German Academy for Television
The German Academy for Television eV (DAfF) was founded in December 2010 by television professionals from various areas of television production. It is based in Munich and has an office in Cologne .
Origin, purpose and activities
According to the statutes, their purpose is
- to promote the development of German television as an integral part of German culture and the German cultural industry and to maintain their diversity
- to stimulate, strengthen and cultivate the conversation and the exchange of ideas and experiences between the German television professionals, especially between freelance and permanent employees
- to lead the discourse on the content and economic aspects of German television.
The chairman is the actor Michael Brandner . His four deputies are the screenwriter Jochen Greve , the casting director Cornelia von Braun , the production designer Frank Godt , and the producer Stephan Ottenbruch from the television entertainment division. The office of the treasurer will be taken over by the producer Frank Döhmann . The producer Gerhard Schmidt is the president of the academy.
Some of the planned 23 sections (including directing, screenplay, music, documentary film, drama, visual design, sound design) were set up. The number of members is 800.
Every two months there is a nationwide jour fixe in the cities of Berlin, Cologne, Hamburg and Munich.
According to Vice-Chairman Jochen Greve, one of the founding intentions was that "television should not be left to the broadcasters alone". The intention is rather: “We want to be a voice of creative people. We want to give people dignity. "
In May 2018, the association took part in the establishment of the Themis trust agency against sexual harassment and violence .
Awarding
Since 2013, the association has presented an annual award for achievements in all TV production trades. Each section of the academy can nominate a prize in its field. The Acting Section can nominate prizes in four categories: Best Actress in a Leading Role, Best Actor in a Leading Role, Best Actress in a Supporting Role, and Best Actor in a Supporting Role. The winners are then chosen by all members of the Academy.
The winners of the awards since 2013 were:
Image composition
- 2013: Thomas Benesch for murder in Eberswalde
- 2014: Holly Fink for Spreewald crime thriller: Murderous Heat
- 2015: Kolja Brandt for Naked Among Wolves
- 2016: Jakub Bejnarowicz for Short Distance
- 2017: Eeva Fleig for Blaumacher
- 2018: Nikolaus Summerer for Dark
- 2019: Philipp Haberlandt for Beat
Casting
- 2013: Sarah Lee and Nina Haun for Our Mothers, Our Fathers
- 2014: Heta Mantscheff for Weissensee , 2nd season
- 2015: Marc Schötteldreier for being careful with people
- 2016: Ulrike Müller for the middle of Germany: NSU - The victims - don't forget me
- 2017: Iris Baumüller for 4 blocks
- 2018: Anja Dihrberg for Bad Banks
- 2019: Daniela Tolkien for The Pass
documentary
- 2013: Eric Schulz for Karajan - The Second Life
- 2014: Martin Farkas and Dominik Graf for Let there be a city! 50 years of the Grimme Prize in Marl
- 2015: John Goetz and Poul-Erik Heilbuth for Hunt for Snowden - How the public enemy disgraced the USA
- 2016: Birgit Schulz and Luzia Schmid for Zum Glück Deutschland - A different view of our country
- 2017: Till Schauder and Christoph Menardi for religious warriors
- 2018: Katja Fedulova and Calle Overweg for Three Angels for Russia - Faith, Hope, Love
- 2019: Regina Schilling and Thomas Kufus for Kulenkampffs shoes
script
- 2013: Beate Langmaack for blueberry blue
- 2014: Thomas Kirchner for Spreewald crime thriller: Murderous Heat
- 2015: Michael Proehl for Tatort - Born in Pain
- 2016: Magnus Vattrodt for A Great Awakening
- 2017: Esther Bernstorff for Part of Us
- 2018: Dorothee Schön for Kästner and Little Tuesday
- 2019: Dietrich Brüggemann for Tatort: Murot and the marmot
Television journalism
- 2013: Monika Anthes and Eric Beres for The Mollath Case
- 2014: Monika Anthes and Edgar Verheyen for Germany's piglet factories
- 2015: Daniel Harrich and Ulrich Chaussy for assassins - lone perpetrators? - News from the Oktoberfest attack
- 2016: Rainald Becker and Christian H. Schulz for Schattenwelt BND - How much secret service does Germany need?
- 2017: Christian pieces for The Story in the First: The Covered Up Scandal
- 2018: Stephan Lamby and Egmont R. Koch for Bimbes - Helmut Kohl's black cash registers
- 2019: Frank Zintner for Re: - On the track of the shift to the right. A newspaper seeks answers
Television entertainment
- 2013: Frank-Markus Barwasser for Pelzig holds up
- 2014: Anke Engelke has time for Anke
- 2015: Lutz Heineking Jr. for Endlich Deutsch!
- 2016: Tim Mälzer and Sven Steffensmeier for Kitchen Impossible
- 2017: Olli Schulz and Jan Böhmermann for Schulz and Böhmermann
- 2018: Maren Kroymann , Philipp Käßbohrer and Matthias Murmann for Kroymann
- 2019: Peter Wohlleben , Henning Gode , Bettina Böttinger for He who speaks to the forest - on the go with Peter Wohlleben
Film editing
- 2013: Jens Klüber for Der Turm
- 2014: Tina Freitag for Spreewald thriller: Murderous Heat
- 2015: Ulf Albert for age glow
- 2016: Claus Wehlisch for Police Call 110 - And forgive us our guilt
- 2017: Claudia Wolscht for Target Investigators - Escape to the Carpathian Mountains
- 2018: Janina Gerkens for Die Freibadclique
- 2019: Barbara Brückner for Tatort: Anne and Death
Costume design
- 2013: Wiebke Kratz for our mothers, our fathers
- 2014: Monika Hinz for Weissensee , 2nd season
- 2015: Bettina Catharina Proske for Let's Go
- 2016: Wiebke Kratz for Leberkäseland
- 2017: Gabriele Binder for The Dasslers - Pioneers, Brothers and Rivals
- 2018: Pierre-Yves Gayraud for Babylon Berlin
- 2019: Esther Amuser for Lotte at the Bauhaus
Makeup image
- 2013: Gerhard Zeiß for our mothers, our fathers
- 2014: Jens Bartram, Judith Müller and Katja Schulze for The Spiegel Affair
- 2015: Gerhard Zeiss & Silka Lisku for Tannbach - fate of a village
- 2016: Astrid Weber and Hannah Fischleder for Die General
- 2017: Jeanette Latzelsberger, Gregor Eckstein and Iris Peleira for Charité
- 2018: Heiko Schmidt, Kerstin Gaecklein and Roman Braunhofer (Special Effects Mask) for Babylon Berlin
- 2019: Delia Mündelein and Sonja Fischer-Zeyen for departure into freedom
music
- 2013: Irmin Schmidt for murder in Eberswalde
- 2014: Ralf Wienrich for Spreewald crime thriller : Murderous Heat
- 2015: Fabian Römer for Tannbach - fate of a village
- 2016: Christoph Zirngibl for Beside the Track - Amnesia
- 2017: Stefan Will and Marco Dreckkötter for 4 blocks
- 2018: Tom Tykwer and Johnny Klimek for Babylon Berlin
- 2019: Ben Lukas Boysen and Paul Emmerich for Beat
production
- 2013: Uli Putz and Jakob Claussen and Anja Föringer for bullying
- 2014: Thomas Kufus for 24h Jerusalem
- 2015: Michael Eckelt for age glow
- 2016: Gabriela Sperl , Max Wiedemann , Quirin Berg and Sophie von Uslar for Mitten in Deutschland: NSU - (The Trilogy)
- 2017: Max Wiedemann , Quirin Berg , Eva Stadler, Karsten Rühle, Anke Greifeneder and Hannes Heyelmann for 4 blocks
- 2018: Lisa Blumenberg for Bad Banks
- 2019: Eva Kemme , Tobias Siebert , Florian Deyle and Philip Schulz-Deyle for Alles Isy
Editing / producing
- 2013: Barbara Buhl for Im Netz
- 2014: Thomas Biehl, Solveig Willkommen and Birgit Brandes for Danni Lowinski , 5th season
- 2015: Claudia Simionescu for The Bruckner Case
- 2016: Sascha Schwingel, Stefan Kruppa and Till Derenbach for Der Fall Barschel
- 2017: Anke Greifeneder for 4 blocks
- 2018: Caroline von Senden, Alexandra Stain, Andreas Schreitmüller and Uta Cappel for Bad Banks
- 2019: Philipp Käßbohrer and Matthias Murmann for How to Sell Drugs Online (Fast)
Director
- 2013: Philipp Kadelbach for our mothers, our fathers
- 2014: Kai Wessel for Spreewald crime thriller: Murderous Heat
- 2015: Urs Egger for The Bruckner Case
- 2016: Christian Schwochow for the middle of Germany: NSU - The perpetrators today is not every day
- 2017: Marvin Kren for 4 blocks
- 2018: Hans-Christian Schmid for The Disappearance
- 2019: Isabel Kleefeld for the departure to freedom
Actor leading role
- 2013: Tom Schilling for Our Mothers, Our Fathers
- 2014: Roeland Wiesnekker for Spreewald crime thriller : Murderous Heat
- 2015: Hans-Michael Rehberg for SCHULD according to Ferdinand von Schirach: Snow
- 2016: Nicholas Ofczarek for Tatort - The Story of Bad Friederich
- 2017: Frederick Lau for 4 blocks
- 2018: Barry Atsma for Bad Banks
- 2019: Thomas Schmauser for The Great Rudolph
Actress leading role
- 2013: Judy Winter for mother has to go
- 2014: Christina Große for Neufeld, come with us!
- 2015: Ina Weisse for I want you
- 2016: Dagmar Manzel for a visit for Emma
- 2017: Rosalie Thomass for An Unheard of Woman
- 2018: Petra Schmidt-Schaller for a good mother
- 2019: Anna Schudt for the departure to freedom
Actress supporting role
- 2013: Katharina Thalbach for Der Minister
- 2014: Barbara de Koy for Tatort: At the end of the hallway
- 2015: Angela Winkler for the winner ticket
- 2016: Stephanie Japp for Das Programm
- 2017: Sandra Hüller for Der Tatortreiniger - Özgür
- 2018: Désirée Nosbusch for Bad Banks
- 2019: Lena Urzendowsky for The Great Rudolph
Actor supporting role
- 2013: Christian Redl for Marie Brand and the outstanding account
- 2014: Peter Jordan for police call 110 - downwards
- 2015: Ulrich Matthes for Bornholmer Straße
- 2016: Björn Meyer for The Crime Scene Cleaner - Peach Melba
- 2017: Ronald Kukulies for Tatort - Borowski and the Festival of the North
- 2018: Albrecht Schuch for Bad Banks
- 2019: Hans Löw for Alles Isy
Stunt
- 2013: Sandra Barger and Wanja Götz for our mothers, our fathers
- 2014: Christoph Domanski for Alarm for Cobra 11
- 2015: Ronnie Paul for Tatort - Whoever harvests wind, sows storm!
- 2016: Ronnie Paul for Too Soon To Die
- 2017: Tobias Nied for Alarm for Cobra 11 - Phantom Code
- 2018: Dani Stein for Babylon Berlin
- 2019: Wanja Götz and Lisa Maria Potthoff for Sarah Kohr : The missing girl
Production design
- 2013: Thomas Stammer for our mothers, our fathers
- 2014: Frank Godt for Weissensee (2nd season)
- 2015: Jill Schwarzer for Snappy Dogs
- 2016: Lars Lange for Ku'damm 56
- 2017: Myrna Drews for Hedda
- 2018: Albrecht Konrad for Gladbeck and Udo Kramer for Dark
- 2019: Andrea Kessler for the departure to freedom
Sound design
- 2013: Jan Petzold (sound) and Gerald Cronauer (mix) for Im Netz
- 2015: Thomas Warneke, Andreas Hintzsch and Clemens Grulich for The Snow Queen
- 2016: Eric Rueff, Frank Mareite, Stefan Kolleck and Malte Zurbonsen for Weinberg
- 2017: Tomáš Bělohradský, Thomas Neumannund and Gregor Bonse for The Same Sky
- 2018: Patrick Veigel (sound) and Florian Beck (mix) for Das Disappearance
- 2019: Herbert Verdino (original sound), Nico Krebs (mix and sound design) and Wolfi Müller (noise maker) for Der Pass
VFX / animation
- 2015: Denis Behnke for Naked Among Wolves
- 2016: Denis Behnke for Starfighter - you wanted to conquer the sky
- 2017: Jan Adamczyk and Denis Behnke for The Same Sky
- 2018: Robert Pinnow for Babylon Berlin
- 2019: Viktor Muller and Vít Komrzý for Das Boot
Web links
Individual evidence
- ↑ http://www.deutscheakademiefuerfernsehen.de/nach-sektionen
- ↑ https://www.deutscheakademiefuerfernsehen.de/ .
- ↑ Frankfurter Allgemeine Zeitung of January 21, 2011, p. 37.
- ↑ Süddeutsche Zeitung from 22./23. January 2011, p. 21.
- ↑ Industry initiative launches “Trust Office Against Sexual Harassment” - Grütters: The time of silence must be over! In: Press and Information Office of the Federal Government (BPA). June 1, 2018, accessed October 10, 2019 .
- ↑ https://www.deutscheakademiefuerfernsehen.de/ .
- ↑ Uwe Mantel: Academy TV Prize: "Departure into Freedom" clears. In: DWDL.de . November 16, 2019, accessed November 17, 2019 .