. In:  Wiener Bilder , July 19, 1896, p. 11 (online at ANNO ). ( With a picture of the model. )
22. ↑ [Grave of honor for Franz v. Soup. . ] In:  Neue Freie Presse , May 26, 1897, p. 7 (online at ANNO ).
23. ↑ (The honor grave for Suppé.). In:  Extrapost. Montags-Zeitung , May 31, 1897, p. 4 (online at ANNO ).
24. ^ Official part. In:  Salzburger Zeitung , October 1, 1861, p. 1 (online at ANNO ). Se. kf Apostolic Majesty have with the highest resolution of September 10th d. J. graciously deigns to approve that ... the Kapellmeister Franz v. Soup can accept and wear the ducal Saxon silver medal for art and science.
    
25. ↑ Official: Permits. In:  The New Time. Olmüzer Zeitung , October 2, 1861, p. 1 (online at ANNO ). That ... the Kapellmeister Franz Suppé may accept and wear the ducal Saxon silver medal for art and science.
    
26. ↑ Theater and Art. In:  Supplement to the foreign paper , July 17, 1870, p. 9 (online at ANNO ). The King of Württemberg gave the conductor of the Karltheater Mr. Franz v. Suppé was awarded the great gold medal for art and science.
    
27. ^ Theater and Music. In:  Neue Illustrirte Zeitung , March 13, 1881, SI Volume. Number 25, p. 399 (online at ANNO ). (Franz v. Suppé,) the popular composer, celebrated the 40th anniversary of his work as a composer and conductor on March 9th. The jubilee was honored with countless ovations. The Mayor of Vienna Dr. v. Newald personally presented him with the resolution of the parish council, according to which v. Suppé has been made a citizen of Vienna.
    
28. ^ Official part. In:  Wiener Zeitung , May 17, 1885, p. 1 (online at ANNO ). Se. k. and k. Apostolic Majesty have with the highest resolution of May 14th. J. graciously honored the composer Franz von Suppé with the Knight's Cross of the Franz Joseph Order in recognition of his outstanding artistic work.
    
29. ↑ Francesco Ezechiele Ermenegildo Cavaliere Suppé-Demetti. Unknown things from a great composer and bon vivant. In:  Illustrierte Kronen-Zeitung , January 12, 1938, p. 4 (online at ANNO ).
30. ↑ Suppéʼs silver wedding. In:  Deutsches Volksblatt , July 18, 1891, p. 15 (online at ANNO ). The well-known composer Franz v. Suppé today his silver wedding. On this occasion, yesterday evening, a deputation led by Mayor Erlinger presented him with the honorary citizenship diploma of the city of Gars.
    
31. ^ Vienna City Council (meeting on May 22nd). In:  Wiener Zeitung , May 23, 1895, p. 6 (online at ANNO ). Vice-mayor [Josef] Matzenauer applies to dedicate an honorary grave to Franz von Suppé in the Central Cemetery. (Accepted.)
    
32. ^ [Franz von Suppé †. . ] In:  Die Presse , May 23, 1895, p. 10 (online at ANNO ). "... The city council today decided for the remains of Franz v. Suppéʼs an honorary grave dedicated to the Central Cemetery ... "
    
33. ↑ Suppéʼs funeral. In:  Neuigkeits-Welt-Blatt , May 25, 1895, p. ( Unpag. ) 4 (online at ANNO ). … - In its last session, the city council had for the deceased composer Franz v. Suppé granted an honorary grave in the Central Cemetery.
34. ↑ Julius Kiennast: Chronicle of the market in Gars in Lower Austria. Written and dedicated to the community by Julius Kiennast. Former Mayor of Gars. Verlag der Marktgemeinde Gars, Gars 1920. p. 49.
    Resolution on the introduction of naming the streets and squares, whereby the names of a number of deserving people were given the honor they deserved.
35. ^ Suppégasse in the Vienna History Wiki of the City of Vienna
36. ↑ (Municipal Museum.). In:  Wiener Zeitung , August 15, 1912, p. 5 (online at ANNO ). In the last few days, a Franz von Suppé room with objects from the memory of the deceased composer and dedicated by his widow Sophia von Suppé has been opened in the city museum.
    
37. ↑ Unpublished memo of May 16, 1942 on the Suppé estate of the "Municipal Collections of the City of Vienna": "The Suppé memorial room furnished with the items from the Suppé estate in the Historical Museum of the Municipal Collections was closed in 1932."
    See also: Cult objects of memory. Exhibition catalog of the Historical Museum of the City of Vienna 1994, p. 138.
38. ↑ * The unveiling of the memorial plaque…. In:  Die Stunden , June 7, 1924, p. 4 (online at ANNO ).
39. ^ Wiener Bürgerertheater. In:  Wiener Zeitung , June 10, 1924, p. 5 (online at ANNO ).
40. ↑ 100th anniversary of the death of Franz von Suppe Entry on Franz von Suppè in the Austria Forum  (as a stamp illustration)
41. ^ To the composer Franz v. Soup, …. In:  Oesterreichische Wehrzeitung , May 24, 1935, p. 6 (online at ANNO ).
42. ↑ A memorial for Suppé !. In:  Illustrierte Kronen-Zeitung , January 14, 1938, p. 3 (online at ANNO ).
43. ^ Andreas Weigel: Franz von Suppè (1819–1895). Man. Myth. Musician. Honorary citizen of Gars. Accompanying publication to the anniversary exhibition of the Zeitbrücke Museum Gars. With contributions by Andreas Weigel, Anton Ehrenberger, Ingrid Scherney and Christine Steininger. (Gars am Kamp) 2019. p. 113.
44. ↑ Stars-in-Gars Blog: Outlook on the Garser Suppè exhibition and accompanying publication.
45. ^ Helga Heyder-Späth: "Calendar sheet" for the 200th birthday of Franz von Suppès. Deutschlandfunk . April 18, 2019, 9:05 a.m. - 9:10 a.m.
46. ^ Andreas Weigel: Franz von Suppè (1819–1895). Man. Myth. Musician. Honorary citizen of Gars. Accompanying publication to the anniversary exhibition of the Zeitbrücke Museum Gars. With contributions by Andreas Weigel, Anton Ehrenberger, Ingrid Scherney and Christine Steininger. (Gars am Kamp) 2019. pp. 258–273, here p. 264.
47. ^ Andreas Weigel: Franz von Suppè (1819–1895). Man. Myth. Musician. Honorary citizen of Gars. Accompanying publication to the anniversary exhibition of the Zeitbrücke Museum Gars. With contributions by Andreas Weigel, Anton Ehrenberger, Ingrid Scherney and Christine Steininger. (Gars am Kamp) 2019. p. 208.
48. ↑ "Stars-in-Gars" blog: Heinrich von Littrow, the real text author of Suppès "Boccaccio" hit "I only have your love".
49. ↑ Andreas Weigel: On the origin, authorship and reception history of a Berlin street seller (correction of a widespread misunderstanding).
50. ^ Symphony Hour Mickey Mouse, 1942.
51. ↑ Cissy Kraner: “ Feuchte Riots (After the Divorce) (1971). “(Text: Hugo Wiener, music: Franz von Suppè).
52. ↑ Den Simms, Eric Buxton and Rob Samler: They're Doing the Interview of the Century - Part 1.
53. ↑ movies with music from Suppe in the Internet Movie Database (English)
54. ↑ Stolen Kisses in the Internet Movie Database (English)
55. ↑ Bocaccio in the Internet Movie Database (English)
56. ↑ Andreas Weigel: Has Franz von Suppè demonstrably composed his “Boccaccio” in his summer freshness Gars?

Remarks

1. ↑ His fellow and posterity persistently ignored this spelling, which is why Julius Kromer warned in his Suppè dissertation in 1941 that the family name should be spelled as a sign of respect.
2. ↑ Suppès widow - unlike her husband - did not attach great importance to the correct spelling of the name.
3. ↑ Posterity has also ignored the authenticated spelling of his family name.
4. ↑ With wrong year of birth and wrong work title!