Wolf-Dieter Hauschild (conductor)

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Wolf-Dieter Hauschild (born September 6, 1937 in Greiz ) is a German conductor , choir director , artistic director , composer , harpsichordist and university lecturer.

After working for the Berliner Rundfunk from 1971 onwards, from 1978 to 1985 he was chief conductor of the Radio Symphony Orchestra and the Leipzig Radio Choir . Awarded the national prize in 1984, he fell out with the GDR authorities in 1985 and moved to the FRG .

In Stuttgart he was appointed general music director and helped the local philharmonic orchestra to gain national recognition. In 1991 he went to Essen, where he was also the opera director of the Aalto Theater from 1992 to 1997 . In the 2000s he returned to the new federal states and directed the Philharmonic State Orchestra Halle and the North German Philharmonic Rostock . The latter made him honorary conductor in 2004.

Especially with the Berlin and Leipzig radio ensembles he brought numerous contemporary works for the premiere . He also recorded the entire choral work of Johannes Brahms . In Essen he could the entire ring of Richard Wagner realized.

Life

Greizer origin

Wolf-Dieter Hauschild was born in 1937 as the son of the journalist and theater dramaturge Franz Hauschild (1907–1996) in Greiz, Thuringia . His father was a co-founder of the "Greizer Music Weeks" and the "Stavenhagen Competition". Wolf-Dieter Hauschild received his first piano lessons at the age of five and later went on to play the theater. Looking back, he remembered Käthe Reichel , Reimar Johannes Baur and Dieter Franke , with whom he had played in Greiz. He started composing at an early age. a. he wrote a children's opera . From the age of fifteen he composed dramatic music for the theater in his hometown. As a high school student he also received composition lessons from Ottmar Gerster in Leipzig.

Study and professional beginnings in Weimar

At the age of seventeen he began studying music at the Liszt School of Music in Weimar , which he completed in 1959 with three state exams : composition (Ottmar Gerster), conducting (initially with Hermann Abendroth , then Gerhard Pflüger ) and piano. For his thesis he designed a stage version of Mozart's Singspiel Bastien and Bastienne , which was performed at the German State Opera Berlin . He completed his training in master classes with Hermann Scherchen and Sergiu Celibidache . Until 1956 he was shaped mainly by his teacher Hermann Abendroth, whose "overall personality and authority" he valued very much. This let him work independently in Weimar with the university orchestra and amateur choirs . Furthermore, for Hauschild the musician and cultural politician Helmut Koch was “an artistic and human father figure”.

After completing his studies, he began his artistic career as a solo coach at the German National Theater in Weimar . Here, too, he composed theatrical music. Soon he was allowed to conduct and rehearse contemporary works. After two years he became Kapellmeister . In Weimar in 1963 he premiered the Nasreddin opera The Happy Sinner by his teacher Ottmar Gerster.

Station in Frankfurt (Oder)

Former Franciscan Church, later Carl Philipp Emanuel Bach Concert Hall, Frankfurt (Oder) (1967)

From 1963 to 1970 he was musical director at the Kleist Theater and permanent conductor of the Philharmonie in Frankfurt (Oder) . His tasks there extended accordingly to both the musical theater and the concert series. His repertoire included a. Verdi, Mozart and Bizet. In 1966 he conducted the Kurt Huebenthal production of Handel's opera Serse . He was also responsible for the world premiere of the symphonic work Schwedter Impulse by Nikolai Badinski and the GDR premieres of the operas The Broken Krug by Zbynik Vostrak and The Rake's Progress by Igor Stravinsky . Due to the proximity to Berlin, as Hauschild explained, well-known singers such as Reiner Süß could be won for roles. With the politician Erich Mückenberger , Hauschild campaigned for a new venue, the later Carl Philipp Emanuel Bach concert hall .

Engagement with the Berliner Rundfunk

In 1971 Hauschild was signed to the Berliner Rundfunk , where he initially directed the Berliner Rundfunkchor . From 1973 to 1976 he was Heinz Rögner's deputy at the Berlin Radio Symphony Orchestra . While on the radio, he met Helmut Koch again, a "fateful acquaintance" as he would later recall. He also represented him at the world premiere of Fritz Geißler's oratorio Schöpfer Mensch . Further premieres at the Berlin Music Biennale should follow, among other things. a. 1975 Wilbrandts Mein Haus hat Erde und Meer (Speaker: Horst Westphal ) and Zechlin's Piano Concerto (with Eva Ander ), 1976 Strauss ' 4th Symphony with soprano solo (with Renate Frank-Reinecke ) and Matthus ' Laudate pacem (with Renate Krahmer , Elisabeth Breul , Annelies Burmeister , Armin Ude and Hermann Christian Polster ) and 1977 Köhler's Der gefesselte Orpheus and Voigtlander's Canto General (with Brigita Šulcová ).

In 1976 he succeeded Herbert Kegel as director of the GDR's radio music school orchestra . Even after moving to Leipzig, he maintained contact with the capital and worked as a guest conductor at the German State Opera and the Komische Oper . He took over the musical direction of the Götz Friedrich production of Verdi's Il trovatore .

Chedirigat at the RSO and Rundfunkchor Leipzig

After conducting works by Luciano Berio in Leipzig at the end of 1977 , he became chief conductor of the Radio Symphony Orchestra and, at the same time, director of the Leipzig Radio Choir from the 1978/79 season . He was able to assert himself against the Leipzig general music director Rolf Reuter and the Halle music director Thomas Sanderling , all of whom had been hired as guest conductors by the legendary predecessor Herbert Kegel. On the one hand, Hauschild cultivated the Viennese classical music in Leipzig , thus continuing the “ Mozartiana ” series begun by Kegel . He also continued to put concert operas on the program (Janáček, Wagner and others). On the other hand, he premiered various contemporary works with the symphony orchestra and the chamber orchestra . a. 1978 Denissow's Concerto for Piano and Orchestra (with Günter Philipp ), 1979 Lombardi's Symphony , Neubert's Notturno , Lohse's Concerto for Piano and Orchestra (with Gerhard Erber ) and Dessau's fourteen pieces from “International War Primer” (with Helga Termer , Elisabeth Wilke , Horst Gebhardt and Bernd Elze ), 1980 Katzer's Concerto for Piano and Orchestra (with Rolf-Dieter Arens ) and Wallmann's Stadiums for Orchestra and Piano (with Bettina Otto ), 1981 Schenker's “Fanal Spain 1936” , 1983 Lombardi's Second Symphony and Krätzschmar's “Heine Scenes “ (With Wolfgang Hellmich ). He was also responsible for several GDR premieres a. a. 1979 Ives' Holiday Symphony and 1984 Zimmermann's Pax Questuosa and Dittrich's “Etym” . Like Kegel before, at the end of the season he always preceded Beethoven's 9th Symphony with contemporary music. He also invited composer-conductors to Leipzig, such as Milko Kelemen , Ernst Krenek and Witold Lutosławski . With the 1979/80 season he introduced weekly morning concerts in the Leipzig Congress Hall . After the opening of the New Gewandhaus in 1981, the radio orchestra played regularly in the new concert building. This was followed by an increase in the rights concerts. Hauschild made several recordings with the ensemble, ranging from Telemann's music to Schumann's to Ives' as well as Denisov's, Thieles and Krätzschmars, including the entire choral works by Johannes Brahms and several Handel oratorios. Extensive guest performances have taken him with the orchestra a. a. to the Soviet Union and Japan. After he left Leipzig, it took two seasons before the management positions could be filled again with Max Pommer (orchestra) and Jörg-Peter Weigle (choir).

Semperoper in Dresden (1985)

In the course of his operas in Leipzig, Berlin and Dresden, Hauschild advanced to become the “Wagner conductor of the hour”, as Robert Schuppert put it , by the mid-1980s . At the turn of the year 1984/85 he conducted Beethoven's 9th Symphony in the Palast der Republik in Berlin with the participation of the Leipzig radio orchestra and the soloists Reiner Goldberg , Magdalena Falewicz , Uta Priew and Hermann Christian Polster , which was broadcast live in the first program of the GDR television . Hauschild became internationally known in February 1985 for the television broadcast of the Joachim Herz production by Weber's Freischütz , which he conducted on the occasion of the 40th anniversary of the destruction of Dresden for the reopening of the Semperoper . His conducting was highly praised by John Rockwell in the New York Times . The Dresden musicologist Dieter Härtwig (2007) counted Hauschild "among the leading conductors in the GDR".

Relocation to the FRG and years in Stuttgart

After an originally promised double engagement between Leipzig and Stuttgart did not materialize because of “the rigid attitude of the GDR authorities”, as Jörg Clemen explained, he moved to the FRG in spring 1985 on the occasion of a Stuttgart guest performance . There he became general music director and chief conductor of the Stuttgart Philharmonic at the beginning of the 1985/86 season . In a statement, he stated that in the summer of 1984 the city of Stuttgart had approached him with a request for a permanent guest conductor, whereby he was to take over some of Hans Zanotelli's tasks. After the GDR authorities agreed, he agreed in Stuttgart. In April 1985, however, it became clear to him that the GDR authorities “no longer fully stood by their promise”. He now saw his duty with the orchestra members and with the Stuttgart city council and decided "with a heavy heart" to move to the FRG. In contrast, in the GDR he was declared a “ persona non grata ” and from then on was also decried as a “ class enemy ” among musicians ; his family only received permission to leave the country two years later. In 1985 he premiered Kelemens Phantasmen (with Eckart Schloifer ) and in 1987 Yun's 2nd Violin Concerto (with Akiko Tatsumi ) in the Stuttgart Liederhalle . Concert tours have taken him with the Philharmonic through Europe, Japan and the USA. According to the cultural journalist Frank Armbruster , he led the orchestra "to a high point in its history". Ultimately, however, Hauschild left Stuttgart because "he had not succeeded in convincing the city of the need for more orchestral positions for the Philharmonic," as Armbruster noted.

In addition to his engagement in Stuttgart, from the 1985/86 season he was guest conductor of the Lower Saxony State Orchestra in Hanover , with which he premiered Kelemen's Archetypon in 1986 . In 1986 he conducted the Stuttgart State Orchestra in the Loriot production of Flatow's Martha at the Württemberg State Theater . With the radio orchestra of the NDR Hannover he was responsible for the world premieres of Tal's 6th symphony in 1992 .

Artistic director at the Aalto Theater in Essen

In 1991 Hauschild became conductor of the Essen Philharmonic Orchestra and in 1992 also artistic director and general music director at the Aalto Theater there , a dual function that was created especially for him. During his tenure, the orchestra was awarded the "Best Concert Program of the Season" prize in 1991/92 by the German Association of Music Publishers . In his era, u. a. the ballets Giselle by Adolphe Adam and The Green Table by Frederic Cohen and the operas Lady Macbeth of Mzensk by Dmitri Shostakovich and Tosca by Giacomo Puccini . At the Aalto Theater, however, he primarily devoted himself to the works of Richard Wagner , for example, where he had Parsifal (1991/92) and Tristan und Isolde (1992/93) performed. After seventy years, from 1994 to 1997 he brought the tetralogy The Ring of the Nibelung to the stage together with the director Klaus Dieter Kirst , whom he knew from Dresden . Already during the GDR era he had developed a “love for Wagner” through the symphonic works of Bruckner and Mahler, which, however, had to “remain platonic” for a long time, as he explained in an earlier interview. In addition, Hauschild turned contemporary Eastern European music, he led the Philharmonic in 1993 Suslin Farewell and 1996 Denisov Concerto for Flute, Clarinet and Orchestra (with Dagmar Becker and Wolfgang Meyer ) premiered. 1997 ended his engagement in Essen.

From 1998 to 2001 he worked as a freelance conductor a. a. with the Orchestra della Svizzera italiana in Lugano.

Chedirigate in Halle (Saale) and Rostock

From 2001 to 2004 he was chief conductor of the Philharmonic State Orchestra in Halle as the successor to the permanent guest conductor Bernhard Klee . In 2003 he premiered Martis H aspiré in the Neues Theater Halle . With reference to the planned orchestra merger, which he rejected, he ended his engagement with the Philharmonic State Orchestra early.

In addition to his involvement in Halle, from August 2002 to 2004 he was general music director of the Rostock Volkstheater and chief conductor of the North German Philharmonic , where he was a permanent guest conductor in 2000. Because he, as he later explained, “could not find an artistic and human consensus” with the artistic director Steffen Piontek , he left the orchestra.

He was a guest conductor a. a. in Switzerland, Austria, Italy, Spain, Finland and Taiwan.

Teaching commitments

After initially teaching positions in Berlin (East) and Leipzig , he received a professorship for orchestral conducting at both music academies in 1981 . In 1988 he became professor for orchestral conducting at the Stuttgart University of Music and Performing Arts . Hauschild taught at the State University of Music in Karlsruhe from 1989 to 2003 as a professor of conducting.

In 1983 he founded the "Seminar for Young Opera Conductors" in Altenburg . He was then also repeatedly artistic director for orchestral conducting at the Conductors' Forum of the German Music Council (Essen 1994, Koblenz 1998 and 2005, Halle (Saale) 2001, Rostock 2002 and 2004 and Bremen 2006). He was also a lecturer for auditions in the orchestra group / symphony concert at the Orchesterzentrum NRW in the winter semester 2005/06 and in the summer semester 2007 .

His students include a. Michael glasses , Constantin Trinks and Hendrik Vestmann .

family

Wolf-Dieter Hauschild, Protestant, has been married since 1959 and has two children. His son Thomas Hauschild (* 1964) is professor of horn at the "Felix Mendelssohn Bartholdy" University of Music and Theater in Leipzig.

Awards

Culture awards

  • 1975: Critics' award from the Berliner Zeitung for conducting Petrovic's opera Lysistrata at the Deutsche Staatsoper Berlin
  • 1977: Art Prize of the GDR
  • 1984: National Prize of the GDR III. Class for art and literature "for excellent performance as chief conductor of the Leipzig Radio Symphony Orchestra and the Leipzig Radio Choir as well as for benchmark interpretations of the works of the classical heritage and for the maintenance of contemporary music of the GDR in the choral symphonic field"

Record prices

Further honors

Works (selection)

Hauschild composed a. a. the following drama music:

Discography (selection)

Harpsichordist

conductor

literature

  • Günther Buch: Names and dates of important people in the GDR . 4th, revised and expanded edition. Dietz, Berlin a. a. 1987, ISBN 3-8012-0121-X , p. 109.
  • Carl Dahlhaus , Hans Heinrich Eggebrecht (Ed.): Brockhaus-Riemann-Musiklexikon. In four volumes and a supplementary volume . Supplement: A-Z . 2nd, revised and expanded edition. Schott, Mainz 1995, ISBN 3-7957-8359-3 .
  • Vera Grützner: Musician in Brandenburg from the 16th century to the present . Jaron, Berlin 2004, ISBN 3-89773-507-5 , p. 106.
  • Walter Habel (Ed.): Who is who? The German who's who . 43rd edition (2004/05), Schmidt-Römhild, Lübeck 2004, ISBN 3-7950-2038-7 , p. 534.
  • Hella Kaden: Hauschild, Wolf-Dieter . In: Gabriele Baumgartner, Dieter Hebig (Hrsg.): Biographisches Handbuch der SBZ, DDR. 1945–1990. Volume 1: Abendroth – Lyr . Saur, Munich 1996, ISBN 3-598-11176-2 , p. 285.
  • Steffen Lieberwirth (Hrsg.): Central German radio. The history of the symphony orchestra . On behalf of the Mitteldeutscher Rundfunk, written by Jörg Clemen, Kamprad, Altenburg 1999, ISBN 3-930550-09-1 , p. 132ff.
  • Wulf Mämel: Curtain up! 25 years of the Aalto Opera. The Essen Opera is a total work of art and an ambassador for music . Edited by Norbert Beleke . Beleke, Essen 2013, ISBN 978-3-8215-0637-1 , p. 60 ff.
  • Wolf-Dieter Hausschild , in Internationales Biographisches Archiv 14/2005 of April 9, 2005 (hy), in the Munzinger Archive ( beginning of the article freely available)
  • Alain Pâris : Classical Music in the 20th Century. Instrumentalists, singers, conductors, orchestras, choirs . 2nd, completely revised edition. Deutscher Taschenbuch Verlag, Munich 1997, ISBN 3-423-32501-1 , p. 342.
  • Axel Schniederjürgen (Red.): Kürschner's manual for musicians. Soloists, conductors, composers, university lecturers . 5th edition, Saur, Munich 2006, ISBN 3-598-24212-3 , p. 171.
  • Nicolas Slonimsky , Laura Kuhn, Dennis McIntire: Hauschild, Wolf-Dieter. In: Laura Kuhn (Ed.): Baker's Biographical Dictionary of Musicians . Volume 3: Hair – Levi . 9th edition. Schirmer Reference, New York 2001, ISBN 0-02-865528-1 , p. 90.

Web links

Individual evidence

  1. ↑ Wolfgang Helfritsch: Through three worlds in eighty years - memories and episodes from a short life. "Changing cloudy and at times cheerful". From weather forecasts for 1935 and 2015 . Ille & Riemer, Leipzig a. a. 2015, ISBN 978-3-95420-009-2 , p. 65; see. also “my father was a music dramaturge” in: Wolf-Dieter Hauschild, Robert Schuppert: Auftakt. Conversations with conductors: Wolf-Dieter Hauschild in conversation with Robert Schuppert . In: Theater der Zeit , 9/1984, pp. 35–38, here: p. 38.
  2. ^ A b c Günther book: Names and dates of important people in the GDR . 4th, revised and expanded edition. Dietz, Berlin a. a. 1987, ISBN 3-8012-0121-X , p. 109.
  3. ^ Henriette Joseph, Haik Thomas Porada (ed.): The northern Vogtland around Greiz. A geographical inventory in the area of ​​Greiz, Weida, Berga, Triebes, Hohenleuben, Elsterberg, Mylau and Netzschkau (= Landscapes in Germany . Volume 68). On behalf of the Leibniz Institute for Regional Geography and the Saxon Academy of Sciences in Leipzig, Böhlau, Cologne a. a. 1996, ISBN 3-412-09003-4 , p. 458.
  4. ↑ a b c d e f g h i j k l m n o p q r Wolf-Dieter Hauschild, Robert Schuppert: Auftakt. Conversations with conductors: Wolf-Dieter Hauschild in conversation with Robert Schuppert . In: Theater der Zeit 9/1984, pp. 35–38, here: p. 38.
  5. ^ A b Carl Dahlhaus , Hans Heinrich Eggebrecht (Ed.): Brockhaus-Riemann-Musiklexikon. In four volumes and a supplementary volume . Supplement: A-Z . 2nd, revised and expanded edition. Schott, Mainz 1995, ISBN 3-7957-8359-3 .
  6. ↑ a b c Vera Grützner: Musicians in Brandenburg from the 16th century to the present . Jaron, Berlin 2004, ISBN 3-89773-507-5 , p. 106.
  7. ↑ Hella Kaden: Hauschild, Wolf-Dieter . In: Gabriele Baumgartner, Dieter Hebig (Hrsg.): Biographisches Handbuch der SBZ, DDR. 1945–1990. Volume 1: Abendroth – Lyr . Saur, Munich 1996, ISBN 3-598-11176-2 , p. 285.
  8. ^ Ernst Krause : Opera from A – Z. An opera guide . 6th edition. Breitkopf and Härtel VEB, Leipzig 1967, p. 168.
  9. ↑ From cultural life . In: Neues Deutschland , February 22, 1963, vol. 18, issue 53, p. 4.
  10. ↑ a b c d e f g Steffen Lieberwirth (Hrsg.): Mitteldeutscher Rundfunk. The history of the symphony orchestra . On behalf of the Mitteldeutscher Rundfunk, written by Jörg Clemen, Kamprad, Altenburg 1999, ISBN 3-930550-09-1 , p. 133.
  11. ↑ Schwedter Impulse before the premiere . In: Neues Deutschland , March 22, 1970, vol. 25, edition 81, p. 11.
  12. ^ CSSR opera premiered . In: Neues Deutschland , April 15, 1964, vol. 19, issue 104, p. 4.
  13. ↑ a b c d e Wulf Mämpel: Curtain up! 25 years of the Aalto Opera. The Essen Opera is a total work of art and an ambassador for music . Edited by Norbert Beleke , Beleke, Essen 2013, ISBN 978-3-8215-0637-1 , p. 60.
  14. ↑ Manfred Schubert : High level in the performances. A reflection on the last symphony concerts of the 4th Music Biennale in Berlin . In: Berliner Zeitung , March 1, 1973, vol. 29, issue 60, p. 6.
  15. ↑ Hans-Peter Müller: In the center: contemporary art. On the weekend: symphony concert and chamber music . In: Berliner Zeitung , February 18, 1975, vol. 31, issue 42, p. 6.
  16. ↑ es: of aggressive cheerfulness. Ruth Zechlin's piano concerto premiered at the Biennale . In: Neue Zeit , February 20, 1975, vol. 31, issue 43, p. 4.
  17. ^ Hans-Peter Müller: Young interpreters and new works. Impressions from the 2nd GDR Music Days in our capital . In: Berliner Zeitung , February 24, 1976, vol. 32, issue 47, p. 6.
  18. ↑ Eckart Schwinger: Orpheus and poet of today. Notes from the VI. Music biennial . In: Neue Zeit , February 24, 1977, vol. 33, issue 47, p. 4.
  19. ↑ Wolf-Dieter Hauschild, Inge Könau: Young people make music with great enthusiasm. ND conversation with Prof. Wolf-Dieter Hauschild . In: Neues Deutschland , March 17, 1982, vol. 37, edition 64, p. 4; Former conductors. musikschulen.de; accessed on April 25, 2020.
  20. ↑ Hans-Jochen Genzel (Red.): The Komische Oper . Edited by von der Komische Oper, Nicolai, Berlin 1997, ISBN 3-87584-656-7 , p. 219.
  21. ↑ a b c Steffen Lieberwirth (Hrsg.): Mitteldeutscher Rundfunk. The history of the symphony orchestra . Written on behalf of the Mitteldeutscher Rundfunk by Jörg Clemen, Kamprad, Altenburg 1999, ISBN 3-930550-09-1 , p. 134.
  22. ↑ Steffen Lieberwirth (Hrsg.): Mitteldeutscher Rundfunk. The history of the symphony orchestra . On behalf of Mitteldeutscher Rundfunk, written by Jörg Clemen, Kamprad, Altenburg 1999, ISBN 3-930550-09-1 , p. 141.
  23. ↑ Renate Parschau: Eisler Prize winners introduced themselves. Festive concert in the Volksbühne . In: Berliner Zeitung , October 2, 1980, vol. 36, issue 233, p. 7.
  24. ↑ Steffen Lieberwirth (Hrsg.): Mitteldeutscher Rundfunk. The history of the symphony orchestra . On behalf of the Mitteldeutscher Rundfunk, written by Jörg Clemen, Kamprad, Altenburg 1999, ISBN 3-930550-09-1 , p. 187.
  25. ^ First performance for Paul Dessau work. Vocal cycle based on texts by Brecht . In: Neues Deutschland , December 12, 1979, vol. 34, edition 294, p. 1.
  26. ↑ New musical works presented. Concert with GDR premiere . In: Neues Deutschland , February 28, 1984, vol. 39, issue 50, p. 1.
  27. ↑ Nina Noeske: Musical deconstruction. New instrumental music in the GDR . Böhlau, Cologne a. a. 2007, ISBN 978-3-412-20045-9 , p. 358 / fn. 80.
  28. ↑ a b c Steffen Lieberwirth (Hrsg.): Mitteldeutscher Rundfunk. The history of the symphony orchestra . On behalf of the Mitteldeutscher Rundfunk, written by Jörg Clemen, Kamprad, Altenburg 1999, ISBN 3-930550-09-1 , p. 135.
  29. ↑ a b Steffen Lieberwirth (Hrsg.): Mitteldeutscher Rundfunk. The history of the symphony orchestra . On behalf of the Mitteldeutscher Rundfunk, written by Jörg Clemen, Kamprad, Altenburg 1999, ISBN 3-930550-09-1 , p. 136.
  30. ↑ Steffen Lieberwirth (Hrsg.): Mitteldeutscher Rundfunk. The history of the symphony orchestra . On behalf of Mitteldeutscher Rundfunk, written by Jörg Clemen, Kamprad, Altenburg 1999, ISBN 3-930550-09-1 , p. 175ff.
  31. ^ Livia Neugebauer: Knowledgeable audience. From the Japan tour of the RSO Leipzig . In: Neue Zeit , November 25, 1982, vol. 38, issue 277, p. 4.
  32. ↑ Steffen Lieberwirth (Hrsg.): Mitteldeutscher Rundfunk. The history of the symphony orchestra . On behalf of the Mitteldeutscher Rundfunk, written by Jörg Clemen, Kamprad, Altenburg 1999, ISBN 3-930550-09-1 , p. 139.
  33. ^ A b Wolf-Dieter Hauschild, Robert Schuppert: Prelude. Conversations with conductors: Wolf-Dieter Hauschild in conversation with Robert Schuppert . In: Theater der Zeit 9/1984, pp. 35–38, here: p. 35.
  34. ↑ Vera Wohlgemuth: Traditionally: The ninth. Wolf-Dieter Hauschild conducted in the palace . In: Berliner Zeitung , December 29, 1984, vol. 40, edition 307, p. 7.
  35. ↑ The world has a new jewel of art. Press comments on the reopening of the Semperoper . In: Berliner Zeitung , February 19, 1985, vol. 41, issue 42, p. 7.
  36. ^ John Rockwell : Dresden's Opera House Begins Anew. In: The New York Times , Feb. 24, 1985, Section 2, p. 34.
  37. ↑ a b c Dieter Härtwig : Wolf-Dieter Hauschild is 70 years old today . In: Dresdner Latest News , September 6, 2007, p. 9.
  38. ↑ a b Steffen Lieberwirth (Hrsg.): Mitteldeutscher Rundfunk. The history of the symphony orchestra . On behalf of the Mitteldeutscher Rundfunk, written by Jörg Clemen, Kamprad, Altenburg 1999, ISBN 3-930550-09-1 , p. 137.
  39. ↑ Wolf-Dieter Hausschild , in Internationales Biographisches Archiv 14/2005 of April 9, 2005 (hy), in the Munzinger Archive ( beginning of article freely accessible)
  40. ^ Dpa: Wolf-Dieter Hauschild wants to stay in the Federal Republic . In: Süddeutsche Zeitung , No. 119, May 24, 2020, p. 41.
  41. ↑ Catalog raisonné: Instrumental Concerts. yun-gesellschaft.de; accessed on April 26, 2020.
  42. ^ A b Frank Armbruster: Wolf-Dieter Hauschild, the former chief conductor of the Stuttgart Philharmonic, will be seventy years old on Thursday . In: Stuttgarter Zeitung , September 4, 2007.
  43. ^ Wulf Konold : Landestheater and State Orchestra 1956 to 1986 . In: Wulf Konold (Red.): The Lower Saxony State Orchestra Hanover 1636–1986 . Published by the Lower Saxony State Theater Hannover GmbH, Schlueter, Hannover 1986, ISBN 3-87706-041-2 , p. 159ff., Here: p. 170.
  44. ↑ Manfred Sack : Musiktheater in Stuttgart: Loriot debuts as an opera director with Flotow's comic opera: Martha, Martha, du . In: Die Zeit , No. 6, January 31, 1986; Wolfgang Schreiber: Fun - and more. Triumph for Loriot: He cleverly stages Flotow's opera “Martha” in Stuttgart . In: Süddeutsche Zeitung , January 27, 1986, No. 21, p. 10.
  45. ↑ See reviews on the 6th Symphony by Josef Tal (PDF) joseftal.org; accessed on April 26, 2020.
  46. ↑ Conductor of the Essen Philharmonic. essen.de; accessed on April 26, 2020.
  47. ↑ Aalto Music Theater. essen.de; accessed on April 26, 2020.
  48. ↑ Michael Struck-Schloen: Between cuisine and riot. After 16 years the chief conductor and artistic director Stefan Soltesz is leaving the Aalto-Theater in Essen . In: Süddeutsche Zeitung , August 9, 2013, p. 11.
  49. ↑ Best concert program of the season. dmv-online.com; accessed on April 9, 2020.
  50. ↑ Wulf Mämel: Curtain up! 25 years of the Aalto Opera. The Essen Opera is a total work of art and an ambassador for music . Edited by Norbert Beleke. Beleke, Essen 2013, ISBN 978-3-8215-0637-1 , p. 61ff.
  51. ↑ Wulf Mämel: Curtain up! 25 years of the Aalto Opera. The Essen Opera is a total work of art and an ambassador for music . Edited by Norbert Beleke, Beleke, Essen 2013, ISBN 978-3-8215-0637-1 , p. 60; Nicolas Slonimsky , Laura Kuhn, Dennis McIntire: Hauschild, Wolf-Dieter. In: Laura Kuhn (Ed.): Baker's Biographical Dictionary of Musicians . Volume 3: Hair – Levi . 9th Edition, Schirmer Reference, New York 2001, ISBN 0-02-865528-1 , p. 90; Frieder Reininghaus : reasons of state on the opera stage. “Rheingold” in Essen, “Maiden of Orléans” in Wuppertal . In: Süddeutsche Zeitung , October 1, 1994, p. 14; Pedro Obiera: Kirst's "Ring" with a small look . In: Sächsische Zeitung , October 8, 1996, p. 18.
  52. ^ Helmuth Fiedler: Kapellmeisterlichen competence. Wolf-Dieter Hauschild turns 70 . In: Stuttgarter Nachrichten , September 6, 2018, p. 18.
  53. ↑ John Killyen: State Philharmonic Hall. Outlook into an uncertain future. Program presented for the next season. In: Mitteldeutsche Zeitung. March 21, 2000.
  54. ↑ Frank Czerwonn: Philharmonic chief conductor throws down his baton. Wolf-Dieter Hauschild terminates the contract early . In: Mitteldeutsche Zeitung , January 22, 2004.
  55. ↑ The devil is in the rhythm. World premiere by Marti . In: Mitteldeutsche Zeitung , June 10, 2003.
  56. ↑ Johanes Killyen: Philharmonic State Orchestra. Hauschild wants to turn his back on Halle. From summer 2004 no more guest conductors . In: Mitteldeutsche Zeitung , May 22, 2003.
  57. ↑ a b c Juliane Hinz: "He is one of our very greatest". [Conversation with Wolf-Dieter Hauschild] . In: Schweriner Volkszeitung , May 7, 2010, p. 18.
  58. ↑ Rostock Volkstheater remains without a general music director . In: Nordkurier , June 16, 2000.
  59. ↑ Alain Pâris : Classical Music in the 20th Century. Instrumentalists, singers, conductors, orchestras, choirs . 2nd, completely revised edition. Deutscher Taschenbuch Verlag, Munich 1997, ISBN 3-423-32501-1 , p. 342.
  60. ^ Martin Groskopff: Altenburg: 125 years of the Landeskapelle at the State Theater . In: das Orchester 07-08 / 1996, p. 30.
  61. ^ Artistic director. dirigentenforum.de; accessed on April 24, 2020.
  62. ↑ Prof. Wolf-Dieter Hauschild. orchesterzentrum.de; accessed on April 26, 2020.
  63. ^ Eva Maria Gabler: With the grinding of the Thomanerchor: The capital of a strict training. Michael Gläser sees self-discipline as the basis of his career . In: Süddeutsche Zeitung , No. 100, May 3, 1993, p. 44.
  64. ↑ Estonians in Abendroth's footprints. Hendrik Vestmann wins Weimar competition for young conductors . In: Thüringische Landeszeitung , May 29, 2006, p. ZCKU129.
  65. ↑ Walter Habel (Ed.): Who is who? The German who's who . 43rd edition (2004/05). Schmidt-Römhild, Lübeck 2004, ISBN 3-7950-2038-7 , p. 534.
  66. ↑ Detlef Färber: Philharmonic. Junior conducts on his father's podium. Thomas Hauschild is in charge of “Classical Heritage” . In: Mitteldeutsche Zeitung , October 11, 2003.
  67. ↑ "BZ" Critics' Awards 1975 awarded . In: Berliner Zeitung , September 27, 1975, vol. 31, edition 230, p. 6.
  68. ^ GDR Art Prize ceremonially awarded . In: Berliner Zeitung , May 14, 1977, vol. 33, issue 114, p. 2.
  69. ^ High awards for the 35th anniversary of the GDR . In: Neue Zeit , October 6, 1984, vol. 40, edition 237, p. 3f.
  70. ↑ Current . In: Fono Forum 3/1991, p. 59.
  71. ^ Prize of the German Record Critics . In: Fono Forum 9/1993, p. 91.
  72. ↑ Johannes Brahms - All choral works a cappella and with instrumental accompaniment. orfeo-international.de; accessed on April 25, 2020.
  73. ↑ Person: Wolf-Dieter Hauschild. theateroppel-weimar.de; accessed on April 26, 2020.
  74. ^ Works by Wolf-Dieter Hauschild. theateroppel-weimar.de; accessed on April 28, 2020.
personal data
SURNAME Hauschild, Wolf-Dieter
ALTERNATIVE NAMES Hauschild, Wolf Dieter
BRIEF DESCRIPTION German conductor, choir director, artistic director, composer, harpsichordist and university lecturer
DATE OF BIRTH September 6, 1937
PLACE OF BIRTH Greiz